limited nice price blow out ... disconet was created as subscription program service, which professionally selected and mixed disco music for discotheque djs, mobile discos and radio stations. disconet is called as the granddaddy of all remix services and provided mixed/segued dj dance sets, not only to make the djs job a little bit easier, but to expose club goers to new music. the djs spinning at the height of the disco era were given access to a new creative tool - a different interpretation of current dance tunes to wow club goers. originally, the disconet records were to be issued on a monthly basis which were limited to 1000 - 1500 copies of each volume. the first disconet record was released in october 1977. disconet team at that time was: tom savarese, bobby dj guttadaro and kevin guilmet as well as mike wilkinson. tom, bobby and kevin were dj legends, who had already been awarded with the dj of the year title by billboard. these greatest hits volumes contain their finest work, the original licensed disco edits of all the floor fillers of the time that have been re issued for your listening pleasure. expect many more volumes in the near future.

edit select and dino sabatini join forces together for her debut on motoguzzi records. the liaison of these two maestros leads us to a hypnotic and trippy journey through their musical minds. edit select comes with a serious driving floor piece and dino sabatini shows us his musical understanding with a deep floating shamanic approach. selected dj support: supported by: marcel dettmann, len faki, oscar mulero, dubfire, luke slater, cosmin trg, tommy four seven, Âme, james ruskin, ben sims, josh wink, sigha, simian mobile disco, lucy, angel molina, joris voorn, blawan, pangaea, speedy j...

label from londons e1s acid techno dj acid steve. featuring acid steve & steve mills, ddr and mobile dogwash & ron atomiser!

special beefed-up package for all you beef lovers out there! containing 2 classic 12 inches and an album cd of this great label:
- beefep011: various - remixes from the vault vol. 1
- beefep012: shades of gray - unlock the rhythm (album sampler)
- beefcd007: shades of gray - unlock the rhythm cd

things have been a-brewing in the tender hooks camp. we have been markedly quiet on the release front but finally - with little to no further ado - we are ready to get things rolling once more. tender hooks are proud and honoured to introduce t.wiltshire and his debut 12 inch the sandringham ep (limited to 300 copies, vinyl only).
support from midland, axel boman, kornel kovacs, laurent garnier, catz n dogs, rob da bank, simian mobile disco & more.

this second sampler from the ralph lawson content album features three of the most in demand dj cuts.

nice price deal !!! moonlite bunny ranch is a saxophone player and two dj/producers, born from the spine of the dark jazz ensemble macelleria mobile di mezzanotte: freeform techno with improvised patterns and no real clue where the music would go, like a rough jazz band playing slow techno. their first effort, downer, is a 3-track ep combining analog synthetizers, digital effects, saxophone, hang drum. mixed at the subsound studio in rome by luciano lamanna and mastered by andrea merlini, downer gets inspiration from the illegal brothels in no mans land in the south of the united states, the jazz funerals in new orleans, the goat and the old lady.

over a year in the making, moon rock volume 1 is the first in a series of compilations assembled by throne of blood recordings geared to explore the outer reaches of electronic ambience, cosmische vibrations, and crystalline acoustics. sparked by their shared love of ambient classics, label head james friedman and long-time tob artists cosmic kids put out a call for new and unreleased drones, beatless versions, and arpeggiated chillout tackle.

just in time for this years festive celebrations, the imprint curated by merseyside edits maestro greg wilson returns with the tape-tapping talent of fingerman. real name gregg holmes, wilson first thought his fingerman pseudonym was inspired by a character from v for vendetta, the cult graphic novel by alan moore, but he was in fact so called after creating a weird stop motion video on a mobile phone about a shouting finger. thankfully his studio work is less peculiar: years of spinning techno in the mid-90s giving way more recently to an going love affair with funk, soul and disco nuggets.

stuck in the 9-5 grind, stifled by the impersonality of constant social media and mobile interaction, contemporary urban life can be suffocating. for a certain breed, release cannot be found in the vast, unpopulated great outdoors. urban animals congregate in heaving warehouses, seeking solace in the liberating beats of the kick drum. they are bound not by association, but through a shared experience of primal relief felt in those shadowy, dance floor corners swelling with the sounds of low end frequencies and brazenly sculpted grooves. this is the urban animals jungle.

flashback to chicago in 1985, when house music was just being born. a few kids - matt warren, miguel garcia and ralphi rosario, get together to join forces with the already established sunset mobile disco - owned by brothers alex and robert rojo - to create a new record label as an outlet for their productions. here still music presents the full story, written by jacob arnold - of one of chicagos house music best kept secret in a superb gatefold dlp compilation that includes remastered, rare and unreleased tracks from the sunset records inc. label along with lost pictures and artifacts spread in a gatefold dlp. check!

nach einer dekade voller erfolgreicher singles und remixes für erfolgreiche acts wie gossip, jimmy somerville, scissor sisters, simian mobile disco, digitalism, sido, modeselektor, boys noize, bag raiders, a-trak, chromeo u.v.a., erschien 2010 endlich das überaus erfolgreiche siriusmo debütalbum mosaik . nicht nur in deutschland, sondern weltweit landete das album in zahlreichen jahresbestenlisten und wurde mit überschwenglichen rezensionen in der internationalen presse gefeiert. enthusiast , das heiß ersehnte nachfolgewerk, hat fast 3 jahre studiozeit verschlungen. immer wieder verworfen, allen klischees des schwierigen zweiten albums entsprechend, gab es erst ende februar 2013 ein fertiges album, dass den künstler zufriedenstellte. enthusiast stellt eine deutliche weiterentwicklung dar und entspricht klanglich erneut allerhöchsten standards. 13 songs voller spielfreude bilden äußerst facettenreich nahezu das gesamte spektrum elektronischer musik ab. von hip hop bis house, pop bis techno und weiter zu ambienten listening momenten wird gekonnt alles machbare verknüpft, ohne jedoch den wichtigen roten faden eines albums jemals auch nur im ansatz zu verlieren.

we are proud to present 4 exclusive remix cuts on this vinyl only release! when well-established artists meet promising newcomers you get a truly special blend of underground house music. nikola gala, moodyman, joyce muniz, shades of gray, maksim batyunin, reblok and mobile soul system – winners of our remix competition, all on the same playlist! hot selection.
big with: homework, slam, miguel migs, chris fortier, butch, makossa ...

the a-side tears it up with hartwood, rodriguez jr.s biggest hit to date. with a series of alternating and repetitive keyboard strokes and soulful lyrics bouncing on a thick velvet cushion of rich background base, this number is guaranteed to appeal to the industrys most respected players. already landing on the hard drives of pete tong, laurent garnier and simian mobile disco hartwood has gained a bit of airtime as loyal listeners burn for the final release date.

jamie lidell besinnt sich auf seine solofähigkeiten als multiinstrumentalist hinter laptops und analogen synthesizern und liefert ein superbes album mit einflüssen von george clinton, cameo, mtume, new jack swing und bobby brown ab. bereits die teasersingle, das bassmonster *what a shame*, steht seit wochen in den top 10 der deutschen collegecharts und erhält von der fachpresse die prädikate best new track (pitchfork) und *a post-dubstep drunken monster of a track* (stereogum). das jazzthing ehrt jamie mit einer titelstory. nach kooperationen mit cristian vogel (als super_collider), simian mobile disco, beck oder grizzly bears chris taylor und lebensstationen von berlin bis new york, hat der brite nun sein neues zuhause samt studio im traditionsbrennpunkt nashville aufgeschlagen.
doppel 12 inch >vinyl im klappcover, inklusive mp3 downloadcode.

following their brilliant 2011 turbo debut lp, the former architects continue to bring high-minded concepts to low-ended club tracks with their latest release, call2call.

the next musical offering from no.19 comes in the form of robot heart. a record almost destined to be a classic before its creation. this is the same robot heart that burners chase through the desert on bikes deep into the playa to partake in one of the worlds most enigmatic events. it s been praised by the likes of rolling stone magazine as one of the best parties on earth and continues to top the lists of dj s lucky enough to play atop the legendary mobile soundsystem..

nice price deal !!! borngräber & strüvers latest album represents a unique selection of chamber music compositions created in the period of 2000 through 2012. this denotes a new facet in the musical cosmos of the berliner duo, combining influences in the range of minimal music, classic and baroque, as well as the art of improvisation and pop culture. clouds can be considered as an album for fans of richard skelton, the caretaker and christian naujoks, but its distinctive work manages to reach a far wider audience. the album begins with the piece wellen (waves) for soprano and strings. the music is arranged and composed in a sort of wavy-shape, as the title suggests. it is a piece in the purest form of minimalism: without an end, without a beginning. the following track mobile pays homage to richard strauss don quixote, as musical parts and constantly changing atmospheres reconcile to create a sense of movement and mobility. last but not least, secret bells represents an instant composition as charles mingus would say, combining piano works and field recordings. clouds 1-3 were written for a virtual chamber orchestra and join together to give the album its leading name. these >clouds< differentiate themselves trough stylistic influences, ranging from classical to the latest in music.
includes code for free mp3 download of this release.

a glistening highlight and stand-out track including two expertly crafted remixes by simian mobile disco

2012 sees detroit label, kms records, celebrating its 25th anniversary. vinyl part 3 of 6

the second full-length album is a true reflection of the complexity and simplicity that have come to represent the artist. effortlessly weaving entirely new sub-genres, while daring to convey its fragility she assembles the marcy all-stars, a loose collective term that encompasses her longtime muses, friends, and co-conspirers. the term comes from the marcy hotel in williamsburg, new york - an underground nightclub-come-creative-space and wolf + lamb label studios that gave nicolas jaar his first gig, inspired a multitude of collaborations and reshaped the sound of house music as we know it. available on cd, lp with a special limited edition lenticular cover of the accompanying led sculpture designed by deniz kurtel and brought on the way we live u.s. tour. vital sales points: - second full-length artist album for turkish-born artist - mobile led installation was constructed for the tour, artwork is special multi-frame lenticular - extensive global promo + tour

michigan resident d marc cantu serves up his next album on the ever-excellent mos recordings on june 11th 2012. though essentially a house and techno producer, american cantu often goes further than most, calling on a world of influences to ensure his jacking productions are as far away from standard as possible, yet still do damage on the right dancefloors as have previous eps on this label, nation and crème organization.

contains 3 fine thoughtless music eps. arthur oskan - fat mobile ep, dave vega - altars of magic ep, dietrich schoenemann / metalogic / bryan zentz - hollow strangers ep

the slat blinds in berlins panorama bar are part of the vjs equipment, and when the mood is right (usually around sunday afternoon),he opens them up to allow slices of sunshine to penetrate the smoky club air.it doesnt happen all too often,remaining something special amongst hours of darkness.but as ruede played the first version of shades in his last p-bar set, it seemed to happen just for him, as if he had written this tracks distinct break especially for this moment:everyone was mesmerized. re.you & rampa with a rmx for shades are also no strangers to such euphoria, and as ruede recently lent them his voice,they return the favor by building a robust, custom-made bass mobile for the a2.then, on the b-side, ruedes fellow band members from the noblettes make an appearance.as with shades,the focal point is also the big break,only this one has nothing to do with techno - its more of an indie-house ballad with dance ambition.

nice price deal !!! we have been working on new material for the last couple of years - honing, rejecting reworking and occasionally performing it out live. the objective of this gramme re-birth has been simple, but the decisions involved are always complex: simplicity is always the toughest of aspirations. we have been jamming together over the last few months and we have set up mobile studios wherever and whenever we have been able, including some of our office spaces after hours

release #6 on smds delicacies imprint comes courtesy of psycatron and detroit grand pubahs, with a remixe delivered by simian mobile disco themselves. including code for free download of this ep.

different is extremely proud to present you its upcoming new single >jus acid< from the french, london based producer abstraxion, including huge remixes by jacques renault, in flagranti and cosmo vitelli.
abstraxion is currently one of the most exciting up and coming producer. already garnering critical acclaim from his previous eps, including support from on erol alkan, simian mobile disco… he is also a gifted remixer and is in demand having remixed this year black strobe, hey today!, inflagranti and many others.
>jus acid< showcases abstraxion banging acid techno – building schizophonic basslines on his old analogs synths, ace dancefloor track: >this is just acid<.

professioneller digitalverstärker besonders leichte und kompakte bauweise, ideal für mobile zwecke 1 he zum einfachen rack-einbau sehr geringe hitzeentwicklung hohe ausgangsleistung soft start limiter 2 modi: stereo, gebrückt hochleistungslüfter mit variabler geschwindigkeit spezial-schaltnetzteil thermische schutzschaltung getrennte verstärkerkreise für kanal a und kanal b ausgägne: pa boxenkabel profi eingänge: xlr 1850 w pa digitalendstufe ausgangsleistung: 2 x 600 w, 8 ohm 2 x 920 w, 4 ohm 1 x 1850 w, 8 ohm, mono-gebrückt frequenzbereich: 20 hz - 20 khz maße: 482 x 285 x 44 mm gewicht: 6.5 kg

features: -professioneller digitalverstärker -besonders leichte und kompakte bauweise, ideal für mobile zwecke -1 he zum einfachen rack-einbau -sehr geringe hitzeentwicklung -hohe ausgangsleistung -soft start limiter -2 modi: stereo, gebrückt -hochleistungslüfter mit variabler geschwindigkeit -spezial-schaltnetzteil -thermische schutzschaltung -getrennte verstärkerkreise für kanal a und kanal b -ausgägne: pa boxenkabel profi -eingänge: xlr technische daten: -3400 w pa digitalendstufe -ausgangsleistung: 2 x 1000 w, 8 ohm 2 x 1700 w, 4 ohm 1 x 3400 w, 8 ohm, mono-gebrückt -frequenzbereich: 20 hz - 20 khz -maße: 482 x 285 x 44 mm -gewicht: 6.5 kg

features: -professioneller digitalverstärker -besonders leichte und kompakte bauweise, ideal für mobile zwecke -1 he zum einfachen rack -einbau -sehr geringe hitzeentwicklung -hohe ausgangsleistung -soft start limiter -2 modi: stereo, gebrückt -hochleistungslüfter mit variabler geschwindigkeit -spezial -schaltnetzteil -thermische schutzschaltung -getrennte verstärkerkreise für kanal a und kanal b -ausgägne: pa boxenkabel profi -eingänge: xlr technische daten: -2600 w pa digitalendstufe -ausgangsleistung: -2 x 800 w, 8 ohm -2 x 1300 w, 4 ohm -1 x 2600 w, 8 ohm, mono-gebrückt -frequenzbereich: 20 hz - 20 khz -maße: 482 x 285 x 44 mm -gewicht: 6.5 kg

welcome to vocodafon. may i help you? - hello. i would like to terminate my mobile phone contract. - well, mmh, i am really sorry, but as far as i can see, your notice of termination was given too late. - but the date of postmark states that i sent it in good time before the end of the termination notice period. - yes, thats true, but unfortunately, and according to our general terms & conditions… - ok, i see, but i m obviously not interested in vocodafon anymore, so… - your call is being transferred, please hold the line. - listen to your heaaaart, love is calling for you, listen t… - hello. - hello, i ve been transferred to you, i would like to… - welcome to the mobile matrix. i am h.e.l.l., your automated telephonetics assistant. connecting to hypothalamus. press 1 to erase, 2 for positive stimulation, or 3, if you would like to talk directly to one of our sales assistants who will be right with you in your flat in only five minutes. - peep. - hello. - hello. i ve composed a song for you. here it is.

gobble gobble is a majestic and pulsating force drawing as much from the visceral and poetic indie rock of pixies as the electronic production of dan deacon or crystal castles, while remaining entirely unclassifiable. these canadians have created a grass-roots movement with their mobile rave infinitour 2010 which lasted from june to november and saw them playing suburban gardens, private homes, small indie venues, as well as pop montreal and cmj. hundreds of blog posts by the likes of stereogum and nme, a series of amazing singles, an appearance on debontons 2nd compilation, and a nomination by pitchfork as best new hope of 2011 have secured their position as poster children for the brave new pop scene. with boring horror they give their listeners not just the single by the same name, but also a b-side (eat sun, son) and two other original bonus tracks (seizure to the metronome, as well as two remixes commissioned by debonton to spice up the package. generous, emotional, exciting, and completely avant-garde, gobble gobble is a hurricane of freshness for the audience and the listener. limited edition of 500 units worldwide.

siriusmo, der seit einer dekade auf verschiedenen berliner labels veröffentlicht und mit remixen für scissor sisters, gossip, chikinki, simian mobile disco, boys noize, digitalism, chromeo, munk u.v.a. ein beachtliches repertoire vorweisen kann, liefert endlich ein komplettes album ab. seine musik beschreibt der ex-graffiti-künstler, der mit stevie wonder, den beatles & hip hop aufgewachsen ist, als futuristisch. nicht jedoch dem heutigen bild der zukunft entsprechend, sondern eher wie man sich die zukunft in den 1970ern erdacht hat: übertrieben, ausufernd, improvisiert, farbenfroh, extravagant und offen für alles jenseits der eigenen vorstellungskraft. >mosaik< ist eine ca. einstündige musikalische zusammenstellung unterschiedlichster musikalischer ideen und stilrichtungen. futuristisch, vielseitig, überzeugend und einprägsam!

together with matthias tanzmann and the >freude am tanzen< crew, daniel stefanik belongs to the most reliable initiators of electronic dance music in east germany. the fact that the readers of groove magazine have voted daniel one of the best newcomers in 2010 n&#771,,,,,, despite his more than 75 releases on mobile&#768,,,,,,e, statik entertainment, moon harbour or dessous n&#771,,,,,, may be due to his fantastic remix of the ubertrack >no worries<, that has been played, together with butch s original version, on literally every deck between ibiza, frankfurt and london in the past months.

celebrating its tenth release culprit welcomes another extremely exciting and upwardly mobile young american producer to its fold, m a n i k. born and raised in nyc, and with an accent to match. 2010 has been a break out year for this 24 yr old with his own original material appearing on some of the best underground electronic labels including josh winks ovum, poker flat, four:twenty and chicagos very own fresh meat – run by legendary audio soul project. as a dj and producer its impossible to put m a n i k in any one box. graduating from school in 2007 with a degree in music business, he is not by any means your typical artist. being heavily inspired by a diverse and comprehensive musical background, his style is a unique blend of cutting edge house, futuristic techno and deep, classic old school grooves, along with dark & edgy sounds. from the deep and groovy mclovin you to the old school techno feel of crooklyn this is a great four track ep, that further cements culprits burgeoning status as a cutting edge new label

big support from optimo, ivan smagghe, azari & iii, matthew dear, simian mobile disco, dave p, runaway, michael mayer, jackson and his computer band, ewan pearson, hercules & love affair....

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

nice price deal !!! official release !
mind-blowing singles, eps, remixes (for the likes of simian mobile disco, little boots, royksopp, lykke li, au revoir simone…), a quickly-growing label (fondation records), and the night is his in most of the worlds major cities: danton eeprom had it all, to the exception of a long-playing record. after making a name for himself with hits like confessions of an english opium-eater, grindhouse or face control, it was time to go off the beaten path and show the way once again. would he go for a fairly logical sweat-ridden dancefloor riot? not precisely. not only. danton would make a revolution of his own, in dandy mode.
three words that will soon be on everyones lips: yes is more. in a cloud of smoke, over a tight booty beat and keys delving deep into thirty years of electronic music, the french londoner sings for good and is all axes out on >thanks for nothing<, making things clear from the very start.

phat hell remix taken from peaches last studio album -i feel cream- released early 2009, -lose u- is definitely one of the highlights! written and produced by peaches and james ford and jas shaw aka simian mobile disco the original single was one of hell s records of the year. in true gigolo style hell and christian prommer set about remixing -lose u- regardless of release commitments or marketing schedules and the result is found here on this limited edition vinyl only release.

sound sources include field recordings of airport announcements, hammering on metal plates at the former kabelwerk oberspree, berlin, several sounds captured inside the large radio antenna dome at teufelsberg, berlin, dripping water at the botanical garden florence, air condition systems and turbines in las vegas, frankfurt and tokyo, walking on rocks in joshua tree national park, wind from the grand canyon, a friends answering machine, a printer, conversations via mobile phones, typing on an old macintosh keyboard and recordings from tunnel works in switzerland.

for the past three years, allez-allez have developed an enviable reputation as two of londons most in demand and respected bloggers, djs and remixers. their weekly podcasthas featured guestappearances , they have played host to kompakts series of london parties at plastic people. well received, forward thinking allez-allez remixes for the likes of fever ray, simian mobile disco, hot chip and telepathe are now followed by a debut single for colognes highly respected kickboxer imprint. part of kompakts associated labels, the track (entitled >defeatist<) is a growling analogue peak time stormer, backed with >slump< a melancholic kraut epicdescribed by optimos jd twitch as sounding >like chris & cosey riding a flying hoover over the city in blade runner<. the package features a slamming remix by border community s ricardo tobar, which has already beenrocking the crowds from the record boxes of none other than bc boss james holden and krautronica master four tet now for some time! also included are two rerubs by winners of the foem remix competition - soundcasterand karizmxxxx that twist the original into exciting new shapes for diverse dancefloors.

like his dj status, as a producer, jesse rose is a guarantee. world-renowned for the sound he created with long term mentor and dubsided label boss dave switch taylor, jesse is now the guy you turn to when you want a dancefloor remix, lending his services to the likes of hot chip, simian mobile disco, underworld to name but a few. after the phenomenal success of jesse’s mighty debut album, >what do you do if you dont< comes the third single from the album – >well now<. if you havent already heard the hooky >well now< in the clubs or on the airwaves, where have you been? the original mix is exactly what you would expect of jesse with its cheeky vocal and typical comedy factor make this mix so catchy its hard not to recognise it after the first play. flipping over savage skulls add their remix treatment to the track. these talented swedish boys who already have a dubsided original release under their belt and a killer recent remix for major lazer, give >well now< their bass and bumps whilst putting a kaleidoscope of funk back into electro.

die mobile fidelity record cleaning brush ist die moderne version der altbekannten kohlefaserbürste. noch einfacher in der anwendung reicht eine einzige plattenumdrehung um diese schonend vom staub zu befreien. die breite dieser bürste entspricht der bespielten fläche einer lp und sie eignet sich somit auch hervorragend zur verwendung mit plattenwaschmaschinen und l’ art du son. profis arbeiten mit zwei bürsten: einer zum entstauben und zur entfernung grober verunreinigungen und einer weiteren zum nassauftragen. die mikrofasern können sie mit destilliertem wasser und einer zahnbürste reinigen. falls dies nicht mehr hilft, erhalten sie die pads mitsamt klebestreifen als austauschteile.

temple of the sun is the fifth ep of the london based french producer harold boue. after his last track >chandler bing< has been charted by erol alkan and played by simian mobile disco, rex the dog (for bbc), mattie safer... abstraxion is creating here an universe of mixed up dark and brightness with warped-schizophrenic bassline. this ep reaches the diversity of abstraxions universe: from peaktime techno (b and s, temple of the sun), disco-balearic (slices), to beatless deep ambient (vampyros lesbos). abstraxion is composing an organic music, only with old analog synthesizers, in a gesture of unmitigated desire: a desire for the elementary beauty of techno.

essential sampler incl joris voorns sweep the floor and dj wadys burce banner