as the days get darker so shall the music, so on that note we welcome back the fold moscows own polymorphic with the ever turbulent rock on ep. this time out polymorphic delivers the goods with 3 new tracks, rock on, scream & move faster. the ep also features a remix of the title track by marseille who also had a hand it turning out proxys raven last year. this ep is not for the feight at heart. both mixes of rock on tear things up with a decidely old school electro undercurrent while keeping things noisy and agressive on the top end. and there s only one thing we can really say about the last two tracks because they are that scary... scream will make you move faster.

the revenge is a hottest new producer on nu disco-house scene came from glasgow. his past release on jiscomusic,instruments of rapture, delusions of grandeur are already huge. this debut release on mule musiq have his deepest two new songs. a side is a hi-tek deep chicago house sound with male vocal and b side is a dark house sound.

sun dance is the debut full release by berlins rising sun, aka steffen laschinski. the ep features rising sun originals sun dance and candy in my pocket - two blissful tracks of old-style house-influenced minimalism infused with the heady atmosphere of early-90s innocence and joy - distant memories of simpler times - beach parties, bonfires, the sun rising over the sea at dawn… on the b-side, sven weisemann (mojuba, liebe*detail, a.r.t.less, styrax leaves) remixes sun dance, stretching it out into a beautiful shape-shifting epic. all tracks are mastered by masked techno maverick redshape (delsin, present, music man, styrax leaves). steffen laschinski is currently best known as the label boss of influential labels styrax records, styrax leaves and millions of moments. rising sun have previously featured on split artist releases on the workshop and ruin labels. b side plays inside out

two cool housy minimal slammers: this is 100% club music. we can see the tracks being played heavily by a lot of djs. relaxed but at the same time moving very rhythmically, both tracks have a modern way of getting the party going

a classically-trained jazz virtuoso and national rock n roll hero in argentina, gutis double 12inch pack for desolat will leave you in no doubt of his ability to twist a snaking groove into something echoingly hypnotic. the tracks contained here are already a favourite in the record boxes of artists like loco dice, carl cox and marco carola, while gutis life story could itself be the subject of a story by jorge luis borges: >i leave to several futures (not to all) my garden of forking paths<. just two years after his first live sets in europe, desolat is proud to present gutis las cosas que no se tocan. the beats follow guti across continents: mr good vibes was composed in a hotel room in stuttgart after an argument with a friend, while the serious dancefloor vibes of sasa, the hustler and ieuuu were channelled in martinez studio. ieuuu and the hustler feature slices of glamorous, haunting vocals by jayson walker, a british singer that guti discovered on myspace. and sasa boasts gutis own vocal touches. meanwhile, the track aguanile is inspired by one of his favourite melodies as a child, one that he’s collected many versions of. the last track on the release, el campeon, reaches a bittersweet ending in the wide open space between percussive trills and a cut-out refrain, inspired by gutis favourite latin storylines of broken hearts and pain.

new label with a phat house release that is playing with the heritage of more then 20 years of house music history. royal oak is delivering heat with these two tracks that are produced and created with knowledge of the roots of our dance music. the roots from where all its offsprings have grown. according the labels promo text its like a royal oak standing proud in the middle of the forest overseeing its offsprings. this first edition is limited to 150 copies and won t be available for digital sales. timeless and classic house tracks!!

detroit, 1993. the burden brothers, known for their octave one project and 430west record label, start a new sub label called direct beat. it was created to release the techno electro sounds of inner city detroit. in 1995 the label was in full effect and released music produced by friends such as tommy hamilton, keith tucker, mad mike banks, will web and them self.
now 15 years later we know that direct beat was one of the big influences on how electro and techno is today. together with underground resistance, axis, m-plant in detroit and some like minded people in europe and artists such as drexciya, aphex twin, autechre and dopplereffekt it changed the way people looked at techno... it broke away from the dominant 4/4 kick and brought back the funk and emotion that disappeared once house and techno became popular and mainstream music in the early 90s.
we are happy to bring back direct beat records by making some of its classics available for a new generation. this is a part of techno music history we may not forget about! especially in these days that people consume more and more of the format tracks. this shows that emotion, passion and energy creates much more then just a dj tool... it creates tracks that become part of peoples life! and not for just one or two months in your i-pod... but for the rest of your life in your record collection! timeless classic collection... must have!

more chicago tracks find its way on the hhyr label. this time the talented tevo howard (of beautiful granville records fame) debuts on the label with a classic sounding track >move<. tevo blesses us with two versions of this jacking track. >move< comes as original and an even rawer acid mix. with this release tevo confirms that he is one of the most prominent chicago house producers today.

already played by efdemin, akufen, mathias kaden, jimpster, frivolous, magda, jeff samuel, kez ym, mathias schaffhäuser, tomboy and more... strong gymnastic house tunes brought to you straight from the gym. pumping iron by brandt brauer frick… and 1 and 2 and 3! brandt brauer frick produce club music with self-recorded acoustic instruments (prepared piano, vibraphone, drums, various per- cussions, brass and string instruments), rhodes, bass guitar and few analogue synthesizers, as heard on their ep „iron man“ (incl. remixes by lee jones and treplec) or at their great performance at berghain last month. for the gym they have made two rather untypical house tracks, using more synths than they usually would, celebrating a more gymnastic dancefloor approach. enjoy!

pet duo invites dj arcane vs. solid! on the a-side you will find 2 hard pumping techno tracks by these two guys who have been creating great received tracks on labels like: abstract, 6 feet under, toolterror and many more! petduo on the flip doing exactly what they are good in. creating mass disturbing hard beats to damage the biggest soundsystems in the world..

big with: laurent garnier, luke slater, karotte, ame, tiefschwarz, damian lazarus, brothers vibe, mathias kaden, hot chip, john tejada, slam, shinedoe, mark broom,... the fourth release of polymorph are two pumpin tech- house tracks produced by youandme (ornaments, rotary cocktail, platzhirsch, dekadent, snork) with amazing dark vocals and a lot of minimal flavored sounddesign. special colored vinyl!!

the legendary pounding grooves label returns with two new dance floor stormers. the a-side the dark bells is a dark and minimal acid track with a wicked 303 line and strangely enough, some dark bells. the b-side foogar is a pounding grooves workout into extreme bass, and a wonky synth line. both tracks written and produced by lawrie dunster aka pounding grooves

this time is all about peak time. alessio and virgil, masters of evil techno, board the boat with two amazing dance floor killers. the power of the one, on side a, has all the elements needed to make the crowd scream and jump: jackin drums and all those layers of crazy synths creating that tension we all love. on side b, kamun brings some elastic mayhem to our ears. again, a dark dense atmosphere is the vehicle over which the tension evolves. this time, its a fat sawtooth synth which adds all that frenzy to this peak time track.

flapjack records is super stoked to present its 4th vinyl edition. in this episode we have flapjack front man frankie j, who has recently earned himself honorable mention in the completely made up breakfast foods quarterly for his solid recipes during the sound republic era alongside solo releases and remixes on spatula city & flapjack. this release also features adelaide iron chef sonny fodera, fresh off his two smash releases from drop & guesthouse wasting no time in the kitchen with his slammin joints. together these two somalies of syrup bring you a maple syrup conglomerate of dynamite proportions.

support from the worlds finest djs and artists such as pier bucci, argenis brito, butane, maetrik, gregory shiff, ambivalent, and id, barem, and noah pred.
this four-track vinyl is an absolute must have for those who love to play a chugging, driving style of minimal and techno. produced by barcelonas pablo bolivar, >looking for a shape<, pushes the depth and groove that he is known for, but in a more aggressive yet subtle way. the original doesnt allow one to breath with constant changes in percussion and amazing flow. his >phase two< track will annihilate the speakers in clubs with deep bass and is a sharp, tightly wound percussive masterpiece.
the remixes offered are by monkey brothers, who take a very different turn with the track and offer a soft vocal and is perfect for the dance-floor as it delivers a strong pop for those later in the night moments. finally, the last track on the record is hidden recordings owner deepak sharma + dieter krauses interpretation of the original. they have created a more slowed down, druggy, groovier version of the original. its not quite as smooth as the original and thats a good thing as the extra glitch is great for those who need more punch in their sets. there is something in this release for all kinds of djs.

currently madskillz is in favor with his releases on the highly rated tech-house labels such as 100% pure, area remote and now also bitten. on this first bitten release, madskillz supplies us with two perfect dancefloor smashers, a double a-sider!

luke slaters mote evolver label is not pulling any punches. having shaken the techno scene to its boots last month with the release of ortin cams no-holes-barred >carnage<, the label moves on to their funky 13th release.
the name cari lekebusch is synonymous with what has made techno the musical powerhouse that it has become. globally recognized as a founding force behind the swedish techno movement alongside the triumvirate of adam beyer, jesper dahlbäck and joel mull, lekebuschs distinctive musical style and creative integrity has graced leading label from drumcode to soma to harthouse and turbo and spawned a career that has maintained over nearly two decades.
spindizzy is a deftly crafted funked-up tech house track. constructed from a palette of harmonically aligned keys, bass and horns, its intensity comes from the measured way in which each element is given the space to breath its own energy into the mix. pacey but musical, subtle yet memorable, this is a standout record.
luke slater adding his bass sodden l.b dub corp twist to the track completes the package. deeply dubbed-out tribal rhythms take the mix on a more left-of centre path that winds through a busy soundscape of atmospheric acoustics that seem to breathe in deeply before being exhaled in a release of firing percussion.

faisty records returns with its second offering of up front bass music, featuring two tracks crafted by dj and producer dom. suntime is a dark, brooding stomper sure to give your subs a workout whilst the flip side, tall tales has a lighter more energetic feel that is sure to bring a crowd to life. the brighton based producer dom has had a string of successful releases both on faisty records and on clandestine cultivations and his tracks regularly get crowds moving in clubs everywhere. watch out in the near future for forthcoming releases on faisty, clandestine and l2s.

the first in a series of clandestine plates devoted to exposing the production talents of brighton town. presenting two producers destined to go a long way: ultrasound and hizzle guy.

pure dancefloor techno the way its supposed to be! resopal is back with the young producer jona who already released two 12inch on the label as well as on get physical and planet e. known for his house productions we asked jona for some stronger techno

played by karotte !! as if the year 2009 hadnt been eventful enough for berlin label highgrade and its french counterpart freak n chic , both camps have found space in the program for another very special tour de force this november. based on the similar philosophies of label founders tom clark and dan ghenacia, the two labels utilize the skills of their existing artist rosters while continuing to discover new talents, and togheter, pay tribute to almost all the artists from both labels with this fresh musical collaboration.

upon you 029 is a split double a-side ep. mathias has gone for his patented sway technique and has released a shameless, no regrets, rave monster from the murky depths of his chicago-house box. whereas marco resmann, on aa, has taken a subtler, cooler and more secretive approach, venturing out into the dub countryside and having mz sunday love whisper the words: i will love you into this chrystal clear arrangement. two distinctively diverse quality products from the upon you family

after our first release >sierra - stay< we are proud to announce the second one of our very special and strong limited vinyl series >dynanim - maro<!
dynanim delivers with his debut single >maro< a nice electronic tech house track which is burning the dancefloors. additionally we have assigned two great remixer. one of them is sven tasnadi from leipzig. he is well known from his releases on pokerflat, liebe detail, oh yeah and many others. the other guy is our denizen shooshine. he is notorious for his tricky beats and catchy sounds.

large music is thrilled to join together two stalwarts of the deep house and soul music scene for a thrilling new release. ethan white from tortured soul and beloved vocalist marie tweek of the rurals unite to bring us the beautifully crafted song dont tell me you re sorry. ethans crisp, elegant production frames maries lead vocals perfectly as she laments about lost love and the new hope of moving on!

rippertons perspectiv label with its 2nd split release giving new talents a stage. 1st split is a huge release with two sublime tracks by agnes and johnny white. not sure if this one tops it... but crowdpleaser and entlet deliver both two tracks that stand out of the pack!!. especially the b2 track by entlet needs some extra attention... a contemporary house track that has so much hidden power. phat old school bassline kills it everywhere.. and then the tracks continues to build and build.... like a modern dj pierre wildpitch affair! crowdpleaser delivers two solid tracks that went straight into the dj sets of many influential djs. highly effective and useful house tools (a description that actually doesnt do justice to these tracks which are much more then just tools!) ripperton proofs once again to have a great ear for new talents!!

the 2nd vinyl release of house mannequin features two disco house tracks and comes as a limited edition white label. the first track is titled: but i cant see that dancin you. it is based on an old 80s track which has been cut up to a perfect modern disco house track. a track for the peak time of every disco house set! the second side consists of a gently grooving disco edit track named draw. both songs have a very positive vibe. although made for the dance floor, you can enjoy both tracks on your small home hifi too.greg wilson, jesse rose and many more supported the last release house mannequin ep1 and the new ep will definitely find lots of new friends in the house community.

1st release on the brand new 1999 recordings imprint. tracks by hector moralez, two deep and rhythm plate feat nesreen!

the particular view on a musical future might have been considerably different when olaf hilgenfeld (berlin) met iftah gabbai (jerusalem) for first sessions in 2004. the piano player hilgenfeld used the accordion that time mainly, whilst gabbai was using all instruments available, a computer was among those more by chance. only one year later the duo skinnerbox played regularly on such uplifting, innovative off-partys that came up in the new techno generation again.
that was just the beginning. skinnerbox have developed a purely electronically composed and performed music (partly featuring vocals by elle_p) – that is not based on loops but improvised techno inspired house and minimal house. the roles in the duo are clearly settled: olaf hilgenfeld – moog synthesizer, iftah gabbai – hardware drum machines, max/msp und ableton live.
all these distinct impacts and effects can be heard on their various releases from the last two years, but far better in their live sets. skinnerbox are an experience, taking you on expedition with paralyzing minimal, breaking house, hard-edged techno-jazz, and ambient electronica futurism.
it was a desire to eternalize this play- & colorful diversity, often just caused by the moment, as entire homogeneity. thus, they needed to leave temporarily their environmental techno and minimal house scapes. >king of spades and marmalades< – the result – is a jazz opus wrapped into a disco suitcase. it is a reminiscence as well as going far ahead of daily musical habits, shown not at least by the order of tracks, do not starting with a stunning hit of the album, but with 20 minutes of challenge.

played by: siopis, kreon, mr. statik, lauhaus, nekes, josh wink, mihai popoviciu, mirco violi, john selway, gel abril, oliver klein, fog, sweet n candy, the glitz, gurtz, echonomist, paco osuna, frank nova, mihalis safras, jorge savoretti, kiko martinez, sascha kösch aka bleed (de:bug), pol_on, wehbba, greg delon, edgar de ramon, franco bianco, patrick lindsey, solee, ondrej and many more..
after the previous successful lemos release, quantized music hosts for the 1st time greek veteran dj/producer, thodoris triantafillou. his >suspicious behavior< release on the greek label rhythmetic earlier this year was a big success. he has also released material on souvenir and genowefa among others. thodoris is also one half of the minimal techno act novox, known for releases on labels such as ware, safari electronique, resopal and balkon, just to name a few. this ep contains two original tracks from thodoris plus two remixes from french dj / producer dj w!ld (catwash / robsoul / adult only).

big with rustie, major lazer, boys noize, m.a.n.d.y.,apparat, si begg, monolake, coldcut,.. facing crisis and tormented by the sorrows of monetary depletion there was only one solution for the house of modeselektor. all capital must go! and fast! property funds crashing like windows 2000, investing in gold too 80s and the rights to jackos portfolio too expensive. only one answer remained: art. versed on the international art trade floor it was easy for the modeselektor boys to win over two sought-after art dealers, to seal the deal and to go on a shopping spree. art & cash is the shocking behind the scenes documentary of that german art campaign. in the process a scandal was revealed that is shaking experts to this day. for years and under the watchful eyes of millions did the fantastic nobodies - exceptionally gifted art counterfeiters and weirdos from brooklyn - manage to sell themselves as renowned works of art, thus creating inexplicable damage—

only four releases in and already golf channel is one of the hottest labels in the world right now amongst fans of modern disco and nu balearic here we get two more undercover delights, extended and amended for a new generation of crate diggers first up elias rahbanis super rare 1978 release >liza…liza< gets pushed and pulled into a fresh and club friendly new shape on the flip, dr hooks >penicillin penny< gets lovingly overhauled into a pharmaceutically enhanced slab of psychedelia. in short, another totally essential hole in one from gc - dont sleep

this is the last chapter of the three-part series >join the resistance< by 22 year old tim toh. the circuit is closing with two more deep and sparkling house gems and this young producer again scores with a fresh and forward thinking sound. >six< on the a-side is an epic house anthem: charming organ layers over funky percussion grooves with a stomping kick and smooth strings arrangements…pure sunshine! on the flip >seven< starts with a contained jazz atmosphere then surprisingly changes into a straight but in a way psychedelic house tune…join the resistance! thanks for purchasing a real copy!

bodo elsel has only done a handful of records and the two that i have known and loved since 1998 were put out on playhouse, the excellent housey sister-label of mighty klang elektronik. one track in particular, discount baby, has always stood out in my mind as a high water mark in the sacred art of groove (you may have heard of it). punchy accents and resonant bass layered with trippy vocal loops, its dubby acid house of the highest order, made by a mysterious german lego-master, who the a&r team of mike mind and thomas st shindig managed to coax back into activity.
it only took bodo a year to answer mr. minds email, but he eventually delivered three amazing tracks... >haustier< revitalizes piano house. >mai< is incredible, and >mein haus< is one of the top few all-time expressions of the greatness/meaning of germany, putting it in the fine company of the autobahn, sven väth and christmas-market schwein. nice wibes!!
the icing on the cake was that bodo made it very clear he wanted no part in royalties or any of that business crap... he just wanted 42 copies of the record. yes. 42.
we were so inspired by all of this that we decided to put this record out in a different way for us that just feels right this time.... if you want to find out just how good the >mein haus ep< is, you will have no choice but to buy a copy of the 12 inch because this one is a vinyl exclusive!

love from montreal,
thomas von party

roughly translated, hasta el fin means >the very last number of the night<, appropriate when you consider this is gigolos final release of 2009. the a&r process at gigolo is a constant and very simple formula! if hell likes it, plays it and gets a good reaction from the crowd then it needs to come out on his record label! no other record fits the criteria more the >hasta el fin<. this is a record that featured heavily in hells festivals and club sets and was played at the end of every after-hour he found himself. but its beginning is a little less finite.
the genesis came late last year when oliver ton invited various musicians for a jamming session. in the spirit of some masterful moments in music oliver ton and production partner ronald christoph captured something unique sounding with a dance record built largely around a vocal, guitar and piano performance. it was immediately signed to berlin based white records and assigned the fitting cat. no. of white999!!!
hell, an early supporter of both the record and label was smitten, personally requesting the license for gigolo. once this was granted he approached tony lionni for a remix. for many djs, including hell, tony lionnis >found a place< is without doubt one of the biggest records of 2009. so combining the talents of these two artists would appear to be a no brainer, and the results speak volumes. taking the vocal hook, layering it over a tough piano stab and italo style disco rhythm is the order of the day. as we approach the end of another decade for gigolo and the first of new millennium we are proud to present our last number of the 2009!

the >murmur ep<, limited edition of 500 units in coloured vinyl, the sight belows followup to 2008s full-length glider, is a bracing step forward for the reclusive seattle-based artist, comprising two new songs and a notable remix. the sight below uses the murmur ep as an opportunity for expansion, turning up the contrast on his silky tones to expose an even more deeply textured sound with a powerful emotional effect. on the >murmur ep<, the textures are denser, courser—closer to kevin shields jagged oceans of guitar than gliders wisps of reverb — and the beats are meatier, funkier even. the sight below comes close to recording a real dance track with >murmur<, slipping a skipping syncopation and an honest-to-god bass line into a roiling cloud of distortion. >wishing me asleep< incorporates bits of strings into the mix for a touch of cinematic melancholy.

support from luciano, mandy, laurent garnier, karotte, sis...

how many years was it being said house music couldnt last? yet, in spite of all, it keeps reinventing itself again and again, and here is the perfect example. slavakis latest output is a true house track with deep atmosphere, straight-to-the point message, and classic chicago feel, bringing back the times when records were few and far between and not every two sounded the same. this one has it all - the melody that speaks to your soul, the beat that defines the rhythm of your heart, and the message that makes us all come together. having already found its way to ra charts and being supported by some of the greatest djs worldwide, please welcome this outstanding release from elusive rec., who proudly set themselves on the mission to make this music art again.

peter kruder returns to the gigolo mega-church to present two new tracks from his recent arsenal of techno and house dance-floor bombs. needless to say 2009 has been a good year for gigolo and hell with the high times being shared by peter kruder. beginning back in march when we released peter kruders first 12 inch in 7 years as part of the cd eleven release. followed swiftly by the release of dj hells acclaimed >teufelswerk< album, recorded and produced largely in peter kruders vienna based studio. so as we approach the end of 2009 it gives us great pleasure to announce the latest ep >hard to find<.
on the a-side you find the title track, which takes in influences from detroit techno circa the age of ur to north african hooks. the filter sweep towards the end, which serves as the drop/break, is a master-class in restrained modulation that is bound to ignite any dance floor. on the b-side we find >25 west 38th st.< a slightly more reserved affair opening with the sound of the ocean air, then swiftly diving into a bass driven groove, which features lush strings and a piano-led top line creating a track that is as atmospheric as it is rhythmic. the ep itself takes influence from the b-side on two levels, the most immediate being the title of the track, which is the address of the old nu groove records offices. this is peter kruders homage to a time when dance music served as a momentary escape, an opportunity to make those around happy. it also brings peters relationship with gigolo records full circle, having begun in 2004 with his >nu groove< remix of hells >listen to the hiss<.
resident advisor recently alluded to the idea that peter kruders finest solo work is coming exclusively through gigolo records. it is certainly not beyond the realms of possibility as this latest record goes a long way to proving. with such a statement in mind we invite you to listen to the latest release from peter kruder.

after the release of his co-produced rima-album on jazzanovas jcr-label, domu amazes again with this co-production. as follow-up to the debut ep and as teaser for the upcoming yotoko album (this autumn/winter), shifty and domu deliver this heavy loaded dancefloor monster. rough straight beats come with low basses, melodies and other strange sounds. side b brings two dope beat tracks, very good dj-tools. this release will please house- & techno headz easily as much, as it will all broken beat lovers. check!

this new collaboration between two of cadenzas finest talents makes its official debut on mobilee with black shoes, a cut that pops, crackles, and snaps like youd never believe. dance floor ready yet unwilling to sacrifice an explicit focus on the details, black shoes pulsates with bass while suggesting a kind of lightness as whispered and fragmented voices hiss and murmur in the background. the melodics, which give off the feel of being in constant flux, provide a nice contrast to the intensely regularized bass drum while simultaneously meshing with the popping percussion that guide the track along its course. breakdowns filled with the sounds of static and 8-bit provide a nice experimental touch to this track that works equally well as a late-night romp as it does on the headphones. b-side speech also gives off a stuttered feel but is even more blippy and fragmented than its counterpart while migrating towards a more jacking vibe. brito and toro compliment this fractured sound with extensive use of vocal samples—both spoken and sung—that, while incomprehensible, lock in seamlessly with the overall feel of the track. melody here references both vintage sounds and traditional minimalism with the end result being a fusion of the two that is truly extraordinary.

pawel aka dial cofounder paul kominek aka turner just finished his debut album to be released in january 2010. >berkeley< introduces the upcoming longplayer inspired by almost two decades of detroits planet e - era and another 10years dial records. pawels music can be regarded as the essence of the labels work: deeply outstanding pearls for a dancefloor in love.

after his two praised eps on londons deepart label, the talented terry brookes finally comes up with new material. two tracks on this ep, deep soulful vocal stuff, in his own original style. kinda spoken word techno, reminding to classic cybotron / model 500 material as well to eevo lutes wladimir m, meeting up again with as well electro as chicago flavours. highly futuristic, and higly recommended!

heres the next signing on piemonts high-flying label suchtreflex! spanish cadenza-act >mendo< teamed up with >danny serrano< from tapas recordings to produce suchtreflex eighth twelve-inch, containing two über-strong quality tunes - tapis rouge & red city.

for the past three years, allez-allez have developed an enviable reputation as two of londons most in demand and respected bloggers, djs and remixers. their weekly podcasthas featured guestappearances , they have played host to kompakts series of london parties at plastic people. well received, forward thinking allez-allez remixes for the likes of fever ray, simian mobile disco, hot chip and telepathe are now followed by a debut single for colognes highly respected kickboxer imprint. part of kompakts associated labels, the track (entitled >defeatist<) is a growling analogue peak time stormer, backed with >slump< a melancholic kraut epicdescribed by optimos jd twitch as sounding >like chris & cosey riding a flying hoover over the city in blade runner<. the package features a slamming remix by border community s ricardo tobar, which has already beenrocking the crowds from the record boxes of none other than bc boss james holden and krautronica master four tet now for some time! also included are two rerubs by winners of the foem remix competition - soundcasterand karizmxxxx that twist the original into exciting new shapes for diverse dancefloors.

we had some unfinished business, so after long deliberation her is the return of creme jak! jtc (aka james t cotton) opens this ep with a devastating 70s disco/funk/jak hybrid, hypnotizing crowds with a repetitive funk guitar and throwing them into a jakking frenzy with a steamrolling basskick counterpoint. simply jak-tastic! followed by a silky chicago dub jakker for the comedown and were ready for 2am/fm. or are we? these two cats rave up the place with some of their patented deep rolling chicago-house influenced trax, but spice it up with a thick-slick muddy bassline before erupting like old yeller. top

eastbound recordings returns for its 3rd release! this time on a very deep tip, perfect for those long summer nights. orlando b presents two deep house grooves and mr g takes care of the b-side with his hypnotic mellow remix.

this new outstanding enliven music release, called „the dust“, is a cooperation of the three french whizz kidsdop andenliven deep acoustics. they were throwing the old method of original+remix overboard and were developing two completly independent tracks which share the same underlying theme. the dop interpretation comes with a chorus which spins a web of harmony around the listener, the rest of the track is pure groove which leaves no quiet legs, the cherry on the cake is the charming and very sexy vocal by jonathan. the enliven deep acoustics version transports a unique atmosphere by a proper portion of funk. like a diamond on the ring

after a split 12’’ and two eps from its founders, your favourite vinyl-only label welcomes an exciting new artist for its fourth release. hailing from berlin, hunee is a true music lover, a passionate dj and an amazing producer (not to mention a top notch friend). his recent productions on feel music, w.t. records and drumpoet community have caught the ear of many key players and made him one to watch in 2010. needless to say, hunee takes it to a whole other level with his barrio payment trilogy: from soulful house to slow-mo disco via afrobeat, the producer holds nothing back and that’s exactly how we like it at retreat hq. starting off with swinging hi-hats and a wah-wah loop, foundation builds excitement before a killer organ riff and bouncy bassline manage to bring the last non-dancers on the floor. ..

juke and ghetto house hero dj gant-man was part of the fools gold family from the start - his remix of kid sisters >damn girl< was on the back of our very first release, quickly followed by production on kid sis >switch board< and shows around the country as her tour dj and hypeman. so naturally, we are very proud to present gants new solo single and debut fg artist release, >juke dat girl<.
from his earliest 12 inches on dance mania, to rocking parties around the world on the rave and club circuts alongside legends like paul johnson, gant has been pushing his signature chicago sound for almost two decades - mixing up rapid-fire juke beats while referencing all the house and disco classics that first paved the way. >juke dat girl< is the latest development of gants hybrid approach, slowing the bpms down to a more universal tempo but keeping the hyper, party-starting energy intact.
the banging original also comes backed with two massive remixes - an amped-up rave version from the heavily buzzed dc duo nadastrom and a groove-filled uk funky house rework from ex-bugz in the attic producers greenmoney. the entire single is a dj must-have, so pick it up and work! and juke! and work! and juke…