“our pathetic age” is the result of an intensely creative period that found the hip-hop and electronic innovator delving further into original composition and experimentation. double vinyl in gatefold sleeve - yellow cover edition.
limited reissue on 180 gram vinyl, including 2 bonus tracks. housed in a gatefold sleeve, illustrated with images by iconic photographer francis wolff.
“our pathetic age” is the result of an intensely creative period that found the hip-hop and electronic innovator delving further into original composition and experimentation. double vinyl in gatefold sleeve - red cover edition.
“our pathetic age” is the result of an intensely creative period that found the hip-hop and electronic innovator delving further into original composition and experimentation. double vinyl in gatefold sleeve - green cover edition.
ultra ltd repress! an amazing collection of cabinet records rare classics and first time vinyl releases. we dig deep in our archive-box and picked some of our favourite tunes to collect cabinet classics volume 2 for you. after the huge success of volume 1 on plus8 the journey continues. play it loud! the tracklist speaks for itself.
hand numbered edition of 275 copies!
standing ovation war ein kurzlebiges projekt aus clacton on sea, großbritannien, das 1982 von dem sehr jungen paul bramhall und glen redgen während ihres highschool-studiums ins leben gerufen wurde. bewaffnet mit einem casio mt40, einem korg polysix, einem korg m500 und einem boss dr55 drumcomputer sowie einer gitarre und einem bass buchten sie am 22. oktober 1983 ein lokales studio und nahmen zwei songs an einem tag auf. die beiden tracks wurden kurz darauf vom ebenfalls lokalen label falling a auf kassette veröffentlicht. sie machten weitere zwei jahre elektronische musik und suchten nach mitarbeitern in den zeitungen, in denen sie einen schlagzeuger und einen leadgitarristen unterhielten.
ELECTRONIC VOYAGES: EARLY MOOG RECORDINGS 1964-1969 (LP)
12 Inch 24.09.19
the first compilation of its kind, electronic voyages contains seven scarcely heard and difficult to track down moog recordings from the 1960s, including tracks by bob moog, ruth white, intersystems, and lothar and the hand people.
the original score for the fx series “trust” by james lavelle (unkle). limited pressing on 1x gold & 1x oil coloured vinyl, housed in a gatefold sleeve.
hot on the heels of his recent remix ep, featuring revisits from top-shelf groove manipulators antigone, adiel, iori and museum, paul ritch continues on the path of sonic introspection initiated by his albums >iiiiiiiiiiiiii< and >k.a.c.z.m.a.r.e.k< with >czak<. one to teleport you to the deep webs most enigmatic circuits and secret pathways, his newest effort under the kaczmarek guise finds the frenchman uncovering a mother lode of unremittingly dark and brooding techno, laced with cyphered electro fulgurances and ambient-tinged divagations outside the confines of functionality and dj-friendliness.
the first of a new series of va releases, casting shadows reimagines archival music through the eyes of our favourite djs. each volume is overseen by a different selector, inviting us to look through the peephole of their crates.
3rd album from paul woolford under his special request moniker. limited pressing on magenta and green coloured double vinyl with download code included.
limited to 200 copies, the handmade vinyl cover is painted by sasha sime, thus making each copy unique. hot on the heels of paul ritch s >s.c.u.d< ep, quartz rec welcomes joton for a slamming ep >the fourth d<. the spanish producer and new rhythmic label owner delivers highly effective techno grooves on >the fourth d< and >dark sculptures<, while distant sounds on >different faces< and mystic chants on >diatomic< give this ep a shamanic dimension.
black repress! zwo fremde was recorded in 1994 by zky and daniel paul (aka cab drivers). the next year cabinet records was founded. the track now comes in full length on vinyl, mastered from the original tape. this gem is a master piece and a blueprint for many tracks these guys made. also other artists are inspired by this timeless classic, like konstantin sibold: it was the model for his track >mother< he said. backside 50 is the perfect b-side and rounds off the 50th release on berlins house label no. 1.
>zwo fremde< contains somewhere in the middle of the track original 1994 dirt, thats how they recorded the jam.
your vinyl copy is fine!
incl. prins thomas remix!! ltd edition sampler for the first a man called adam album since 1998 - rekindling that balearic, emotional, pop-not-pop feel they re famous for, with remixes from norwegian golden boy prins thomas & brazils very own, carrott green alongside a dub mix from a man called adam.
techno, midwest trap, grime and breaks synthesised? this may sound like a rather experimental combination. nevertheless the outcome of leibniz latest innovation is a very dj friendly 4-tracker called quake. the artist is co-founder of the hundert label, half of the projects dj ok and dj bwin and responsible for releases on shtum, ratlife, ortloff and fourth wave. orbb almost dodged jays rocket. mastered by beni brachtel aka bartellow. artwork by paul bernhard and arthur poitevin.
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