carl sagan with his heaviest release so far, but still shaking and shuffling like hell. two tracks based on dense sound and tricky grooves

a temporary sabbatical from gigs was taken and the band wrote material for where were you when it happened in new orleans midtown district, where their rawboned compositions resembled the katrina-pummeled surroundings. with their girlfriends with them in as close to a stableenvironment as they d been in months, they were able to tap a darker, more personal side in songs like as noise, and hunt you down, with its mournful, organ drenched air belying monotonixs typical good time charlie posturing, while fulfilling the albums need for a climactic, balladic moment. where were you when it happened? finds monotonix visiting a greater diversity of places within their sound while still retaining their minimal appeal. mostly though, where were you when it happened works up a sweat with raw rock and roll, acid guitar licks and riffs, screaming choruses and, in general, the wildness of monotonix in a way that makes for repeated album listening (and pummelling). where most bands refine their production sound as they go forward, monotonix have reverse refined themselves, playing dirtier and more energetic to capture the lightning they are known for.

detroit based multi instrumentalist jimmy edgar brings his unique electronic vision to items & things for the labels keenly anticipated fourth release. edgars versatility is well documented with influences ranging from jazz, funk and r&b through to chicago house and of course detroit techno. for this outing he puts his distinctive r&b tinged electronica to one side, laying down some timeless acid house grooves that pay homage to the founding fathers of the genre. the sublime techno soul of the title track funktion house kicks off the 4-track ep with sweet chord stabs and laid back laser sweeps dominating the intro. a gentle yet infectious background melody thatll pull bodies to the dancefloor like bees to honey completes the summertime vibe with each element effortlessly evolving as edgar applies subtle ring shifts and delays to the down tempo groove.

*ltd white vinyl copies*
tube10 returns to the scene again with a release to blow your minds away. this time its the greek formation ekelon. their debut on planet mu with headhunter on mary anne hobbs evangeline had us in our grasp so much that we couldnt help ourselves then to hit them up and see what whould happen. tube10 005 is the result of this encounter and it shows ekelon flexing their crossover sound like no other. is it techno? is it dubstep? we dont know but we sure as hell love both tunes to bits!
the a side evidence - a steady tune in the ekelon sets and lots of others aswell. feel this tune filling up the speakers and rumbling up those subs we thought where lost.. a perfect blend between all that is experimental while keeping it dj friendly..flip it over for freeze land.. an chilled out tundra of techno, thats how we like to call it.. frozen subs combined with defrosted stepping vibes ensures this to be a solid first release for the ekelon boys.. and dont worry this wont be their last!

nice price deal !!! the songs on yachts debut album see mystery lights from the bouncy, burbling you cant take it with you screed the afterlife (which plays like a less spastic companion piece to the mae shis run to your grave) to the roller rink ready vocoder vocals of im in love with a ripper represent yacht at their most poppy. its a collection of stone jams that finds the band finally as hellbent on experimenting and expanding the boundaries of its sonic scope as it is on having fun. built on electronic foundations laser effects, skittering computerized beats, and spacey synth lines (or guitar riffs that have been tuned or distorted to sound like synths) these new songs are giddy with creative freedom while remaining tethered in service of their melodies. the vocal melodies are bright and buoyant, but delivered (by either band member, or in unison) in a chanted, oftentimes detached monotone that plays up the repetitive lyrics mantra like feel and adds a welcome undercurrent of slacker cool to their otherwise sugary optimism.

stefan alexis aka somnabulist is a young musician from skopje, macedonia nowadays based in berlin. he is not focused only in one style of music. he experiments with different and weird sounds and dont like to limited his way of felling about music. he reaches from techno, electonica to chill out and ambient. his results you can see in the releases for global underground uk, v.i.m records greece and samuvar ltd germany.

the first release on clapper is by swiss dog dachshund. a side: patte d oie is the name of a neighborhood in dakar, senegal, where dachshund was hanging out back in the days. this track is infused with the sounds of cora, a west african guitar, and wrapped in a heavy drum-kick that fluctuates from highs to lows, creating a hypnotic bass line. b side: bread. the second track is a smoother work that keeps us going with a steady rhythm, airy yet solid like a cloud that cannot evaporate

the om 15 year anniversary compilation is chok full of tasty treats. one of our favorites is this >the latest< by sygaire & defcon featuring capitol a. sygaire (sonar kollektiv, raw fusion) is the the moniker of roskow kretschmann, who has quite the resume of contributions to modern dance music culture. starting with his role as member of jazzanova crew, to his later offerings as kosma, forum, and integra (compost, infracom!), roskow is obviously a man on a mission to spread incredible music throughout the world. here he is with partner defcon (raw fusion, melting pot), the alias of one philipp wohlleben. as innocent as that name might sound, do not be fooled. defcon stands for defense condition 5, and dj defcon brings the heat like a missile in the night. together these two have come with what clearly translates as a respectful bow to the old skool days, presented in true double 12 inch extended mix fashion, and complete with vocals from none other than capitol a.

limited edition lp!
ironic? no, it’s dead serious: sally shapiro keeps on dreaming of barbie and ken. sometimes good things come to those who wait, as is the case with sally shapiro. one shouldn’t really imagine the bashful swede from göteborg, who never performs live, setting a new trend for turning down lucrative offers. and the thought that she is working on something hip, is most likely even a little eerie for her. after all, she s just into something, which she’s been doing since her childhood in the 1980s — singing songs in the style of her idol sandra (”maria magdalena“). if she hadn’t met her companion johan agebjörn, who despite his musical socialization with techno in the 1990s has been deep into italo disco for the past few years and is a collector of zyx records, sally’s passion for synthi songs and fairy-like female vocals would have remained private. however, johan was screwing together some italo-style songs when he asked sally (whose voice he’d only heard from a previous christmas party karaoke) if she would improvise on his soft keyboard tunes, their collaboration was a done deal.
subsequent to their first releases on the labels diskokaine and permanent vacation, sally shapiro suddenly found herself in the midst of the ultra-hip neo/italo-disco movement, which is especially big in scandinavia. why of all things on the northern peninsula, where one traditionally listens to black metal and indie rock played with legs spread apart, the peculiar, yet sunny disco music became such an export hit, stays one of the mysteries of the pop business. it’s a fact, though, that next to internationally celebrated norwegian neodisco-heroes lindström, prins thomas and todd terje, the lovely sally has become the scandinavian disco-act in the mean time.

dachshund & modeste present here their respective views onto dub influenced club entertainment. dachshund strike first with an absolutely stunning cut. deep and highly effective drums, warm pads and superb dub horns along with the ever tight dog productions skills. the track might sound simple at first but yet again, what does sound simple is something you can listen for hours, this is one of thosetracks! modeste launches the big round wooded ball on the flip side. a lethal raw beat, inviting to dirtiness vocals and a snare that hit and hit and hits again… pumpin dub chords lands in and check the effect, club surprising for sure…we hope you like it, thanks for your time

after the re release on clone and some hot tracks on lets pet puppies another one rescued production of marcus mixx from obscurity! mr mixx featuring project democracys is this dream for real? paired with 3 more of marcus tracks. these rare tracks were only heard mostly in and around chicago during the late 80s. is this dream for real? is a deep and moody chicago house track. deep, infectious bassline with a gorgeous female vocal, the kind of track that makes you instantly say, wtf? simple, timeless, effective. and so are the other three tracks. raw jacking house tracks just as we like it!

westpark unit (aka herb lf & ingo saenger) are back with their annual release on farside records after some work for labels like dessous, tjumy, future classic or fear of flying. this time, they provide 4 brandnew trax for the vinyl edition. more forever might be familiar to a few people that followed the music of westpark unit over the years. the tune is a special rework of their first ever limited 12inch release forever back in 2002 on draft recordings. more forever took some of the original deep harmonies, keeps parts of the piano loop and the beautiful sampled hook and should be a soulful bomb on the 2009 floors. even deeper 45 grows and grows with a very intensely chord, takes you on a trip with its driving bassline and is the other dubby deep house tune here. the first demo version received some nice feedback / chartings / plays from djs like dplay, matt flores or shur i kan. while speaking of house (not house), jam hot and familiar sequence are musically caught somewhere in between the styles. jam hot might be more funk than house with sexy 104 bpm, is bouncing like hell and keeps the crowd shaking and moving. familiar sequence appeals to the disco fanatics out there, has a little of a balearic vibe and is also keeping things slow. both tunes are the perfect startup into the night. we think this is the right tempo for party anyway.

nys underground celebrity, electronic obscurity and rare disco specialist william burnett (aka grackle, aka speculator) delivers an ep that truly defies any categorization and therefore will have a harder time to find its way into the stores usually packed with easily digestible pre-masticated dancefloor stew that comes with filing recommandations. the music on this record evokes images of mad peyote sessions held amidst dry and sandy landscapes. the original desert acid sounds like a jam machines and instruments would do when left on their own, unsupervised by humans. a wobbly and acidey synthline goes on a psychedelic journey with fuzzy guitar riffs, backed by a stompy almost tribal discobeat. düsseldorfs currently most interesting band musiccargo rework the piece into a cinematic krautdisco gem that floats on a loopy vibraphone drone, sprinkled with german and english lyrics. sombrero galaxy (aka cbs/intergalactic fm regular dj tako reyenga and his mysterious uk buddy jonny nash) take the track into cosmic realms (rare occasion where the term really fits) and their version could easily be interpreted as a vangelis tribute. the last track on the ep we are it is a slow 808 jam with druggy and spaced out fuzzy vocals, paired with equally druggy and fuzzy guitars. if you are a filmmaker and you need a song for a weird desert scene youd be an idiot not to consider this one the perfect choice.

for almost as long as there have been djs, there have been dj tools: bonus beats, acapellas and ambient overlays have long been the stock in trade of selectors interested in more than simple crossfades from outro to intro. but back at the beginning of 2007, luciano put a new twist on a triedand- true idea with no model no tool. the inaugural release on cadenza split composition, a sublabel of the iconic swiss imprint, no model no tool revitalized the recombinant concept, offering djs a selection of readymade miniatures that worked like sonic building blocks—oddly-shaped bits and pieces designed to be stacked and shuffled to the djs delight.

here we go with the new defrag from our brazilian friend gui boratto. >i feel love< is one of those very special records that goes far and further from the boring trends of the moment. as we like to say it is a timeless techno tune, an open air magik track with vibrant pads full of synthetic feelings and processed voice that reminds the best moments of the disco from the 80s or, if you prefer, as our friends at kompakt, you can define it: elegant techno.

crazy plastikman-like stuff! floorbomb!!.. played by mr. hawtin since month

latest release on lmd comes from a new signing ion ludwig aka koos ludwig. the clair obscur ep opens up with late bed, lush sensual sounds & magical piano rifts keep drifting in & out making the track feel like it is alive calling you to come and play. lakes loosh is deeper with hypnotic cords and a beautiful occordion hook. the whole ep feels playable on or off the dancefloor giving it both a limitless & timeless feel.

four roses recordings deliver another stunning release by sebastian gaiser under the classic flowers moniker. in the past hes been responsible for the mujaba releases and some yet unreleased collaborations with label colleague motor city drum ensemble. whichflower is a fascinating yet strange house groover moving from beep to bleep. using citations from way back, this one is spreading flowers across all sorts of dance floors. aclaime is finally making way for a weird approach towards minimalistic dance music, featuring a group of cimbalom virtuosos recorded on a recent journey through hungaria that makes it sound like a sunday trip to panoramabar. which flower would you be?

the new beast is here! the brazilian superstars on a move on this new gem. motormorfoses rip it up! 2 killers on the a-side full of hard bass kicks and with its off beat style feelin it drops like a beast from hell! on the flip we have the technopride boys also from brasil with their devastating hard techno style. one ep that will rock the clubs for the coming months!

we are exited that a nerve wrecking period of careful selection and an anxious search for the most sublime collection of modern day techno has come to an end. with every end comes a new beginning and this masterpiece sets the marker for something new and raises the bar to incredible heights!in the footsteps of previous albums from pioneers like adam beyer and headroom, planet rhythm now unleashed another collection with todays major players and a sound that will make your head spin 360 degrees and warps you into a new era in 4 skull-crushing blows, by takaaki itoh, space djz, oliver kucera and carlos rios featuring the extender and last but definitely nog least gunjack!

this is driving epic banging body shaking techno with soul that reminds of the good old techno days married with sounds of today. a great crossover appear for tech trance and techno sets. just a word for each: simian: manic thunderous punkish techno with attitude, collider: cool rockish bassline and amazing atmosphere. tiburon: organ rave sounds used in it and the small melody playing that gives it a spicey edge. and finally the best: particle with the spanish guitar sample that drives along with a lovely break that adds to the tension of it. this can become an ibiza favorite and you can see people like r.rivera or h.cataneo playing it as well.

dave lambert & housetrap ft. liam south music for peace is this years city parade anthem with huge support from axwell, chuckie, fedde le grand and funkerman, sander van doorn and many more

new label run by prolific french producer who revisited tools classic from 90s. ever seen with this pseudomnym on different labels like robsoul or others, he deliveries his personal way on one dance classic rack (s-express) & the powerful >women beat their man< played all the time by marcell dettman! limited release so you know what you do

big with: 2000 and one, jimpster, chopstick, anderson noise ...
since the middle of the 90ies andry nalin counts to the most successful djs and producers for underground house worldwide. beside numerous successful releases and remixes on labels like saw, stealth, bedrock, subliminal or his own label superfly he made with nalin & kane and the track >beachball< a so called crossover hit in 1997 that mutated from an underground to a worldwide hit within one year. in the last time he has big influence on the tech- and deephouse scene and releases also on plastic city since 2008.

big with: eric morillo, groove armada, funk dvoid, jimpster, ante perry, dj hell, gregor tresher, karotte, martin landsky, michael reinboth, phonique, thomas schumacher, anthony collins, laurent garnier, zoo brazil, mijk van dijk, brothers vibe, danny tenaglia, plump djs, ...
welcome to the space-disco-electro-tech-housesongwriting world of bodymovin aka thomilla of turntablerocker and dj friction! continuing the intergalactic electronic extravaganza that is bodymovins self titled debut album, one of the duos hottest cuts from the acclaimed longer-player is now ready to hit the shelves complete with two very special remixes. first up, as if they really needed to prove their might, label bosses moonbootica rework >everybody< into an absolute stormerfor the clubs. taking off like rocket, this stellar remix uses the the catchy vocal refrain as its central pivot, careening around it with hot basslines, intense synth trip-outs and pure, unrivaled energy. simply unstoppable! then of course the original track is included as a reminder of its greatness.

two of turbo s rising stars come together to make one of the biggest records of the year. peanuts club has been arguably the hottest track of the summer for heavyweight djs erol alkan, tiga, and a-trak. it s instantly catchy and massively effective, and we ve seen it bring the best out of the crowd night after night, but you probably already know all about it. the real coup here is that cajou club is another absolute bomb, maybe even better than peanuts club, and more disturbing evidence that france has produced yet another two major-league players in dance music. noob s really been hitting his stride lately, following on terrific remixes for brodinski and d.i.m. and tai s lyposuct, his productions getting exponentially bigger with each release. as for brodi, anyone that s seen him play knows he has all the makings of a star, and if he can keep putting out records this good, the sky s the limit! wanting to go beyond double-megahit and attempt quad-bomb status, we commissioned a terrific remix from sound pellegrino s renaissance man. noob & brodi are in love with it, plus they re the only finns out there to have not produced a record for turbo, so it was a perfect fit. the ph 0 remix on the vinyl is, incredibly, an original take on acid, it s loopy and weird, but works like magic.

after almost 2 years without publishing new material. the label properproud reappears with this ep limited to 250 copies. the owners of the label santi and roger (strange connection) have worked very hard to remind everyone with this record that the electro-techno and ebm will not die ever! this time, properproud back with more force and with the intention of staying forever. closing mouths includes 4 tracks of 4 major artists and the name isn t coincidental. it s time to shut many mouths that don t rely on this kind of music the first one closing mouths (a1) has been signed by the owners of the label (strange connection) is the first time published in properproud. a track of pure ebm, dark and evil but with great force and which has received great support from artists like angel molina and dave clarke who has played several times in his white noise radio show. the second one hurt me (a2) has been signed by jonathann cast in collaboration with the voices of drey. after publishing in dancefloor killers come to properproud and do it in a forceful and dark track that can move any dance floor. bluntly electro-techno and without mercy! on b side, we find 2 of the best signings he has made during that properproud parentheses. in the first cut (b1) adriano canzian, currently one of the most bizarre techno artists, with halim the dream shows because david carretta and dj hell is set in it. a brutal track, direct and intended to enjoy it in a club. dave clarke has supported it without hesitation. and to finish off the ep, ruben montesco (b2), after his passage through lasergun and other labels turn to properproud to demonstrate in madrid that also makes good techno and ebm. insomniac s red room is a dark track, evil but with a lot of energy and a perfect voice. rubÚn besides being a great friend and supporter of properproud is undoubtedly one of the best producers of this style at national level. 4 tracks that shape a piece of craft for lovers of brazen sounds and is the first of a series of 12 inch that will see the light soon and will be limited to 250 copies. properproud is back .... stop the minimal. use your brain!

afu limited welcomes alex long to it s artist catalogue and he starts with two slammin and cool technotracks with ultra trippy vocals! there is not much need to say anything about these tracks, just listen and enjoy the trip through the space age with a fast beating heart! since he was young, he has always been impressed by the sounds of the synths, electro pop and later on acid house. in the beginning of the 90ies, when the slovenian electronic scene was still in the making, he was a regular guest in the legendary k4 and palma in slovenia. he was taken further into the world in 1998 when he took his first steps behind the turntables and he has been producing music since 2004. since then, he has had quite a few releases and remixes for different record labels. he has dj gigs with huge names of the electronic scene and in large festivals in slovenia and became the official slovenian hero of the future in 2007 at the disconautica festival.he spends much of his time in his studio, where his thoughts are converted into notes and melodies, and as he often states, he finally found a style that suits him and always finds a challenge in. what is that style? he doesn t like to be defined by a specific music style, as he prefers and is influenced by many different genres of electronic music. alex long is definitely a name we will hear of in the future!

2002 classic!! comes in 12inch / 7inch package!!

techno/ techhouse. forever is a big rocker for the outdoor (summer!!!!) season with warm pleasent vocals and the pads get under the skin. bizarre on the other hand is a dark driving tune and good alternative for those who like it a bit stronger.

rebolledo is an artist from xalapa, mexico, who is very much part of the comeme family of latin american artists. he s been around from the early days when he used to provide music for the buenos aires based bumbumbox street parties. so far he s had tracks on previous comeme releases, notably pitaya frenesi, but this is his first full release on his own. rebodello is the consummate comeme artist, with a quirky sense of humour, a unique latin american approach to dance music and a lean lo-fi approach to track making that is built to cut through on any sound system. lead track >guerrero< follows in comemes now established strange sense of humour, guerrero means warrrior and is a track about a >guerrero< who comes out at night and dresses in leather, it s all shouted vocals simple beats and 80s style synths. venganza y seduccion means vengeance and seduction and features suggestive panted echoing vocals over a cosmic disco bassline, while atmospheric chords build in the background, if this sounds strange it s because it is, but the combination works really well in a club.
the b side of the record is much harder and more techno-like - marchante is completely different, aggressive kick drums, a pulsing bassline and siren-like synths bring this track a panicked feel, which is offset by the way the drums build into tough patterns. raid features strange nonsense vocals over a pulsing rhythm track that reminds of old chicago acid, if it wasn t for the strange atmosphere. rebodello is a very welcome addition to the world of dance music.

now techno has its own fair trade. basmati, the new label by gabriel ananda (artist direction) and marcel janovsky (management), does not indulge in pretentious bragging. in fact, its not even supposed to have a release sheet like this one. but sometimes, youre even too modest to stay away. so, whats it all about? well, the music, of course. and only the music. organic stuff, so to speak. tracks made by pure immersion. no plans, no blueprints. just going with the flow, unleashing the inner krautrock while staying true to the basics of techno. gabriel and friends at their best. inhale

antislash joins frankie records with a 3 tracker ep titled “vertiges ep” a bunch of quirky sounds and fonky beats …we start with the long side a1 - lendemain de fête (more than 10 min!!)a great shaky tool sounds like an invitation to share their sense of groove warm and bleepy sounds are nicely arranged …definitely a great moment with crazy moments and deeper atmosphere in the 2nd part of the song…simply a wonderfull and powerfull track!…on the flip b1 damn a nice bleepy and crazyness with takt, groove and great arrangements …follows b2 pastis anis combining deeper atmosphere and weird bleepy sounds as antislah knows to do

the return of post punk slowness!

the spanish duo exium attacks again, and this time they are not alone. contributing a remix of the original track the omega man , the dutch duo radial add their special touch of today s techno with a style reminiscent of the best hits from the 90s. this 12 disc closes with exium s remix of dominik muller s silesian boy . the original track was released on the british label locked records, and it can already be heard in sets of artists like surgeon and rob hall.

german modern metal act caliban has returned with its highly anticipated studio album say hello to tragedy! the album was produced by benny richter, co produced by guitarist marc goertz and mixed by killswitch engage guitarist adam d.

>who is the person you would most like to work with?< for claude vonstroke, its definitely bootsy collins - the biggest personality in parliament funkadelic and funniest character the funk world has ever seen. we couldn’t be any more excited to have bootsy on dirtybird and this crazy collaboration of styles is the lead single on claude vonstroke’s 2nd album, “bird brain.” if you haven’t heard of bootsy we couldn’t write it better than rolling stone… “bootsy collins’ rubber band was the most entertaining and longest-running spin-off of george clinton’s eternal p-funk circus, and that’s because bootsy is a true star, the clown prince of comic, psychedelic, good-times funk – if he weren’t such a genius of the bass, you’d think he was jimmie walker in a sequined costume, star-shaped mirrored shades included. his career is like a horatio alger story based in chocolate city: plucked from teenage obscurity in 1969 to play with james brown, the former william collins of cincinnati brought a slap-happy zest to jb’s sound, then hooked up with clinton and was reborn in his image, with a little help from lsd.” it is certain that claude vonstroke is not nearly as accomplished as bootsy collins, but he takes the same tongue-in-cheek approach to his music and that’s why this collaboration really works. both claude and bootsy believe you got to get up for the down stroke and there’s no way to fake the funk or your nose will grow, pinocchio!

just in time to conclude a bittersweet summer (at least in berlin), retreat brings the heat with a soulful ep from one of his founders, hotshot producer quarion. as the name implies, dusty fingers sees the beatmaker return to his hip-hop roots and dig in the crates for a sample-based deep & dirty 3 tracker! quarion was last seen circling around venus and we hope he wont be gone too long because we need more eps like this one

all right, all right new vinyl straight from the streets of chicago through team synapsis. synapsis003 is arriving with some gems that brings unique flavor via four chicago producers. timeless chicago ep ranges from acid to deep featuring: hakim murphy, one half of team synapsis, leads off side a with an acid jam called ôdem shits shinobi.ö inspired by the anime show naruto, the track continues to move and develop like the character. this subtle chicago style track features old school yamaha drums with some sweet oscillating synths equaling the acid sound. house and techno heads will enjoy this tune. g. marcell is up next with ôyeah dat tu.ö jacking chicago house track period

mystique can be important in music and last year fake blood took this to another level setting blogs alight as folk tried to work out who the mystery man behind club bomb mars was.

the upper austrian youngster has been addicted to electronic music since his early youth. after experimenting with different kinds of music he was fascinated from techno and house music and decided to buy his own dj equipment. through his outstanding talent in mixing records it didn t take him much time to be booked to local clubs and festivals. due to his unmistakable style of djing he attracted the crowd and found his own place in the austrian house- and techno scene. after his successful start as dj he started being interested in producing. at the moment he is expanding his international career and producer skills with the music association >elmart - electronic music art<. in october 2008, his stunning remix of chris eckers >when they say hello< was released on the german label >resourced music<. a month later, mike absolom released his first vinyl single >from absolom to heaven< on >elmart<. in 2009, he did several remix projects for mike turrentos >tele commander< on >elmart<, stefano vozzas title 2 on the irish label >dublin xpress records< and rob glennon on >nice &nd nasty records< with other remixers like orlando voorn, paul mac and many more

naum gabo is a project of jonnie wilkes (optimo) and james savage. this 12 inch shows the slower side of dance music with links to german progressive rock or more psychedelic music.
>black lab< is a slow cosmic dancer, while the remix by japanese nu disco artist discosession is deep and gorgeous slowhouse. >torus< is like a pre-techno sound which came from progressive rock.

a justin timberlake bootleg strong as an ox! featuring a vocal and a dub version. deep like hell and catchy like a beatles song!!

tony nwachukwu is a pioneer and his musical roots go way back. he was the mastermind behind attica blues on the legendary mo wax label and has produced wonderful music which is still timeless. remixes for people like unkle, macy gray and even duran duran prove how incredible he is. at the red bull music academy he teaches his skills to young talented producers and has established an interesting night at londons plastic people called cdr where they only play unreleased music. cdr has also worldwide events. with burnt progress he gives young producers the chance to release their music on his label. his first ep for drumpoet is championing his big love for techno(logy) and equipment in general and underlines the great musical knowledge and open-mindedness of this forgotten legend he is! the ep has already huge support from some of the best djs around and the quality of all three tracks whether it is the detroit-ish t time too the twisted outta ere or the broken flowin is impossible to ignore!

kab is a swedish techno artist who is a friend of minilogue and released together 12 inches.
a side rescue is a very psychedelic techno. if you like the sound of minilogue, you will love this track.
b side the search and the breaks is trippy minimal house style.

here comes the freakshows 14th chapter - yeah, yeah, yeah! what you will get with buying this record is an extraordinary kind of culture clash in electronic music. we have the young guns m.in, patrick kunkel and basti grub in the red corner and the blue corner comes up with no other than the legendary dj sneak accompanied by mr. harold >lenny kravitz saxophone god< todd. some might say that the combination of names who contributed their skills and creativity to the production process of this release alone should make any electronic music freak become desperately interested in this record - but - if that aint reason enough to at least give it a try, you will find 3 timeless state of the art house tracks on intl. freakshows 14th vinyl release, from which each one has its unique, carefully crafted structure and arrangement. all of them manage to develop a superb uplifting energy, ideal for the upcoming hot summer nights and the daytime partys, too! additionally, as an if-14 - digital only released track - you will get an absolutely stunning and exclusive dj sneak instrumental mix, which we think must be described as an epic, typical sneak-like, massive groovin housemusic bomb, a must!

stealing thunder so you move that ass, the duo dubbed thunderheist unleashes serious electrocrunk boom bap. ribcage-rattling bass breaks laced with proper rhyming are flipped with digital booty bass, 80s-inspired electronic pop and slowed down southern bounce, all fresh-dipped in serious swagger. mc and singer isis and producer grahmzilla know how to bring it. and once they ve brought it, it stays brung. >torontos shit-hot electro duo< (nme.com) are already a huge online phenomenon, but this first full taste of their forthcoming album comes courtesy of nasty mix records in canada. catchy, propulsive, ecstatic and uncompromising, it s party music of the highest order, utterly unique but sounding like its been in your head all along.

supported by: pet duo, marco remus, dj rush, dj lukas, sandy warez, dj ogi, and many more ...
own style is pleasured to announce the 5th release, and with a very special way, as this one is the 1st special edition, with new design, and a great cooperating work between loopin and lexis. this is a big ass shaker ep, with 4 tracks: 2 made by loopin with lexis stuff, and another 2 made by lexis with loopins stuff. the result is 4 dancefloor killers, that s why the name...funny hardtechno, with funky touches and underground soul direct to the dancefloor, that will rock a lot of clubs and events for sure! check it by your own and hope you like this special work they did with so much love for all of you.