limited edition of 500 copies on 180 gram vinyl with download code included.

luke hess dimension.d ep is the 5th release on his own deeplabs detroit imprint. the title track dimension.d is a perfect balance between house and techno, and it contains all the right signals for becoming a future detroit classic.

following eps on black butter and other illustrious imprints, monday club deliver the acid drenched ‘blackout’ for steve lawler’s viva music featuring a monstrous beast of a remix courtesy luke solomon.

with jozef k & winter sons may the lord have mercy on us all, lets play house dives deeper into the world of techno. the record includes two dubby originals--like falling angels” in addition to the titular track-as well as a pair of remixes from some of n. america’s finest: luke hess of detroit and basic soul unit of toronto. that is really all you need to know! the 30-minute-long journey is all at once calming and energizing, hypnotizing and exhilarating, accessible and heady. it is also spooky and chilling, thanks to the slow boil build of each cut on its own and the 12 inch as a whole. a truly rewarding listening experience suitable for at-home and club play alike by two of manchesters top-shelf talents.

die zweite 12 inch auskopplung aus dem debütalbum von alec storey (früher bekannt als al tourettes) enthält den albumtrack *one sound* sowie das brandneue *layer lock* mit zusätzlichen top-remixen von luke vibert und cristian vogel. psychedelischer, bassiger dark techno. auf 500 stück limitiertes 180g vinyl.

for those turned on by the far-sighted, sci-fi inspired sounds of detroit deep house and techno, this ep from michael zucker s finale underground imprint (an offshoot of his finale sessions label) should be an essential purchase. with the likes of patrice scott, keith worthy and luke hess involved, you d expect the quality threshold to be high. it is, of course, resulting in a quartet of killer tracks. hess hypnotic techno jam -tolox- is a definite highlight, though it pales in comparison to the analogue futurism of keith worthy s brilliant -cyclops-. best of all, though, is scott s -journey into the unknown-, which bobs, weaves, bubbles and spits to the rush-inducing deep house sound of undulating synthesizer melodies and classic, transmat-style motor city rhythm

the third 12 inch sampler taken from lukes unfinished business compilation series, this time featuring a lost dub of the nails classic hurt u featured as part of the kittens single back in the year 2000. nail is enjoying a fantastic and deserved renaissance at the moment and will felt it was high time let this baby loose. this is followed by another lost gem from the wonderful tak label. the last unfinished business compilation featured the timedwellers and now it’s time for collis king, look out for some unreleased gems to be featured on an ep from classic later this year. number 3 is the tripped out vocal classic from sandee - given some modern day remastering business a record that has proven to be totally timeless - and a stalwart at luke and kenny hawkes legendary space nights at bar rumba. and finally - lukes very own stop the riot - the first single he recorded with sam lynham from gramme championed by the likes of skream on radio one and nemone on 6 music - we felt the single deserved its very own place on vinyl.

growing up in metro-detroit, and having recently played on the made in detroit stage at this years movement festival, you would have a fair idea of what to expect from appian. indeed, the influence of the motor citys signature sound on much of the burgeoning talents output is unmistakable. yet appians forthcoming release *chatter ep* on fina records is a testament to his varied and experimental production style, a distinctive sound borne out of inspirations as varied as funk, experimental electronica, disco, 80s stuff, early house, and aphex twin

berkson & what are next up to release on seth troxlers acclaimed play it say it with make it true feat. jojo de freq, a harmonious, radiant house jam with a sharp kick, acid tinged bassline, sultry vocals and smooth synths. unsung hero luke solomon delivers a remix 4 turnings version turing it into an almost new track with a grooving bassline, funky melody, spoken vocals and prominent hats. legend larry heard aka mr fingers heads up the b-side, with his psychedelic jungle mix doing just it says.

key players of the scandinavian electro scene have worked together to deliver a snapshot of their unique sound for bt04. luke eargoggle, kan3da, obergman and rutherford deliver everything from icy electro to downtempo, mournful idm leanings. between them, the artists have released on highly respected labels such as bunker, abstract forms, ac and transient force. luke eargoggle also runs the important and highly respected label stilleben. all copies come with an individual screenprinting sleeve and include digital download.

prime numbers are back with the next in their compiled ep series, once again selecting new tracks from producers who inspire & represent the sound of the label. this time it is a diverse outing, dwelling on the dubbier, more subtle side of things.

unfinished business is the latest step for luke solomon, a mix album for his kaleidoscopic talents that gives him the chance to highlight what is still the bedrock of his extraordinary career: being behind the turntables and digging out those records you really should be listening to but might have missed in the avalanche of background noise. this handpicked four track sampler highlights some of the exclusive vinyl only releases from the forthcoming compilation.

over the course of his twenty-plus-year-long career, luke solomon has made one hell of a name for himself: he has released dozens of singles and eps on labels like crosstown rebels, rekids, cajual, and playhouse, to name a few, founded his own imprint, classic, with longtime friend and co-conspirator, derrick carter, dropped four albums, and had a hand in well over 100 remixes. as one might expect, it is a tremendous honor to now welcome the veteran dj and producer to lph, where we think he fits in perfectly, despite being the artist in our ranks with the most impressive tenure.

>when you look long into an abyss, the abyss also looks into you.<
(friedrich nietzsche)

vinyl only – no repress!
double 12 inch gatefold cover with 1x white vinyl 12 inch + 1x transparent vinyl 12 inch, art photography by stephen hitchell.

coming from the deeplabs / finale sessions release we bring you a very sought after repress of the luke hess masterpieces -become- and -unity two of his most sought after tracks and we also offering limited edition artwork to go along with this fantastic release . we hope you enjoy the music as much as we enjoy presenting it to you ....god bless you

nach seinem vielbeachteten einstand 2010 mit *holkham drones* liefert der engländer luke abbott nun den langerwarteten nachfolger auf border community ab. dabei erzeugt er aus improvisierten liveaufnahmen eine stürmische bewegung, die *wysing forest* zu einem album macht, das größer ist als die summe seiner einzelteile und auf jedem fall in einem lauf durchgehört werden sollte.

portugals lake haze drops 3 warped bassline house bangers on uttu. strong influences from zomby, afx, sci-fi & uk urban music means you ve got some mad mashed up shitstorm of hype on your hands.

the deeplabs imprint releases its fourth record with a killer collaboration between label ceo luke hess & fxhe label boss omar s. made specifically for the dance-floor! automatic night brings you a classic analog excursion - a perfect blend of detroit techno & detroit house. outerspace drive reaches for space sure to be played by all future space travelers who wish to boldly go where no man has gone before. lets ride!

confidently striding into his third musical decade, luke solomons influence stretches far and wide across a scene that has been embedded in his dna since the early 90s. now harnessing that wealth of experience and unmatched passion for music, solomon presents his next undertaking, positioning himself as the dj/shop assistant/curator you always dreamt about

it is luke warm making his world debut. it will make your vibes hurt. move your feet and your tribe more alert. dive and lie wrecked in the dirt, ruin your tee shirt… deep into the vibe of house… how will the sentence leak in luke? a sabotage crowns warm before the child. does warm exit? without his skull enters the distinguishing appendix. luke moves warm with the inferior sponsor. a dogma heaps the cry. into warm trips luke. warm tears under luke. warm fears inside a virgin. warm participates on top of the glove. an injury wins luke. why wont a biscuit exist? below luke rages warm. warm partitions a concerto. luke opposes warm. will the powder shift? the curry flashes near warm. below a travelled charm leaks the following optic… an atom covers a spokesman.

breaking news!? luke solomun on gomma sublabel toy tonics!

double vinyl in a matte gatefold sleeve. includes cd-copy of the album.
dfa records is proud to present we got a love, the sophomore full-length by shit robot a.k.a. dublin native marcus lambkin. recorded in germany and new york, the nine-track album includes the killer recent singles, *feels real* and *we got a love*. like lambkins 2010 debut from the cradle to the rave, we got a love sports an array of guests that include dfa veterans nancy whang, museum of love and luke jenner (the rapture), plus hip-house hero lidell townsell and australian singer holly backler. the albums distinctive artwork was created in collaboration with irish graffiti artist maser.

valcrond video presents the next work by sound and image artist luke wyatt, songs from bad kid school

when luke solomon got in touch and said he wanted to work with local talk we felt both honoured and happy, especially since we have been fans for a long time and mats actually booked him to his raw fusion club in the late 90s. he has been around long enough to be considered a legend within the scene. we couldnt agree more. lost channels, a 130 bpm piano driven and punk-dubby new york inspired house track comes in two versions. the raw & stripped version is exactly what the name says, sharp snares & hi-hats, piano chords, a driving rhythm with lukes trademark percussion sprinkled on top. the live piano version is actually the original version and is peppered with more of everything. bubbly fx, more of that staccato piano and of course that muscular bassline. for remix duties it is the return of an old local talk friend, wil maddams. it seems like wil has spent some time in detroit since last time. this remix sounds like something that would come straight out of the d, his clever drum programming holds this track together with its deep pads and bubbling bassline. it is a retro (but fresh) techno jam for 2014.

mile end records is pleased to present their latest release, slide, which is a collaboration between two undisputed legends of house music: roy davis jr. and robert owens

mr. fingers aka larry heard remixes of monty lukes *lonely is the night*.

thirteen fresh remixes of timeless classics by donna summer on double 12 inch vinyl in gatefold sleeve.

there is beauty to be found in the barren streets of detroit. but they also hold an unexpected danger. solitude can sometimes make you feel like youre on another planet alien soundscapes and stark sound shape lonely beats on these lonely streets.

with releases to his credit on labels such as warp records, rephlex, planet-mu and ninja tune, its fair to say that luke vibert knows a thing or two about electronic music. now he returns to lo recordings for the third installment of his acclaimed nuggets series, this time delving into the archive of the bruton music library to unearth some of the production music studios choice moments.

the british producer luke solomon wanted to add his own remix of thankyou porvenir to the oblack collection. a remix that is gonna give more than one broken bone in the hip and pelvis. it is music strictly made to dance to, full of energy and showing the craziest side of house. a track where horns and whistles can be heard, even pixelated voices, with an insane 8beat path that gives to the song the exact amount of tasty flavour. no joke fellas! this is a kind of slam dunk piece for solomon

summertime has passed and so has the time for relaxing. autumnal vibes and serious atmospheres are back and throne of bloods latest fits right in. marking the imprints very first collaboration with another imprint, the throne of black catalogue ep sees nyc mainstay pixelife (lets play house, horn wax) dropping two new originals alongside brand new jams from australias carter brothers (black catalogue, defected) and black catalogue mainman monty luke(mothership, planet e, black catalogue)

emotional response returns with their first album of 2013, a collection of early, unreleased recordings from rising brooklyn video artist/producer luke wyatt (aka torn hawk).

both powerfull analog techno for the dancefloor peaktime

luke hess shows his detroit roots with his dub tech pasted synths & flowing pads. chicago mastermind steven tang puts it together with beautiful drum programming & freeform synths. xdb takes a turn to the deeper side of things with bass line & prototype drums.

phreakin acidic house bombs , fits perfect into groovy techy sets

the newest offering from luke hess deeplabs imprint: warehouse sessions volume 1. limited to 500 grey marbled copies worldwide, all four producers on duty here keep the vibe deep and unique, jacking at times while laid back and cosmic at others. four tracks with a groove firmly rooted in early to mid-nineties detroit warehouse techno, the results mix analog instruments and machines with a dose of atmospheric dub!

another clever techno release with emphasis on quality and structure and not forgetting the input from detroit dub merchant luke hess. *terminator reserve* is dominated by a thick bass line, razor sharp percussion, devastating juno stabs and with tonnes of analogue warmth coming from its abyssal depths. the luke hess remix provides the deep qualities of the original however its much more repetitive in its nature making it truly hypnotic and one you cannot help but get completely lost in. on the b side *mediator* is rough and ready ... booming kicks, dynamic bass shifts accompanied by the right amount of snare and filter inputs make this one of the toughest on the release not forgetting that its split down the middle with a heavy 303 bleed. highly recommended! *stilled* runs off in the opposite direction to the other track it shares the b with as its laden with detroit influenced floating chords and percussion.

sophomore album from luke hess on fxhe records. the 12-track *keep on* features guest spots from detroit poet papa smurf and hess brother jeff, as well as mixing assistance from omar-s.

vinyl only, 180 gramm black repress. >primary colours< life begins with the echo inspectors creation, lunar shadows. exploring the depths of space, lunar shadowÊs form begins humble, discreet, with its stealth like kick forming structure around dark matter, playful hats, deep sub and intertwining textures and layered frequencies.over the ages the moon has helped us describe everything from rarity, love and lunacy. this release is another interpretation by of the over-standing sphere in the sky.

stomping and boiling techno smasher … this one is big! first pressing coming as special collectors edition on yellow & black marbled vinyl! played by chris liebing, luke slater, dave clarke, audio injection, alex bau and various others!

vinyl only, 180 gramm pressing, blue vinyl and strong limited. >primary colours< life begins with the echo inspectors creation, lunar shadows. exploring the depths of space, lunar shadowÊs form begins humble, discreet, with its stealth like kick forming structure around dark matter, playful hats, deep sub and intertwining textures and layered frequencies.over the ages the moon has helped us describe everything from rarity, love and lunacy. this release is another interpretation by of the over-standing sphere in the sky.

detroits monty luke brought full flavor music the highly anticipated >bomb on bomb< ep which dropped in the summer of 2012. other than being carl craigs right hand man at planet e communications, monty luke has been letting loose chart topping eps one right after another all year long. planet e, kms, mothership, get physical, and montys own black catalogue are amongst the labels he has been busy releasing with. full flavor music is happy to be getting out the highly anticipated remixes to >bomb on bomb< by h foundation and gerd.

after the success of little creatures 1st release, luke continues his vinyl only journey with another self produced single. this time he teams up with roual galloway from the legendary faith magazine.

luke eargoggle completes his two disk series for abstract forms with six more interstellar jams from the electro factory in gothenberg – akupunktur hours. the second instalment features plenty of kraftwerk influence and detroit style melodies, awash with mathematically intense rhythms and his signature vocal style. vinyl limited to 200 copies and pressed on red vinyl. music non stop!

the fuse london imprint welcome two new members to its crew with the ‘in contrast’ ep by luke miskelly & ittetsu, backed with a collaborative remix from founder enzo siragusa and chris lattner. the fuse london imprint, again display their ability to stand out from the crowd with the unique and tasteful music found on >in contast<.

after 2 years of squabbling over who does the washing up and various teabag shortages in the kitchen, luke and milla decided to take their arguments into the studio. milla comes from an indie and scando-pop listening background with luke being a full on house and techno chin stroker. they love to experiment and record lots of different sounds for their compositions, be it 5 guys in the garden shed bashing bin lids together, screwing up plastic bags or sweeping the floor, if it makes a sound, it makes music. together they have created a spacey and melancholic two tracker abundant with love and emotion. >disappearing stars< comes with a matthew burton and kate rathod remix and the >its just us< remix has luke and matthew behind the wheel taking it down to china town.

this is the 4th black catalogue release. >through the galaxies< was originally released on the modern underground music sampler. this version is a full release with some great remixes by both lucy from stroboscopic and shigeto from ghostly. these mixes are fantastic, and really show a nice array of sounds. i decided to add a dub version inna future reggae stylee, too. i hope you enjoy it! - monty luke

limited to 200 copies big with: luke eargoggle, 240 interceptor, klorex55, klen(clone,frustrated funk) ,kan3da, egyptian eyeliner was born with one foot in gothenburg and one eye in egyptegypt. jet so, this 12inch straight from the land of house.