last year tornado wallace touched down at the esp institute with his thinking allowed ep, a slab of wax that proved pivotal in his musical aesthetic, beautifully complimenting our catalogue. he ups the ante further with circadia, his second 3-track ep that riffs on esp themes whilst sophisticatedly amplifying their character. the title track lays trance-like arpeggiated vocals over thunderous tropical toms, opening up into an epic group chant. time of nectar coasts along, blanketing us with soft pads and soothing pan pipes before jonny nashs palm-muted stratocaster makes its cameo. the essential house jam on the b-side, soft light, will no doubt pump its way through dance floors this summer, dont sleep!

dark pool is the new studio album from black rain, the projects first in 18 years. produced in new york city by stuart argabright, black rains founder and figurehead, dark pool is a work of hard-edged sonic fiction rooted in cyberpunks quintessential neo-noir cityscape/dataspace but projecting into a farther future of biotechnological advancement and alienation.
the vinyl lp includes a download code.

(vinyl only) far out radio systems (f.o.r.s.) is the techno moniker of kiani & his legion (we play house, defected, eskimo recordings..) on the flip, the post-apocalyptic empty the tanks (a new trance is here) with a garnier-like subbass and emotive strings.

we dont really know if the young bryan kessler listened to kraftwerk, but then again we didnt ask - who cares, anyway? what’s certain, however, is that this punk renegade, songwriting wunderkind and all-around exceptional producer is a man of many faces, and all of them rock. discovered on stage while spouting anarchist pop slogans and showcasing an impressive underage mohawk haircut, he never was to be a bottled genius sticking to only one gun - and soon set out to become the lead singer and guitarist for neo punk nutters the pollywogs, while embarking on an equally public career as prolific dj and dance music producer

after a best-selling debut record, low budget family - an independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev formation return, and how! king solomons mines from simple symmetry is quite a classic in the making - a deceptively simple workout that reminds of mid 80s boyd jarvis jams, but shot through with 21st century twists and turns, that amplify those tough drum machines, anthemic afro elements, chants and marimba riffing. add a truly dynamic arrangement and you have a dancefloor dynamite! it is disco royalty on the remix tip as soft rocks & brennan green step up. as expected, given the incredible ingredients, the two of them shine. soft rocks set up a classic euro flavoured afro-trance workout, utilising the parts against a far more electronic and unrelenting backdrop, building to a sweaty, strobe-lit finale. brennan green may be less than prolific these days, but he is dependable as ever here. working up a synth-soaked, prelude style dub, whose classic elements will work the floor from here to zanzibar…

for the second instance in their reissue series, echovolt records treat us with four lush new jersey house gems, originally recorded by wayne gardiner in the early 1990s. now remastered and pressed loud... tip!

auf green language entfernt sich rustie aus der aktuellen londoner szenerie zurück zu seinen wurzeln aus grime, trance, techno, showgaze und rap. durch die experimentellen passagen flackert seine liebe zu bands wie my bloody valentine und godspeed you black emperor durch. die dreizehn neuen titel produzierte rustie mit kopfhoerern zu hause vor, um sie dann in den new yorker sterling sound studios (jay-z, wu tang clan) zur perfektion zu mastern. fuer seine ersten echten songs lud rustie persoenliche mc-buddies ein, darunter muhsinah (aus alten myspace-tagen), face vega (von den gorgeous children), redinho (von den numbers)sowie seinen alten freund danny brown. neben den rap-songs ragen vor allem die instrumentalen clubbanger raptor und velcro heraus, die in naechster zukunft in den clubs dieser welt breaken werden.

rude 66 does not need an introduction... this dutch acid and electro veteran has been around for a long time. being part of the old school acid scene from the hague with releases on legendary label acid planet and he is one of the originals (again) when it comes to the new wave of electro in the late 1990s. two vocals tracks on the a-side with beta evers and sololust appearing as partners in crime, and on the b-side two instrumental almost trance like tracks. this is were electro, acid and a touch of old school gothic come together!

brooklyn-based producer & 1/2 of the mister saturday night duo offers a saber-toothed, bass-heavy take on techno with an unexpected tender side. flip for a trance-like stomper sporting stirring strings.

this very first debut ep of alex.do shows the unique taste of the young berlin boy. from detroit to trance back to 90s jacking techno and some melancholic dystopian vibe – alex.do can do everything in his outstanding freedom of mixing the past and the future.

david georgos and bendikt frey reprise their roles in exponential real time music making. causing a melting pot of dilemmas to somehow unfurl into a rather stupendous and thought provoking system of ideas and trance inducing meditative practices.

first realese from acid rave, with one lon big acid techno trippaz... and, b-side a superb techno trance tune, with a very gasmask singing acid melody and, a finisher banging tribe acid track to close the project. enjoy !

fantastic reissue of paradises deep grooves seminal * i love ep* produced by nelson * paradise* roman. originally released back in 91, this is one of the true holy grails of deep house. kicking things off is the incredible deep hypnotic groove of * i love*, which became a nyc sound factory classic in the hands of junior vasquez as well as receiving heavy rotation on the underground house scene. the next two tracks * hypnotic flute* and * trance dance* are both excellent but the other really outstanding track is the deep floating * inner mind* with its lush haunting synths and intricate rhythms. top quality house music at its best!

enzino is back with the 5th release. 4 tracks in between house and neo disco. tracks made for the dancefloor. in japan they go crazy with this bombs! limited vinyl only release. no repress!

the latest instalment from last night on earth introduces harry klein artist nico lahs. nico came to us with two original peak time cuts full of melodics and emotion that were a perfect match for the lnoe sound. also featuring on the ep is a super stripped back dub techno workout from the man like deadbeat who has always impressed us highly with his musical abilities.

taken from his debut album, mr. tyrells deep driving neo-italotrack la voix (with haunting vocals by nancy fortune) gets remixed here by the isolators (viewlexx) and elitechnique (aka phako & florintintin). vocal and instrumental versions. big!
pressing on white vinyl.

sarcastic and obscure neo-italo-wave band cristalli liquidi once again steps into limelight with a third single on the equally mysterious artifact imprint.

following last years anthemic double-header, waves / shirts off, locked groove records is back with our eponymous helmsman tipping a conspicuous cap to his belgian heritage. rave alerts does exactly what it says on the tin, a thumping nod to the ghent glory days of yore, while dialogues favours the trance-fuelled introspection of the early hours. limited edition, vinyl only by the best belgian since hercule poirot.

neo romantico dance music by shangri & la. inspired by a club and a scene that never was, we hear rroto acid, bongo boogie, future reggae and candid club cuts that equals the fantastic four. great sounding music for good looking people.

announcing the forthcoming album ambient mixes.. …until the collaboration abum between sonic boom & sinner dc entitled maps get released, here are 2 colourfully mind-altering club version by the one & only pete kember, more usually known as sonic boom, founding member of alternative neo-psychedelia rock band spacemen 3 - a main influence for the like of my bloody valentine or slowdive & producer of the like mgmt and panda bear.

while some of you might think of planet rhythm as one of those old labels from back in the day, it may not necessarily be the correct judgement. not only is it a product of its past achievements, but it is also pushing things forward in the present time, with woo york being one of a few new artists emerging from the imprints recent catalogue. that said, 2014 starts with ukrainian duo taking over planet rhythm headquarters as the labels proprietors and getting in charge of all of its future development. first out of press is the duos own ep highlighting their shift towards brand new, hardware-driven studio setup. from abstract tb-303-ish structures of acid rain, through the building peaks of analogue swamp, a perfect example of stripping functional techno, to come closers uplifting trance-y melodies and the closing sequence of strobe 1, this record is shaping up to be woo yorks strongest release to date.

cottam is proud to present the first release on his new label, ruff draft. paul cottam came to wider attention with a series of limited edition blank-label 12s released from 2009 onwards, showcasing his production talents by re-working afro-beat, neo-soul, funk & hip-hop into deep house burners, but ruff draft is all about original tracks, and the first release sees three tracks from the man himself.

trance inducing techno bomb w/ wonderful, swinging dvs1

fort romeaus debut for ramona and her live at robert johnson audio enterprise couldnt be any better. a london resident and leading member of the current ghostly international family, fort romeaus take on neo dance, post-disco and proto-house is as unmistakable as it is dreamlike. ramona is in love.

somewhere along the line the true spirit of the ku was lost in a sea of buddha bar pish and the anaemic meanderings of anyone with a nine bar and a spanish guitar. thankfully, nado uncork their bottle of vintage san rafael dust and sprinkle it liberally over their seventh release to put the sun and fun back into the balearic discotheque. and who better to call upon for authentic 80s oddities than the irrepressible brenda ray, who has plunged into the naffi hq archive and plucked out four vivacious (& previously unreleased) gems, wholly deserving the full light of day.

kris wadsworth is an increasingly rare breed of artist that flat refuses to play industry games and pander to current trends, focusing on the darker, more uncompromising (and more honest) realms of electronic music. releases have steadily clocked up for such esteemed imprints as boe recordings, nrk music, alphahouse, get physical and morris/audio, landing on hypercolour for 2009’s impressive ‘deport this” (and subsequent single “mainline”), and it is for the eclectic and forward thinking uk label that wadsworth aims his second full length player at.

japenese guy, takeshi kouzuki is well known for his productions on mathematics, abstract acid or hotmix. he has demonstrated his talent as a producer on every single track he has released. and we are really glad to deliver this ep with 3 awesome tracks of >nu-chicago house<, acid and jakbeat music, be certain that the voodoo is this wax. whirlwind will hypnotize you with its beautiful acidic melodies. * aoiro* is a massive jakbeat raw track on which you can feel the influence of traditional japanese music, absolute dancefloor killer! moon is just beautiful in all those points, it will put you in the trance, takeshi is a master of perfection so far!

limited to 300 beautiful black vinyl records, black lined sleeves, brown jackets.
the first release for silent season and edoardo zerbinati, aka edanticonf, for 2014 is the boundary of nowhere land ep, a four-track excursion through naturalistic ambience mixed with synthy, trance-like textures and a layering of dub techno. it is zerbinatis third release for the british columbian label following his planet ep and forest echo album of 2012 that featured title track edits from adbullah rashim and iori.

post-yacht-rock-kraut-disco-prog-pop. more is more. genf pakula entwerfen updates und neue kontexte für elemente aus vielen welten - und manch lang verbotener zone. grundiert im postrock, neo-kraut und indie-house der späten neunziger jahre legen verfeinerte harmonien, lässige sounds und vokalmotive des yacht rock eine spur von gefährlicher sophistication durch die stücke. inspiration und ziel bleiben stets die erhebenden grooves und die raffinierten streicher- und bläsersätze der disco-Ära.

zum tollen console album gibts es nun einige zeit später die 2 remix 12inch mit remixen von daniel bortz, nu und der dritte raum runde sache für den start ins 2014

lauers return. post-house-proto-disco-trance rockets fuelled by new wave and sound transmissions from middle-wave caucasus. 3 tracks, 1 beat mix, 4 hits

brilliant psychemagik disco edits

vinyl sampler 5/10 of the sound of belgium - the compilation cd

the cultured minimood extra label introduces london based newcomer tcherneyan with remixes from the mighty och and minimoods own volt.mar on green colour vinyl. the a1 is provided by och, producer of the legendary whalesong, and consists of icy hi-hat ringlets and rippling dub techno chords, which merge into a slice of prime time excellence. next a2 mauvais présage is a deep techno track built around a dumpy kick drum that gets slowly embellished with skating and skirting percussion and distant groaning chords that sound like sad monsters. the b side opens with tcherneyans second original b1 vision, an eerie, vast and empty open space of chilly synths and echoing voices. finally, volt.mar on b2 then reworks mauvais présage into something that lurks with menace in some desolate industrial park where intriguing synth lines weave their own path and white noise blasts occasionally jolt you from your trance. much like the previous release, minimmood have struck stripped back, deep and dubby techno gold with this latest ep. vinyl only / no repress!

melbournian multi-hyphenate luke brown has his hands in a lot of pots, having dug deep in his dj duo with ricardo ramos, leslie salvador, as well as his ongoing death-disco / dark-synth revisionist twosome, negativ magick. but the past few years have found him exploring more classic, scruffed-up analog house terrain via his latest alias les level, and his six-track debut is purist uncut club gold. bookended by a pair of of mixes of the stellar neo-chicago anthem *house of need*, the rest of the tracks prowl through a host of suave, shuffling, strictly rhythmic variations, from the 3 am skyline seducer *smooth sailing* to the pumping, jazzy jack-groove *working nights*. an expert assemblage by a nuanced craftsman with style to burn.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

on uncanny valley s catalogue number 18 we finally welcome back credit 00 who is a man in charge of a decent collection of those dusty machines we all love. after the ice cold the living room life ep from 2012, his brand new record ice cream is easy to fall in love with. packed with tunes to suit various moods in life, it will be a faithful companion in dark basements or lonesome hours. ice cream starts deliciously with its sleazy sample choice. with the distinctive drum work it builds up to a true chicago-inspired dance floor banger. round n round hits hard with a harsh kick and cowbell action before it shows off slightly melancholic lead synths and a subtle but effective bass line and puts the emphasis on the fact that things go round and round. life s a dizzy affair. east of nowhere with that bass line-sound is credit 00 to the core. and with spooky synths he puts you to an east of nowhere-place where you will lose yourself in manic trance-like dancing. the record ends with red wine , a slightly different electronic love song sung by credit 00. the cover artwork was created by alexander dorn.

excellent deep hypnotic chicago house groover, coloured vinyl

jono mccleery veröffentlichte bereits 2011 auf dem cinematic orchestra label motion audio ein wunderschönes album zwischen neo-folk, singer/songwriter, electronic und soul. there i glänzte voll simpler schönheit und beinhaltete illustre gäste wie fink und folk-legende vashti bunyan. nach der im mai erschienenen single fire in my hands gibt es mit ballade nun ein wunderschönes follow-up, und mit dem djrum remix befindet sich noch ein großartiger clubkompatibler deep house mix auf vorliegender 10inch, der sich bereits in den playlists von mary-anne hobbs, laurent garnier und machinedrum befindet!

londons kodiak arrive at hot haus recs hq with their first release of 2013. since releasing one of 2012s most hyped releases spreo superbus (on numbers) kodiak have returned to uttus hot haus recs with dragon drop, an epic slice of neo-rnb futurism, a no hold barred chicago house slammer egyptian kings, plus a bonus remix from eliphino who also had one of 2012s breakthrough tracks with more than me.

*episode of love* in its original version is an exquisite slice of slo-mo disco-trance whose tempo belies its laser-guided effectiveness on the dance floor.

20 years ago the track unfuture, released on sven väths imprint eye q, marked a milestone in technoproductions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has!

after their stunning debut, slum room by rob shields, was picked up by the likes of maya jane coles for her resident advisor podcast, and crosstown rebel jozif for his balance compilation, boutique label petit records return with a tribute to frank ocean, the postmodern neo-soul don, and prince heir apparent. newest signing and brooklyn young gun, fenbred (aka benjamin gardner), follows up his sizzling debut for the label (get enuff - an infectious edit of a 90s anthem) with his sophomore 12 inch release, pyramids, a brilliant dancefloor interpretation of the electro soul epic.

cardiff massive giovanni branciamore and bradley albertides heard nicoles amazing sultry folky tones on the flowers of flesh & blood album and just had to work up some nip and bop to sit with her voice. nicole loved it and this is it! we are not too sure what to label this music under but tags of future nip hop ambient folk bop seem to be close. sarah burgess is a secret forest folky vocalist from york with a super soft ambient tone to her voice which was crying out for a touch of flyypost nip. luv*jams ambient alter ego flyypost slides out some wobbled out bass lines, floaty synths and a 68bpm raw kick drum all gliding on a bed of waves with sarahs stunning memories vocal. what style of music do we label this as? neo italo nip folk acid whop?

nice price deal !!! the idea for the sundowner sessions came about when mike found an old tascam cassette 4-track recorder at a garage sale in maplewood new jersey a few months ago. he went home and recorded some songs over a few extended sessions in his living room with headphones while his daughter napped upstairs. taking influence from early belgian trance and the diy noise and power electronics records simonetti released on his old label troubleman- the idea was to capture a moment in time and document it, and never revisit it again. projects like this is why new jersey exists as a label.respect to come org, united dairies, steinklang, american tapes, transmat, hospital prod, and tesco.

collectors item! one sided and edged promo, strictly ltd to 77 numbered copies! only one copy per customer (nur eine kopie pro kunde).. dont sleep.. neo infected killer track

de:tuned is the new label of djs, record collectors and party promoters bonny (ruben boons) and konnekt (bert hermans).the label is an extension of the de:tuned parties which they have been organising since 2009 in and around antwerp (belgium). de:tuned stands for proper old school club music, whether its techno, acid, rave, house. de:tuned is about quality music in general. previous guests at the de:tuned events include ben sims, dave angel, mike dred, robert leiner, cj bolland and frank de wulf to name but a few.

collectors item! one sided and edged promo, strictly ltd to 77 numbered copies! only one copy per customer (nur eine kopie pro kunde).. dont sleep.. neo infected killer track