dfa kick off the new year with this new single from delia gonzalez and gavin russom which features el monte, a hypnotic psychedelic analog synth play, pulsing and throbbing along with not a sign of a beat anywhere, and a remix by head honcho, james murphy, of rise who takes the pulsing analog synths and adds some crisp beats to the mix !!

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phat french retro electro...playgroup rmx

hinter perel verbirgt sich die in sachsen geborene annegret fiedler, die nun als erste deutsche bei der new yorker kunstschmiede von dfa records unter vertrag steht und sich damit zwischen labelkollegen wie lcd soundsystem, the juan maclean, factory floor, shit robot oder markus marr einreiht. der sound auf -hermetica- ist ein klangliches abenteuer, das durch ihre liebe zu dance music geprŠgt ist. es ist eine verschmelzung von house, new wave und kraut-motiven, die zusammen die besondere klangwelt von perel ausmachen. genau wie die antike lehre der hermetik, umgeben die neun tracks etwas mystisches und ziehen den hšrer in den geheimnisvollen kosmos der annegret fiedler aka perel.

der norwegische avantgarde-pop-sŠnger nils bech veršffentlicht sein erstes album auf dem new yorker label dfa records. echo wird das bereits vierte album des in norwegen auch als schauspieler bekannten bech hei§en. fźr das neue album hat sich nils erstmals mit dem jungen produzenten drippin, welcher zuvor schon mit le1f oder auch cakes da killa beats gebastelt hat, im studio eingeschlossen. das ergebnis ist nicht nur gemessen an den bisherigen alben bechs wirklich einzigartig!

drei jahre nach der veršffentlichtung ihres selbstbetitelten debźtalbums meldet sich factory floor nun mit einem neuen werk zurźck. Ò25 25Ó hei§t das zweite album des elektro-duos und wird am 19.08.2016 via dfa erscheinen. nik void und gabriel gurnsey, die beiden kšpfe hinter factory floor, haben das neue material in eigenregie produziert, gemixt wurde Ò25 25Ó von david wrench (fka twigs, caribou)

two years on from his previous full-length, irishman-in-stuttgart marcus lambkin returns with what follows, his third album. recorded in his home studio, but mixed with juan maclean in new hampshire, it s a typically stylish and trippy set that methodically joins the dots between giorgio moroder, lcd soundsystem, italo-disco, german techno, balearic deep house, and intense chicagoan acid. lambkin has always been adept at making club music both left-of-centre and accessible, as if he secretly pines to make 80s synth-pop but is consistently drawn towards the dancefloor. this certainly explains the quantity and quality of the vocal numbers dotted throughout what follows.

mit dem neuen album we got a love meldet sich die musikalische dfa maschine shit robot eindrucksvoll zurźck. hinter dem roboter mit den elektrisierenden beats und melodien verbirgt sich der ire marcus lambkin, der die neun songs auf we got a love in deutschland bzw. in new york aufgenommen hat. schon wie beim vorgaengeralbum from the cradle to the rave aus dem jahr 2010 versammelt lambkin auf dem neuen werk zahlreiche gastsŠngerinnen und gastmusikerinnen um sich, darunter dfas nancy whang, museum of love und luke jenner sowie hip-house-hero lidell townsell und die australische saengerin holly backler.

knapp zwei jahre nach der veroeffentlichung des selbstbetitelten debuetalbums melden sich nick millhiser und alex frankel aka holy ghost! mit neuen songs zurueck

larry gus, buergerlich panagiotis melidis und seines zeichens multi-intrumentalist, produzent und sŠnger wurde in veria, griechenland geboren. drei jahre nach stitches, seinem debuetalbum, meldet sich der grieche mit neuer langspielplatte zurueck

in der vergangenheit machte das trio vor allem durch zahlreiche singles/eps wie fall back oder two different ways von sich reden. nun zeichnen factory floor mit dem gleichnamigen debuetalbum eine momentaufnahme ihres schaffens

excellent discofied electro / rock , electropop album

limited 2lp: (pink & white swirl vinyl)

cin cins fourteenth release sees the dfa label mainstay, the juan maclean, paired up with zombies in miami

mangled records twentieth release also marks 20 years since its first release. to celebrate the occasion here are two of ray mangs better known and loved tracks together on one 180gram mangled 12inch for you! number one first surfaced on his solo debut 96 noid release. it gained widespread support in the clubs and went on to be featured on both dfps de-luxe house of funk and groove armadas back to mine compilations as well as his own mangled lp. look into my eyes is a blissed out balearic gem that featured on the b side of rays 10 dfa release and instantly became a firm favourite for many.

very first release of partyfines sub label. the french producer yuksek starts a naughty new catalog with the help of get a room! well knowned for their re edits, mixes and dj sets, the parisien dynamic duo opens with ecuador, hypnotic & tropical techno anthem. when the roland tr 808 flirts with spaced portuguese male voices. already playlisted by red axes, simple symmetry etc. the b side is a percussive and shamanic dj tool made of acid drops and psychedelic congas. 2nd ep from get a room! previous releases or remixes for partyfine, colette, dfa, kill the dj, tigersushi, ed banger

2nd release of partyfines sub label. french producer yuksek gets deeper and experimental under his new secret side project. out from electronic live improvisations, the first ep of destino starts with a clusterish ambient track (orion). so dj friendly, 911s siren and bleeps redefines the archetypical disco flavor of a 101 floor filler track. ceremony and its balearic feeling will strongly warm up your electronic summer nights. finally loopo up delivers a dark electronic disco groove for cosmic dancers. previous releases or remixes for partyfine, colette, dfa, kill the dj, tigersushi, ed banger

yasha is 28 year old joe gillick, who grew up immersed in the sounds of ukg & grime on the streets of south london. he founded orphan. in 2015 with his friends sage redman and billy meddleton. the three began throwing bi-monthly parties in deptford, their aim was to feature the unsung heroes, the seminal artists that weren’t often regulars in the crowded london club circuit. cutting his chops djing alongside the likes of tim goldsworthy (dfa, mo’ wax, unkle), dave okumu (the invisible, jessie ware), the golden filter (optimo), mica levi (micachu) and more, joe fed his keen sensibility for club grooves. cut to 2018 and joe finds himself a seattleite.

daniel terndrup ist ein in los angeles ansässiger dj, produzent und langjähriger plattensammler, der zu einer lokalen autorität vergangener musik geworden ist. er ist regelmäßiger gastgeber in radiosendungen auf dublab (crosseyed & painless) und nts (heat-wave) und veranstaltet gleichzeitig eine wöchentliche party für heat-wave in zusammenarbeit mit wyatt potts im ehemaligen hollywood stripclub gold digger. daniel begann vor einem jahrzehnt als eine hälfte von cosmic kids musik zu machen. neben ron poznansky machte er sich einen namen mit berauschenden house und astral dance tunes auf kultlabels wie throne of blood, let s play house und dfa. das duo remixte auch namhafte künstler wie the rapture, holy ghost!, poolside und superhumanoids. nach einer handvoll veröffentlichungen mit cosmic kids wendete er sich eigenen projekten als daniel t. zu. sein solo-output ist inspiriert von allem, was sich beim durchblättern seiner plattensammlung findet: funk, post punk, new age und pop (z.b. compass point all stars oder yellow magic orchestra). die musik, die er als daniel t. veröffentlicht, spiegelt seinen globalen geschmack wieder, ist aber unauslöschlich gefiltert durch seine südkalifornische umgebung. die vinyl-lp erscheint inklusive downloadcode.

when jackmaster opened his mixmag covermount mix with arthur baker & dave clarkes collaboration from 2001 it shone a new light on this southern fried classic. it demanded a re-release and two new remixers were entasked. first up man power, whose recent releases on futureboogie and dfa are turning heads, and also rising star cody currie whose output on pusic & razor n tape make him an ideal fit. dj support: groove armada - love the man power remix! fouk - really awesome, we remember this one from back in the days! loving the cody currie remix, full support the 2 bears - great! black loops - sick release! diggin all the mixes :)

veteran nyc producer and dfa regular juan maclean hops on the rnt wagon for a rolling ep of drum-machine driven grooves for the reserve sub-imprint. the record starts with the peak-time stomper fine time, building exquisite tension and release through looped and filtered samples, and then moves on to the boogie-infused swing of dont stop for nothing. everybody clap leads off side b with a soulful and string-laden vocal over a bouncing hi-hat-focused house arrangement, and the ep closes out on the dubbier tip with the eponymous panic in fort greene park, a synthy and smooth slow burner. all around beautifully produced and eminently playable, señor maclean has made himself a most welcome addition to the razor-n-tape family with this dynamic ep

2lp comes in gatefold! follow up to a blink of an eye (rblp06/cd06) + i ve got my eye on you (dfa). written and produced by maurice fulton!

jonah sharp & dj spun pair up as the loose control band to drop a punk-inspired single on rekids with remixes from label founder radio slave and shut boss ryan james ford. having released a large body of work as spacetime continuum (astralwerks) or alongside david moufang as reagenz (workshop), not to mention significant collaborations with the likes of terence mckenna, haruomi hosono and bill laswell, jonah sharp is unquestionably a highly respected producer. his seminal label reflective played an important role in the experimental ambient and techno scene during the ‘90s, whilst as a remixer he’s worked with music by nine inch nails, meat beat manifesto and matthew herbert. meanwhile, jason drummond has long been a commanding force within new yorks electronic music scene, such as running his prestigious warm up music series or his all night rong parties with regulars like dj harvey. hes also been djing and producing as dj spun for two decades, appearing on golf channel recordings as well as his own illustrious imprint rong music, which used to release music collaboratively with dfa. i dont understand sees a raw and uncompromising side to both artists as they layer a cacophony of murky bass, twisted melodies and mind-bending bleeps whilst drummonds turbulent vocals bellow throughout the mix. staying faithful to the original, radio slaves remix incorporates a heady rhythm with its rolling beat as screeching effects join a moody bassline. moving into techno territory, ryan james fords akihabara remix features rattling percussion and crystalline synths whilst his hope remix is built on an intricate drum sequence as soaring pads and echoing keys contrast with the originals piercing vocal.

perez is one of the new faces in the french scene and has been so since 2013 when he released a first ep (perez, dirty/kompakt) and played concerts which caught the attention of the press. perez claims to have a taste for singular electronic pop and the music he produces certainly is. his records collection has albums by christophe and bashung standing next to pulp and suicide ones, among productions by the dfa and kompakt labels. for his second album cavernes (to be released in february 2018 on his own record label etoile distante), perez has collaborated with berlin producer and friend strip steve (boys noize, clone royal oak, waxtefacts). on this one he delivers a particular sound combining a story-telling singing sometimes verging on the fantastic with electronic club music. but perez does not only write songs. after being artist-in-residency at the palais de tokyo (paris), he made a sound installation in 2014 for the villa noailles in hyeres, france. he also composed for the scenographies of contemporary artists dominique gonzalez foerster, saâdane afif or ange leccia. in 2016 he was awarded by the drac and was given the opportunity to compose basing his inspiration on pieces of the collection of the regional fund of contemporary art.
the vinyl release includes a download code.

once again we are sending a new release of acoustic signals from the collectively-run kindergarten at berlins east cross. after a techno focus on the last release, this one is a bit more melodic and housey. with “hot lies,” egon elliut contributes a well-crafted house track, newly revised in the “zkb taking the bus version” by one of our current favorite producers, zk bucket. with lots of love for detail, it’s a real pleasure. perel is no stranger to ://about blank. for years she has convinced us with her fantastic live sets, as a dj, she is just as grounded. “opal” sounds exactly like that — a shimmering, contemporary version of disco, an album on dfa is coming soon! our resident jessamine is releasing his first track ever on this mini compilation— rough and warm, with a touch of the 80’s in sound design, “more love later” has become a beautiful, harmonious and melodic love slider—suitable more for the later club hours. more love later!

if youre familiar with public release’s sibling, face, a series of parties, you’ll already know that jee day, né dennis mcnany, has been in the bay area label’s orbit for some time as half of the dfa act museum of love, he joined the inner circle years ago. here, with amot herga laxy, he makes his bold debut on public release itself. the single begins with “crocodile tears,” an abstract, impressionistic tapestry of african rhythms, meditative synth washes, vangelis-esque horns and pads. it recedes and jee day plunges deeper into the jungle with communication masterbation, a propulsive number built around a psychedelic, droney bass that’s wrapped with gritty, distorted effects and layers of topline keyboard licks stacked high. a raw club track cut from transcendentalist cloth thatll lift you off the dance floor. the b-side is a dub of communication masterbation, with an emphasis being placed on pulling out, unraveling, extending the rhythmic elements and emphasizing the electronic veil the piece is shrouded in. a trancey, menacing sprawl that could be an extended sonic youth live jam if they swapped their stringed instruments for roland and korg gear and dusted the whole thing in an unknown psychoactive slime.

forriner is lee forster and oli worriner.
i made music together with lee for years (alongside mick rolfe) as last waltz. he also worked as lizards with james hadfield (james released solo for me me me 02), oli worriner, is a talented young northerner who’s already making a great name for his solo output, both under his own name and his traela alias, as well his label “tunnyl recordings”.
i’m really flattered that they’ve let me release their first full solo release, and i love how they’ve brought out each others deeper and more emotive sides in these 2 tracks. shit robot is a hero of mine. i basically wore out the grooves on a bunch of his dfa stuff from just over 10 years ago, and i’ve avidly bought everything he’s released since. i met him this summer for the first time when we shared the bill at a festival, and was so happy to find that he’s also lovely guy in real life. they say you should never meet your heroes, but i don’t subscribe to that as this meeting led to not one, but two fantastic remixes for me me me 08. the originals are a bright mix of melodically analogue left leaning house, while the remixes zero-in on a punchier dancefloor vibe, with an epic version goodnight, as well a more heads down disco dub.
so yeah, links within links, and keeping it northeastern again i guess.

adventures in paradise launches with the esteemed line-up of dedication, featuring felix dickinson, tsuyoshi kosuga of cro-magnon and other like-minded groovers. previously found on dfa and claremont 56, this occasional project steps up with the heavy disco funk groove of -show me love-, which lays down a rich spread of instrumentation with danielle moore of crazy p fame on vocal duties. for those who just want the heads down business, there s an instrumental on the flip that lets the dazzling production shine through. for those craving and advanced slice of modern disco, look no further.

nice price deal !!! having put out releases to mini acclaim on esteemed labels such as dfa, dissident distribution, astro lab, their own the walls have ears imprint, cage & aviary are now set to spread their wings with a brand new spanking release for tiny sticks and its a winner in every way! two very individualistic tracks that ooze charm & personality. on the flip nycs brennan green runs with the acid theme in the original and turns in a pure analogue master class. amazing! dj support from: james murphy, joe hot chip, mark e, cosmo vitelli, roy dank, inflagranti, toby tobias, lexx, azari & iii, peoples popular front, etc etc...

walter jones has been composing music since 1977 and released his first record in 2003. he has released on various labels such as dfa, westbound, supersoul, cisco/stevier, hakt, permanent vacation, under the shade. with -instant gratification,- his second outing on whiskey pickle, the louisiana based producer offers four, cosmically tinged dance tracks that sparkle effortless class and unique flair. presented for the label s sophomore vinyl release, we are treated with bouncy, house-bumpers (-razzmatazz- and -the grinder-), low tempo chuggers (-harmonic urgency-) and even ambient works (-making love-).

autofacs gonna be a new one to you, but the names behind it—juan maclean and marcus lambkin, a.k.a. shit robot—most certainly are not. the dfa house, disco, and techno veterans have long been friends, sharing bills around the world, vocalists on records, engineers on mixing boards. for a while now, they ve also been collaborating in the studio, and it s with tremendous honor that we get to be the label that presents the world with the fruits of their labors. souls on ice is a snarled, fierce, aggressive four-tracker, all of it recorded live, which gives it a distinct loopiness and patience. the ep starts off on a bumpin techno tip and slowly drifts towards a spacier, groovier house sound. charged and punchy, its the kind of dance floor kick in the pants only wizards like juan and marcus can deliver. key selling points. debut release by autofac, a production duo comprised of dfa veterans juan maclean and shit robot. full international press and dj promo campaign.

thats desire/here we are ep is a 12inch vinyl and digital release by fragile, wolfgang tillmans evolving band project that spans from early recordings in 1986 with bert leßmann to a full band ensemble made up of a group of musicians in new york in 2016. the double a-side ep opens with thats desire, a collaboration with the new york rapper ash b. the song evokes associations with dfa, daf and a queer talking heads. in a spontaneous action ash b. takes over the mic and raps over tillmans heartfelt lyrics, originally written in 1985, combined with a funky bass line by thomas roach. the experiment results in a driving indie-dance sensation about the pleasure and pain of getting lost in ones own desire.

landing straight after 415-pr10, public releases first in a loose series of san francisco-centric compilations, this three-track 12inch is a further exploration of the bay areas sounds and aesthetics, though here its explored via remixes produced by friends from abroad. the a-side is a complete overhaul, reimagining, and extension of anonstops seaside by thee loving hand, tim goldsworthys solo moniker of choice these days. the ex-dfa records co-founder and former member of unkle took the tunes balearic foundation and used it as a bed for what one might mistake as a lost arthur russell cut from the world of echo era. joel wells lent his airy, light, sweet vocals to the track, while darren morris added synth work to bolster tim’s usual production genius. it’s carefree and emotive, the aural equivalent of a big, toothy smile. the flip features a mix thats a whole helluva lot more intense and uptempo, though no less positive than its original. chidas remix of domination is squarer and housier than beziers piece, which was glitzy classic disco dunked in italo, but enough of it remains to be unmistakably a spinoff. fiery and propulsive in the way a gulfstream jet is, its a ball of thunder that will electrify any set, any dance floor.

12 inch with printed deluxe sleeve... limited! first original release from label founders anton klint & edvin e (public possession, folk disk, tiedye, dfa, italians do it better)
tryck & ton is run by edvin e & anton klint. after a couple of amazing edit releases the guys return with the first original work from the newly founded label. conga liver is a percussion driven banger with serious highs and lows. the track gets remix treatment from lisbons finest tiago, who adds a discogroove, horns & an incredibly groovy baseline to the table. final track ‘on the flip’ is a playful groover sounding like robotnik having a loud wine-impregnated argument with tony allen over who to host the afterparty.

nice price deal !!! this debut single from bjerk will be released in limited edition: dfa is producing just 500 copies on 10 inch vinyl. these recordings are a chance to be among the first to hear, for the very first time, the sound of an artist who has spent years helping craft the sound of artists you already know and love.

limited! edits by anton klint & edvin edvinsson (public possession, folk disk, tiedye, dfa, italians do it better) the labels previous 12inch (tryck001) sold out in a month being record of the week at numerous stores. tryck002 is the followup to one of the hottest edit-releases this year. with this release the swedish producers return with an even stronger release. the wonky groove of old lady friend is the perfect oddball summer soundtrack. the flip consists of two mid-tempo bangers. carribean-grooves done by a couple of drunk swedish fishermen. tryck & ton is the rebirth of a long lasting musical relationship between edvin edvinsson & anton klint (public possession, italians do it better, dfa etc.)

der dortmunder larse hat bereits eine lange liste an fantastischen releases vorzuweisen, mit originalen und remixes auf großartigen labels wie dfa, defected und eskimo, eine der einflussreichsten deutschen radiosendungen für clubmusik (1live -clubbing-), ein bbc -essential tune-, eine goldene schallplatte, uvm. mächtig stolz sind wir, diesen ausnahmeproduzenten nun als festes mitglied der suol-familie willkommen zu heißen, dessen style genau dem entspricht, was wir bei suol mögen: vielseitig, geschmeidig, mit einer menge soul und dabei stets tanzbar. und das trifft auch auf die -on canvas pt.1- ep zu, die neben funky grooves und straighten 4-to-the-floor rhythmen auch die wunderbare stimme von lisa shaw (naked music) vorweisen kann.

qnd philosophy starts with a new project from veteran cosmic disco originator daniele baldelli and his long time partner in crime marco dionigi. the two gents will take us into a spaced out galaxy of sounds. so sit back. fasten your seat belts and enjoy the trip. daniele baldelli (baia degli angeli/cosmic) considered worldwide as a truly innovator for his cosmic style trademark a mix of african music, disco, psychedelic rock, krautrock and dub, often played at the wrong speed, hes a very active dj and respected artist. marco dionigi resident dj of top italian club alterego since 89. besides being the mastermind and founder of quantistic division/qnd philosophy labels. he is a popular dj and and experienced producer key releases baldelli & dionigi cosmic disco? cosmic rock! (eskimo recordings) baldelli & dionigi the units remix high pressure days (opilec music) baldelli & dionigi adaptors the music of richard bone cd (prismatikone records/word and sound) baldelli & dionigi phil manzanera caracas - mental remix (ln/cc recordings) baldelli & dionigi museum of love remixes (dfa records)

mugwumps subfield label introduces its first signings with the belgian-italo duo front de cadeaux (brilliantly named after the belgian ebm pioneer group front 242). front de cadeaux are dj athome & dj hugosan. hugo runs the roccodisco label with italian disco mastermind rodion (gomma/nein) while belgian killer dj athome has been spinning italo wave & house in brussels since the 90 s. they expertly produced their own brand of supreme rallentato, which is a fucked-up slo-mo italo, acid, disco, techno and house hybrid that so rightly fits with subfield s mission statement of covering subgenres. their 2 first outings on roccodisco have been remixed by fabrizio mammarella and optimos jd twitch, and a staple in ivan smagghes sets. this full ep on subfield features 2 original f2c obscene & dirty slo-mo tracks at their most playful, ouvre ta bouche and front de cadeaux theme plus the magnificent dub-house of killers. remixes comes courtesy of factory floor s gabe gurnsey (dfa) in a quite brutal bleep-techno mood and manchester s nu-balearic kingpin ruf dug (music for dreams), getting into what he described as a 808 snare roll warehouse analog fucked-up version.

siren sind darshan jesrani (metro area, startree) und dennis kane (disques sinthomme, ghost town). ihre erste recording sessions fingen im winter 2013 an, aber die anfänge ihrer zusammenarbeit reichen zurück zu ihren gemeinsamen residencies im berühmten new yorker hot-spot apt und anderen parties, die sie organisierten. nach dem mitreißendem und euphorischen a/way mit mr. reed, im herbst 15 veröffentlicht, klingt ihre dritte maxi paradise sowohl eindringlich, als auch recht kolossal und treibend. paradise kommt mit einem zugleich fesselnden, düsteren und mechanischen late-night techno dub von gavin russom (black meteoric star, dfa), und als digital bonus bekommt die maxi eine hagere, futuristische, drum machine-geleitete 5-uhr-morgens-in-new york-mäßige reinterpretation von siren.

an irishman, an italian and a german walk into a bar kitjen. what sounds like your tipsy uncle telling you a joke, is actually the story behind kitjen 003. legendary shit robot (dfa) invited his buddies rino (space ranger) and kai p. to his lab to create two interpretations of rishi. the result is a killer 12inch that features two unapologetically hypnotic dance floor cuts. dont sleep!

after dropping his “can’t remember / talking to you” ep, his debut solo release for dfa, last summer, austrian musician and producer wolfram eckert returns with a stellar four-tracker for kim ann foxman s firehouse imprint. his new offering, a track called “united 707”, finds wolfram in fine form, delivering an infectious jam that makes us want to jump in his ’80s vw scirocco for a late-night ride around new york. the release comes backed with remixes by simoncino and legowelt! pressed on 180-gram heavyweight vinyl, housed in a full colour sleeve, limited to 500 copies worldwide.

bruno pronsato’s debut album as archangel, the bedroom slant, released in 2014, saw the producer update the style he has developed over the last decade on labels such as hello?repeat, perlon, dfa and thesongsays, and in the process, manifesting his love of pop, rock and post-punk in his music for the first time. on this ep, selected tracks from the debut album are reworked by dean blunt, peter gordon & oliver coates. the vinyl release includes a downloadcode.

dfa / visionquest duo benoit & sergio return with some fresh and typically unique new material via matt tolfreys leftroom limited imprint.

i got to know gavin russoms music thanks to the amazing the days of mars album he recorded together with delia gonzalez now ten years ago on dfa records. flash forward to last year, when we released michele mininnis trippy endless ceremony. gavin russom loved that one and sent over a demo shortly after - youre listening to it now. i am really proud to be able to release an ep from such an extraordinary artist, enjoy! 1st pressing on splattered 12! (transparent vinyl with pink, light blue & black splatters)

daniel.t. has been subtly making waves over the past few years as one half of the la duo cosmic kids with releases on labels including throne of blood, let s play house and dfa. a record collector and selector at heart, 2015 has seen him flesh out his solo productions with world-leaning contributions to chit chat s brazilian tinged 12 and american standard s african summer stunner. young adults brings daniel into the fold for his debut tetrachromat mini-lp spanning a sprawling spectrum of sounds, but unified by a signature west-coast sheen. opener mission hill morning stretches its arms in the early am mist, tetrachromat jogs steadily toward the horizon and planetesimal accelerates the mph in the drop top down pch. on the flip, laced takes a smoke break down a dusty dirt road, akoussah sprinkles some sultry spice and the sun & the sky sits back while the sea sips up the last remaining daylight.

invisible inc launches with this 4-track sampler 12”/ep from four artists that we plan to be releasing music by over the coming year – secret circuit, higamos hogamos, tim love lee and the poncho brothers. packed with modular synthesizer funk, psychedelic wonk, kraut-rock infused space opera and downtempo analogue “balearica”, the 12” is due to be in shops in early may. already getting praise from soft rocks (esp institute, endless flight), house of traps (firecracker, unthank, sacred summits), dj kaos (rong music, dfa, jolly jams, astrolab), josé manuel (eskimo, kinfolk, disques sinthomme), bobby beige (pork, garden zadar), chuggy (emotional response/especial) and gavin hardkiss (hardkiss, siesta, sunburn

despite being an obsessive record collector for most his life, a globetrotting dj who s toured the world dozens of times over, a go-to remixer for numerous labels, both high profile and fledgling (dfa, mute, permanent vacation, warp, defected), co-owner of several imprints, lph itself being one of them, and producer behind a handful of house and disco tunes that started trickling out in the mid-aughts, jacques renault has managed to never release a true, honest to god ep comprised of originals. that s about to change with out of sync, a four- tracker that exemplifies all renault is, has been, and aspires to become —and that serves as a lead-up to his debut full-length, which will hit shelves next year

phat rockin indy nyc electro disco for fans of rapture, dfa ...
as a nostalgic memory mule music repressed this gem for their 10th anniversary celebrations.