pattern repeat is a new music-project and label by kenneth christiansen, echocord & echocord colour label boss, and his partner dennis bøg aka resoe, running the baum label. the pattern repeat label will only containsproductions from kenneth & dennis, and the music is focused on the modern berlin techno sound today, dubstep and dub-techno. pattern repeat will also release records on other labels, so far the first one is out on echocordcolour. kenneth and dennis met eachother 8 years ago when they worked together in at that time famous copenhagen-record-shop >loud<, which closed 5 years ago. at that time dennis was more into broken beat, hip-hop anddeep house. kenneth was already running the label echocord, and soon dennis started his label baum. the label baum is also like echocord, releasing dub-techno, and dennis started to release his own material as resoe, andbuilded up his studio the years after.1 year ago we decided to try to do a new project together, working together in the studio, and now pattern repeat is born.

introductions ep, part 1... marks the initiation for the moscow records imprint and the launch of a series of eps to feature on the label focused solely on introducing fresh, young, creative producers to the scene. in part 1 we are proud to introduce two exciting new london talents in archie hamilton and alexqbit, alongside the berlin based greek producer keinton. the ep is perfectly pitched for the morning dawn that follows the long northern winter nights, with warm latin-grooves drifting into deeper soundscapes and subtly euphoric builds. released as 200 exclusive limited edition vinyls!

the second and final voyage direct remix ep. four remixes from homeland amsterdam.
aardvarck, boris werner, san proper and sotu the traveler deliver the goods here and do what they do best, creating a diverse set of mixes. boris delivers an even deeper mix of >lost in the streets of nyc<, which is already being played by the likes of ricardo villalobos et al. aardvarck roughens up >on the side< in his well-known cultcopy style. while san proper discofies >use me< and sotu morphs the title track into a dubstep/house hybrid. new shit!

dub police comes with the goods again. this time its the turn of one of dubsteps founding fathers d1, here to show them what its all about. jus business has been finding its way into the sets of all the big hitters lately. with its dark rave stabs, tripping jungle beats and pounding sub bass its not hard to see why ? serious business from d1. things couldnt be more contrasting on the flip with the energetic party roller pitcher. skipping beats and a quirky lead line, with funky esq. melodies and soulful grooves ? a really bouncing track. all in all another top draw release from dub police and a quality slab of vinyl from d1 showing us just how diverse this artist really is.

pavel pokhorovskyy a.k.a. pvl is a young artist from nürnberg, germany. inspired by different subgenres of house and techno music, he decided to try himself in producing his own musical visions, which led to his debut record on samuvar ltd. converting thoughts and feelings into modern electronic music, thats what pvl is all about!

this 3rd vinyl release of deep data contains exclusive tracks only which are not available digital. label owner rene breitbarth contributes with >wiggle trans< and >yaz< two groovers which continue the concept of the digital pendant drive e.p. further its main track >carrie< is remixed by well known producer jeff samuel (poker flat, trapez, spectral sound) who provides his definition of cool. another remix comes from deep datas toby deschamps who transfers carrie into his jackbox style. fresh!

two high-class tunes by humano with an almost classical techno feel. they just keep on growing & building into eternity ...

after their great debut >motzbaz / indeed< on afao recordings and the following 12inches >hello kool nice< and <langenthal ep< on quintessentials recordings, which found its way into the bags and charts of djs like quarion, laurent garnier, jimpster and many more, jagged strikes back with a 12 on bonzzaj recordings. this single also contains a hot remix by the dutch multi-talented man aardvarck, one half of the rednose district. jaggeds productions are restrained and minimal in the right way - they doesnt let things get overloaded. they focuses mainly on straight beats and functional house music but always with the right ingredient of soul and rawness. the title track ten to twelve is a heavy cut with a lot of disco influences, funky basslines, cool house-grooves and surprising changes all over the track. the remix of ten to twelve comes from aardvarck, who releases on rushhour, kindred spirits and delsin. he transformed the original in an broken beat stomper, which sounds like it emerged straight out of londons co-op. the b-side contains chicago, a deep house number with forward going percussions, warm strings, oldscool-house-vocals and a slight acid flavour and last but not least the track an orange drippin, which takes you with its deep synth, percussions, basslines, bells and things in the deeper shades of…jagged nation. hot shit gesundheit

gui boratto keeps on giving with these three brand new tunes - a true statement of the tremendous talent he continues to bring to kompakt. he bumps up the bass adds a vocal chorus and teleports the original into a new stratosphere. telecaster is a dark and deep floor leveller. the glam is a rocket - elemental percussions play with a low end synth ride that rolls with a menacing delivery but certain to lay devastation on any dance floor.

andromat 3000, aka dj mahatma makes a thrilling return on highgrade 72. this is a release featuring three great tracks, with real hit potential. >beatroot< opens the show with a classic aural landscape and a secure sense of style. >brique< weaves its intoxicating rhythmical magic into indio- eastern vocals which make the atmosphere impossible to escape. and >cheepnis< is the offspring of funk. wide basses meet a chic disco fanfare sample for maximum effect

boys noize new album >power< has been released in october 2009 and already got massiv support across all genres. >transmission< is the 2nd single out of >power<, its static unheared synth sound, its robot voices (you are neutron because lazor transmission) on a breakbeat gives you a feeling of josh winks early hit >higher states of conciousness< going to bed with kraftwerks sound aesthetic and robots on a 2010 afterparty. this release includes a dream package of remixes and also a video to follow shortly after. well respected electronica producer mr. oizo (ed banger) does what he can do best by twisting the original to a serious moment of a firecracker, tiga takes the main idea of the original song and turns it into the perfect 4/4 banger, bnr s super talented djedjotroic delivers 2 remixes: 1 acid drivin shot and a big room techno dub for friends of len faki or dubfire. with the untold remix (hessle audio) you probably get dubstep s most interesting producer bringing an epic dubstep version. last but not least you get a real deep techno remix by the techno master himself: james ruskin (bluefin rec). resident dj of berlin s berghain delivers a top of his class techno mix.

well known for her electrifying panoramabar sessions, representing her love for all things deep, sensual and musical about house music steffis talent has blossomed out of her relationship with the musically entwined cities of amsterdam and berlin.
her touching, classic-jack inspired productions continue to gracefully bubble towards the international surface with this 12 inch. her debut cut for the label, >24 hours<, featured on tama sumos >panoramabar 02< compilation set out her production intentions quite eloquently. >kill me< continues the warm, traveling night-time vibes and opens steffis signature sound up into a full vocal-led celebration of house.
besides steffis killer chicago inspired throb and moody melodic structure, >kill me< features the sultry vocal talents of close friend elif bicer, also recording partner of label mates prosumer and murat tepeli. elifs tender and instinctive story of a love lost and found flows honestly and creatively throughout the vocal version. an instrumental dub is also included for the creative use of the dj.
steffi also shows off her skills with the >crushed soul< mix, allowing her intuitive, sentimental yet dancefloor tuned chord progressions to flow stronger. baassline led and focused on clean, precisely measured beats and synth lines to tell the story, this alternative version goes even further to suggest what treats are yet to come from this talented producer.

rinse fms breakfast show host, dva is a producer with a unique take on the uk funky bug, blending the stiff 8-bar funk of grime with a super-supple rhythmic sensibility, sewing neon colours with a laid back precision into his tracks. >natty< is a prime example, drums stagger like they are about to topple over, squelchy bass synths lock together a tough tribal drum pattern, liquid metal trickles around in the mix, and these contrasting elements react with explosive results on the dancefloor. on >ganja<, a cartoonish ring-tone-friendly synth melody worms its way around tight soca-esque drums and housey organ stabs. factor in the depth-charge 808 subs, steel drums and sparingly used ragga chat and you ve got a technicolour hyperdub debut fresh for 2010.

3 techno funk cuts tailored to the dancefloor. support by gregor tresher, anja schneider, patrick lindsey, tim xavier, mathias mesteno, someone else & micro.fon artists m.in, sabb & dualton!! cut 1 sports a slow-mo groove peaking with classically instrumented breakdowns which then immediately dissolve into the stripped down dark groove again. b1 contains dirty vocals and a strong techno groove. b2 is a murder bassline cut with nice percussive work and interesting little grooves

following up the dancefloor smasher that was i thought inside out, deadmau5 and chris lake join forces once again to bring you i said. the original mix is all about the killer, heads down groove, dirty tom led drums provide a perfect base for the jittery percussion, deep bass and bleeping synths, which all push into breakdown of epic proportions. michael woods returns to mau5trap after smashing his remix of the might strobe

hot from his immensely popular jungle laps track on john digweeds bedrock 11 lp, marco bailey is about to cause a major commotion with this stunning new 4-track ep. watch out! as the man says... its a burning, all consuming drive that can only be calmed down by getting into the music.

nice price deal !!! support by : heiko laux, karotte, sasse, luke slater, benno blome, chloe, anthony collins, andrew grant, daniel fx, smacs ... martin wörners limited edition of his own imrpint inclusion records is proud to welcome an old friend to the artist roster: steffen nehrig. monza club resident and dirt crew recordings artist steffen nehrig is going to release on inclusion ltd an absolutely real whiz kid, which might fit perfectly into every artist dj-set. with its deepness and an unbelievable noisy synthesizer the track comes groovy from below before it opens up in a light and fine played melody. the b-side is coming up with a hiqh quality worked reinterpretation of the original, by berlin based alex krüger under his alias tigerskin.

the innervate label is on a roll and the last release featuring: pedro delgardo, fer br and dj mika did amazingly well! this funky piece of techno was a great release for the label.
this new outing is something completely new. a dark offshoot of the label was born for all the lovers of serious dancefloor techno. extremely loud and dirty vibez from the likes of patrick dsp, mika, ryuji takeuchi and virgil enzinger!
for the fans who are into labels like audio assault arms, planet rhythm and submissions!

round no. 2 for the alex baus credo repaints, this time featuring the long term techno-heavyweight chris liebing and the uprising jonas kopp from argentina. chris keeps close to the original of >full method jacket<, a track he has been playing frequently, adding his own flavour in a very impressive way. jonas turns >lofi micro< into a stripped down and arrangement-wise more relaxed version, but his precise drumming and sound-design makes this remix becoming something completely new. full points again and already massive dj-support from a like abba to z like zz top :-)

already played by someone else, xpansul, youandme, miniminds, byron bogues, alex bizarro, sascha krohn, tripmastaz ...
the first release on mirrors, >shitzzo< by marco polo is a cool, groovy technotrack. marco had releases on labels like i220, toneman or hidden agenda and is well known for his clean, minimalistic technostyle. the release also includes great remixes by gaetano parisio (adagio), dave shokh & simon beeston (highgrade). the parisio remix is a houseflavoured percy groover. the other mixes are more into minimalistic techno.

toolbox is gideons third album, in the line of many to come. although the minimal hype has surpassed this is minimalism from a techno point of view. no bullshit sounds, just straight up minimalistic techno grooves. inspired by guys like richie hawtin and robert hood, gideon has twisted this knowledge into something of his own. very different from his last album on kanzleramt called >need no permission<, this album focuses on tool tracks. and that is off course the title explanation. toolbox is an 8 track album in the line of gideon his first minimalplus release trias politica. 8 pure danceable tool tracks that a fit for any techno minded dance floor. toolbox will be released on 2 separate 12 inch records minimalplus 010 and minimalplus 011 each containing 4 songs.

support by luciano, reboot, sebo k, raresh, nuick curly.... chris carrier, one of the most respected names of the french underground house scene for more than 10 years, delivers his debut ep for off recordings. la fabourienne is the kind of peaktime tracks that you know and love off for, jacking grooves, a strong bassline and an infectious saxophone theme will turn your dancefloor upside down – guaranteed! jeudi is a completely different affair – a laidback sparse groove, garnered with 100% self-played live instruments and percussions show carriers deeper side, making this outstanding piece of music the deepest and most musical track released on off so far. william kouam djoko, one of biggest fresh talents of amsterdams ever-growing house scene, delivers a unique interpretation of jeudi for his friend and house-hero mr. carrier, straightening the deep original into a twisted techno-jazz-experience for the feet and the heart in two interpretations: the vinyls perky mix is more aimed at the dancefloor, while the trippy aftermath mix is perfect for afterhours. the ep is finished by cycles gladiator, a deep and timeless housetool typical for mr. carrier, perfect for the earlier or later hours of the night

here comes the first release for the new decade! king dk allows us a glimpse into his darkmind with his new single. the outcome is an outstanding genre mix of melancholic dark popish elements which are surrounded by a fat baseline. the extraordinary vocals by claudia fink polishes up a unique track perfectly made for those cold winter months.

reincarnation is back with a debut from another upcoming italian production team, dirty channels. they deliver two african inspired tech jams, african democrazy and litho. the first has been also reworked by monocaldas rame into a slighty tougher workout and by isoul8 into a deep psychedelic journey.

in japanese niwa means garden. the concept of what an album should be is really taken seriously here. with >niwa< what you open your ears and emotions to isnt just another loose bundle of tracks. all the single stories, element by element, are constantly fusing together into a greater whole. this is rippertons world. he draws on all the influences that have journeyed with him as a passionate musician on life’s long and winding road. influences far beyond dark booming warehouse parties abound, and are just as likely to conjure up vivid images of dewy lausanne sunsets. folk tinged downbeat experiments peacefully co-exist with delicious jazz blueprints and sublime ambient soundscapes, sitting in harmony with deeply hypnotic house grooves.

it was only a matter of time. two genre-defining artists together ... pop music and dance musics most famous arbiters of taste, collaborating at last. dj hells >u can dance< is an interpretation of an unreleased bryan ferry song, but its one that reflects a perfect melding of two distinct personalities, a record that sounds as if the voice and music were made for each other.
hell, of course, has been riding high on the success of >teufelswerk<, his masterpiece of a double album, a journey replete with fruitful experiments and club bombs. one that has yielded both massive hits and not a tiny bit of controversy along the way. ferry, meanwhile, has been as busy as ever—recording a new album, performing in places as far afield as siberia, opening up the cannes film festival ... basically just being bryan ferry.
and now here they are together ... it all started in 2006 when hell dropped in to meet ferry at his west london studio. at first they discussed hell remixing an old roxy music track, and then it turned into something else - something new (u can dance).
they had similar impressions of one another — hell: >i was impressed by his aura and his look.<, ferry: >he impressed us with his sophistication and charm.< fast forward a few years later, and hell is hard at work on teufelswerk and putting the finishing touches on the aforementioned song titled >u can dance<, a serpentine moroder-esque disco burner. with the help of old friend peter kruder, of kruder and dorfmeister fame, hell fashioned the song into a smoldering nine-minute highlight of the double disc set, in which ferry turns in a typically assured vocal performance.
ferry may seem like an unexpected fan of dance, but hes been going to clubs since he was a teenager, and in his lengthy career hes worked with legends such as nile rodgers of chic and david williams from michael jacksons band. >its always a pleasure to work with people from that genre, who follow a singular groove.<
the single follows in the wake of hells >the dj feat. p. diddy< which has won over floors and critics alike with its nearly 30-minute radio slave remix and fine work from the likes of deetron, jay haze and others. on >u can dance< hell and ferry have similarly pulled out all the stops for the remixes, gathering up work from the grammy-nominated producer carl craig, dfa mainstay tim goldsworthy and pop electro superstars simian mobile disco.

dubsided continue to release bass heavy electro house, and we welcome the follow up ep to sticky ks previous dubsided release. california ep is a wonky 4 tracker stacked with all the right elements and surprising hooks. check out the mad vocal drops in 4 minutes into california, cheeky and a little barmy.

what a start into 2010. tokyos mega house hero satoshi tomiie is making his debut on stir15 with big time support from keepers of the house motorcitysoul. originally planned for digital release only on new york based saw recordings satoshi, hector and the motorcitysoul guys decided to license the original & remixes also to c rocks stir15 outlet to keep vinyl alive and all vinyl djs and lovers in the loop! the music speaks for itself. fat house with oldskool elements but not sounding anachronistic at all. even more, all four mixes made big waves already at green&blue festival and at cocoon london / matter with massive feedback! a sure shot for all house and techhouse heads and a very welcome relief from the current nonpersonal toolhouse releases out there. keep vinyl alive - we take you back to basics!

sometimes a loop is more than a loop. patterns that appear repetitive arent that repetitive if you take a close listen. adding lopazzs voice to this epic track is the ingredient that injects that next level of energy, the mystic touch, the it. that voice seems to dance with and around the music. and with every twist, the listener is drawn deeper into mr raoul ks world build of warm bass and cautious beats. a place in which someone would easily get lost if there wasnt the voice to lead him throughout the long journey...

since his last release on circus company (fleurette ccs033), djulz add been quite busy in the sutdio. he did a lot of remixes for slam on soma, matthew dear on get physical, 2000 & one on 100%, arnaud le texier on 20:20 vision and spencer parker on rekids. hes now back with a freshly baked 3 tracker called rotondo. thats also the track title of the a side. rotondo is techy and slightly dark. there you feel a constant pressure that will leeds you to euphoric pad which is just a simple saxophone screaming sample. on the b side we are getting into some naïve and housy feeling with on the road. then ideas are fishes is closing down the record on catchy vocal hook. that king of track to keep the party rolling. once again d julz delivers some great cuts that should be soon on rotondo everywhere

the second half of the great lengths remixes package offers 3 more vividly contrasting interpretations of album tracks. almost a year on from the release of his debut album >one< and with >saviour of techno< plaudits still bouncing off concrete walls, berghain lynchpin ben klock turns in a remix of is this insanity that distills everything inspirational about both the club and city he calls home. spaceapes cracked vocal is welded to a sort of cavernous piston driven groove while traces of the originals melody fractured into the briefest of shards fight their way to the surface only to sink back into the percussive smog. located well outside of the heavily scrutinised uk hype centres, manchesters rising star illum sphere continues to hone his already distinct sound on the flipsides brilliant orange reworking. a clanking off kilter groove rubs up against an extended mutation of the original melody that pushes the track towards a poignant climax, evoking all the ache of reaching for the stars and landing squarely on ones face.

dirt crew, hot from their recent 5 years compilation and the >blow< album on moodmusic, is again on the wall with another hot remixpack ...
>deep cover< was the standout track on the album and gets the remix treatment from 2 of the brightest stars on the deep house scene.
roberto rodriguez builds up a massive groover with similarities to mid 90s deep dish sound but injects a slice of analog funk to it, showing the talent and nourishment in his music.
vincenzo takes a deeper road, teasing the groove to slowly evolve into a tastemakers choice as we know him. deep, yet driving his mix fits perfect those early morning hands-in-da-air moments.

nice price deal !!! official release !
mind-blowing singles, eps, remixes (for the likes of simian mobile disco, little boots, royksopp, lykke li, au revoir simone…), a quickly-growing label (fondation records), and the night is his in most of the worlds major cities: danton eeprom had it all, to the exception of a long-playing record. after making a name for himself with hits like confessions of an english opium-eater, grindhouse or face control, it was time to go off the beaten path and show the way once again. would he go for a fairly logical sweat-ridden dancefloor riot? not precisely. not only. danton would make a revolution of his own, in dandy mode.
three words that will soon be on everyones lips: yes is more. in a cloud of smoke, over a tight booty beat and keys delving deep into thirty years of electronic music, the french londoner sings for good and is all axes out on >thanks for nothing<, making things clear from the very start.

it was in november 2009 when professor dr. geiger presented his epoch-making invention to the public. of course, everyone was really excited, because this invention was said to shake the music industry to its very foundations. from now on, billions of mp3, cd, music cassette as well as ordinary record players should just be scrap, and completely out-of-date. todays dj, one could read in the manual, no longer needs all this. from now on, everything he needs is a 69 bux.
- just fill up to 11.5 liters of liquid vinyl into the vinylator
- internet on
- select track
- press the bum bum button
as soon as the record has been finished and cooled down, the techno-mkx-arm will put it on automatically. you do not need any additional player. we recommend to use an oak wood table. for the next generation, more functions such as autosurf or automix are being planned. 3-phase, variable control: warm-up, party, go home.

position your television antennas correctly and adjust the tracking on your beta player, because the new ep from college is making its way through high frequency airwaves and into our living rooms. college, valeries main man, with a five track episode into 80s nostalgia which plays like a pseudo soundtrack - featuring the airy vocals of electric youth on the title track. limited edition of 300, hand numbered copies.

here is the first release from ryan davis on stereo seven plus, coming on strong with two superb quality techno tracks like cocoon and primary instincts. on the flipside andrea roma and alter breed deliver their versions of cocoon, the former exploring harder territories, the latter turning it into a refined house groove

for our 3rd release, we are proud to present an important fixture and compatriot of the underground elec-tronic scene of milan, the inimitable luca doobie. while his recent, groove oriented brand of house has been well documented and received on labels such as freerange and safari electronique (among many others), we are happy to have secured a veritable bomb of an ep, entitled _south america_. comprised of 3 original productions, it perfectly showcases luca_s abilities as a producer and arranger, whether he is rocking the dense tribal-esque beats on the titular _south america_ or utilizing driving, swinging basslines such as the one in _backward_ or even venturing into heads down, hypnotic techno territories as he so effortlessly does in _nepture_. already supported by ellen allien, ivan smagghe, mistress barbara, mark knight, cristian varela, onionz, simon & shaker, technasia, gel abril, eric entrena, terry francis, omid 16, desyn masiello

this lost bet is a sure win for everyone into darker, harder techno. with artists involved like darkrow, fatima hajji, a.paul, david moleon and dave most you just cant do no wrong!

nope, this man is not a legend, yet! however he is in fact legendary already for his notorious live sets as well as a wide range of groundbreaking styles and sound he designed apart of the consensus way in the last 15 years.with his now presented astrodymics part1, richard bartz deals similar to the subway concept again with his past and transfers these late nineties space-disco drafts into the wonderful here and now. he delivers vivid funk-supercharged house which is at the same light as a feather and for sure a very sudatory matter.
space-disco rules!

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

a unique opener for haknams first vinyl release by emad parandian.
the tripping a-side >marangai waikawa< leads into archaic vaults - a dark spatial pattern of droning synth atmospheres all maintained at a decisively bass oriented centre. a ceremonial dance, refined with self-played kanjira percussion. mysterious choirs invoke a rainfall of tribal metal percussion.
out of the dust of >marangai waikawa< grows >scud< on the flip. part two of a thrilling journey, pulsing straight forward with pushing noise elements, astute shuffly percussion combined with scattered vocals >changes are gradual<.

luis flores enters the world of hidden agenda. once home to just productions from label boss dietrich schoenemann and tony rohr, the label has added the likes of misc, shokh+star, bau and metalogic. veteran of mexicos techno scene and years of pushing innovating and non-conforming concepts, luis has developed his own production style that is precise and hypnotic with a healthy degree of dance floor groove. his first release on droid recordings was enthusiastically lauded and in put into heavy rotation by the likes of chris liebing and speedy j. already he is gaining momentum with interest from dj heavyweights and international tours in europe, china, the u.s. and elsewhere.

right on the heels of aux-records enthusiastically received 1st release featuring very contemporary revisits of the 1950s classic >fever< by franco cinelli and club rayo, this 2nd chapter of the aux-rec project travels to different eras, into different styles. and this is precisely what we had set to do: zig-zag through dance music history in search of personal favorites and classics to be revisited or refreshed. for the present release, we travel to two distinct dates: 1989 for the a-side, and 1979 for the b-side. two tracks that are 10 years apart, but that both share a fiercely upbeat and affirmative musical profile, as well as a certain ageless, core, compositional quality.

time for the next release of the mojuba-labelboss don williams to continue his detroit-series on a.r.t.less after sven weisemanns >shove ep<. the main title >vector dance< takes a different way to approach things than its predecessors on the black and red ep! witness the funk and groove that brought us the city from the d combined with a scifi-feel which embodies the vision of techno for many of us! the second track is a soulful ride into deep glimmering field of hi-tech emotions! detroit-lovers check it out!

alex smoke returns to the fore with his new single lux+ in advance of his third album >lux< which will be released feb 2010. the new album is the result of his hard work and delves into more abstract and experimental territory whilst retaining the melancholic musicality and cohesion of its predecessors.

hailing from sao paulo, wehbba is one of the latest additions to brazils techno ambassadors. having contributed heavily to tronic in 2009 with an ep and his acclaimed rework of jim rivers full tilt track, wehbba is headlining the inaugural tronic treatment compilation to be released in february. wehbbas talent as a dj / producer have taken him on a worldwide journey that has seen his powerful, rhythmical and emotive productions appear on some of the scenes most influential labels including global underground, get physical, great stuff, audio therapy and urbr.
sweet spot sees wehbba push a housier sound from previous work, focusing on swaying beats and a deep-edged ambience. the sweeter mix toughens the groove and takes the track into more late-night territory.
brother keeps the vibe of the ep on a deeper tip to complete this fresh sounding ep. centered on an epic groove of building chords and sweeping vocal refrain the dancefloor punch comes from a heavy pulsing bassline.

highly praised by dubfire, alan fitzpatrick, stephan bodzin, daniel steinberg, oliver huntemann, oxia, luetzenkirchen, pan pot, and many, many more.. andreas henneberg, the man of the hundred projects is back on voltage musique records and comes with a mind blowing single release. the well known bass line machine ramon tapia and the austrian globetrotter florian meindl are chipping in two monster remixes. lets get into 2010!

with five beat pharmacy albums and almost a dozen vinyl releases on francois ks deep space imprint, this dubby and eclectic project of brendon moeller needs no introduction.
chugging along at 120bpm, underpinned by a thick sub-dub bassline and a modulating maurizio-style synth cord arpeggio, pump is a hypnotic slap of deep smoky house with some memorable hooks to boot. swirling rhodes keyboards and a slick piano riff serve as a lovely counterpoint to the swinging funk of the hi-hat groove. forever morphing and evolving, the stready and unrelenting groove are guaranteed to keep heads bobbing and toes tapping!
the first remix here is by echospace head honcho, stephen hitchell under his intrusion guise. stripping away and re-contextualizing the key elements in the track, hitchell crafts a warehouse-style dj-tool that subtlely weaves its way into ones subconscious via a delightful psychedelic keyboard hook.
londons bearweasel takes a similar approach, except with a much more pronounced beat track superbly trippy atmosphere. a top notch dj tool thats likely to be spun worldwide.
all round a quality release with enough sensibility and character to be played for years to come.

will eastman has been holding down dcs clubs for the better part of a decade with his sensationally successful bliss dance parties. his remixes have received critical praise, along with his dj sets in dc, across the u.s. and in europe. his first foray into original dance music, feelin to be released as a 12inch on plant, is a groovy house/disco/rave tune that gets reworked by his good pals nadastrom, tittsworth & nakassis, and dmerit. he and jesse tittsworth are opening a new club in dc, u street music hall, slated for early 2010. wherever eastman goes, insane dancing follows.