hello and welcome to the new decade. we are kicking off the 10s with a smash from the 00s - as a hinge between the decades, so to say. adas >lovestoned< was everybodys favourite track from her fabulous >adaptations< album, a milestone of romatic techno with vocal support by raz o hara. one of this songs biggest admirers is president bongo of gusgus fame. together with jack shidt he forms the dynamic duo gluteus maximus which already caused a stir with their amazing remix for sigur ros >gobbledigook< on kompakt pop. their lovestoned remix is astounding, too. sex, modern, efficient without losing one gramm of soul. the flipside is taken care of gui boratto who is never far away when techno meets pop in such a sensitive way. his remix makes all great things from the original a bit greater and its pushing the romance factor to the max.
great job, comme d habitude!

amazing 4-tracker of funky chicago style house with jazz and disco samples by lawnchair generals, joey youngman, olivier desmet & chuck daniels and da sunlounge! ltd backstock

for his latest project theo parrish teams up with a constantly changing cast of soul/jazz musicians and singers. some of his heaviest, earthiest house-grooves so far combined with angelic vocals and hot live instrumentation.

yes yes, another slammer on patterns! fer br the spanish party freak returns to patterns with a full blasting 4 tracker. full of energy and very very uplifting techno tracks in his remarkably fresh style. a techno winner that will end up in the big djs record boxes for the coming years!

soul minority remix dj support from jimpster, osunlade, charles webster, ripperton, h.o.s.h, tony rodriguez, burnski, franck roger, john daly, melon, lee curtis, tricksi, rob mello, kiki, g-ha (sunkissed), alex flitsch, jay tripwire, brendon moeller, till von sein...

4 heavyweight tracks from niko marks

originally released in 2000!! restless soul, swag and miguel migs mixes!!

played by: richie hawtin, raresh, cisco ferreira (the advent), matt star, xpansul, nicolas duvoisin, mirco violi, frank leicher, sebastian altstadt, locke aka dermaptera, sean o neal (someone else), jon gurd ...
igor jadranin aka en-tropic signs his new ep – >between two extremes<, for the record label underground limited.this release clearly proves igors unmatched talent and maturity in music production. the lead theme of this ep >between two extremes< – a very deep and powerful theme, carefully broken by rhythm and still a gentle and emotional jazzy looped composition – is surely my personal favorite from this release.cooperation with marko vukovic is embodied in the track >back again< – a minimal deep house filled with rhythm, not the kind of rhythm produced by percussions and other drumming instruments but rather by a cut vocal and dirty synth, which breathe soul into this theme.
>zero loss circuit<, which has an expressed club spirit, is the ideal piece for building an atmosphere in a club. igors music definitively deserves a spot on every good djs list.
(zoran petkovski review)

special double 12inch edition!! originally released in 2001!

like roy ayers about 25 years before them those two ny house cuts are paying tribute to their hometurf - the title isnt the only similarity also e mans voice - which already helped its yours to become this years house smash - bares a strong resemblance to the 70s jazz funk master. kerri chandler again proves his unchallenged production mastery with a bottom-heavy, deep house groove - big

percussions, drifty hypnotic beats, a touch of soul and marvellously deep ... house is a feeling and ray okpara has his finger firmly on the pulse, leading the way.

early dan curtin works! twice spaced-out hi-tech jazz, from the early nineties. >matter of sound< was released orignally on a limited 7 inch, and >inner view< is taken from the first planetary ep from 1991, both from dans label metamorphic.

third and last single cut from his debut solo album! this time he teamed up with >kuniyuki aka koss< as a production partner and this single was made with many obscure old records. a side, >routine< is jazzy fusion disco and >unfaithful< is one of the best clubby track on the album. b side, >transaction< is a klaus schulze style and >aneugalam< is a unique jazz funk disco

1979 disco classic! mixes by david morales and mike dunn!!

after marios massive debut ep >talking drums< on bouq records the berlin based rookie is back with another groovy & funky ep. includes remix by mihalis safras (trapez, greatstuff, soma, material).
support: brett johnson, brothers vibe, technasia, x-press 2, silicone soul, butch, gregor tresher, tiger stripes, deetron, mihai popoviciu, alex niggemann, masomenos, daniele papini, matthias meyer, jay bliss, h.o.s.h., federico grazzini, arnaud le texier, &me, alex neri, superlounge, sebastian lutz and many more

nico purman is back for his third instalment on the marching band in the sky that we call our vakant home. purmans sound continues to evolve, covering truly large distances with every release. since his robostrobe inspired earlier vakant works tuesday ep (va017) and euphrasia ep (va025), nico drops 3 large-and-very-much-in-charge space jazz masterpieces that he fermented in what sounds like a midnineties new york house basement.

deepart returns with his snapshots concept. deepart is andi hart, and if theres one man out there which keeps true to his own sounds its andi hart. hes been pushing his sounds for almost ten years now, ever without doing any concessions. this double 12 inch brings eight new typical deepart tracks, they come in his typical minimal lo-fi style, but with the soul deep within. sometimes warm, frantic some other time.

after the well received all creation 12s delsin records drops yotokos >wet ink<. yotoko are shifty & domu (jcr, 2000black, archive). yotoko stands for a perfect fusion between broken beat, techno and soul.
their album is not about breaking barriers, but it is their own little twisted version of what they call techno. for yotoko techno can be heard in everything, so as such it is all techno. domu and shifty are influenced by lots of different stuff, soul, jazz, disco, hip hop, techno, some old break beat, new broken stuff.. as well 20 pence mad charity shop finds.. the album is about yotoko making music they think is cool and realizing that all this music is the same no matter what the bpm or groove.
domu started as sonar circle for 4 heros reinforced label. later on active as domu for labels as archive and 2000 black and together with archive label boss volcov for the jcr-label with their album as rima. shifty is domus longtime comrade, making his first musical public appearance as yotoko. the albums artwork will be done by amsterdams machine, who already took care of the kindred spirits releases.

excellent chicago styled deephouse cuts with elements of soul , funk and disco too... very happy feeling.. very very serious dj food

debut album from italys marcello napoletano, the space voodo as a d12inch. includes the calm b 4 the storm with i.f.m. (francesco schito), and expressions of a miles man, a ode to miles davis. his previous 12inch has been a hit with over 50 big name djs worldwide.

four track ep by label owner aroy dee.
the first track >once u loved<, is warm and emotional, with slowly evolving strings topped with mysterious whispering vocals, reminding to older blake baxter material. 2nd track, >tears< is a fierce and sexy chicago-house influenced dancetrack, with a solid baseline, steady beats and lush keys.<br 7>first track on the b-side is >lift me high<, a downtempo dreamlike analogue house classic with haunting strings and vocals of miss salvador, merging larry heard and g-strings with an italo-disco kind of atmosphere. last on this ep is >soul spark<, an atmospheric techno track with the raw energy of early relief-releases and the psychedelia of dance mania.

vivace is a project of stephen hitchell (cv313, echospace, intrusion) and is a unique hybrid of deep house, dub, jazz, & soul, a sort of new school/old school fusion which pays homage to chicago house heroes like chez damier & ron trent in their prescription era but with a modern twist. this project is the continuation of his previous soultek material initially featured on germanys force tracks & force inc family of labels back at the start of the century. the title track in its original form is a sub-aquatic journey through space and bass, as deep as you would come to expect from an echospace production but the sound palette has changed, shifting into a world filled with ambience and free form jazz. the use of live instrumentation & vocals are a driving force behind this project and add a depth and soul oceans deep, its like melting in sonic butter. the soultek mix is a frenzy of edits, funked up and sounds like it could be a schizophrenics take on house music, brendon moeller dives deep into soul, shifting and morphing the original into a proper late night house jam you could only imagine derrick carter or theo parrish dropping at the wee hours of the morning. the closing intrusion mix gives the original a frosty lime green haze best absorbed while inhaling, real trippy stuff. this first release has already earned countless play from francois k and in its inception (as soultek) was hailed as >jacks echo -- the future sound of chicago< by de-bug magazine, germany

excellent upbeat jazz infected chicago house anthems!

volume 3 showcases more of the unique tropical music created in panama in the fertile decades of the 1960s and 70s. panama is the thin, tropical bridge that connects north and south america, and is home to three million culturally diverse people, its music is a soulful blend of latin american, caribbean, european and indigenous forms. from bilingual calypsos to guajira jazz, from tropical guarachas to cumbia tamboreras, panamanian musicians fearlessly combined and brilliantly executed styles that reflected their multicultural environment during a turbulent time in the young countrys history. this collection presents more of the golden age of panamanian music and the music of the combos nacionales on rare recordings that have never been released outside the isthmus until now.

with after midnight glocal evokes the solid influences that surrounded their process of musical maturation in the 80s and 90s. new wave / disco rock basses and drums mingle with house from chicago, gothic bass solos, post punk vocals, and soul falsettos and chords that make reference to the techno from detroit.

makoto & kez ym featuring takumi kaneko from cro magnon! played by gilles peterson, kevin beadle, jazzanova, kyoto jazz massive & simbad etc...

supported by: dj hell, dubfire, martyn, brothers vibe, glimpse, chloe, jeff mills, mr g, perc, konrad black, echospace, d.diggler, joris voorn, joel mull and many more!! under his echologist moniker, brendon moeller has releases on rekids, mule musiq, resopal & ransome note. this release sees him taking off the kid gloves and offering up four slabs of massive dancefloor oriented techno that take what he accomplished on the much praised >jazz space ep< to the next level

the duo from uruguay monoblock are back with another deadly combination of tracks. finally the time has come to release (on vinyl only) the bootleg entitled >in-tensiones<. a complex remix using several horn parts and held together by a labyrinth of percussion. the result is a monster of a groove backed by samples from one of jazzs all time greats.
next up is >soul whispers<. looking for a dark groove that fuses fine minor chords and sultry whisper like vocals then look no further. monoblock again create a shaker of a groove that keeps things flexing all whilst keeping the floor pondering and guessing at whats to come. a super funky combo that monoblock have built their reputation on!

this is the track that has been burning down the house this summer, this is punk-funk techno ... this is >fables and fairytales<. a deep, dark and wonderful cut of distorted house music from adam marshall and nicholas murray under the alias n/a featuring the voice of rosina… a creation that touches the heart, body and soul with an intensely passionate sound, producing one of the best crosstown rebels releases yet.
from the vocal chorus so hooky and cool - to the kind of bassline you will be humming hours after the club, this piece of lfo tech-funk brings adonis, the slits and the fatback band into the same room and melts them into one shining gem. falling horns and random stabs, a punk funk vocal that is truly infectious, crosstown rebels #54 grabs you at the beginning and doesnt let go for the next twelve minutes. a faultless anthem for the coming nights…
on the b side, the latest artist signed to rebels, the uniquely talented deniz kurtel, stretches the hook into a dubbed out trip of groove-infused techno. morphing and twisting the ferocious female voice to sensual whispers and heart-felt cries, she works more enchantment into this anthem and builds a serious groove for a dark room.

medline aka sun son sound, next generation and avant garde composer, mc, dj and multi instrumentist present his first masterpiece mercado negro. afro latin & jazz funk ingredients cooked into a deep and soulfull recipe, this contemporary and intemporal 7inch classic is a monument dedicated to the worldwide musical black market. first stone of medlines brown music style, this meteore knock downs the conventions. released on his own label propaground. its the rebirth of the art of composition in the way of 70s masters. in other words it is already a hunted gem.

pushing the envelope even further and blurring the lines between jazz, funk, trip hop and soul - carte blanche 2 aims to please with its unique blend of rhythms suited to the most discerning tastes of todays music connoisseur!

once again jay denes and lisa shaw come together to make a slice of vocaly and emotionly motivated music that pulls from classic r&b (i.e. gladas night and marvin gaye, not destinys child) as much as modern deep house. the moustached boy wonder comes in as the petalpusher and gives us his tough beats, pretty basslines and memorable melodies that make for a classic miguel migs mix. the besoul mix is all bassline, the kind that makes you immediately start bobbing ya head like a chicken and wanna start dancing all sexy on the closest person available. what can you say, naked music makes soul music for the year 2002, futuristic funk for the lovers.

following on from the success of volume 3 of the duffnote, one 51 & guess eps, richard earnshaws constantly impressive label offers a peek into a handful of 2010s closely guarded secrets in the form of ep4. again showcasing each labels unique sound, from the sumptuous soulful vocals of havana, to the melodic & stabby hooks in diamonde.

this is textured tasteful music thats designed to stimulate the mind and soothe the soul, incorporating broad strokes of jazzy keys, warm electronics, retro funk, deep house and more into an intoxicating swirl of sounds.

next up on eglo records after the hugely successful vacuum ep by floating points its the debut release of west londons stevie j aka funkineven 1956, featuring hackneys new queen of funk & soul, fatima on vocal duties. 1xtras benji b has already been going mad over it, and the track is slowly building a reputation at a number londons underground jams and warehouse parties. sonically it occupies a similar stratosphere to dam funk, sa ra, bugz in the atitic, dorian concept, joker etc, but with a west london twist and deeply crafted vocal melody.

sex tags mania with more leftfield dance music... the label just does what they feel and that goes from crazy nordic afro funk (see recent sex tags amfibia release) to intens house tracks, uptempo techno or just raw low-key tracks like this one. they have at least one major fan called omar s who loves the label!
produced and recorded live by don papa at work it studios, moss norway in 1999 and 2000.if you are ever in norway, take a trip to moss and visit platesjappa - old school records with soul. you might meet don papa and the likeminded.

baaz comes back home at sthlmaudio recordings for a rich and surprise full new ep called woodland drive. the 12 inches start right off with sink, a very baaz styled house track which is dance appealing and yet refined and subtle. a raw bassy groove monster track. the next one might surprise the baaz fans out there, yes it’s a hip-hop track featuring the soul vocals of katrina marie. we figured out that it might be fresh to provide some other point of view in the repeating herself dance scene. the b side strikes hard on the house side again, it s gone is one of those pure shining and rolling tracks. once to you uplift it you’d just let it go. a bass heavy subtle and groovy house cut, baaz trademark?! essential. and again the b2 and closing track is an lush and low key hip-hop science out of baaz most retired places

played by: ben klock, len faki, martyn, basic soul unit, anton zap, angel molina, luke hess, scuba, fred, john harvey /dimension 5 (delsin)...

incl dyed soundorom remix! big with nick curly, loco dice, matthias tanzmann, audiofly, silicon soul, clive henry, luna city express, patrice baumel, lee jones, jimpster..

more fresh house music sounds from the home taping crew, this time featuring two emerging house talents – se62 and eddie c (jisco music). se62 is a new artist straight out of the ukraine who is exciting many djs and producers with his heavily atmospheric and raw take on the house sound. the main track wall ride is a slick slice of motor city soul remixed by canadian producer eddie c. while on the flip, the tape is a raw, heads down moodymann inspired affair. press play and let the dancefloor do the talking.

viva disco! zweite single aus dem nummer-eins-album >wir kinder vom bahnhof soul<.
2009 feierte in deutschland eine ganz besondere institution ein rundes jubiläum. die diskothek wurde 50. wer anderes könnte diesem glücksfall, der unser aller erwachsenwerden auf die ein oder andere art begleitet und geprägt hat, musikalisch eine so passende hommage kredenzen, als der groove-Überflieger jan delay mit seiner band disko no. 1? seine zweite single aus dem nummer-eins- und gold-album >wir kinder vom bahnhof soul< trägt den titel >disko<. auf den tanzflächen der clubs schwingt die nation dazu bereits jetzt kräftig die hüften, dreht sich im kreis oder einfach komplett durch. >disko< ist nicht einfach nur ein song - >disko< verdichtet musikalisch ein lebensgefühl. bei jan delay gefeiert mit den fettesten bläsersätzen, unvergleichlicher background-betörung und einem sound, der sämtlichen diskokugeln der nation ein glückliches lächeln auf die mosaikspiegel zaubert.

already support by marlon d, luis radio, dj dealer, wil milton, rork, roed svensk, richard earnshaw, master kev, danny marquez, cj mackintosh, robert owens & more!

with a slew of top 10 hits, a multitude of remixes under his belt, and a frightening tea habit, funkagenda has been called in to mix the next toolroom knights installment.

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

played by karotte !!! with his newest ep on wagon repair (ghosts in the ai - wag058), mathew jonson looks to both the past and future to create a stunning release. track 1 - ghosts in the ai - is the first solo production that was made in wagon repairs new berlin studios. finally, in a real place to work, and with a lot of new gear to play with, mathew focuses on evoking both the future and technology to wonderful affect. track 2 - technology - comes from mathews past as it was created around the same time as tracks like octagon came out on iiwii. originally, it was going to be the first cut on his debut album that he was planning to release. on the day that mathew was looking for a b-side track for the ghosts in the ai ep, his brother, nathan (hrdvsion), played it over the phone asking him why he had not released it, as it was one of nathans favourites. it worked much better than the other track that was going to be on here so thanks, hrdvsion. track 3 - the alchemist - comes from mathews involvement this summer producing the music score for the old classic silent film faust, which was screened, complete with cobblestone jazz playing the score live, at the 2009 timewarp festival. the alchemist was written for the scene when faust is working in his laboratory then walks out into the snow to summon the devil to help with his work. a fitting piece indeed!

1972 disco classic

music simply for the heart. outside it s getting cold but pinch n peedge bring us the warm midsummer nights back.soul and deepness direct from the middle of thuringia.

noir de coeur ep is the second projet of the aglia records label, with the theme africa or perfect mixing between jazz, afro and electro dub style. to do this, krispaglia turned to 3 talented artists: melchyor a (razana prod, rec soulshine, slip and slide, ludovic allen (tribal winds, real tone, basenotic, gswing) rochdee (rec elephunk, boys basment rec)and krispaglia (aglia records) to give their musical vision on this continent. melchyor a feat long bass - house of groove: afro house classic pure style. ludovic allen feat mediff - darkside: moody dub vocal house track. rochdee - idealgroove: pure afro dub...

the groovers sound is the result of a lot of late nights, forged and crafted with utter devotion to creating a unique sound. all our influences were bought into the studio and from the tension between a love and knowledge of various musical styles and modes, of temperament and personality we found that it clicked. the result of this collaboration between finn campbell-notman and steve ferrand is ten track collection of songs from slow to mid to house tempos. each time we worked on a track or song we asked ourselves >is this a groovers track< and the only criteria in deciding if it was was >does it feel like one or not< this feel that we were searching for is: that bittersweet, syncopated and soulful one that we both love regardless of genre. our influences range from deep deep dancefloor house, early downtempo, latin soul, boogie, southern funk, and shimmering techno