texas tornados enthält 32 rock n roll-songs aus dem us-bundesstaat texas von lokalen labels wie sarg, starday, d sowie veschiedenen majors. die sammlung wurde in zusammenarbeit mit dem wild wax show dj jailhouse john alexander zusammengestellt und enthält informative liner notes, fotos und scans von memorabilia. die auswahl bietet bekannte namen wie the crickets, roy orbison, jape richardson, ray campi, bob luman, mac curtis, sid king, johnny carroll u.v.a

off the map, h-burns fourth album, is an album labeled, engineered, mixed and mastered by steve albini.
pressing on heavyweight 180 gram vinyl, cd-copy of the full album included.

huge double cd pack - mixed by paul woolford! incl. tracks by roman fluegel, lazor sword, chateau flight and more

the movie star junkies are pagan shamans gathering their tribe in a post-post-modern urban wasteland diseased with greed, cold mathematics and assimilation - a world utterly lacking wild beauty and vision.
after their two acclaimed lps released by swiss voodoo rhythm records, a dozen of 7 inch singles and eps and several european tours, the quintet from torino, italy, presents their new album >son of the dust<.

dead capo is a quartet that fluctuates between the classic sounds of jazz, the attitude of rock and the trepidation of surf. all of this seasoned with the cinema sounds of rota or morricone.
it has been 10 years since their debut lp, díscolo (pueblo records, 2002), made waves with the national critics. their new album is once again surprising and the band sounds as fresh as when they started their journey at the end of the 90s. sale (lovemonk, 2012) combines an extraordinary energy with passages of meticulous precision and goes from wild to calm in a way that is both unexpected yet natural. thelonius monk, cartoons, cinematic landscapes, rocks past, africa, surf and the ballad come together in an album as great as it is as unpredictable.

back from mystery city follows a similar blueprint, with the core duo employing a cast of live musicians (including string ensembles, brass ensembles and the prague symphony orchestra) to perform their organic disco compositions. all of the tracks were composed, arranged and produced by maccari and bellentani and recorded in rome in 2010 and 2011.

excellent 80s / italo infected (balearic) disco ep

>rispah<, the sophomore album by the invisible and their first for ninja tune, is >a love letter to grief< following the passing of singer dave okumus mother, is imbued with an inevitable melancholy but defined by a sense of hope. throughout, the band reveal their rich creativity and musicianship. echoes run through these songs of african music (including beautifully-woven-in samples of the singers from okumus mothers funeral), psalm tones and devotional music, in a silent way-era miles davis, hints of minimal classical composers such as steve reich and the wilder more psychedelic end of hip hop and related electronic musics.
nothing is ever included for the sake of it, no attempt is made to patronise or sell the audience short. it is a record brimming with real emotion and restless intelligence, a record to get lost in.
double 12 inch vinyl in gatefold cover, including insert and code for free mp3 download.

nice price deal !!! after a creative break esance is answering the eternal call for high-standing, frisky, spiced-up tunes with their third release. the two soulboys from florence called minimono, consisting of tenax resident fabio della torre and ennio colaci, are very well known for their crisp and unique productions, combining uptempo- house with teasingly and varied disco and funk elements. hey you is reflecting nothing else than their wide vision of a memorable and eclectic style of music. this piece of joy is impossible to categorize and thats exactly as we like it. rollerball in the other hand, kind of speaks for itself! if you ever want to get your mood rolling, listen to this very powerful outcome of a perky bassline, some haunting percussions and a kooky build up, that really nails it down! to keep the name of esance in honour, the addition of a remix from one of the last living rockstars was inevitable. the interpretation of rollerball from dc10 resident mass prod is a vigorous weapon designed for his established territory, including hot moments, early hours and wild happenings.

from the beginning of bristol archive records involvement in documenting bristols neglected reggae heritage we have wanted to release an album that showcases the great talent of one of the local reggae scenes mainstays, joshua moses.
unfortunately, joshua has no copies of the many recording sessions he has done in the years since his first session in 1978, and so it has taken more than eighteen months of painstaking research and the pursuit of numerous leads to gather together the fifteen tracks on >joshua to jashwha - 30 years in the wilderness<. the result is more than worth any effort involved on our part and is as strong a debut album as anyone could wish for, guaranteed to create a buzz among reggae fans worldwide.

this is the tenth volume in the impressive love, peace & poetry compilation series.

the 2 bears debut album be strong has been a revelation. the hirsute duo made up of joe goddard of hot chip & raf rundell aka the raf daddy have made a record that has touched people from many a different musical and cultural background. their roots, of course lay in house music and its that genre that essentially defines the 2 bears. so, brace yourself for four tantalizing mixes of one of the 2 bears finest house cuts take a look around.

last year s acclaimed sea power & change ep, a melancholic project from the mind of celebrated portuguese powerhouse tiago, is now revisited through the lens of three essential esp institute artists. side a gives us a take on strange fruit by our heroes soft rocks � a smacked up dub/boogie rendition leaving the beautifully dark mood intact whilst twisting the the rhythms toward the tough side. on side b, secret circuit (eddie ruscha of laughing light of plenty, and soon to release his solo release for esp) stuffs wild combination in his saddle and takes us for a ride through a futuristic version of the wild west with a funky bassline and distant whistles, only to be rounded out by a blissed-out epic re-rendering of yesterday is gone by somberero galaxys jonny nash. its a family affair.

sophisticated bass re-rubs on two classic tracks by mieux, club material par excellence. 200 hand-stamped whitelabels only, no digital. act fast.

profound audio is back at it with a smashing new 12inch from monstar - and its one of many to come from this quickly rising talent. following up his devastating debut single, put ya hands up, monstar constructs two bangers of epic proportions. both harder & bastard have been inflicting massive damage in the dance and are currently receiving heavy club & radio support from some of the top taste-makers in the game. leading off the single, monstar delivers an anthem of a track that does exactly what it says on the tin. harder encompasses xxx female vocals, heavy-hitting drums and roller coaster-style, fluctuating basslines with enough sub to have your brain shaking inside your skull - what more could you ask for? a peak-time, dancefloor destroyer thats guaranteed to send the crowd into a frenzy! on the flip, he shows no mercy once again with bastard, a full-force, tearout dubstep number that will undoubtedly shred your bassbins into pieces. battering drums roll over ferocious, wobbling bassline combinations that fire at you in hyper-speed, leaving you no choice but to brock wild! this one is absolutely rough!

lcd soundsystem, esg, stephin merritt (the magnetic fields), peaches und debbie harry (blondie) - eine so illustre gästeliste kann wohl nur franz ferdinand vorweisen. die oben genannten künstler wurden vom schottischen quartett überzeugt, für die >covers ep< auf domino, ihre songs zu covern. die beeindruckenden ergebnisse reichen von postpunk bis hin zu krawall-elektro und sind äußerst hörenswert

>the loudest engine< is the third studio album of london-based australian indie rock band howling bells. the album originally came out last september. the band wrote most of the material whilst on the road supporting coldplay during the viva la vida tour.
180 grams audiophile vinyl pressing including full colour insert. features the bonus track arrows (acoustic version).

culcha candela beeindrucken musikalisch insbesondere dann, wenn sie ganz in ihrem element sind, so wie mit ihrer neuen single -wildes ding-: ein party-kracher mit augenzwinkern, eine hymne an die (starken) frauen, ein unnachahmlicher groove, eine moerder-hook. man merkt dem berliner sextett den spa§ und die lockerheit an, mit dem sie solche hits aus dem aermel schuetteln. diese faehigkeit hat sie zu einer der erfolgreichsten bands deutschlands werden lassen - und macht -wildes ding- zu einem absoluten hitgaranten der marke candela. entertainment pur, wie es nur eine band kann, die sich auf den gro§en festivalbuehnen, vor der kamera und dem studiomikrofon gleicherma§en wohl fuehlt. mit ihrem neuen album flaetrate gelingt ihnen dabei die quadratur des kreises: sich selber treu zu bleiben und dennoch frisch und kompromisslos nach vorne zu gehen. unverzichtbarer bestandteil dabei sind dabei die ladies-tunes, eine disziplin, in der ihnen in deutschland niemand das wasser reichen kann. ob culcha candela denn diesmal ihr -wildes ding- finden?

summer 2011 feat. jason derulo, rihanna, mann, nicole scherzinger, black eyed peas, dev.lmfao, usher, chris brown & loads more...

auskoppelung aus dem anfang januar erscheinenden debutalbum mit exklusiver b-seite.

in the psychedelic late sixties there was a lively music scene in the canterbury area that revolved around the band the wilde flowers. they never recorded much themselves, however, but after they disbanded other influential bands were formed from their ashes: gong, soft machine, and, most importantly, caravan.
caravans eponymous debut was released in 1968. it was considered a groundbreaking album capturing the freakish and exploratory moods of the times. their sound went much further than the changing styles of the contemporary underground and that is what distinguished caravan from other bands in their genre.
pressing on 180 grams audiophile vinyl.

lb003 arrives courtesy of bristol born, brighton based producer sam kidel, aka el kid. following up his well received debut on immerse sam drops 3 tracks of wildly varied bass music. beginning with the title track >hypnosis<, lush ambient pads and plucked guitar soon give way to fearsome bass swells and metronomic percussion, coming across like early autechre remixed by floating points. second track >mud< drops the pace for a noisy house workout, reminiscent of fellow bristolians kowton, and labelmate vessel. >kachinja< on the flip is the straightest - and darkest - of the lot, a lurching warehouse techno cut that wouldnt sound out of place on ostgut ton. finally hyperdub wunderkid walton contributes a rough & ready funky dub of >hypnosis< to round out the ep.

nach digitalism & phoenix praesentiert das heissegehandelte, brasilianische dj-duo the twelves mit der neuen folge der mixserie -kitsune tabloid- einen definitiven anwaerter fuer das mixalbum des jahres! beruechtigt fuer ihre remixes, u.a. fuer m.i.a., la roux, aber auch fuer nirvana(!) und die beatles(!), liefert das dj / produzenten-duo the twelves aus rio de janeiro ein erstklassiges mixalbum auf dem pariser label kitsune ab. das tracklisting ist eine grandiose selektion aktueller trendsetter von siriusmo ueber juan maclean und daniel wang bis zongamin, dem aber ein feuerwerk an bislang unveroeffentlichten, exklusiven the twelves dubs ihrer juengsten remixes fuer solch angesagte hochkaraeter wie munk, metric, two door cinema club, french horn rebellion oder black strobe vorangeht. ob nu-disco, retro-house oder der ganze rest, the twelves bringen den funk zurueck auf den dancefloor! the twelves -kitsune tabloid- hat das zeug zum mixalbum des jahres!

nach dem >wilderness<-album von anfang 2011 haben the horror the horror nichts besseres zu tun, als eine single rauszubringen. aber diesmal keine auskopplung, sondern zwei neue stücke. die beiden songs dieser vinylsingle sind wie filmsoundtracks aus den frühen 80ern, wie ein lagerfeuer, wie clubmusik aus den zeiten, in denen jeder, der einen sampler hatte, der king war. sie sind ein wenig disco, ein wenig wie diese hits, die man nur im radio hört. und natürlich so wie the horror the horror. die single auf weißem vinyl ist auf 500 exemplare limitiert.

2011 collection featuring cuts from shuggie otis, sly & the family stone and aretha franklin.. the old grey whistle test has now been synonymous with quality music for 40 years. although possibly best know as a show for rock music, the show maintained an amazing variety when it came to choosing its artists, it really only had two criteria, 1, that the artists had released an album and 2 that they produced great music. this collection mostly features artists that appeared on the show but also include artists who for whatever reason didnt or couldnt appear on the show.

azuli return for their flagship compilation with three of the biggest house stars around at the moment. olav basoski, james talk and ridney will take the helm of this years offering, serving up a tough, peak-time mix of house music.

2011 collection released to coincide with the popular green man festival. selected and produced by rough trade shops, the cd exclusively features artists playing at green man 2011, and serves to distil the sonic ethos of the event. includes tracks from fleet foxes, the low anthem, josh t. pearson, iron and wine, gruff rhys, explosions in the sky, holy fuck, squarepusher and many others.

the best of iron maiden as limited edition triple picture vinyl, housed in a tri-fold sleeve.

young turks are excited to announce the release of sbtrkts self-titled full length debut.

2 cds from the underground house scene in paris at the turn of the millenium. incl. black strobe, soha, jovonn & dj deep, krikor, phil weeks .. and more

die mächtigen deep house-sounds von paskal aus berlin waren bereits auf labels wie wildtrackin oder room with a view zu hören. gemeinsam mit urban absolutes aus essen, der gerade auf phoniques label ladies & gentlemen für furore gesorgt hat, heuert er nun bei farside an. das original von >need love< ist ein heruntergebremstes percussion-monster, während der henry l-remix das tempo anzieht und mit einer reese-bassline den boden erzittern lässt. außerdem dabei ist ein funkiger disco-dub von ingo sänger und henry l.

in nur zwei jahren haben es die israelischen psychodelic-punkrocker monotonix geschafft, die independent musikszene richtig aufzumischen. mit legend?ren, unkonventionellen wilden rnr shows und tollen eps und einem album. diese brandneue 7 inch haben sie zusammen mit produzentenlegende steve albini im electrical audio studio aufgenommen.

from californias underground scenes and dicey juke joints, to big stages and international tours, angel city outcasts have come to be known as a unique and imaginative entity that continues to win over fans from allover the world. kicking ass and taking names while shrouded in myth and lore, angel city outcasts is the clint eastwood of rock bands!

wild and hot gigolo girl shirt ... so kennen wir sie sachen von helles label :) mehr davon ... übergroßer frontpint des gigolo cowboys

pure unadulterated hedonism has long been associated with ibiza,and saturday night at pacha is the island ultimate clubbing pleasure.here,we present the aural embodiment of the white isle, an upfront selection of true house gems guanranteed to make you move all summer long!

britischer indie-rock/pop auf dem deutschen tapete label.

wild pitch style oldschool house.

nice nice are jason buehler and mark shirazi, a duo from portland making incredibly precise yet completely wild noise jams that have drawn comparisons to a range of contemporaries, from fuck buttons to health to lightning bolt to animal collective. >see waves< is their addictive second uk release, and their second on warp.

nice nice are jason buehler and mark shirazi, a duo from portland making incredibly precise yet completely wild noise jams that have drawn comparisons to a range of contemporaries, from fuck buttons to health to lightning bolt to animal collective. >one hit< is their addictive first uk release, and their first on warp ? a powerful first impression equally likely to appeal to fans of noise / drone music (zu, earth, lightning bolt) as more rhythmic, structured artists (fuck buttons, pivot), psychedelia or shoegaze fans, and more brian enoesque sounds.

just a classic!

a temporary sabbatical from gigs was taken and the band wrote material for where were you when it happened in new orleans midtown district, where their rawboned compositions resembled the katrina-pummeled surroundings. with their girlfriends with them in as close to a stableenvironment as they d been in months, they were able to tap a darker, more personal side in songs like as noise, and hunt you down, with its mournful, organ drenched air belying monotonixs typical good time charlie posturing, while fulfilling the albums need for a climactic, balladic moment. where were you when it happened? finds monotonix visiting a greater diversity of places within their sound while still retaining their minimal appeal. mostly though, where were you when it happened works up a sweat with raw rock and roll, acid guitar licks and riffs, screaming choruses and, in general, the wildness of monotonix in a way that makes for repeated album listening (and pummelling). where most bands refine their production sound as they go forward, monotonix have reverse refined themselves, playing dirtier and more energetic to capture the lightning they are known for.

>munich bass<. oder: schlachthofbronx feiern ein kosmopolitisches volksfest. schon vor veröffentlichung des ersten albums haben sich die drei münchner von schlachthofbronx eine stetig wachsende fanbasis erspielt - dank ihrer weltweiten dj-team-einsätze sowie live-sets und den gut informierten musikblogs dieser welt: viele ihrer tracks gondeln in unterschiedlichen versionen durchs netz. doch nun gibt es mit >schlachthofbronx< eine amtliche version ihres >munich bass<, dem dreckigen hybrid aus afrikanischem kuduro, südamerikanischem cumbia, karibischem soca/dancehall, brasilianischem baile funk, kapverdischem funana, amerikanischem bootybass, dubstep und bayernschranz. diese wilde und anarchische musikwilderei hört sich an wie ein hyperaktives, betrunkenes nashorn im autoscooter: primitiv, aber druckvoll. das ist funktionale clubmusik ohne kulturelle grenzen oder genre-scheuklappen, die ganz dreist afrikanische, südamerikanische und karibische beats mit tieffrequenz-bässen, balkan-gebläse und widerborstiger bayerischer volksmusik mischt. das stiftet verwirrung und sorgt für aufsehen - aber fährt in alle glieder. globale tanzmusik fürs 21. jahrhundert.

new zealand soul powerhouse fat freddys drop proudly present their new studio album, drboondigga & the big bw, which features nine tracks of non categorizable music born from freddys live jams, fantastic voyages & many hours of beat reduction & sonic fine tuning in lyall bay, wellington.

upyours comes crashing back to the drum and bass scene like bad smell you cant wash away. after 5 years wandering around the wilderness gary banton is back too, with more dancefloor fodder for dubplate hungry djs. his years of absence definitely havent mellowed this almost reclusive producer and single mum syndrome sees him back on blistering form, sticking two fingers up at all his critics who said he wouldnt return.

>cosmic lightning< ist das 1987 erschienende album von der chicagoer punklegende jt iv. drag city ver?ffentlicht nun das l?ngst vergriffene album als vinyl & dvd. das verm?chtnis des 2002 verstorbenen punk/psych/glam-musikers john henry timmis iv wurde remastered von bob weston iv. die dvd beihaltet bisher unver?ffentlichte aufnahmen von jt iv!zusammen mit der lp bekommt der fan des psychedelischen punk (in einer wertigen verpackung) ein wahres kleinod und ein hochinteressantes kunstdokument der radikalen u.s. punkszene der 80er jahre.

4th album from the doors, originally released in 1969, now back on vinyl.

an impressive collection of their biggest classic hits!! quality dsd remastered and double 12inch gatefold edition!!