100 hei§e sommerhits auf 5cds, aktuelle smasher und sommerliche klassiker z.b.: simply red - the right thing, sak noel - loca people, righeira vamos a la playa, kate ryan desenchantee, avicii - fade into darkness, tony esposito - kalimba de luna, afrojack & shermanology - can t stop me, hallux ft. marcus - ai se eu te pego...

after five years of its highly successful existence, after founding its sister-label 2diy4, after opening its own club ego in hamburg, after sending its artists all around the globe and after having brought more than 50 releases into this world - itÕs time to celebrate diynamicÕs fifth birthday! and this charity-compilation is diynamicÕs gift for all of you. all benefits of this compilation will be donated to kinderhospiz sternenbrŸcke, an organization that accompanies terminally ill children in the last time of their lifes. the kinderhospiz is hamburg-based and currently collecting for a room for music-therapy. the sampler is splitted into two cds, one to show diynamicÕs current sound and one to cross the borders of house-music, to refresh diynamicÕs greatest hits. in five years diynamic has become a big family and of course each member has to be part of diynamicÕs fifth birthday compilation. solomun, stimming, david august, h.o.s.h., uner, ost & kjex, dj phono, adriat

nicholas bussmann has shed his skin once again, now transforming into nicholas desamory to release >like you< - a house album of such warmth and rough elegance, it will leave the scene all excited

dirty tricks inkl. 13 ultimativen dancefloor krachern!

>the evolution of afrobeat< - tony allen jungle by night drops their first full studio album on kindred spirits. hidden is the first full studio album from this group of dutch lads, who retain their youthful exuberance and innocent energy, and delve deeper into their own sound. moving slightly away from the afro-beat blueprint that characterized last years self-titled debut lp, the nine-piece have added gamelan tones and studio effects to their afro-funk template, as well as exploring other parts of africa like malis desert soul and djembe rhythms from senegal. after two years of playing, and having performed over 80 gigs last year, the group have settled in their own rhythm, and hidden sees them trying out new ideas and forms.

the debut album of these two young lads with baseball hats not only honours and delves into a sound that already peaked some fifteen years ago, it also hones and elevates it, without ever falling into the reynoldsmania trap (please see retromania for further reference) or being old gold retold. and this is all oh-so-clear from the very start: the fine flutes of >when its there< go straight to your heart and they do so without any self-mockery or hipster smiles as much as the gasping 303-sounds, chirping birds and healing dx-like bass sounds a few tracks later do. >salty days< - an allusion not to grim times, but to a certain members adoration for the crystalline mineral - is blessed with a coherence that isnt samey, with tradition that isnt leaden and a feeling that is pure.

fresh off the success of 80s groove, ministry of sound return with 3cds of soul, r&b and club anthems. let us introduce to you the perfect soundtrack to your summer. this is 90s groove. cd1 features the best in soulful grooves from jamiroquai, m people, george michael, soul ii soul, lisa stansfield to des-ree. disc 2 brings together a flawless collection of smooth r&b and hip hop featuring some of the biggest artists of all time r.kelly, jay z, mark morrison, tlc, usher, en vogue and eternal. disc 3 finishes with a journey deep into the underground grooves of the 90s dance floor, featuring huge cross over tracks such as robin s -show me love-, tina moore -never gonna let you go- and ultra nate -free-, along with classic tracks from moloko, groove armada and basement jaxx. the 80s groove series has so far sold nearly a third of a million copies, now get ready for the definitive collection of soulful hits that defined the 90s.

berlins alex niggemann is one of an exciting new run of artists to arrive on steve bugs established poker flat recordings, bringing fresh, high quality house music to the worlds dancefloors.

mere is a new project that began as a soundtrack and continues as an experimental, dark-ambient jazz group. guitar, drums and bass clarinet provide an intense and improvised journey into the abyss. the trio first came together to work on a soundtrack for a dutch tv documentary called visserman. having known each other for some time this was the first time they had combined together to write music and the name mere comes from the dutch word for more. each member adds a different influence to the sound, the modal finger picked guitar playing of thomas adds a sense of movement while gareth takes both folk and free jazz ideas to play against leos free rock influenced drum work. the tracks were recorded all in single takes with just a quick discussion of outline and tuning as a basic guide. gareth davis records on important, miasmah, sonic pieces, dekorder, home normal etc. collaborating with machinefabriek, steven r. smith, scanner, frances marie uitti, ryan teague, elliott sharp, ian hawgood and the like. leo fabriek releases on digitalis, home normal etc. and is also the drummer with the noise rock band julie mittens.

what is this? we actually dont know but it is new and wonderful! as one of the most successful artists in contemporary techno music hendrik weber aka pantha du prince presents his new studio project together with workshops stephan abry: ursprung. after several studio sessions in the cold and charming winter of the swiss alps, abry and weber were driven deeper and deeper into some microcosm of sound to almost cut the edge to the myth. influenced by krautrock, the ambient music of harold budd and early brian eno, avantgarde, and the minimalistic guitar sound of durutti collumn the ursprung project cant resist to make the guitar a main source. coming together with highly futuristic sounds as we know from the researches of pantha du prince. a truly unconventional structure of slowly growing beats hold this universe which came from the cold mountains together. it is not the first time the protagonists behind ursprung worked together. they met some ten years ago in hamburg as the photographer and musician stephan abry worked on his workshop project together with the artist kai althoff. hendrik weber was involved in the band stella and both released on hamburgs legendary ladomat 2000 label. a frequent conversation, exchange of music and some sessions made them work on pantha du prince works. mostly recorded in that white out background of the alps it was clear from the beginning- a unique project will come one day. now ursprung is here and lets us forget time and memory. stephan abry and hendrik weber wonder what is this? we actually dont know at all but it is new and wonderful!

bong-ras new album monolith is a new step in pure hybrid electronics. seamlessly mixing all styles with ease. be it metal, drum and bass, hip hop and dubstep. a musical characteristic he has gained international praise for. monolith is divided up into two segments: alpha and omega. alpha are four hiphop-esque colossals featuring the american rapper sole, who has proven himself over the years with his crew and label anticon. omega is the dancefloor orientated part of the album where bong-ra continues with his trademark metalbreaks style which made him remix the likes of bolt thrower and even screamo legends therapy? since 1996 bong-ra has released 5 full length albums, and has released on labels such as djax. planet mu, ad noiseam, kid 606s tigerbeat 6, jason forrests cock rock disco to name a few. the biggest success came with the 2003 album bikini bandits, kill! kill! kill! managing a full rotation with the videoclip 666mph on mtv. bbcs radio 1 dj, john peel, was also a big fan, inviting bong-ra to do a famous john peel session in 2001, and was asked to be part of the peel tribute cd kats karavan containing peels 125 favourite session artists. this cd contained the likes of bob marley, boomtown rats, the jam, pj harvey and bong-ra amongst others. in the last decade bong-ra has played all the big festivals: glastonbury, lowlands, fusion, dour, eurosonic, etc and has toured europe, the us and japan. bong-ra is further known for being one of the pioneers of the breakcore genre. together with artists like venetian snares, shitmat and jason forrest they developed this unique and energetic crossbreed in the early 2000s. with monolith bong-ra continues to pave the way into heavy electronics, always re-inventing and evolving himself with every album. he recently won the dutch 3voor12 award (the largest dutch music platform) for best musician, for his bong-ra and the kilimanjaro darkjazz ensemble projects.

phat big room double cd

rough trade shops annual report on the music that passed over the shops counters during 2011 has arrived in the form of a double cd, comprising of 42 tracks and full colour sleevenotes entitled rough trade shops:counter culture 11. the tracks chosen were either a favourite with our customers, a big seller on the shop floor or a recommendation by a member of the rough trade staff.the top ten of the rough trade shops annual chart features heavily as you would expect and this year we have tracks from josh t. pearson, kurt vile, nicolas jaar, zomby, veronica falls, john maus, white hills and the head and the heart from that list, giving you an idea of the diverse range of styles present.the collection begins with a set of ten beautifully crafted works from pearson, vile and the head and the heart alongside mara carlyle, lanterns on the lake, the decemberists, drive-by truckers, king creosote & jon hopkins, richmond fontaine and still corners.

these are my dj mix compilation series. and now we are about to release volume 3. they are a journey through disco past, present and future. both compilations made it into mixmags top 10 compilations of 2009 and 2010 respectively. - mighty mouse

mohn is likely producing the best music that vangelis never wrote, the lost soundtrack to a kšlsch version of blade runner, a space opera in slow motion conducted by a hypnotized caspar david friedrich in orbital transit. as music it gets extremely close, obscuring the sun, whispering loudly, slowly, and furiously, both a fascinating trip into the interior of an inverted electron- scanning microscope and the meticulous recreation of a mandelbrot fractal, all in album format. whether synthesizers dream of electric sheep, wolfgang voigt and jšrg burger may not be able to say for certain, but as mohn, they seem to have a fairly accurate idea how it might sound.

sven kacirek, the much praised multi- instrumentalist from hamburg, releases his third album with pingipung. scarlet pitch dreams presents intimate solo works, following his debut the palmin sessions (2007) and the interna- tional success the kenya sessions (2011), which was honored with german record critics award for the second quarter 2011. whilst the kenya sessions revealed fruitful col- laborations with kenyan musicians, almost every single instrument on scarlet pitch dreams has been played, recorded and produced by sven kaci- rek himself.

its a great honour for us to be able to present conrad schnitzlers last work. endtime will be released as dlp, cd and download. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. its like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young artists like emeralds and oneohtrix point never. wihtout his solo works and his projects kluster, tangerine dream and eruption electronic music wouldnt be the same. the tracks on the vinyl edition are in the order sides a,c,b,d. this allows you to make your own mix of this big work.

together with co-producer tom mcfall (r.e.m., weezer, stars) they experimented with new sounds, structures and melodies - and now they are very proud to present the result: the best album by alcoholic faith mission to date. alcoholic faith mission will continue touring as much as possible in 2012 in support of the album, covering europe and usa/canada - and hopefully theyÕll get to play lots of festivals in the sun.

originally conceived as a guitar based project, nzca-lines has been transformed into a suave, synth-pop sensation that combines pop melodies with r&b beats and lush arrangements with multi layered harmonies. produced by fellow loaf/lo label-mate charlie alex march and mixed by ash workman (simian mobile disco club, metronomy etc), together with main man michael lovett theyÕve created one of the years most thrilling debut albums. from the opening bars its clear that theres a unique and beautiful talent at work.

the yearly summit of keiji haino, jim o rourke and oren ambarchi continues with imikuzushi, which finds the group extending the power-trio strategies of last years highly praised in a flash everything comes together as one there is no need for a subject (bt05) and bringing to them a newly sustained intensity. for this performance, haino limits himself to electric guitar and vocals, forming complex networks of slashing rhythm work, noise squall and chromatic shredding, moving at times to near-silent passages of howled vocals and isolated, hanging guitar strums. the tendency towards driving free-rock which surfaced on moments of the trios last release is cemented here, with o rourkes fuzzed-out, non-linear bass riffing moving the music into almost garage-rock areas, combining with ambarchis drums to form a bedrock of hypnotic, metronomic pounding which transforms itself effortlessly into passages of flowing free-time. like all of hainos best work, the trio transcends any rock genre exercise to enter a non-idiomatic zone of ritual intensity, creating a music formed purely out of instrumental and group-mind possibility. presented as four unedited excerpts salvaged from an epic show that lasted well over three hours, the sometimes raw nature of the recording only adds to its directness and harshly emotive quality. francis plagne, melbourne, nov, 2011 released as a 6 panel digipak cd and as a limited edition double lp in a lavish gatefold with printed inner sleeves. design by stephen o malley with high quality live shots by ujin matsuo and stunning images by tokyo based photographer and sound artist shunichiro okad

sunny vibes, coole beats und entspannte house-sounds liefern den perfekten soundtrack fŸr ein relaxtes lebensgefuehl! der perfekte soundtrack fŸr bars, strand und natuerlich auch das heimische wohnzimmer. auf zwei cds setzt das britische compilation imperium ministry of sound erneut die messlatte ein stueck hoeher. 40 tracks inkl. fritz kalkbrenner, orbital, deadmau5, azari & iii, moguai u.v.a.!

cementing a year that saw a string of sublime stellar releases from mario & vidis, the dynamic force give house music a new accessible heartbeat with their album changed, set for release next spring. mario & vidis title their debut artist album after their future classic anthem, changed,an apt advocate to the new age slow house sound they have mastered and unmask themselves as purveyors of a hive of activity in their lithuanian home. spanning two discs and twenty tracks they cover much musical terrain, striding through epic soundscapes, hypnotic pop melodies, wandering into pure soul and running away with the finesse of raw house music on the second disc.changed opens with the atmosphere heavy introducing to you, lightly tickling the senses.

the roaring sound of jungle has been tearing up the clubs and airwaves for years and with the recent rise of drum n bass storming back into the charts ministry of sound has decided to take you back to the roots of where it all began. jungle classics features over 40 huge tracks from the pioneers of the scene including godfathers shy fx, roni size, zinc, hype and adam f in addition to todays headline artists pendulum, chase & status, dj fresh amongst many others. take yourself back with anthems including m-beats incredible, uk apachi & shy fÕs original nutt...

james nice label von ltm recordings hat sich hier auf wiederveršffentlichungen einiger stŸcke von factory artists wie zb.lawie the durutti column und a certain ratio konzentriert. mit dabei das offen gestimmte instrumental ãmadeleineÒ von durutti column.von a certain ratio, einer der factory-bands schlechthin, gibt es das white-funk-zu-breakdance-zeiten-stŸck ãwild partyÒ sowie einen sich Ÿber fast zehn minuten erstreckenden mix von ãknife slits waterÒ

diese doppel-cd sollte kein hardstyle-fan auslassen! die 100 staerksten hardstyle tracks des jahres auf einer sagenhaften doppel-cd! alles, was in der ersten jahreshaelfte die club und die grossen events dominierte! don t miss!

blanco y negro has grown and consolidated itself into one of spains most important independent record companies.

excellent deep house

folge 17 der vom label und internetradio rinse initiierten compilationreihe praesentiert einen mix von elijah & skilliam mit den besten grime-tracks aus dem englischen dance-underground 2011. die beiden djs, label-, club- und blogbetreiber (butterz) haben sich in ihrem mix vor allem auf instrumentale tracks konzentriert, darunter -take off- von faze miyake (dem wohl besten instrumentalen grime-track des jahres), wollten aber auf stimmen wie die von p money, blacks sowie trim and wiley nicht ganz verzichten. mit den 27 tracks schaffen die beiden einen reinen grime-mix, aehnlich wie in ihren shows auf rinse fm, mit den angesagtesten tracks aus der britischen grime-szene, darunter einige exklusive dubplates.

overview in the 1980s, as hip hop caught fire around new york, sparky d was coming up in the van dyke projects in brownsville brooklyn. she would go on to be one of the first recorded solo female rappers and rise to hip hop stardom. early in her career she was a pivotal player in what came to be known as the roxanne wars. it all kicked off with utfo s roxanne roxxane followed by roxanne shante s debut roxanne s revenge and then a salvo back at shante with utfo and a female mc known as the real roxanne. sparky d then started a trend that ran for what some say was over a hundred assorted answer records and nearly the rest of the decade by jumping into the roxanne trend with sparky s turn (roxanne, you re through). massive spins and sales throughout the city followed. the success of the cut lead to another handful of 12 releases, and this release, her proper full length debut this is sparky ds world,- produced by her boyfriend and old school legend spyder d. though the record didn t take off to the extent that her label mates boogie down productions found with criminal minded....well, what ever did take off like criminal minded. to this day the release serves as a testament to the power of one of hip hop s first female mcs, after all, this is sparky d s world. traffic entertainment group in partnership with b-boy records is proud to release this extended version of the album, out of print in any format for over 14 years. housed in a handsome 6 panel digipak featuring extended artwork and audio including all the 12-cuts, mixes and instrumentals from sparkys classic -throwdown- and -i can t stop- vinyl singles.

little pianist is the stunning debut album of japanese duo bocca grande. formed by music producer kousuke ishida aka trio and piano teacher yuka kobayashi, bocca grande music gives an high value to the classic piano mixed with the electronic vibes. their beautiful single procedere, that anticipated the release of the album, shows magically their concept, a magnificent and emotional record, above any trend ! trio started to compose at sixteen years old. his sound reflects the deepness experienced in his life and that we find in the japanese culture and his dj style is influenced by the old school, from the deep side of chicago house to the detroit techno etc. their productions have been already released on labels like mathematics (chicago), four roses (germany), black vinyl (uk), nice and smooth (canada) and futic silver (tokyo). the tunes have been getting huge responses since played out by motor city drum ensemble during his guest slot at tim sweeneys legendary beats in space into the radio show in new york. an incredible album from start to finish. blending the majestic piano work with electronica, house, downbeat, dub and a cinematic vibe in a creative and innovative way, little pianist is one of those records that warrant to be listened to in their entirety... repeatedly!

jeff mills once again indulges his passion for classic sci-fi with this 2cd re-imagining of the score to harry kleiner s titular 66 flick. it follows his -cyborg 2087- recreation and imaginary soundtracks for -the power- and -the occurence- with a deep voyage of discovery. but unlike the aforementioned, the original film plot - about a team of scientists who re miniaturized and dispatched inside a human body to fix a blood clot - thematic scales are inversed and we re drawn to mills inner, as opposed to outer, space-scapes. the action unfolds across 22 tracks and 2 cds, from bleepin, womb-like viscera and hazardous noise bursts through archetypal rhythm arrangements and fluid programming reflecting the man/machine, organic/synthesized themes of the film and his own alien/human aesthetic. it s wonderful to witness mills maturing as a composer and refining his art to something beyond a soundtrack for dancefloor rituals, but without ever losing his original blueprint, and showing that the line between cinematic imagination and dancefloor functions can be a very fine one.

for toro y mois chaz bundick, 2011 has seen the release of his acclaimed sophomore album, underneath the pine, remix work for tyler, the creator, a split 7 inch with cloud nothings, and a steady stream of international tour dates. just over halfway through whats already been a busy year, the prolific producer has a brand new batch of lavishly funky material to offer. bundicks latest is no sloppily assembled bunch of pine session throwaways. the freaking out ep was put to tape in june during a period of touring quiescence. the release finds bundick reveling in twenty minutes of boogie, roping in the heavy sounds of groups like the gap band and mtume. while the first two tracks are modern takes on the 80s post-disco vibe, -sweet- sounds like the product of a todd edwards and teddy riley collaboration, with smooth synths weaving in and out of meticulously chopped and arranged vocal samples. the new jack influence spills over into the cover of cherrelle and alexander oneills -saturday love-, in which a swingbeat carries along fluttering piano lines steeped in delay. the eps crown jewel, -i can get love-, sees bundick assimilating styles of each of his to-date releases, with the synthesized funk of causers of this, the irresistible hooks of pine, and dance alias les sins penchant for filter effects and house beats. full of energy and crafted with a conciseness that begs repeated listens, freaking out is toro y mois most concentrated venture into pure dance floor hedonism.

el rego is a true legend of african soul music. here for the first time on album are 12 of his greatest recordings from the late 60s and early 70s hand-picked by daptone records. afro-soul collector/ dj frank gossner had spent years combing west africa tracking down 45s by theophile do rego (aka el rego) before finally meeting him face to face in his home in benin. from that relationship came this album, which we present to you here in a 20 page hardcover bookcase cd featuring el regos own story of his life and music along with pictures from his personal collection and artwork from his original 45s. the music has been remastered with great care, and the vinyl contains an exclusive bonus 45 (while supplies last) of se na min, one of his most sought after afro-funk tracks, backed with e ma non tin me, a beautiful and somewhat more traditional song about two blind men who agree to go together and leap to their deaths into a river.

mit death s prozession erscheint das vierte album der kalifornischen stoner-metal band saviours. nach crucifire (2006), into abaddon (2008) und accelerate living (2009) lassen es die saviours scheinbar etwas ruhiger angehen. strotzen die drei ersten alben nur so vor anleihen aus dem black,- doom,- und death-metal-bereich, besinnt man sich nun wieder auf seine wurzeln und laesst verstaerkt den stoner und doom-einfluss in den vordergrund treten. oder wie schlagzeuger scott batiste erklaert: -der haupteinfluss auf dem neuen album war, dahin zurueckzukehren, wo wir herkommen: black sabbath, iron maiden, motoerhead, thin lizzyÉ- trotzdem ist der sound immer noch unverkennbar der der saviours, roh, laut und scheppernd.

2011 release from british producer / remixer / dj adam gibbons aka lack of afro. gibbons combines his live musicianship and top notch studio production skills with rappers and vocalists into a skillful combination of compositions blending funk, hip hop and soul into a steamy stew of a breakbeat bonanza. as a multi instrumentalist, in-demand producer and remixer, a dj with his finger on the cutting edge of contemporary sounds, and an ear tastefully cocked to the hippest soul, jazz and funk music from the 60s and 70s, gibbons has already established an unrivalled reputation as one of the most crucial names at work in funk and dance music today.

with a scraggle of noise and feedback zone beginning 26000, ilpo vaeisaenen and dirk dresselhaus continue their angel duo with a work that inhabits its own zone of cryptic anger and contemplation. if anything, a sense of structure destroyed has been the hallmark of both vaeisaenen and mika vainios work away from pan sonic, but 26000 in particular - with angel added and abetted by performers such as oren ambarchi and b.j. nilsen - introduces a sense of unspoken story to the proceedings, a soundtrack to a sci-fi film that emphasizes cosmic horror by implication. the slow roil that -before the rush- settles into, a combination throb and mechanistic growl, both parallels and contrasts the concluding -paradigm shift,- the subtlest of bass rhythms anchoring overlaid drone murk and screeches of noise shaped and controlled like an event horizon reached and held. central piece -dark matter leak- sounds it, deep echoes and distant footsteps and other outer space haunted house noises interspersed with up-front bursts of percussion rattlings and glitches, a robot companion in space rapidly going on the fritz. the overlaid clatter of -in- and similarly frenetic mess of -out- frame said dead center equally excellently.

for three years - that is from the very beginning of absys coming to life - weve been concerned with shaping the profile of our label, concentrating mainly on the originality of sound, thus supporting both native (poland is a country of great potential and to show it is part of our mission), as well as foreign upcoming artists. after some time we can say that the path weve chosen is right.so, mystical deep vol 2 is kind of an essence of absys records and at the same time the twin of its predecessor - mystical deep. we present to you an extrasensory journey into the very centre of human mind. this journey will be mysterious, atmospheric, dubby, futuristic and - of course - set in the core of depth, but still, despite the featured diversity, will also be coherent and consistent. we hope that this compilation of music, associated by beautiful artwork, will be a good mood enhancer - not only in the autumn cloudy and rainy days.

we have the pleasure to present one of the most awaited album this year!ladies and gentelmen - switch technique - altered. after more than a decade with handfuls of releases and hundreds of hours spent on perfecting his standout sound there has come a time for his fascination of hardcore to take him to a whole new level of music production. switch technique has created a new unique and completely fresh production standard defined by combination hardcore and drumandbass. simultaneously, hes pushing his ideas of regular drumandbass which he loves to interpret and translate into hard oriented techstep and darkstep.

das mŸnchner elektronik-, clubmusik- und pop-label permanent vacation kann erneut auf ein produktives und erfolgreiches jahr zurŸckblicken - mit zahlreichen club-hits zwischen electro-disco, house und artverwandtem. die beiden macher des labels, benjamin fršhlich und tom bioly, haben ein glŸckliches hŠndchen beim signing von acts und tracks, das stellt die aktuelle werkschau selected label works 3 eindrucksvoll unter beweis. mit tracks von black van, parallel dance orchestra, tevo howard, todd terje, wolfram oder azari & iii und remixen von tensnake, axel boman oder legowelt.

2011 debut album from tropics aka british producer and multi-instrumentalist chris ward. since planet mu released his first single, -soft vision-, the synthpop of his early tracks has evolved into a more substantial and personal style. parodia flare features ward as a multi-instrumental auteur, weaving together vintage sounds, rhodes keyboard, banks of old synths, software and guitars, live drums and electric bass.

silent dust is the project of uk duo dan blishen (originally from manchester) and andy hobbs (hailing from kent), who produced drum & bass together for years under the respective monikers zyon base and hobzee. their self-titled debut,silent dust,brings their signature d&b sound into a different light, drawing from a wide range of influences - ambient, drum & bass, garage, dub, breakbeat and soundtracks. the result is a collection of deep, bass-laden productions that sound like absolutely nothing else, filled with lush arrangements, an array of found sounds (footsteps, vinyl crackle, sellotape stretching), cinematic vocal samples and glitchy, idiosyncratic drum programming. the album travels through a wide range of emotions and sounds - from the sublime intensity of the giant (equipped with floating operatic samples and tight drum programming) and the dark atmospheric grace of marlowe, to the weighted basslines of the club-suited zero nine zero and the sheer beauty of winter song lined with strings and a reggae-tinted vocal. though its driven by experimentation, this is a d&b record at heart: even the ambient tracks were written at 160-170 bpm. their debut album was originally signed to soul:r, but was pulled at the last minute: the duo bravely opted to start their own label, none60, to release their tour de force.silent dust is a downtempo, atmospheric album that will become an instant favourite for open minds, and for those who seek something new. one of the most unique records to come out of d&b this decade.

jazz cinema 2, a touching remembrance of poignant love, takes you swimming through the joy of music and serenity and entering into a time of majestic legends. the performers in this album includes jamie cullum, one the most popular jazz singers in the world, stacey kent, a grammy award nominee, peggy lee, who has a great reputation in both singing and film career, nat king cole, one of the most legendary jazz singers, louis armstrong, the swing star, billie holiday, and ella fitzgerald, two of the most honorable jazz queens. their renditions of songs are from inception, the english patient, un homme et une femme, cars, oceans 11, casablanca and the curious case of benjamin button, those romantic melodies which is to remind you of the classic stories and write you an most unforgettable and delicate note in life.

andy vazs straight vacationing, his first full-length artist album, since the 2006 release of repetitive moments last forever, registers as less a straight-up collection of dance-floor burners and more of a variety pack that mixes club tracks and full-fledged house songs. listeners hungry for just ordinary 4/4 throw-downs will not entirely get their share of those, but theyll also get a whole lot more on this dynamic and well-rounded set of eight album tracks and that is exploring house music not just as a simple one way street, but give you a very personal view of the music we call house. straight vacationing dives into the genre in all its rich variety: from deep melodic, early chicago influenced acid house, jacking-jedi mind tricks to disco-type grooves and last but not least excursions into bizzaro world, with a vaz typical almost psychedelic experimental-edged sound, its all there.

driver drive faster are a new band from manchester, but you wouldnt necessarily tell. this masterful debut album presents a rich, timeworn sound that exists somewhere between americana and spectral indie rock. its crafted song-writing at its best, hinging on stirring chord sequences and moments of fragile beauty. -a review described us as misfits,- says singer/ guitarist dylan giles. -we took it as a compliment.- named open house and recorded in the shared digs in which the entire band reside, the album was a labour of love begun in late 2009, poured over in 2010 and set for release in 2011. the result is a lush, layered record that slowly draws you into its world. think mercury revs deserters songs for a new generation.