district of corruption is proud to present a very unique collaboration between dilo and egon orange. dilo hails originally from buenos aires and is known for connecting the two worlds of rock and electronics. dilo is currently living in a perpetual summer, splitting his time between berlin and buenos aires. dilo is running his own imprint, igloo records, and has released on numerous other labels such as we are, minus, clink, unfoundsound, and einmaleins. egon orange made is production debut in 2009 on igloo. egon has also been refining his unique live show for several years. >take me home< is a tech-house gem. strong and repetitive percussion is set against dilos own fragile voice make this a perfect summer storm. we expect you will want to take this one home as the memory of a perfect night out. >röte< is the perfect flip. warm special pads pulse along with deeply hypnotic percussion and bass. ear candy is abundant but this is a no-frills journey. >röte< gently develops with lush analog keys and heavily processed vocal oddities.

yes, a deep and soulful release by the bittersuite crew. on this three tracker you will find the soulful groover life cycle, a great uplifting summer vibe with catchy bass line, chords and percussions. will def. move the deep house heads.on the flip you have the tracks blockhead and blueprint. blockhead with deep, deep pads and its distict bass line combined with a >in your face< banging kick drum, could be described as nothing less than a masterpiece. will def. be banging your system. the track blueprint is something for the late hours, on point peak time business. with a distinct groove to die for, nothing can go wrong with this bad boy

four veteran detroit creators, individually accomplished and respected. each, a producer / performer / dj with a long history of deep, inspired, electronic and accoustic music, so innovative, to spawn a genre all its own. soiree records proudly showcases these melodious, technological, architecs on the first installment of detroit: deepconstructed. drivetrain leads off with driven. multifunctional and intelligent this one was constructed from the floor up, genuine and raw. throbbing rhythm and harmonious pads generate the perfect ambience for the signature vocal proclamation. next up, dorian gigís, the james herbert theory is a courageously deep, tech flow. gigs solid detroit influence clearly takes centerstage. thick, fat chords atop a flanged hi-hat move the air while the syncopated riffs fill the groove. dwayne jensen returns from a long departure with i see the sun light. reflecting jensens untold late night, underground experiences.this crafted pulsating, solid house swing inserts a hypnotic vocal chant for total authenticity. new to soiree records, but a known novice and powerhouse to the cause, malik alston’s offering is dance jazz. showing off some extraordinary piano chops, backed-up by a mental sax riff, alstonís unyeilding bassline and acid blips will not disappoint the dance floor. detroit: deepconstucted is music undefined from a place where music does not compromise.

as we build up a head of stream moving into the summer months, we turn our attentions firmly to the dance-floor with two bass-heavy hitters from subterra. those of you familiar with the guildford residing dj / producer / promoter will already be well aware of his drum & bass pedigree. clocking up releases on ram’s subsidary label frequency as well as dispatch and sudden def subterra has a staunch following that regularly attend his rotation events across the south east of england. >gutter mouth< is as dirty as the title suggests. swirling pads and percussion build the suspense before an explosion of contorted bass sounds and snappy high end beats. >cold shoulder< is a collaboration with long term dj / production partner bazil. with its warm atmospheric opening it creates a sinister mood before tearing into a stepping bass-heavy workout. dj support from goldie, jubei, lenzman, spectrasoul, london elektricity & dlr & octane.

onwards and upwards for the section8 clan as they get ready to deliver possibly their biggest release to date with a mighty, thunderous dubstep assault from one of bristols brightest up & coming production duos, dodge & fuski. having built up quite a reputation already with some killer releases on labels such as never say die and rat, this one looks set to earn them even more attention, get ready for the sound system bangers! ethereal pads open up aerophobia before an epic, grandiose synth enters the mix to set the scene for whats to come and youd better be ready because its quite simply, sick! watch the dance go crazy as we kick into an absolutley heinous bass riff that grabs by the throat and doesnt let go with a smashing break holding it all together. it only goes on to get even better with a totally funked up 4/4 switch up too! more bassline manipulation ensues and the dubstep break returns to complete whats sure to be a massive club anthem. a lot of fun. onto the flip and the tranced-out intro vibe continues with another awe-inpsiring arrangement of twinkling synths and fx on fuckem all. though the ravers are gonna love it and thats really what this is all about. bangin!

ernie unveils his special blend of timeless cuts exclusively on >black noise ep<.
>burning detroit< is a voyage into the abyss through a constant stream of warm pads layered with crafty percussion whereas ordell reworks >burning detroit< into a lighter afrobeat groove.
>la posse< is a fusion of underlying analogue bass stabs with raw machine drums and >terra nostra< concludes the release as a darkroom bonus cut – rolling deep into the early hours.

simoncino (aka nick anthony) from italian super edit label no more hits crosses the atlantic and finds a new home with on the prowls sub-label party breaks. what immediately stands out upon first listen is the production style, not being able to tell what is a sample and what has been replayed... much like tensnakes mega hit. the simoncino sound is firmly rooted in proto-house and 80s r&b. with ingredients like ancient drum machines, arpeggiated melodies, and cheap 80s pads, his concoction boils over with a certain cheekiness that makes listeners grin from ear to ear. all four tracks are subtle hits in their own right. excellent ep!

jeremy glenns >new life ep< is filled will sun-drenched euphoria, it comes bearing soul, embraces jeremys natural pop sensibilities and celebrates the underground scene thats shaped him as a dj. the title track takes us down to the beach with its 90s pads and thumping bass line to hang out with mitch buchanan, >found a love< reminds us of a rare vintage cut that the revenge or jacques renault dig up (check that acid line!) while >overtime oozes of prince. alex barck of jazzanova also rolled out a cheeky feel good remix of new life. its sure to make you grab a partner, throw them into a twirl or two and play an air bass guitar. already jeremy glenn has shared the decks with james murphy, tensnake and andy butler as well as performing live alongside dam-funk, aeroplane, and alexander robotnick. check the video by dakota of >new life< and take in all 80s boobs, 90s muscle, yachts and tiger fades

this release is strongly recommended. the first record of the enlightened wax series is a fine blend of incandescent house and techno tracks, flaring through the darkness of the night. all the tracks are written, mixed, and produced without the use of any software. light 1 (6.14) is like a ray coming from a distant star: it is slow building up on a wide bass body rising from atmospherical pads. a deep house jam with a touch of hi-tech jazz . light 2 (4.51) scatters raw beats in the urban skyline. an old school piano sample in addition to a aggressive bass line are the foundation of the track. its a breath-taking piece at the furthest boundaries between techno and house. on side b, the delightful journey continues with light 3 (5.34) an hymn to the glorious past of dance music. solid beats, ground shaking low frequencies, joyful voices, soulful piano chords call up the assembly for a return of the shining days. light 4 (6.06) fuses garage sounds and techno attitude. its massive dubby base breaks through sonic barriers. a dancefloor striker

dutch export ion ludwigs first offering for londons trelik imprint is a lesson in stripped back, mechanical groove-funk. title track >as the reaction followed i knew my feelings were right< is a rolling groover with nods to the kdj and theo school of deep house, with oven warm harmonies and vintage key sequences and lucid pads pushing the track along for its eight minute duration. flip over for >l sable<, which takes things in a more hypnotic direction with insistent stabs, a funky bubbling bassline and one of those vocals that you will be happily humming for days. forget what people are saying about old-skool and nu-skool deep house, this is simply house music at its very best.

clandestine techno/house imprint, meanwhile records reveals a one-off opus from two highly respected techno producers, niels luinenberg (delta funktionen) and samuel van dijk (mohlao). the deeply mystical >inward content< session represents the leuwarden sound of their native north holland (also former home to another master of hypnotic repetition ((of the graphic type)), m.c. escher) with an elegant, classically informed and deeply refined brand of 4/4 also identified on celebrated 12inches for ann aimee and delsin. the albums six tracks use an economical production palette, but we wouldnt call them minimal. the emphasis is on subtly monotone melodic shades, from the rippling black masses of bass which power each track, to the bluest hued pads and unfathomably expansive atmospheres which lend them their spectral grace. listening to this album is almost a mystical experience, like hearing the results of a seance conducted in low-lit surroundings calling upon the spirits of basic channel, convextion and the black dog circa 1995. >inward content< took over two years to assemble and techno connoisseurs can clearly discern why. recommended!

spirit delivers his homage to the legendary amen break, >brother from another planet< as moody mystical pads and twisted distorted subs give way to a pounding bass hook. fellow horseman and renegade hardware stalwart, friske makes his inneractive debut with a classic dark and heavy thumper in >the storm<, loaded with growling subs, echoing stabs and furious beats. big support from bailey, total science, raiden, storm and many more.

a taste of the new paradox ramifications lp with a 12 inch album sampler of dnb and 125 bpm breakbeat on the flip. mystical vocals and strings lead >antilogy< into a car crash of heavy drums in true paradox style whilst crashing into dark tunnel of esoteric stabs and samples. sub bass booms layer the kick drums and acid samples pave the road clear for the relentless ride of antilogy. after 5 years of solo alaska albums >black 69 version< marks a welcome return to the drum techniques of paradox. this sampler-only version of >black 69< is raw uncooked meat as they come with 125 bpm ultra-dirty funk breaks and eerie 70s soundtrack samples lavished in effects, demonstrating an aura that only paradox knows how to create. deep pads and vocals emerge from the dark and when the analogue bass drops ... you instantly know the unique identity and sound of >black 69 version<. the full ramifications lp is out in june on triple marble vinyl and a solid black cd edition – two unique formats for the music lovers and collectors. dj support from: loxy, kryptic minds, , equinox, mark pritchard, fracture & neptune, jesper dahlback, 4 hero ...

berliner martin dawson and polish duo catz n dogz join forces to bring us this fierce three track ep entitled no nights. the first track on this release is no nights. brimming with warm pads and an accusing, dark lo-fi synth line this version has a deep vibe to it and the ability to really get under ones skin. following this the berlin-polish team hit us with no nights (beatz mix) a catchy tech-house number with a lo-fi synth line sporadically accompanied by a melodically decending dubby synth. combined with the crisp vocal line this makes for a very promising track. no days, the last track on this release gets straight to business with distorted vocals and a menacing bassline that intertwine throughout the track. varying rhythmical flourishes keep it interesting, while tripped out synthesized sounds guarantee to get any dancefloor grooving. we couldnt be more pleased with the results of this tenacious trio and we look to the future in hope that they are already planning further collaborations.

300 copies, vinyl only, authentic, raw, underground. the second offering from laak on their austere imprint is another defined four tracker. >back of beyond< kicks things off, a sincere heads down jam combining latin percussion elements with a killer bass line and warm chords. the second track, >dont ever leave< is a heartfelt lament on the feeling of loss, slowing the tempo down, this one is deep! on the flip, >cosmic causeway< offers something a little different although keeping with the warm pads, this time the use of a spaced out trumpet keeps things flowing. the remaining track >cantankerous emotions< is a little different as regards to the beats, but loses none of the soul and profoundness of the other tracks. only for the underground soldiers!

the first immerse release of 2011 sees the label taking on a fresh approach while retaining the same atmospherics that have made it an essential fixture in the bristol music canon. outboxx are made up of jacob martin and matt lambert, and their sound is rooted in groovy, analogue house music. with an emphasis on jamming, theres a loose, live feel to these tracks that has an instant appeal but drags you deeper with each listen. >kate libby< kicks off on a swung beat and warm pads, before dropping down to p-funk bass and sparse synth flourishes. >berties groove< places jazzy rhodes playing at the front of the mix with a classic drum machine workout ticking away in the background. this is soulful, authentic house music with not a clinical midi pattern in earshot. despite coming from a different angle, the outboxx tracks slip neatly into the immerse legacy thus far, pointing the way for a year filled with more of the spacious, haunting club music the label has become renowned for.

the journey starts with epic pads and deep-space melodic strings that flow into rolling drums on the intro, building up into the massive anthem . the drop delivers big, bad, wobbling basslines & retro analog synth stabs that fire over heavy assaulting beats, making this an absolute dancefloor smasher destroying everything in its path and taking no prisoners!
the flip side jumps off with a futuristic atmosphere of high-pitched strings, pads and funky percussion hits while hinting a classic hip-hop sample. wide-open, ravey synths creep up and build into the drop that hits with pounding drums and filthy punishing basslines moving in perfect balance to break free just long enough for the vocal to remind party people in the house what time it is. guaranteed to get the crowd going mental - this one is a banger!

two brand new tracks from bristols emergent house prodigy. >batty knee dance< brings ultra syncopated 808s, neurotic synths and a mournful vocal refrain together in a tightly packaged low drag configuration. >ribble to amazon< maintains the levels of 808 astro physics but heads for the great outdoors with subtly staggered pads and an impossibly delicate lepidopteran melody basking in a 16:9 sunset.

it seems that dapayk used to listen to a lot of hip-hop when he was younger. his latest ep for still vor talent >let go< has got these influences written all over it. the title track starts out with a male vocal and some sounds that sound a little like scratching before things then quickly head into the direction of the club. the vocal by singer camara could not be more reminiscent of 80s house music and this track has got all the soul and groove of this era. beneath the delicate vocal and sound patterns lies a wonderfully simply staccato house groove that is sure to get everyone shuffling. on the flip things get a little more techy with >nneka<, a deeper and more melodic tech house glider that gently takes the listener towards a harmonic state of mind. beautifully arpeggiated pads, a warm soulful groove and some reverbed vocals make this one. last up is the sample-based tech-house stomper >upyo< featuring production partner jon hester. this is loop heaven: a pushy beat loop with many snares, reverse samples and an unexpected saxophone melody make this one the perfect changeover track from warm-up to peak-time. this ep shows dapayks skills to combine many musical influences into his unique still of tech-house music

with no rest for the wicked, label exclusive artist ladzinski is back for 2011 with a solo ep jammed pack full of up front house tracks.just like that is boes most dance floor focused ep in a while with jacking 808 drum rhythms, soaring pads and plenty of hands in the air moments. all night is a true groove-a-thon that hardly lets the beat go during its nine-minute length. its a more conventional sound pushing towards tech house territory but the classic 808 drums and bouncy syncopated chords give it a fresh breath of chicago deepness..

luv jam - better known as andy cole - made his name through outings on we play house and lany recordings, and >mature oak< finds him in fine form, an epic, atmospheric track poised on a bed of analog synths and warm pads, driven by galloping drum mechanics that gradually give way to its climax, an irresistibly squelchy acid bassline that marks it as one of coles most memorable productions to date. on the flipside we get treated to cottams first ever remix. cottam has made an impeccable name for himself, with his signature colourful series of untitled 12s and a contribution to the story imprint. true to his roots, cottams re-rub of >mature oak< is a slo-mo, motorik chugger that makes excellent use of the originals acid line while taking the whole track a step further. its a proper heads down affair that begs for a soundsystem loud enough to do it justice. limited vinyl pressing of 444 copies – hand stamped and numbered. special artwork by pedro carvalho de almeida.

tal m. kleins >house on the left< is the second single from his forthcoming exhaustasaurus lp. the name of the composition implies the track is left-field of house. jazz guitars lead the way for brooding pads and syncopated synths over deep beats. in short: a great moody tune!
comes on special coloured vinyl, somewhere between marbled and picture disc - a true beauty in sound & looks!

boys noize and housemeister, 2 good old friends from berlin with a lot of love for analog found together again to rave in the studio. after their first collaboration in 2006 under the name of eastwest, they are now brining us 3 new jams you don¥t want to miss. shizzo is the track youd probably expect from these 2 f..ckers:loud, noizy and stupid! its up and down parts shake the club like you were sitting in a rollercoaster - beware this is not for everyone. nbaxx is a new breakbeat track. breakbeat?yeah! with a hint of inspiration by lfo freak, this one comes quite minimal but hard, just the way these buddies like it. saturday the secret a side on this maxi is a disco-tech track, with moving arpeggios and big melodic break where spheric disco pads cool you down before you and the kids jump up to this piece of 2011 disco music.

to kick-start the fina campaign we literally hunted high and low to find an artist and sound that we felt would represent us and give a statement of intent. what we didnt expect was for this search to take us south of the equator and into to the deep southern hemisphere. this is not the first place that you would expect to hear warm, deep underground house but this is exactly what you get with the melbourne based mic newman. and thinking about it, it doesnt get warmer or deeper than melbourne does it? mic is a young producer who we believe is destined for greatness. at the age of 29, hes already had a string of underground smashes on labels such as murmur, tsuba, dirt crew, freerange, and now for fina records. the intriguingly named live east, die young ep (mic riffing on his time spent living in london) sees what mic doing what he does best and demonstrates why his future is so bright. on die young, the tougher a-side, mic keeps the beats solid, and the groove tight and hypnotic, while the smooth chord stabs get right under your skin. prolonged foot tapping ensues. on the flip side, live east, mic takes it a little deeper with ever so subtle disco touches. the vocal sample asks what your name is and to take off your jacket as if to welcome you to a very messy after hours on this mcde-esque low-slung house groove. on remix duty, the on-form jacques renault and marcos cabral aka runaway, lift the track out of the south hemisphere and take it in a north easterly direction all the way to the caribbean – adding plenty of steel drums and pads on their interpretation of live east

ldr returns with the labels first various artists release, four house expressions - from four cutting edge producers. dublin based italian producer, lerosa opens the ep with longing…a warm, proficiently produced electronic house cut as always from the adopted dubliner. smooth percussion and synth sounds layered and arranged to perfection while still keeping that free-flowing lerosa style. rotterdams mark du mosch delivers an uplifting house / techno influenced workout blessings. re­fined percussion and wonderful space-synth soundscapes alongside a driving bassline that will get the dancefloor moving for sure! glaswegian meschi debuts with concrete island , the london based producer delivers a blissful deep house track. a laidback rhythmical production that just gets better and better throughout, with clever arrangements of elements including a classic voice sample and a soothing and delicate piano line. wicklows automatic tasty concludes the ep with another killer analogue jam, 707 percussion, a rail­way raver-esque bassline, and ats trademark pads and synth melodies combine to make >welcome ohm luv< another classic from the machines of mr.tasty

desolat is happy to announce a new 12inch by giuseppe cennamo. born in naples, italy in 1980, giuseppe took to the turntables at age 13. following the legacy of fellow napolitanos like marco carola, danilo vigorito and davide squillace, he took the inspiration of classic house and melodic synths to build his own brand of tech. his tracks on several labels got a lot of peak time play and caught the ears of loco dice. fortuitously, after a break to clear his head, mr cennamo decided to take the inspiration of a loco dice dj set to create something specifically tailored for desolat, which resulted in this release.this particular slice of vinyl is aimed squarely at the djs - with the title track amanecer digging deep into the pads, a cantering kick and gentle swing that hints at detroit forefathers. cuando tu quieres stomps its heels and morphs into a very whimsical bouncing house burner: plenty of fun to be had with this one. dejame asi feels like a spaghetti western re-imagined with the help of a conical moving laser beam, a childrens choir and a bag full of kazoos while the rest of nothing is a reduced, pinocchio-like percussion-driven track with an insistent bassline

2013 repress! sudden drop step it up a gear for their 1st release of 2011 with newcomer bleak providing a double header of beats. >isolated< kicks things off in fine style with sleek, super phatt beats and a serious amount of pace. throw in some tight production technique, a serious attention to groove and a fine palette of sounds and you have an impressive addition to any techno minded djs record box. flip for the moodier stylings of >bold<. although more introspective in its approach, bold is no less powerful on the dance floor. once again bleaks impressive production technique rises to the fore with big booming kicks and melancholic pads

new collaboration with bobby&kleins giom and la derek dunbar. title track is peak time disco funk all out jam that has a perfect vocal hook and serious funk. gioms remix takes a deep turn adding synth stabs and pads. dereks remix is driving force with beat cuts. last cut is downtempo gem.

created back in 1994 by secret cinema, no one could have predicted how timeless this track would turn out to be! if you are in to electronic music and live on this planet, theres a 75 percent chance youll recognise the weird reversed, reverbed piano riff! now, for the first time, the original is available digitally with remixes by slam, egbert and secret cinema himself that made their way to vinyl as well. the massive techno tune from 94 is ready for a little update! it can be a challenge to remix a track with so much history, but all three managed to complement the original while giving a unique spin to the track. the secret cinema 2011 remix is a peak time main room power tool that will turn a big crowd into a riot any day. slam take a deeper, more subtle approach that can hypnotize and rock a main room crowd without blowing their wigs off. finally egbert takes the track to a warmer funkier level, equipped with a funk-filled bass line and some warm pads over the top. a truly timeless package!!

simoncino (aka nick anthony) from italian super edit label no more hits crosses the atlantic and finds a new home with on the prowls sub-label party breaks. what immediately stands out upon first listen is the production style, not being able to tell what is a sample and what has been replayed… much like tensnakes mega hit. the simoncino sound is firmly rooted in proto-house and 80s r&b. with ingredients like ancient drum machines, arpeggiated melodies, and cheap 80s pads, his concoction boils over with a certain cheekiness that makes listeners grin from ear to ear. all four tracks are subtle hits in their own right. excellent ep!

>les patates<, the fresh new rrygular release by tassilo, one half of pan-pot, is not an homage to french agriculture but a serious techno smasher with high club potential. at first, theres just a nice party atmosphere and … then this rough beat drops in! the small potatoe >petite patate< surprises by adding rudimental elements like the hihat and snare drum always a little late. but you have the feeling you havent missed something yet. this number just sneaks from behind and lulls you in with billowing pads until you sense the final rave sound as a self-evident consequence of it all. the message by g-tech right before the drop proves right - there is not a lack of vibration here! its all about the mixture … and in this case its just felicitous: male choir, clanking cymbals and finally the riff that this track subsists on. tassilo knows how to send the short melody-figure through the different stages of sound design, even though it might have been lively enough without it. this gives the big potatoe >grosse patate< a level of dynamic, that most contemporary techno releases just dont provide.

claremont 56 seem to have a passion for the unnoticed and the unreleased, digging out gems from the past or oldies from the future. here we have four hands, a band from newcastle who laid this gem down in 1999. sounding distinctly like an adriatic sunset from 20 years previous. from subtle beginnings this track doesnt quite grow, it just drifts beautifully along, from warm pads to a deeper swelling bass, overlaid with delicate strings and languid orchestral touches. four hands deliver a modern day masterpiece, with a timeless woozy morning feeling. this is the warm embrace you need after a few too many the night before. limited edition!

sehou provides a prime piece of forward-looking nostalgia for metrolines latest release - the cirkus ep. up and coming talented producer from the south of italy, sehou was the man behind the massive track -she makes me wanna dance- released on all inn limited thats been hammered by ricardo villalobos in pretty much all of his sets for the past year. the brutal bass groove of cirkus calls to mind classic era r&s, its choppy vocals and skittering percussion give the track a raw funk, while its smooth pads add a reassuring, warm flow. untitled to her is a relentless robert armani-style workout, with a hint of chi town bubble and funk. driving chords and simple drum patterns give the tune serious momentum, while plenty of breaks in the rhythm and machine gun buildups make sure you dont lose the groove. romanian producer cristi cons aka case sensitive. after dark interpretation is a gloriously meandering, fluid rework. its subterranean bass bumps and heavily filtered synths give the track a brilliantly disorientating feel, while its tense and tight arrangement bring a tense energy.

supported by: angel molina, david mothersole, dj tlr, paul woolford, simbad, jörn werner, franck roger, fabrice lig, will o brien, hakim murphy, esther duijn,.. >my electronic soul< is probably one of franco cangellis most personal tracks. slow and almost sensual 909 drums create a sonic canvas on which soulful pads and elegant melodies create a timeless electronic ballad reminiscent of early chicago deep house combined with the melancholy of detroit. as the title suggests, this track pretty much exposes francos true roots and is an ode to those long lost and almost forgotten days. >house for brunch< is another deep house offering with more detroit melodics

hot on the heels of the recent greg wilson/ray mang edits paper recordings have enlisted the remixes talents of two further hot acts in the form of faze action and brennan green.
first up we have faze actions re-edit of >drop your weapon<, a rolling and bouncing slice of funk laden modern disco that uses the distinctive guitar licks from the original and drops layers of bass, pads and drums to create an instant anthem!
on the flip we have the superb brennan green who takes >3 play it cool< and develops it into a loopy and percussive deep house masterclass, using subtle melodies and taut yet organic sounding drums. this is perfect late night tackle and provides a perfect counterpart to the upbeat disco stylings of the a side, wonderful stuff.

tornado wallace has had a great 12 months following his debut release paddlin on delusions put him firmly on the map of heavyweight young producers to watch. subsequent remixes for home taping is killing music, future classic and detroit label kolour have pushed him further to the forefront of deep and dubby slomo house scene. always twirling spins into action with driving 16th note hats, compressed pads and soaring strings. 808 snare fills rattle throughout and a warm, dubby bassline provides the speaker-troubling low end. twirl and the beanstalk goes for a more heads down, bare beats and bass approach resulting in an intense, floor friendly track that grooves extra hard. finally, we have whispering twirl, a sumptuous slice of midtempo deepness with a hint of boogie and a dash of soul

austere can mean >lacking trivial decoration< and >not extravagant< which is exactly what the ethos behind this esoteric new label is about - raw, real and underground. the first ep from laak (pronounced >lock<) is true to the roots of house music. warm pads, discreet analog melodies and vintage drum patterns. along the way giving a huge nod to chicago, detroit and the forefathers of the genre. already receiving support from jus ed on his underground quality radio show and quite a few other players, dont sleep!

once again another masterpiece from the dynamic reflection squad in your face! this time its from the uk monster voidloss. the title track acteon is already an oldy and paul felt in love with it a long time ago. it was already digital released in 2007, but we asked voidloss if he wanted to see this on pure gold as well... and of course he wanted that! so why dont we put up an whole ep with more dancefloor killers of this man? grovskopa is always capable of delivering good remixes and so he did. this time something a little bit different then what you expect, but with this track he shows us what an open mind he has on techno. rolling crunchy basslines and smooth pads bring this track in a perfect vibe to set the tone for the night. moment of total emptiness is a more deeper and hypnotic tune, but will definitely bang your head on the dancefloor. mr. a. paul is going for the rework and came up with a really great uplifting and oldschool touch. perfect tool to use in your dj sets! all n all a superior release by this uk studio wizard. lets pray for more of this pure quality stuff and keep our eyes on the the future. the scene need more labels like this which reflects the current techno movement and promises loads more of that sweet stuff in days to come.. dynamic reflection will represent only the true spirit of pure techno, they will put only the quality stuff back on the dancefloor!

materializing next is from the mind of belgian producer franco cangelli. techno tunes from oblivion transmitted into this dimension by franco. yes, expanding the palette of machining dreams sound with some banging waveforms for your enjoyment. cangelli delivers the embrace ep, a 3track deep techno release with sweet, elegant pads and chords crafted for the deeper and intenser moments on the dancefloor

lee holman strikes us down with some seriously deep rooted techno, bombarding us with elements of gabriel and curtin cutting into the mixes.
the first track on the ep is seek, straight forward hypnotic dance floor business elevated by shaking percussion and vocal stab. search hits us straight away with deep detroit feelings shivering and unwinding as the track progresss, you get to see why lee has released on labels such as ferox, fine art and voorns nightvision imprint. found has to be highlighted as one of the must haves on the ep taking us on a journey right from the off. beautifully layered pads mixed with a tight and funked up bass line. berlins mike dehnert hits in with his signature sound of deep late night bass heavy groovin techno, twinkling and making every bone in the body jive to the off beat, a serious ep with serious intention.

is it balearic come back from their summer holidays with a release that is showing their intentions to set the standards in the world of balearic music. max essas latest 12inch for iib has the 20 (yes 20!) minute odyssey that is panorama suite. a sunset soundtrack of lush pads, guitars and synths that takes the listener on a super chilled balearic slo-mo disco magic carpet ride over the mediterranean. turn the page for something a little different. reminiscent of the talking heads/tom tom club 80s nyc funk boogie sound and with a killer sample - a little bit steinski ,uptown vibration is a slice of pure laidback dancefloor goodness. the man that is mark seven steps up to remix and mould the original into a (nu) dub disco classic. dancing to the vibrations through the floor indeed.

for its 20th release, absolut freak records is proud to present the much expected from outer space by nicolas chenard. the ep starts with parallelism, an ultimate tribute to the rave anthems, with its massive spacey disco loop and strings. already a classic! on do not educate, he rocks with his gameboy and shows his taste for 8-bit synthesis. then, the path reveals his singular melodic genius. the introduction takes you on a fantasy journey with hypnotic organ and flutes, before rolling an electro monster with killer pads. supported by cyberpunkers, david carretta, stereoheroes, donovans, saint pauli, dalcan & john lord fonda!

big twelve from us label slant featuring glasgow s edit select and alex smoke. label owner let s go outside supplies the b-side.slant s fourth 12 yields two mighty pieces of techno. one side is let s go outside s epic valentino , the other is the absolutely wicked the retainer from edit select and alex smoke. all the criteria for a classic split are met and well exceeded here.the pairing of edit select and alex smoke is simply brilliant. the a side s the retainer is crowd control. alex s signature vocal cut ups and chugging percussion layered atop edit select s hypnotic, repetitive style make for a true techno masterpiece.on the aa side, let s go outside throws down a deep, seductive, tough cut with valentino . airy pads float atop pulsing bass and a subtle, driving orchestra of percussion and static. the entire piece slowly ebbs before crashing down, repeating, the pace deliberate and guided by soft words about first loves.

new kanada is honored to have the awesome murr (aka nicholas murray) take the reins on the next release. dusty drums, worn-out pads and a deep respect for the early beatsmiths, nick always creates an atmosphere in his tracks that is definitely not the flavor of the month - but rather the taste of the year. on the a-side, >noise in< is a tough dusty jacker, that builds from a tight dub intoa shimmering melodic bomb. feels like early transmat, late gherkin, or an americanized lfo. shuffle, simmer, and slam. the second cut on the a-side, >broken glass<, is a slamming ode to the sp1200. beats swung hard, percussion rattling the kilter way off, and a suffocating groove. watch out - the shards are sharp. on the b-side, marshall reshapes the original >noise in< into a brutal example of a tough mixing tool. heavy, pulsing basslines and an incessant jack groove. this one should move the floor. red, yellow and orange. rockit!

lunar disko records returns with its 6th release from promising irish producer, automatic tasty (at). at delivers five fantastic analogue trax with strong house, acid and electro influences, crafted with precision and aptitude somewhere beneath the wicklow mountains. the acid jam >i ve missed the last bus home< opens up the ep, ats trademark basslines, warm melodies and pads command this track, while >i can see your house from here< continues on with with more 707 percussion, mesmeric melodies, voice samples and a bassline unveiling another automatic tasty gem! >an cnoc rua< introduces us to a b-side with more acid, and electro soundscapes. a slow-burning acid track, including more fascinating melodies under the control of a mysterious eerie lead... >to the moon and back< warms you up again with more delightful melodies and captivating pads transported in true automatic tasty style. concluding this debut ep is the outstanding >autonomous system< the 606 & 101 combine to brilliant force before an arpeggiated bassline takes over alongside more lush synth melodies.

leave it up to nyc label on the prowl to score some authentic yet modern day latin freestlyle. hot latina corinne croons about love and nightlife while her partner brooklyn producer josh anzano does the dirty work. the result is a heart felt dancefloor banger that will sure to be thumping out of car trunks this summer. for this single we get the original, a dub mix which nods to 80s style tape edits, and of course the mighty runaway bomb of a remix. runaway takes the vocals and lays them across a hands in the air chicago-esque drum machine groove spiced with live bass and speaker blaring pads. very big indeed!

first on decks.de !! lust und freude musik s fifth release arrives from tufan demir of istanbul, who has been making music in various genres under different monikers for some time now. this ep bears tufan s own name and contains tracks of a more personal nature. despite the overall after-hour feel of the toy harmonics, it also draws heavily from modern house music elements. four-to-the-floor pattern of the tracks do not necessarily mean that they are pure house as they encompass an undeniable ambient vein. most of the percussive elements featured here have been recorded by tufan, extracting sounds diligently from a toy archive that includes pieces ranging from action figures to music boxes. the opening number idiot term tricks you with its mighty kicks and hypnotic percussions only to draw you into a dreamy atmosphere made up of pads and intricate structuring. quiet days in a room starts off with a simple sequence and builds into a melodic orgy of bells and synth sounds. the most minimalist of all, back to fine offers the greatest emotional potential - despite its unmistakable dance footing, the track transcends electronic dance formulas thanks to its ingenious instrumentation.

uk born, berlin based producer, ed davenport, is the latest artist to debut on nrk music, with an awesome two track release. >curtain call< and >overdub in am< showcase davenports smooth, deep tech-house sounds, heavy on the dub side!
davenport has already enjoyed positive attention on his releases for esteemed labels such as poker flat, liebe*detail, vidab and district of corruption. recent remixes for len faki on cocoon, and guy j on jon digweeds bedrock label, are also helping to bring his name to the forefront of the scene.
his debut nrk release features a remix by nrks nick harris. >curtain call< is a heavyweight, tribal workout, with plenty of rolling percussion amongst its nagging vocal clips and big, twisted pads. >overdub...< is a dub-heavy houser, an extremely well produced, warm and hypnotizing, deep dancefloor track.

the oh so secretive and elusive franc spangler provides his first full ep for delusions of grandeur having previously provided mixes for alpha child on dog03 as well as for jimpster on freerange. on our 11th release we are very happy to offer up two variations on forever and a day with the original providing a full length arrangement loaded with deep pads, fizzing synth lines and franc?s trademark disco inspired drums. forever and a dub runs with a similar vibe whilst opting for a more stripped back and rolling vibe. still a very deep and musical track but with some space for the drums and squarewave bassline to work their magic. the arrangement subtly builds with layering synths providing the dynamics and interest. flip over for open eyes which sees franc drop the bpm?s for a loping, looping, sun-soaked epic purpose built for vibe augmentation of your next bbq gig