following the first steps on his return to record production last year, greg wilson delivers the second release on his schooled in the classics imprint just in time for the arrival of the summer sunshine. while the first schooled release coupled 2 instrumental tracks, blue angel and 12-turn-13, weve taken things a whole stage further this time around, introducing vocals, courtesy of boss merseyside singers katherine & carmel reynolds, who are making their vinyl debut (and how!).

vinyl only! after launching grokenberger records and the release of the first record the 2nd one is coming on strong

the royal family & the poor is the nomenclature adopted by mike keane, who recorded for factory records between 1980 and 1986.

label maker alberto sabatini drops a stellar spring grenade in the form of roboto (we are) on save the black beauty. having featured such renowned artists as fnm and sasse, it was time for sabatini to step into the spotlight with his own production. the introduction was made with his remix for sasses flushing meadows which showed his roots firmly to the italo & early proto house territory. now with roboto, sabatini takes an italo vibe and mixes it with contemporary house elements and creates a joyful, yet sinister late night belter. on the remix tip italian meister fabrizio mammarella who dips the original in disco sprinkles and lets the sun in

for those who have been following macadam mambo from the beginning, you must have noticed that eclecticism and craziness are definitively the main lines of the label. well, this new release will prove it once again. we are honoured and have great pleasure of welcoming two new artists to the label. first we have the head of nation himself, hailing from chicago: traxx! and on top of that npnk , his agent, best friend and head of we like booking. a real family affair… they have prepared 4 stunning edits especially for us. exploring industrial, minimal synth pop, ebm, post punk. these are four raw, loud, insane, absolute must-haves. cut short: just sik!

hot creations are back with another killer release, this time at the hands igor vicente who previously released on the label back in 2011 with the brilliant breathe n pop as part of the duo ultrasone. with the ultrasone project at an end, igor this time flies solo for the label, delivering two standout originals with intoxicating bass-lines and dark whispered vocals, creating endless energy of swing and groove to really work the crowd at peak time. hot creations boss jamie jones also delivers an on point remix of ‘the knight with his electric jones remix adding new synth melodies and wonky fx, keeping high energy for dance-floor domination.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #28 lost in the crowd by olivier boogie showcases the dutch masters skills with the knife. he has created a 4 color palette that will leave crowds besot with boogie fever.

the cellar boyz *pay me* is taken from ben cenacs timeless cozmic house ep on thug records. pay me which was recorded in 1986 is the only track from the cozmic house e.p that had available parts. the stems for deeper & deeper, seems to me & who loves you were never recorded. this was due to the fact that all of bens projects through out the 90s were tracked midi only at mix down, with only the vocals being recorded to tape! thug would never have had the opportunity to release ben cenacs cozmic house 12 inch if it had not been for simoncino. simoncino did all the a&r for the record. a gift not only for thug but any fans of ben cenacs amazing productions. with that in mind, simoncino has provided 2 remixed versions of pay me, alongside a remix from close friend nicholas!

patent skillz is a bulgarian music label, established in sofia in 2012, now based in berlin, working in electronic music industry and manifested from the long-term vision of two professional partners - zhivorad milich (dj lion) and denis georgiev who masterminded and founded it.

this record tells the story of a detroit groove from the perspective of the speaker, taking you through time from luomo s to the hardware syst3m parties, and the first leaky warehouse roof no way back where dean syst3m worked the door, with all the disrespectful nature one would naturally expect from a true detroit groove. created by two veterans of detroit grooves, bmg & derek plaslaiko, who now calls berlin home, in bmgs studio in the center of detroit. this song celebrates some of the out there characters and crazy cowboy outlaws that made this detroit scene happen on the underground level, that made such an impact that is still felt around the world today.

nice price deal !!! retro-ist techno sounds ringing with dub! the label says: lot.te is mehmet irdel, a turkish-born artist who has been a friend of the bunker for a long time. hes currently based in brooklyn, where he co-runs rote productions, a company that releases music, graphic works, video compositions, and photography, and takes a strong stance against the concept of intellectual property. irdels early work consisted of soundscapes, noise, and power electronics

p. lopezs new ep may be called the same beat. however, rest assured that this is most definitely a showcase of the paraguayan urban and tech house producers chameleonic capabilities. we ve seen lo¬pez on labels such as dogmatik, tirk and rationalism just to name a few, and he s even grabbed the attention of berghain who welcome him for his debut performance there in april. now he stamps his sonic dexterity all over this five track dark techno aeon ep. expect to be led through a progression of styles and emotions, fist pumps and foot taps all in the name of true quality music.

the 3rd instalment in the newington series comes from la born, berlin based steve huerta who s signature style harkens back to house musics roots while maintaining a deep, modern sheen. the ep off the plate is a varied affair with different house music moods and feelings to be had. the lead track off the plate is a dance floor monster with the appropriate rave stabs to boot. safe is a slightly more laidback affair with a groove to sway your hips to. stepney shuffle pays homage to another london district, bring a distinct jack to proceedings. london based silk 86 take on remix duties, with their own take on silk.

red axes is niv arzi and dori sadovnik, two young men who have always lived in tel-aviv and have been making music together since the noughties. ballad of the ice is their debut album. their artistic travels have taken them from the rock scene to the dancefloors, and to creating an album. more than a summary, this lp is an invitation to discover a singular musical identity: a ballad of the ice, a song as light as love and cold as a tunnel, springy as a dance step and deep as nostalgia.

with its hq in rural germany - rockets & ponies is a coterie for the outsiders - those too strange for the normal business with an ethos that fosters freedom of expression, experimentation and an avant-garde approach. so who better to present a remix package of works by jazz luminary wolfgang haffner that includes ricardo villalobos & max loderbauer, nightmares on wax, and label padrone timo maas.

6ys recordings is back with his new 12inch work. we are proud to count with two big monsters of banging techno: chris liberator and sterling moss, who bring us a hard and fast track, it wil rock sure. to complete the allways hard and groove ganez the terrible and dr chekill who is still in shorts.

music is love is back with its 8th ep, this time coming from label boss oli furness with a remix from u know the drill. furness is the manchester based producer who, in the last couple of years, has established himself as a very real voice in the global house conversation thanks to eps on labels like the legendary nervous, morris audio and skylax.

deep down slams first 2014 release is a collaboration between london based producer mikki funk who already made a name to himself releasing on labels like say ahh & milf and should be already known to many of you and berlin based producer peer du who makes his debut.

millie & andrea are miles whittaker and andy stott, fellow labelmates at modern love who collaborated on an occasional series of 12inch releases between 2008 and 2010. its been four years since we last heard from them but they now return with drop the vowels, their debut album.

hardmoon london is a new independent platform solely focused to release music by the analog militants who are struggling against the loudness war of digital industry and want to spread the love of that warm, distorted sound exclusively through vinyl or special tapes. the tracks we are going to release are recorded directly on tape without the help of computers, so that interference, mistakes, and noise are all going to be apart of whatis pressed straight onto the 180 grams of throttling hammers grinding away. it is all enclosed within in a special printed sleeve! the first release comes by way of courtesy from the mysterious hissman who captures, with his name, the vey essense of the tapes sound: hissssss... that is the sound you hear when a tape starts rolling.

adult central is not the new porn hub nor is it the adult movie channel. its the new label from the model and his vampireburg warehouse sound. banging house tracks from romania.

the new year starts with the welcome news that the cosmologist returns with episode three of the cosmology series. trip 1 started life as a tribute to 70s radical firebrands the last poets and their 1977 clarion call to arms, *its a trip*. a loose and ever changing collective, the initial line up was formed on may 19.1968 to mark malcolm xs birthday, having all met at east wind, a harlem based writers work shop. they took their name from a revolutionary south african poet keorapetse kgositisile who rightly prophesized that the talking would soon give way to the persuasiveness of the gun. continuing that thought, civil rights for african americans was very much the beat of the last poets, a cause they would champion and indeed, were not afraid to back up their mighty words with direct action.

david k represents something thats all too rare in electronic music today: an artist who makes music first and club music second. for him, emotion is paramount, melody is important, the pop format has its perks and original material is always better than a sample. late at night and early in the morning he dances alone in his studio, tapping away on his keyboards and throwing together arrangements on the fly (a pianist by training, he cant bear to make music slouched over a mouse). his only goal is to make something that will keep himself dancing.

last years precursors ep from eduardo de la calle provided quite a curveball release for cadenza records, the spanish dj and producer who has recorded exclusively for his analogue solutions label in the past, turned out a warm and minimal release for lucianos imprint, with all the flair and trademarks of eduardos studio prowess. really though, eduardos approach to electronic music perfectly encapsulates the sound ethics of cadenza emotive, driving, long passages of deep rhythm, often focusing on the bare essentials of a track and enunciating these for an aural joyride

next up on magic feet is a release by dark strands. tonys first release came via the first magic feet label sampler. since then his releases have caught the attention of a number of acclaimed djs, with daniel avery citing one of tonys tracks as one of the best he had heard last year. this is tonys first full vinyl release and shows exactly what he is capable of. the title track *return of the oscillator* has had people running to the booth every time its been played from london to croatia, as well as being fully road tested at alfos by sean johnston who also provides a superb remix under his hardway bros guise. the second track *galactic* slows the pace down and is perfect for those warm up sets.

dream states of lust and lucidity, slow to speaks latest reissue of house musics halcyon years comes courtesy of mood ii swings visionary lem springsteen. originally released on the eightball sublabel empire state records in 1994, these excursionary landmarks saw springsteen bid farewell to his usual club-saturated exercises in queeny house euphoria for a hallucinatory breach into a secret realm of desire, where the whispers of a long-forgotten hunger meld with the floating synth-work of a true practitioner of the sacred art of club music. this is the soundtrack to the chill-out room of your unconsciouss kaleidoscopic sex dream, the sweet synth lines of springsteens ritual music still floating in your mind as you awake, alas, a little too soon. fear not: this dyonisian masterpiece is once more available thanks to the good spirits at dope jams, who remind you, *whatever the eye sees and covets, let the hand grasp!* not without asking (or paying) first, of course.

genial welcomes 2014 with a new release and at the same time a new member in its roster. it is the italy based dj and producer leon who already has an impressive discography on labels like cecille, saved, defected and many many more. on genial he debuts with a track that has caused havoc every single time it got played for the past 6 months in clubs all over the world. king of the jungle takes us back to the past with its old school break beat, while the robot-esque vocal sample brings a flavour from the future. on the remix duties, the label favourite egal 3 provides a deep atmospheric version full of haunting synths and fxs, totally written for those late mornings when you just want to get lost in the music. on the b side, danish producer martinez is taking us to an almost 14 minutes trip with his concealed dub mix, with a deep but very groovy bass and a special arrangement which will keep you going from the start to end.

a heavy, heavy remix package here from hypercolour. step forward bonobo, kowton and dark sky, who all contribute stellar remixes of maya jane coles dont put me in your box ep, originally out in 2011

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #25: it started in 2009 when a friend rang sleazy mcqueen and asked to *press some of those edits he has been making* and has now reached its 25th vinyl release. time flies when you are having fun - and fun has always been the cornerstone of whiskey disco. back to the roots ep exemplifies the label mission and the disco hippies who cherish it. loops filtered, space rocked and jam band, whiskey disco has made a mark on the edit scene that few can dispute and we have only just begun.

pascal blanché, wojtek kutschke and vocalist lukas polocze – better known as chasing kurt –originally released this track on their album of the same name. now * from the inside* has been given the remix treatment by some of worlds most respected house producers. first up is legendary german artist henrik schwarz, who has a knack for making every one of his productions as exciting as the next. his rendition of * from the inside* is no anomaly as he demonstrates his sublime approach to music making by using analogue bass stabs and violin bowing before floating atmospheric synths emerge to take centre stage. konstantin sibolds mix is a completely different beast altogether, using denser kick drums and haunting claps as the bed for reverberating vocals and a bouncy hook

in october last year, kompakt presented until the end of time (kompakt 288 cd111), a new full-length from hiroshi watanabe aka kaito putting an end to a long and meagre period of time for fans of the veteran producer who saw his last proper release and that was the way (kompakt 208) three years ago. as with hiroshis earlier full-length offerings, we are truly excited to bring you a special beatless version of the new album called less time until the end that shines a different light on the original opus.
the vinyl lp comes with a cd-copy of the full album.

gacha is a young artist originally from georgia, now operating in berlin, this second ep for apollo records is an excellent six tracker that fits the apollo chillout manifesto perfectly. his music is a cinematic, glacial mix of beautiful melodies, treated guitars and tender drum programming, and two tracks on this release see him working in tandem with natalie beridze who adds her ethereal vocals for standout tracks *saysea* and *atlas*. elsewhere on the ep gacha continues the form of his last ep, working his influences from classic electronica to garage into his trademark deep and atmospheric sound.

your vision will become clear when you can look into your own heart who looks outside dreams, who looks inside, awakens

pumping berghain styled techno monster from the man who already released on cocoon

e-issue zweier verlorengeglaubter lps dieser formidablen live-band der funk-, soul- und disco-ära der späten 70er. ltd auf 500 lps, gatefold, sleeve notes , studiosession pictures, incl cd & dl-link

a limited number of vinyl copies are available for this, the latest uncle dog gem so grab one while you can! the two remixes on the vinyl are by taste of honey and a mysterious italian artist who prefers to remain incognito.

we are delighted to welcome up-and-coming hamburg-based producer, simon ferdinand to the landed camp - an artist who is producing some of the finest raw, deep house music out there at the moment! tipped as the rising star of 2014, we are honoured to have simon as one of the landed team and roster. his new ep, back to the raw - as the title suggests - sees simon delivering three original tracks of stand-out, raw vibe. already moving dance floors across the globe and gaining support from notable djs such as norm talley, rick wade, gari romalis, alton miller, santonio echols, moodymanc, varoslav and jon reynolds

philadelphia native hollis p monroe is a man who has been slowly and steadily building a respectable catalogue of music since his debut on canadian label stickman in 1997. appearances on josh winks ovum and the legendary west end label have all helped establish hollis as a talented writer, producer, vocalist and dj having recently been drafted in for collaborations with the likes of kink, trickski and rampa. here we find him producing under his new moniker the black 80s in collaboration with frank julien, and following hot on the heels of a killer release for compost black label.

kid sublime s protégé j.a.n. drops his brand new debut 12 .amsterdam based j.a.n. got inspired by local dj’s in the amsterdam nightlife scene at early age. soon he started djing, and hooked up with fellow amsterdammer and dj/producer kid sublime, who showed him the ropes of rocking a sampler. j.a.n. quickly caught the virus and invested in his own digital equipment, started digging for samples, and thereby widening his musical spectrum.

hip hop did not develop in a vacuum - its roots can be traced back to the earliest afro-american music, and the folks who were influenced by these sounds along the way. this lp compiles some of the great recordings that showcase the spoken word and street culture put forth from the 1920s through the 1960s that would go on to influence the entire rap music genre. the themes will be familiar - religion, politics, black experience, badass gangsta rap, speed, sex, drugs and rock n roll. lets listen to the lessons that the hipsters of the past taught the rappers of today.

release that absolutely can not miss in a bag of djs who want to leave his/her mark in a club night not for nothing the release is already supported (and played) by:luke slater, pfirter, oscar mulero,ben sims, james ruskin, tommy four seven, dave clarke, truncate, dvs 1, the plant worker, truncate, max_m, svreca, raiz, colin bain, joseph mcgeechan, takaaki itoh, chriss colburn, mattias friedel

tis the season to remain anonymous it seems. the guessing games continue here with the unknown prankster. we cant tell you who it is, because that would render the artists chosen title useless. and he might be slightly miffed at. if it is even a he ... what you do need to know is that these two tight little magic numbers should not be missed! we will leave you with the clips so you can make your own mind up ... needless to say, you might recognise one or two things here.

first ep and vinyl release from this surprising detroit secret! we dont know who or what, so we will let the music speak for itself. for those in search of something new, buy this record

303 madness from the likes of steve mills on the a-side and chris liberator & the geezer on the flip!

having previously reissued *i want you to know*, the 1991 gem from simonellis groove committee project, deep down slam now return with a remix package. leading the way is italian house producer nicholas in collaboration with marcoradi, with the original s vibe very much intact but complemented by some fresh new beats and arrangement. the second remix comes from french house producer dj steaw who brings the usual quality and gives the remix the classic steaw touch we re used to know. zurich based italian producer demetrio giannice conjures the spirit of vintage tom moulton on his remix and deep down slam have also included simonellis original bonus beats version from 1991 that was mastered by legendary nyc mastering engineer rick essig.

limited to 200 copies. epic, rapid-fire club bangers from dj ford foster on new label bad mums. napalm dance-floor heat that packs a solid punch. real tools for the floor, for the body and for those who like it rough!

ark to ashes is a new label brought to you by shadi megallaa. the first release features the linguinis (shadi megallaa & nadir agha aka ostrich). the second track sees the triumphant return of grant dell who brings his usual dub by goodness. the 3rd and final track is a re-release of a coastal commission track titled bring down the walls which was originally released on pacific coast house. you can expect a lot more dub by influenced house/techno on ark to ashes in the future.

crimes of the future is a new label from timothy j fairplay & scott fraser, and follows on from their night of the same name at the berkeley suite, glasgow and in plastic people, london. timothy and scott both work out of andrew weatheralls basement bunker studio on scrutton street and are part of a group of djs becoming known as the scrutton street axis. timothy is also one half of the asphodells with andrew weatherall who released their first album *ruled by passion, destroyed by lust* this year on rotters golf club.