war „strw“ bisher eine mixtape-reihe, würde die bezeichnung dem werk nicht gerecht werden! lukas strobel schlüpft wieder in die verschiedensten rollen und arbeitet sich an stereotypen und vorurteilen ab, wie in der konsequenz in seiner karriere nicht geschehen. bereits im videotrailer zum album mimt alligatoah die rollen seiner karriere. außerdem tauchen neue gesellinnen auf und ergänzen das bild. die szenerie baut sich auf, bis ein herr mit einer grubenlampe ruft: „was ist, wenn wir gar nicht real sind, sondern nur die verschiedenen persönlichkeiten eines wahnsinnigen?“ alligaotah zeigt sein weltwackelbild. wenn draußen alles verrückt, haben die gestalten des rap-barden ihre festen plätze. sei es der feminist, der seiner liebe einen rap-track widmet, der reise-hippie, der sich in der welt sucht, ein detektiv, der durch den nebel der vergangenen nacht watet oder der meinungsfreie demonstrant, der auch gehör finden will. schafft es der künstler also bei der fünften ausgabe seiner „schlaftabletten, rotwein“-welt wirklich noch etwas hinzuzufügen? die antwort könnte sie unterhalten, verunsichern und zur selbstreflexion zwingen.
limitiertes rotes doppel-vinyl im klappcover inklusive album-cd.

it sounded all right through two walls, so what s the problem? the final words of two walls, the fast and very catchy leading track of dj marcelle s new record, sum up an aesthetic almost lost in today s musical climate, where often a pleasing attitude and overproduced music sadly rule, even in so-called alternative circles. the quote comes from the late mark e. smith (1957 - 2018), legendary frontman of the fall, and is taken from some of the conversations marcelle had with smith over the years. smith is referring to a recording process but for marcelle his words stand for something bigger.

some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. on this release - a treasure trove of synth jams, pop, samba boogie, balearic and electro from 1980 & ‘90s brazil - the tracks are picked by millos kaiser, one half of the brazilian duo selvagem, who are at the helm of throwing some of the country’s best dance parties. it’s a rare compilation that offers brazilian music actually picked by a brazilian.
this collection of sixteen tracks doesn’t comprise tracks scoured from deeply in-demand records, the rare sort that sell for eye-watering sums and that collectors spend years tracking down. they are the sort you’d find for a few quid should you come across but, as kaiser says, “the problem is finding them. they aren’t rare because everyone wants a copy but because no one wants them, not even the dealers.”

the debut offering from singer mark wystrach, lead guitarist jess carson and bass player cameron duddy, collectively known as midland. midland is the embodiment of seventies california country, all smooth eagles harmonies and heart-on-your-sleeve lyrics. their songs are intoxicating country sung with the twang of george strait. and it s impossible to resist. their no. 1 hit single “drinkin’ problem” earned best country song and best country duo/group performance nominations for the grammys 2018. if there was a perfect country album which combined those traditional sounds with modern hooks for me then this is it! (six shootercountry). this vinyl is only available in the uk as part of record store day.

mannequin records is proud to present a trilogy of reissues from the avantgarde italian-born producer doris norton, -norton computer for peace- (1983), -personal computer- (1984), -artificial intellingence- (1985). . 35th anniversary edition, original release from 1983 by durium records.

the happiness is back! after his debut in future times, repetentes 2008 checks the third 40% foda/maneirissimo 12 release as -os maneiros-, an ep showcasing the sound that only the fail experiences of gabriel guerra s school years could bring. with his trademark sound of sped-up boogie and happy-as-hamtaro fusion, repetentes 2008 packs it up four crazy tracks that are perfect for bringing up your mood. -lucas freire birthday- it s that crazy instant hit accompanied by a chit-chat between two friends (lufreire and timidozinho) who doesn t seem to get along but love each other. supervagabundo is flute-filled fusionness with conventions and solos that could make even casiopea get jealous. in the b-side, -nova berserker- gives you the chill in a ymo-esque fashion by showing how things works when it get s the glassy and digital synth fever and -fofo shuffle- closes with the cute triplet groove and a beautiful and bubbly melody. are you suffering from po-faced music in the dance floor? no problem, repetentes 2008 s -os maneiros- is the cure, the sugar that you gives you the rush without losing the joy! get it now!

in this oversharing era, uncommon is for an artist to choose to remain in total anonymity. even for the easytiiger teamwork, the real persona behind the model nice act is still a complete mistery – actually not a problem when the sound speaks for itself. the debut ep -nice to meet you- arrives with four raw dance burner gems, including a futuristic arp killer remix from the lemon-fanta guy, pépe, for the song -cravo amargo-. besides the rough-shaped aspect of the sound, this ep reveals a very sharp and sophisticated production, with complex element layer works that could perfectly fit as the soundtrack for a blade runner microcosm built inside of a night club. -nice to meet you- invites you to this journey through a particular soothing world, surrounded by a complex & confessional mood without saying... well, a single word.

mood to move ep is a six-part musical retrospect into the work of veteran japanese house producer takecha, the little-known artist has been sporadically releasing analogue house on his own gwm imprint since the mid-90s, however trouble maker had only recently discovered his works and were dying to hear more. the music he sent was far too good to remain unheard, so we twisted the little-known maestro’s arm and managed to grab a selection of six unreleased and never before heard cuts for your audio pleasure. created between 1995-2000, these musical gems were left dormant on dat tapes in takechas basement - until now! with classic house being the flavour throughout, the high-quality production and deeply-resonant synth lines of each track leave an imprint that’s hard to forget. if this is your first time hearing takecha you certainly won’t be disappointed., released on 12 inch vinyl , shrinked wrapped

aktion mutante (violet poison and unhuman) is a synth-punk project recalling the ‘80s minimal-wave melancholic vibes with new school ebm/ cyber-punk noise cuts. the realistic mutation of the human body into a surreal and ascetic mind setting of an apocalyptic contemporary society. a live force with analogue machines. aktion mutante’s alchemy of splintered synth-punk, bloody ebm and haunting wave injects right into the veins and spreads quickly through the body. the duo of violet poison (veleno viola) and unhuman (liber null) couldnt be more suited for each other. after meeting at liber null’s duality event in 2015, the two artists clicked immediately and were able to record some material in italy during the winter of 2016. the result is this suburb 12inch which is composed of six tracks and was mixed by aconito records, london and mastered by andrea merlini, utrecht.

jaxx madicine is a jazz-funk inspired house-ish outfit from milan consisting of turbojazz (local talk, gamm records), parker madicine (heist, bastard jazz brooklyn, ct-hi records) and the talented jazz keyboardist veez_0. with an organic and melodic sound collage you can hear influences from classic 70 s jazz funk labels and artists like cti, mizell brothers, kudu and bob james but also the current sounds of kaidi tatham, byron the aquarius and harvey sutherland. after their debut ep montreux they are now ready to drop their full album distant classic where the jaxx crew exit planet earth and treat us to a space music odyssey that is full of surprises. during the journey they deliver house, jazz, fusion, boogie and jazzy beats from a highly melodic keyboard perspective. all tracks are made with a genuine love for analogue synthesizers, fender rhodes, clavinets and some soulful mpc programming. distant classic is an album that can be enjoyed both in the club and at home, but we hope you will enjoy their melodic sounds on any platform. just press go and enjoy the trip.

10 years after blu and exile released their magnum opus below the heavens, the california duo have reunited to release 14 tracks from the original 2007 sessions. in the beginning: before the heavens contains previously heard songs and unreleased gems – the best of the best chosen from over 40 songs in the vault. their third collaboration follows 2012s give me my flowers while i can still smell them, and is slated for an october release. in the beginning: before the heavens is made of up songs that are raw and untouched, keeping the authenticity of blu and exile’s creativity at the time. the album has guest appearances from familiar names like dr. oop, donel smokes, aloe blacc, and blame one. while soul provider, another day, and party of two appeared on blus lifted ep, the majority of these songs showcase blu rapping at his peak, maintaining his underground attitude as he dishes on reaching star status (constellations), getting radio play (on the radio), or opposing views in a problem-ridden world (youre gonna die someday). exile, meanwhile, builds a golden hip-hop era feel with head-nodding samples and dj scratches.

chicago godfather mike dunn presents a new album thats fuelled by a pumping heart of pure house and a body of powerful analogue muscle. my house from all angle is a record destined to fully reinstate this already respected figure at the upper echelon. despite releasing countless classics like face the nation, god made me phunky, let it be house and personal problem, plus plenty more underground gems under pseudonyms like qx-1, the jass man, the phunky people and the md connection this is mike s first longplayer since 1990. the album title represents the different styles of mike’s large and long-standing catalogue that’s beloved of both diggers and djs alike. a master of deep stroboscopic acid, booty jackers, hip house and groovy us house/garage all are represented within.

alien jams presents a new release by wilted woman called home listener. after releasing the amazing -diary of a woman- on she rocks! earlier this year, ww is back with this sublime 5 track ep. from the onset, playful synth patterns mingle and coalesce, spiralling towards dizzy culminations. at times wobbly and disjointed, ww creates stunning compositions that would work magic on the dancefloor. each track of home listener feels like its own paranormal entity, living organisms that develop and grow as the music unfolds.

ltd hi quality disco edits

recently, superpitcher was invited to go on a safari in south africa. he bought a custom made safari hat at his favorite milliner in cologne (ju&#776,,,rgen eifler) and set off with big eyes and a pair of binoculars. it was wild and wonderful and he saw many exotic (and big!) animals, even a leopard in a tree that told him the secret of the universe. he forgot what the leopard said because his mind was still playing and replaying the sound of what he heard on the first night of his arrival – the hypnotic and moving sound of the voices of africa, the voices of the wonderful tanda tula staff choir. there, the choir members work during the day at the camp and at night entertain the guests with their captivating voices and energetic dancing. so impressed was he with their songs and beautiful shangaan language that he decided to record a cd for them to sell in the shop at their camp and now this precious recording is also available through hippie dance / bush recordings on vinyl and cd for you in whatever wherever camp you are. the lp of the tanda tula choir comes with a very pretty poster.

music from the hbo original series silicon valley on red translucent vinyl, includeing poster and download code.

ambient shoegaze duo aris kindt launch the new kingdoms imprint with their second album, swann and odette. picking up where their first record (2015Æs floods) leaves off, swann and odette is an evolutionary leap forward for the duo. the sonic palette is deeper, the grooves more sparse and the melodies are given more room to seep deep within a mix so expansive it feels almost tactile. this is heady, opulent stuff. the album is immaculately produced and cunningly arranged to sidestep easy classification while not sacrificing accessibility and authentic feeling. aris kindt is the collaborative project of gabe hedrick and francis harris (scissor and thread). harris has previously released the albums leland (2012) and minutes of sleep (2014), both of which have been lauded ôfor (their) extensive use of live instruments, a contrasting feature to his work done beforeö (last.fm, 2016). building on this approach, hedrick adds his own sonic signature in effects-laden layers of electric guitar and modular synthesizer. collectively, the album swells and reverberates to create a seamless interplay of synths and instrumentation cast loose from their origins and awash in oceanic delay.

the third and final segment of the knowes universal broadcast has been received. the series of transmissions is completed by brainwaltzera, william the squid, deep space orchesta and kovyazin d spanning breaks, acid and techno.

flesh world is a dream punk group formed in the summer of 2012 in san francisco. the quartet includes scott moore (guitar, synths) jess scott (vocals, guitar) andrew luttrell (bass, backing vocals) sam lefebvre (drums). jess and scott met while loitering around the panhandle district, listening to records, gossiping, and playing live shows around town with their bands (scott plays in hardcore group limp wrist and jess played in the indie pop band brilliant colors).

on 7th august the godfather mike dunn presents an ep fuelled by a pumping heart of pure house, entitled ‘dj beat that shhh’ / ‘move it work it’. taken from his forthcoming album due for release in october 2017. both tracks capture mike’s essence, placing his trademark hip house booty style vocals and stripped-back, jacking drums centre stage. ‘dj beat that shit’ is classic, bumping 90s chi goodness updated with modern technology, whilst ‘move it, work it’ is a no-nonsence smoke and strobe throbber, that recalls the best of trax and dj international. for anyone who knows their shit, mike should need no introduction, but for those that don’t, he was highly influential in birthing the modern day dance music phenomenon, especially with tracks like ‘face the nation’, ‘god made me phunky’, ‘let it be house’ and ‘personal problem’. mike created hip house, dj’d with fellow legends ron hardy, larry heard and armando gallop, produced for house heroes armando, fast eddie and k-alexi shelby, and worked with the iconic voices of byron stingley and kym english. after a long absence from djing in europe, mike returned in 2015 to rock crowds at panorama bar, fabric, concrete, sub club and glastonbury, demonstrating why the chicago og is still very much in demand.

on his debut full-length album as marker, new orleans artist mike wilkinson eschews traditional pop catharsis for total submersion into a blue, luminous tunnel. guitar, bass, and wilkinson s voice are all treated through a variety of outboard and software effects, gently blurring into one another. written and recorded between 2012 and 2015, the songs distill themes of isolation and connection, unreliable memory, identity, and the problem of infinite introspection and its relationship with reality. filled with surprise melodic turns and evocative, vaporous production, -marker- is an immersive work of otherworldly pop, encouraging its listeners to retreat inside themselves.

it took me a couple of years get invited to christophe de groot’s (aka circadian rhythms) homebase, and a couple more years to dive into his sonic archive. but time tells and basic moves 02 is what came out. the two tracks were recorded at earguard studio in brussels around 1996, at a moment when his interest was moving away from club music towards other golden musical horizons. “frequency” is a macro tech-house track in mid tempo.
i’m super happy i could archive it on wax because we almost fucked up the master dat tape by blowing up the player during a marathon listening session at his place. we had to open the device, unroll the tape across his house (full of records) and fold it back into the mini dat cassette. after a few hours and twenty metres of tape, the problem was solved and the tracks archived: “a dose of authenticity at a time of post-counter-cultural stagnation”. “house speaker call” originated in proto-techno forms. christophe never sees techno as a type of music but as a process. as a producer, collector and deejay he always dives deep into authentic forms of electronic music. deg’s antic personality shines out in the middle of the harsh beat-driven electro/techno track like a hopeful melody passing by on its elliptic orbit. tune your cells into his vibrations and get ready for these two timeless club tracks.

it is an honor for 7777 to present its 13th release featuring dmx krew and yuri suzuki. side a brings you straight house attitude. b side strips it down and adds the acid. these songs are perfect for your record bag.

nach sechs mixtapes, drei eps, zwei büchern sowie seinem debütalbum “loop up” (2015) veröffentlicht us-rapper mod sun aus minnesota nun den nachfolger “movie” mit features von d.r.a.m, maty noyes, blackbear, gnash, dej loaf, rich the kid und mansionz (mike posner & blackbear).

limitiert und remastered: fünf nachpressungen vergriffener studio one bestseller.

legendary detroit dj, producer and godfather of * beatdown* delano smith has been in the mix for over 30 years, his skills are untestable, his sets are all classics, and he shows no signs of slowing down anytime soon! this ep from 2005 on chicago s still music packs a punch - low down, deep, rolling techno-house hybrids that tick all the boxes! still sounding fresh today. including a stellar dub mix and jimpster reimagining all 3 cuts will find their way into your record bag no problem! essential repress action!

das album trägt den ungewöhnlichen titel “w:/2016album” (ausgesprochen w drive 2016 album). das album reflektiert, wo sich deadmau5 nach zehn jahren karriere musikalisch befindet und besteht aus einem mix an material, das in den vergangenen jahren von ihm komponiert wurde. “let go (feat. grabbitz)” ist eines der kernstücke und mit stimmungsvollen vocals von grabbitz versehen.
thomas zimmerman aka deadmau5 gewann in der vergangenheit diverse preise u.a. den kanadischen musikpreis “juno award” für den besten dance-track. bei den beatport music awards 2008 wurde er sowohl als bester electro-house- als auch als bester progressive-house-künstler ausgezeichnet, und seine single “not exactly” gewann den titel “beste single 2008”. ebenfalls wurde er im dj-mag-top100-ranking auf rang 11 gewählt.
das limitierte doppel-vinyl erscheint im klappcover.

limited 10 x 12inch box set. red vinyl. devilish red is the perfect colour for the royal last chapter of the the sound of belgium compilation series.

alleviated records is proud to present the donnie tempo ep re-issue. darren brandon, producer behind artists such as nature love night life collective, knu je distant music and club ice black market international/mca and dj quad gives us this 3-track ep. deeper house-music enthusiasts who are into the historical facts and aspects behind the music will find much interest in the selection mental problem on this ep. mental problem has it s own special place in the history of chicago and the development of this music that the whole globe now enjoys. there were many dance tracks that were exclusive to the dance floors of clubs in chicago that were never released as commercial recordings, well - not until this issue of this very deep and energetic selection that embodies elements of acid, deep and tribal dance cuts. enjoy!

this is an official reissue of what am i gonna do for fun by the band pitch (1982 - new york city). this release also includes a fantastic remix or rework by tolouse low trax (toresch, salon des amateurs, düsseldorf). a few words from stuart shape, the producer: feels like it was done by another person. i remember getting the serge synthetiser to stay in tune was always a problem. we were fascinated with the new sampling that were just coming out, and kind of got carried away on the vocals. not sure what i was thinking about with the lyrics, guess maybe trying to figure out what i was supposed to be doing when i wasnt working or playing music unfortunately no other finished tracks from that era have survived. they recorded a lot, but finished and saved very little.

verträumte soundlandschaften, atmosphärische beats, aber auch direkte, cluborientierte sounds für den moment, wo die euphorie einer party alle trägt: der 23jährige dänische produzent sekuoia kreiiert hypnotisierende elektronische musik, die stets warm und organisch ist und veröffentlicht im herbst diesen jahres endlich seinen ersten lanspieler -flac-. seine heimatstadt kopenhagen spielt für sekuoia alias patrick bech-madsen dabei eine durchaus wichtige rolle: vor allem die starke house- und technoszene inspiriert ihn immer wieder. aber nicht nur diese. für kollaborationen hat sich sekuoia mit der experimentellen sängerin kill j und marc roland des poporchesters kentaur vor allem um dänische acts bemüht, die den pop in seiner musik hervorkitzeln. so wird aus -lamp in the dark- ein sinnlicher, vom r&b inspirierter song, während -brace- sich mit roland am gesang zum richtigen ohrwurm entwickelt. und wenn man von patrick hört, dass zu den musikalischen vorbildern four tet und caribou zählen, kann man bei diesem song durchaus auch noch bonobo ergänzen. aber auch die andere seite des spektrums wird von sekuoia noch weiter erforscht - die cluborientiertere.

was wäre die welt ohne singende pop-pianisten? man denke nur an billy joel. oder an stevie wonder. ja, und was wäre die welt ohne jazz?! man denke etwa an lady day oder john coltrane. oder die nächste steuererklärung. na, und was wäre die popmusik ohne krokodile?! man denke an prince. oder an donald fagen. na, und was wäre dieser text ohne albrecht schrader, den wundervollen pop-pianisten aus der hansestadt hamburg, der aber schon seit einigen jahren in der domstadt köln wohnt. leben in der großstadt, so der titel seiner kommenden ep spannt mühelos den bogen von steely dan über prefab sprout bis erobique und palmingers „songs for joy-. die stimme sitzt, die finger fließen und die seele tanzt. das oben drauf auch noch große pop-poesie geschrieben steht, kann man nur noch als absoluten glücksfall deuten: -das problem am kalenderspruch ist der kalender und nicht der spruch-, singt schrader in „pathos im alltag-. bevor man sich in diesem text in solchen sprüchen verirrt, bloß um die luxuriöse Ästhetik dieser musik zubeschrieben, bleibt am ende nur die dringende empfehlung diesen künstler doch einmal aus zu checken, wie man szene-deutsch zu sagen pflegt. up + coming dieser typ! keine frage...

rushmore is a 1998 soundtrack to the wes anderson film of the same name. the songs mostly blend raw, adolescent urges and insecurity with an awkward grace, composed primarily of popular music from the 1960s. continuing with its soundtrack initiative, ume will be reissuing this classic soundtrack back on vinyl for the first time in years.
the 1998 wes anderson film, rushmore, starred bill murray, jason schwartzman, olivia williams, seymour cassel, and luke wilson. the soundtrack was scored by mark mothersbaugh and also features music by the kinks, cat stevens, the who, john lennon, zoot sims, faces, and more.

always on the scout for the freshest talent, dirt crew recordings breaks into 2016 bringing together a couple of our more recent discoveries, loz goddard & harry wolfman for their all new square lane ep.

special price bundle from material series, featuring releases 029, 046 & ltd013.

göttingen//germany based sublabel of shaker plates rüttelplatten comes out with a new producer team called starskie & hagi they met. they understood. and than it was soon clear that they should work together. only the distance between dusseldorf and munich was a small problem. but the internet helped. here are the results: bogats choint with a gunman remix and feel this with a m.in remix

nach *mit der concorde über den atlantik* hier nun endlich das neue album von der plot aus düsseldorf. die vinyl lp erscheint inklusive album-cd.

2020 repress! after space dimension controller the clone royal oak series is coming with another young talent. this time its swedish genius of time, known for their debut release on aniara records. three takes on classic house music done by young producers in their unique almost serene style that reveal their nordic roots. genius of time shows that house music can still sound fresh.

the first musical scale on apiafo leans towards raw funk with a sound similar to the famous 70s bands, l orchestre poly rythmo de cotonou and el rego. funk, is the skeletal structure of this record, and provided the opportunity for peter to invite his uncle, roger damawuzan - the famous pioneer of the 70s soul scene – on two tracks. their collaboration on *pas contente* is a highlight on this 100% analog album. apiafo was entirely recorded, mixed and mastered with old tapes and vintage instruments.

established in 2009 - roots united is a large formation of people who share mutual preferences in music and art - for more than 5 years remains one the main visionaries of electronic scene in st. petersburg. it is not just a music community - running their own monthly events roots united earned status of the most conceptual and noisy techno / house parties with over a hundred foreign artists in the list.

if the first black narcissus album did not knock you out, this second double lp could address the problem by being more precise where it hits.

ice ts infamous and influential metal band debut from 1992.

coming from the darkest depths of the south american jungle but raised in the city of utrecht in holland, julian alexander is a name that might not have fallen on many ears as yet but we guarantee you ll be hearing a lot of this 18 yr old powerhouse in the future. with a background in jazz and a trained multi instrumentalist, exploring hip hop and underground house and uk garage, julian soon started to craft a unique style and put his own slap and funk into the mix. focusing on a deep powerful sound with plenty of pound he quickly caught our attention as his meaty, stripped down minimalism explores an even darker chamber of the dungeon . julian s hustlin ep delivers the kind of tracks that keep the floor moving, essential tools that can be the perfect transition or the spark that lights the fuse on on the dance floor. can you believe he made the track undrg at the ripe old age of 16 years old. it really blows our minds to think he made it 2 years ago and it still sounds fresh and futuristic. as with all our releases these jams are tried and tested and proved to be very useful for building the tension and getting those fist pumping. their solid, track, bass heavy vibe will have no problem bothering even the biggest bass bins

vinyl lp with download code.

after last years *el portal* (ttt008), anthony naples is back on the trilogy tapes for another outstanding release.

mit wunderbaren songs wie -no problem- oder -i think i like u2- begeisterte jamaica, ein duo bestehend aus den franzosen antoine hilaire und florent lyonnet, bereits 2010 die fans weltweit. nun schickt sich jamaica an daran anzuknüpfen. -ventura- heißt das neue album, das abermals von peter franco produziert wurde, der zuletzt noch bei daft punk an den reglern saß und dem album den letzten musikalischen schliff gab. -ventura- ist dabei die logische fortführung seines vorgängers. geradlinige poprock-songs, die zeigen, dass die leichtigkeit des seins auch in der musik zu finden ist. die vinyl lp erscheint inklusive cd-versdion des albums.

limited available in a nice pack, material024 / material031 and materialltd013 featuring franco cazzola & titta, oscar, ji-fi, gummish & mihalis safras remixes from *the organ track* by samuel l session.

daniel lopatin, sohn russicher us-einwanderer, hat sich als oneohtrix point never mit experimenteller elektronik einen namen als talentierter komponist erarbeitet. er veröffentlichte drei alben auf minilabels, arbeitete mit antony hegarty als sänger und mit animal collective als festivalhoster (atp) zusammen und schrieb neben brian reitzell die musik zu sofia coppolas jüngstem film *the bling ring*. lopatins musikalisches schaffen wird von kritikern mit einem zerbrochenem spiegel verglichen, in dem sich klänge aus der vergangenheit brechen. auch auf seinem warp-debüt *r plus seven* blinkt seine neigung zum experimentellen immer hervor, zeitgleich wagt er sich so nah wie nie zuvor an traditionelle songstrukturen heran, so dass die zehn neuen tracks zu gleichen teilen aufwühlerisch wie hypnotisch wirken.
doppel-vinyl im klappcover, downloadcode inklusive.