Ähnlich wie bei tuff city kids selbst, geht es bei -adoldesscent- nicht um eine bestimmte stilrichtung oder einen sound. vielmehr ist es der ansatz der verschmelzung. und damit ist endlich der nachweis erbracht, dass die verschiedenen ecken des elektronischen musikspektrums wesentlich mehr gemeinsam haben, als man gemeinhin vermuten würde. aber was noch viel wichtiger ist und am ende mehr zählt als all das: es zaubert ein lächeln aufs gesicht!

d3 elements continues to mine the fertile soil of midwest inspired house, techno and electro with this fantastic new album from michael dykehouse (sometimes found turning out experimental fare on planet mu and ghostly). here the grooves are immediate and engaging across nine tracks, from the bubbly -meltdown morning- to the spooked-out -clock division-, touching on a range of styles all bound together by a commitment to classic drum machine beats and synthesiser tones. this is far from a throwback record though, instead celebrating dykehouse s innate musicality through all manner of tempos and moods and coming out as a well-rounded long player in the process.

awesome new album from stockholm s ever morphing production/live unit. skudging the depths as you expect and exploring yet more sounds along the way. big tip! first edition - limited to 500 copies

• exclusive track by marcel dettmann and levon vincent
• includes 6 unreleased edits and remixes
• full tour schedule to support release
• cover art short by infamous berghain doorman sven marquardt
• download card included with lp format

after 5 years of exploration, it’s time for the first album on the label. johannes volk proudly presents mutual codes, a conceptual album which contains 12 tracks between detroit infected techno and experimental classical compositions. colourful synth adventures which take you on a journey to far away galaxies and beyond.

five years after the excursion to san francisco schabel now returns with his combo to the haven of his hometown. “the night & the city” is an album tailor-made for sonar kollektiv: a melange of genres which deploys live instruments on an equal footing with samples and herewith becomes a highly explosive mixture of latin percussion, funk, poppy dub, moody, folky soul, afrobeat, ethno-jazz, bossa nova, hiphop und blaxploitation soundtracks.

* as one of chicagos most mysterious and revered characters, the story of gemini, aka spencer kincy has become something of a myth in recent years – blazing a trail throughout the 90s, prolifically releasing over 200 tracks from 1994 to 1999, spencers music had shades of innovation and soul few of his peers could match. then, suddenly, at the peak of his career, he disappeared.
* anotherday are very proud to bring you the reissue of geminis most complete and varied album – 1997s ‘imagine – a – nation’, originally released on cajual subsidiary relief. you know the music - every track is on youtube, or you have picked up one of the very expensive original pressings on discogs, but here it is, in its fully re-mastered glory!
* rumours and gossip of spencer’s whereabouts and situation have been rife in the music press, and rarely on the money. spencer is alive and well, and wants his music to be heard. this album has been licensed directly from him, and the money made from its exploitation will go directly to him.

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

mac quayle ist komponist und der sound-engineer von cliff martinez. cliff martinez wiederum ist ein gefragter soundtrack-komponist in hollywood, seine scores zu -drive-, -spring breakers- (zusammen mit skrillex) und -solaris- gelten als einige der ikonischen film-musiken der jüngeren gegenwart. mac quayle hat an diesen mitgearbeitet, parallel pop-musik von künstlern wie new order, beyonce und britney spears produziert oder mit einem remix versehen und sich jüngst an eigene tv-soundtracks herangewagt. -american horror story: freak show- und -mr. robot- sind populäre beispiele. -mr. robot- wurde 2016 mit dem golden globe awards 2016: beste serie - drama und dem critics choice awards 2016: beste dramaserie, bester hauptdarsteller in einer dramaserie ausgezeichnet. mac quayles vornehmlich elektronisch ausgelegter score interpretiert den paranoiden grundton der serie perfekt. von seiner arbeit mit martinez beeinflusst, bewegt er sich auch in das terrain eines trent reznor (nine inch nails) und lässt düstere sounds miteinander kollidieren.

dirt crews 100th release falls on this years deep love compilation. set to drop across a double vinyl , with 11 all exclusive original tracks from new and old favourites including dam swindle, nachtbraker, the revenge and felix leifur. take a sonic trip across deep and straight up house, infused with jazz, disco and funk. this diverse and plentiful outing includes work outs for your dance floor alongside intergalactic analogue synth laden voyages, originating from artists we have uncovered from japan to iceland and many places in between. a truly great way to celebrate our 100th release.

jus brilliant..

first album release from italian house instigator enrico mantini which is going to set another mark in his discography. 8 of mantini’s best tracks from years 2012 - 2014 personally chosen by the artist and splitted on this 180 gram double different coloured vinyl release. debut one from mantini’s very own label down da mountains.

ibifornia, the new album of cassius, will be released the 26th august. once again, the french duet composed of zdar & boombass has managed to gather the creme de la creme on its project

diesen sommer veröffentlicht dev hynes freetown sound, das dritte album unter seinem aktuellen alias blood orange. aus einem reichen oeuvre an techniken und referenzen schöpfend, entfaltet sich das album fast wie ein theaterstück, beschwört unerwartete stimmungen, stimmen und zeitalter herauf. freetown, die geburtsstadt von devs vater und hauptstadt sierra leones ist titelgebend. inhaltlich ist es das bislang persönlichste und auch politischste album von blood orange. verhandelt werden themen wie rasse, religion, gender und sexismus. musikalisch ließ sich hynes von den alben der dust brothers inspirieren: its very cut and paste. like my version of paul s boutique. it kind of plays like a long mixtape.

love will fix it: the best of ashford &, simpson is a comprehensive double vinyl lp spanning the legendary song-writing duos own recording career with warner bros. records from 1973 to 1981. the husband and wife team of nickolas and valerie established themselves in the 1960s as one of motown records many successful hit making partnerships (“ain’t no mountain high enough,” “you’re all i need to get by”). the duo added even more depth, emotion and musicality to their self-produced recordings. this newly remastered, comprehensive groove line records release features 19 of the duo’s classic progressive 70s r&b duets including it seems to hang on, send it, don’t cost you nothing, found a cure, bourgie bourgie, love don’t make it right, is it still good to ya, ain’t it a shame and one more try, of which the latter four titles are represented here in their extended form, and many of which are mixed by valerie’s brother jimmy, regarded as an early innovator and enduring influence on dance music. groove line records cut no corners when making sure that each and every one of our releases has the highest quality performance possible. newly remastered from the original tapes and half-speed mastered by matt colton at alchemy, its housed in a gatefold sleeve featuring liner notes penned by christian john wikane. love will fix it: the best of ashford & simpson is an essential addition to any serious r&b, soul, funk and disco vinyl collector.

played by : jonna (city fly / shadeleaf music), ooft!, simba (shadeleaf music), vincent inc, thatmanmonkz (shadeleaf music), javi frias, paul thornton (dig deep / reboot), marcel vogel aka em vee, eddie c, bodhi, dj p-sol, red greg, masterworks music
marcel vogel s ever-ready lih imprint celebrates six years of juicy, sassy, often illicit disco soul with some of the label s best cuts to date. ideal for filling any holes in your collection, the likes of uptown funk empire s pharoah saunders cover -freedom-, manmademusic s gospel-level -circles-, eddie c s tweaking, freaking drum funk -what it is-, stacy and peven s stuttering funk -body jerkin- still slap and tickle just as stylishly and smoothly as they did when marcel first prised them from the editor s clutches... and still will in 10, 20 or 50 years-time. proper dancefloor clobber.

20th anniversary re-issue of the 1996 nirvana album. pressing on heavyweight 180 gram double vinyl

double vinyl reissue of the 2000 debut album from the avalanches.

vinyl only. a collection of favourites, including limited and some previously unreleased dubs by veteran house producer alexkid. already supported by dyed soundorom, enzo siragusa, josh wink, radio slave, tini, luciano, archie hamilton…

second album of the avalanches on double vinyl with album-cd icluded.

the 2002 album from linkin park on double vinyl in gatefold sleeve.

the mix is influenced heavily by how i used to dj at the first party i ever promoted, named seismic, and another named monox which was a straight up techno night where i was a resident from the age of 17. and although it wasn’t my plan, it turned into a kind of tribute to the cities that really formulated me as a dj: detroit, chicago and glasgow.

1997 classic album comes as 2016 re-issue with gatefold cover.

»…but seriously« ist nicht nur das zweiterfolgreichste album von phil collins, sondern zudem das zweiterfolgreichste album in deutschland seit beginn der offiziellen auszeichnungen vor rund 40 jahren. es eroberte die internationalen charts, verkaufte sich über drei millionen mal und wurde sechsfach mit platin ausgezeichnet. 2016 ließ collins »…but seriously« neu auflegen, und zwar in remasterter und erweiterter version, gepresst auf 180 gramm doppel-vinyl.

reissue of red hot chili peppers’ greatest hits on double vinyl, housed in a gatefold sleeve. incl under the bridge

nice price - all tracks written and recorded by gordon sharp and matt kinnison between 2006–2011 at roi vert, okamoto (japan), 13th floor and space eko (london), southend (essex)... mastered at piethopraxis, june 2011. cut by rashad becker at dubplates & mastering, berlin, june 2011. hold everything dear is the third instalment in the new cindytalk sound which started with 2007s the crackle of my soul, and then last years up here in the clouds. its the first in the trilogy to feature musicians other than gordon sharp namely the late matt kinnison, to whom the album is dedicated. inspired by the john berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in some places near silent passages and haunted melodic segments. and what a mysterious journey this ends up being with increased use of piano and found/field recordings giving all the tracks a blurry soundtrack appeal to the point where the definitions between the tracks are no longer clearly defined. it harks back to the odder parts of in this world and the wind is strong albums from the early 1990s

this is an album of deeply emotional music. it s not all heartfelt niceties and eye-welling moods though. rhythmic theory did after all come to light (or should that be dark) in the gloomy alleyways of uk soundsystem music begat from dubstep and all that other stuff. -creeper- is on hand to affirm that this is a record still steeped in true, stern moodiness, where a stalking sub line, some metallic percussion and an icy drone can still strike fear more than a thousand angry wobble basslines. it s worth noting how much attention has been given to shorter vignettes. as well as the aforementioned, cryptically titled -interlude-, -work of fiction- and -end (of forever)- both give insights into the places rhythmic theory cares to roam beyond the structure of a long form track. these are places where melancholic or downright ambiguous dispositions interplay with each other, from the synthetic to the earthly, the malevolent to the tender. in the end, even at its most monochromatic, nothing is black and white on rhythmic theory s debut album, and that s just fine with us.

played by: craig bratley, jonny 5, benjamin fröhlich, james friedman
gone beyond. that s what they say when an (astro) pilot crashes to earth and takes the journey into the big sky. when juan trippe took that last flight little did he know that his re-incarnated self would be an electronic pioneer. in tandem with his co-pilot guido zen (his own father also a pilot) and kyle martin (from the land of light) they formed brain machine and scaled the highest peaks to bring back music both unearthly and intensely human. are we all not stardust anyway? this music proves it, takes you out flips you over and rolls you in stardust. don t try and think it through, make sense of it, grasp it - just wander in wonder and bask in beauty. get lost again.

wiederveröffentlichung von mobys fünftem studio-album als doppel-lp-set mit 180g schwerem vinyl. ursprünglich 1999 veröffentlicht, wurde es zum erfolgreichsten indie-album des jahres und in über 20 ländern mit platin ausgezeichnet. mit -play- änderte moby seine arbeitsweise ein weiteres mal. er nahm samples aus folk und gospel - viele davon entstammen aus dem archiv von alan lomax - und verbindet diese mit seinen elektronischen klanglandschaften. dabei schneidet er aus den samples schleifen, die er endlos wiederholt: bessie jones -sometimes- wird in -honey- über 20 mal wiederholt und so entfaltet er den hypnotischen sog, der diesen song zum hit machte. bei erscheinen wendeten sich viele moby-fans, die ein techno-album erwartet hatten, ab und das album schaffte es nicht bedeutend in den charts aufzutauchen. es sollte über zehn monate dauern, bis sich das blatt wendete und das album sich doch noch zum absoluten hit mauserte. mit 9 (!) single-auskopplungen und unzähligen lizensierungen an tv-shows, filme und werbespots entwickelte sich das album zum dauerbrenner und hat bis heute weit über 12 millionen einheiten abgesetzt.

the classic 1975 earth, wind & fire album “gratitude” back on heavyweight 180 gram double vinyl, housed in a gatefold sleeve.

deluxe double 12 inch edition, featuring the iconic “awesome mix vol. 1” on the first vinyl and the original score by tyler bates on the second.

double 180 gram heavyweight vinyl in gatefold leeve

!k7 proudly present alpha the first album in 10 years from matthew dear s audion alias.
for fans of matthew dear, richie hawtin, roman flügel, rodhad, dj koze
the double vinyl release is housed in a gatefold sleeve with album-cd included.

am anfang war der beat: souveräner erster langspieler von kaytranada, mit zahlreichen gastbeiträgen von anderson .paak, vic mensa, little dragon, syd, craig david, goldlink, alunageorge, badbadnotgood und mehr.
das doppel-vinyl erscheint im klappcover, album-cd inklusive.

brilliant double vinyl from electro - acid - to techno

keeping with the rough release rate of an album every couple of years, prime numbers label boss trus me is back with his fourth full length, planet 4. featuring nine cuts of intergalactic techno and once again marking a considerable sonic evolution for this acclaimed uk artist. never one to do the same trick twice, david james wolstencroft uses his latest album as a vehicle for his own interest in deep space, physics and dark matter. it is those subjects that have occupied his mind in recent years, and those subjects that inform this brilliantly otherworldly album. where previous lps have variously been funk and soul heavy, or openly analogue and physical, this one is a more subtle and supple techno affair that is as cerebral as it is seductive. starting with a monologue that suggests that man has already landed on mars, 1979 is a cut that immediately places you somewhere in orbit. spooky synths and sci-fi sounds are eerie and atmospheric and very much set a perfect tone. from there, there is slow, elastic and unsettling mood music on the unexplained , deep and insular techno on dark flow and trippy dan bell style minimalism on ring round heart . the second half of the lp touches on chunky dub, manic and melodic grooves. this is a coherent statement that holds together conceptually and musically. as well as providing plenty of dynamite for the more discerning dance floor, planet 4 is also a delightfully detailed affair that will work just as well on headphones late at night.

i still do - the new eric clapton album, produced by glyn johns.
double gatefold lp, 180 gram vinyl pressing, cut at 45 rpm.

first release of groovedge records, label from lyon in france. the release introduce lb aka labat in 2x12lp

the original greatest hits 1 & 2 albums available together for the first time on white double vinyl in gatefold sleeve. includes 4 bonus tracks. chris norman vocals incl lay back in the armes of someones, stumblin in & living the door to alice !

kevin mchugh returns to his delft imprint as la-4a for his & the label’s first artist album. phonautograph represents an artist album in its purest sense: a deeply personal work that feels like the culmination of a lifetime of passion and experience - one that ebbs and flows across a variety of styles and tempos, from the electrifying acid house and electro of resistor, capacitance and dialup to slower tempo ambient and experimental excursions such as frequenzvariabler, blitzlicht and semantron.

henrik weber aka pantha du prince has announced his first solo album in six years, the triad. the double vinyl is housed in a gatefold cover.

the debut album from norwegian producer kygo on white double 12 inch vinyl, housed in a gatefold sleeve.

part 2 of a new concept album by electronic music legend jean-michel jarre. contains collaborations with edward snowden, hans zimmer, the orb, pet shop boys and many more. the double 12 inch release comes in gatefold sleeve and includes a download code (valid thru 31.12.2017).

genesis is the fifth studio album by american rapper and leader of the new school alumnus busta rhymes. released in 2001, the album debuted at number 7 on the billboard 200 and ultimately sold 1 million copies in the us and was certified platinum. the fourth single from the album, “pass the courvoisier part ii”, peaked at number 11 on the billboard hot 100.

afroamerikanischer jazz trifft auf tribal-beats und eine intergalaktische storyline. das 19ß gramm doppel-vinyl erscheint inklusive downloadcode.

die in genf lebende, in lyon, mit vorfahren aus kamerun, geborene emilie nana ist ein wunderkind. -the meeting legacy- beinhaltet eine eklektische selektion, die viele davon aspekte beinhaltet, was emilie ausmacht. -the meeting legacy- umfasst 11 stücke und erfreut sich an dem erguss aus nanas grazilem und dennoch lebhaften wesen und trachtet erfolgreich nach dem brechen der regeln, mit denen kunst oft behaftet ist. indem sie ihr leben vergegenwärtigt, führt sie uns gekonnt, mit kindesaugen, teenage-erfahrungen bis erwachsenen sehnsüchten und ausgereiften konversationen, durch subkultur, kampf und verschiedene soziale einflüsse. nach vier jahren produktionszeit liefert emilie nana ein album ab, das ihren verspielten, aber reifen geist widerspiegelt und ihre seele miteinbezieht, the meeting legacy.

a collection of 16 timeless classics from sade on double 180 gram vinyl, housed in a gatefold sleeve. incl smooth operator, no ordinary love !

180 gr pressing, ltd backstock