new year, new start and a long overdue introduction of some female sensibilities into the slow motion stable. system olympia hails from calabria and was formerly part of london based royalty. you know the drill by now, tear jerking synths, chest crushing bass and that indefinable slow-motion disco swagger that we have made all our own. dance floor, after party, headphones, locked groove tools – we got it covered.

dilated pupils is a collective group of likeminded friends from the netherlands each with their own influences and style, whom together have a distinct flavor in productionconsisting of analogue machines, tape noises, and raw one-take jam sessions. each of them have their own solo productions as well as other collaborations, but when united as dilated pupils prefer to be known jointly as one entity with their own unique and distinguished sound.
since 2014 the group has developed an interesting discography with releases on labels such as fear of flying, sol asylum, mode of expression, tabla, music is art, dorcas, make sense and mayak.
now, the group takes the next step and created their own playground dpbeats. be sharp and keep your ears open, because the beats are loaded!

a long time ago, at a festival far, far away, the members of the legendary borft trio frak were just going to bed in their tent when something caught their attention. now, this was well before fraks rise to international fame - in fact, this moment was swedish music history in the making, because what they heard was someone playing a frak tune. that someone turned out to be kontra-musiks own ulf eriksson and once their paths had crossed, there was no turning back. frak has since released five highly sought after records on kontra-musik and kontra-musik white label.

on just their second release the micronesia crew are already proving themselves to be impeccable selectors when it comes to curating their various artist gatherings. ulithi opens in a gloriously serene funk courtesy of lk, who pushes deep house right to the edge of consciousness with untitled. shanahan & lynch rise to the challenge and head even further out into ambient pastures with the ethereal pulse of ask, before duijn & douglas whip up a hypnotic cycle of chords and rhythms for the deep end of the night. omar santis and vgav maintain the mellow disposition of the record perfectly, leaving you with five fresh, thoughtful variations on gentle house and techno.

- vinyl repress for the first time in 8 years - new mixes and mastering - featuring classic

the guys at pole jam vinyl have spent most of the last year involved in an undying quest to seek out new, exciting music. they would neither be stopped by the russian tundras nor the deserts of australia in their search. funnily enough, it was actually down-under they discovered sydney based duo falqo with their brilliantly chilled and melodic number across the sea . then, it really was across the sea they went, all the way to the ukraine, picking up sasha anastasov s laidback, groovy smasher sea for two . next up was a much shorter trip to moscow to collect gayana, a band very much on the rise whose since the night has been perfectly reinterpreted by pole jam s very own st. petersburg based all-stars klar&pf. pioneerball is the solo project of tesla boy s lead guitarist who makes his second appearance on pole jam vinyl. this time pioneerball contributes the stunning opening track deltaplane , a track influenced by obscure russian cinematic soundtracks. it s combined perfectly with a compelling disco groove, jazzy melodies and organic strings that will make your heart melt.

the new album from scottish singer / songwriter amy macdonald on 12 inch vinyl with downloadcode included.

nathan bartell grew up in a little town called ashburn, georgia but soon moved to atlanta georgia where he began to perform in the night clubs. in 1973 he released “top going down, bottom going up” on the soul-po-tion label. bartell remembers: “at the time i was having family problems. my wife didn’t want me and i was deep in love. i felt at that time that i was at the bottom of the pit and i wanted to rise up out of that mess because my wife made me feel that i was a nobody. i was not good enough for her - nobody wants you when you are down and out. she felt that she were on the top and i was on the bottom. this song was a message at that time.” there is nothing for us to add except that we are delighted to bring this little beauty back to new life.

incoming! adult only 46 is here and it’s another biggie. chris carrier’s trusty label always delivers the funk and this release is no exception. featuring rhythm&soul plus russian newcomers belogurov and orbit and the bossman carrier himself, it’s comprised four tracks, all with their own unique groove and atmosphere – perfect for anyone who loves deep rhythmic house music with hypnotic sensibilities. rhythm&soul takes one side of the record, the first of his tracks ‘take off’ comes in with sturdy beats pushes things along at a steady pace. his use of ‘live’ sounding percussion is evident throughout, working perfectly alongside a captivating double bass keeping things moving. if you manage to stay still while this is playing then there’s something wrong with you, utterly irresistible. the second track from the madrid-based producer is another upbeat joint. the deep bassline bounces up and down while razor sharp hats slice and dice their way through the lower end. as with most of rhythm&soul’s work, there are lots of nuances and details peppering the track, keeping it interesting from start to finish. on the flip side we have the russian boys belogurov and orbit, who deliver eight minutes of pleasure with ‘jysk’. smooth cosmic grooves rise up off this steaming hot, sensual cut. a naughty allure emanates from this track as it moves forward, subtle pads swirling in the background to suck you in and keep you locked to the groove. and to round things off, chris carrier delivers a typically eccentric roll out. subtle beats are placed over an analogue low end together with a selection of strange sounds direct from carrier’s well-equipped lab. variations in the rhythm and texture keep this one interesting all the way until the end.and there it is, another hot one from the adult only camp… strictly for over 18s!

a collection of quality remixes derived from hans bouffmyhres excellent 2-part insurgency ep, released earlier this year on sleaze. its a stellar package of top drawer techno. featuring versions by pfirter, keith carnal, alex bau and a rework by hans himself. this is a big one!

julian stetter might be best known as one half of the electronic pop duo vimes, but he is no stranger to the cologne club scene. his debut ep insides stems from a long history of djing and organising underground parties across the city. a resident dj and collaborator at colognes famed jackwho club, it was these surroundings that drove stetter to dive deep into producing. his first solo project is now set to be released on the label pnn. it features three tracks plus a remix by beyou. stetters sound is polished and the precise production of each three tracks make this ep feel far from debut. emily, the main track of the single, draws you in on shimmering waves that rise and break into a deeper and spacier sound. warm beats are interjected with random snippets of whale song. listening to emily feels like receiving a welcome hug at an after party.

power station continue to present their penchant for dark dance club sounds as the third edition of the kris baha-led imprint looks to another melbourne local by way of lochlan denholm aka disrute. after surfacing on the labels sampler debut just last year, reflexivity sees lochlan a chance to explore his style of twisted, pulsing homage to new wave and motorik throb. anvil landing wastes no time laying down intentions. sparse friendly drums are met with a modulating bass line and lazy arpeggio, an incessant sonar pulses and drum rolls intensify. snorkel continues the mid-tempo intensity, distressed kick counterpoint with aggressive stabs that rise and swirl before reaching a powerful climax, a track reminiscent of the 2000 s turbo-charged italo disco edits. on the flip we see japanese supergroup mascaras, made up of chida and 5ive (cos/mes) tackle unreleased kabutops. vocal fans of disrute s kabu track from the label sampler, here mascaras provide a fast paced acid-heavy reinterpretation, intense yet restrained with erratic drum trickery taking disrute to techno territory. finally, disrute reflects with title track reflexivity. digital arpeggios and a brooding one note bass work around curt cress style harmonic drums, a low slung piece for the early evening. hand drawn picture sleeve and label, a complete package that signals exciting times for power station ahead.

one of the holy grail of the minimal synth and one of the most obscure musical projects ever produced in italy is finally reissued on mannequin records. originally released in 1981 by broadbean records, a sub-label of lm records, flo & andrew only release take suicide was home-recorded and home-mixed by the duo in bologna, using early drum machines like the boss dr-55 and the korg kr-55, analog synthesizers, guitar, saxophone, tape loops. flo & andrew music is truly unique and exemplifies the fact that limitation can be the perfect source for creativity. the title-track and to committ suicid’ travel through contort and nervous synth sounds and loops, taking somehow inspiration from the no wave heroes, while japanese girls is nothing less than a beautiful minimal electronics track in the mythology of the futuristic rise of japanese country. recently (re)discovered, ‘take suicide’ is a milestone of the european minimal synth singles and is not really a coincidence that a young generations of producers take it as inspiration (you can see take suicide floating in the tracklist of artists as helena hauff and ngly). another must have in your collection / record bag! mastering by ruud 66.

frigio is beyond proud to release the first album from alessandro parisi s sepulchral dwelling pseudonym hesperius draco. donning the ceremonial robes, the conventions of house, techno and horror soundtracks are blurred as past, present and future merge. stalking darkness and light, bordering the divine and profane, -actus tragicus- pulls the dancefloor into the murky shadows of rome. ritualistic chants, chilling choirs and hissing beats are brewed across two slabs of vinyl. bpms dip and rise as hesperius draco takes you on a winding journey through the catacombs of his world.

the latest single taken from no fantasy required, blondes have more fun exemplifies tigas knack for deceptively deep songwriting and lush production. it is accompanied by a trio of remixers from contemporary electronica royalty: prolific swedish producer on-the-rise on part 1 jonas rathsman, running back boss gerd janson and and international house and techno breakout du jour, the black madonna on part 2.

an independent band since 1998, dub inc are nonetheless fully acclaimed by the entire reggae scene. the group won no less than three victoires du reggae awards (in 2014 for the paradise album, in 2011 for hors contrôle, and 2008 for afrikya). in 2016, they are back with a sixth lp, so what. no doubt this one will be yet another important landmark. completely self-produced, as is their habit and will, this fourteen-track record is the result of a long process of composing and writing songs inspired by the dark events that have been going on in france in the last few months. featuring a mix of dancehall, hip-hop, and electronica influences, so what is a pure reggae album upholding the values of this rebellious, spiritual, and universal music genre.
double vinyl lp in gatefold sleeve.

rawax proudly welcomes alexander dorn aka credit 00 to the rawax family!
back in the days at the west-saxon highlands there was a missile, which marked the starting point. when credit 00 saw the legendary rocket rise on tetris’ final screen, it was the first time he became aware of electronic music at all. since then it actually hasn’t changed that much. he keeps pushing that buttons that belong to the impressive pool of music machines towered up next to his bed. after moving to dresden in 2000 to study fine arts, his passion for synthesizers and drum machines got nurtured through visits of dresden’s club-canalisation. he quickly made himself a name as a dj, who is just doing his own thing and got popular for that reason. as a part of the idealfun-crew he started hosting parties always in the twilight zone between legal and illegal. this led to “robo dance”, dresden’s only and (also for some other reasons) best electro club night featuring guests like dmx krew, luke eargoogle or imatran voima. the track credit made with randy barracuda of imatran voima has probably been created some time after the show. apparently, randy was not in good shape anymore and so “lebensraum” unmistakably bears credit’s hallmarks. for his own music he’s inspired by cannibal movies, number theory and birds. still, his music is not easy to pigeonhole. after all, he loves synth wave, electro, afro, kraut, kosmische, disco, italo, miami bass and other proto stuff – a lot of machine music.

catch recordings is one of the uks most interesting underground labels and to mark its 10th release it is back with another essential ep featuring four fresh tracks from swedish artist, random island records owner, inter gritty, who has previously released on labels like rise and deep moves. not to mention his own random islands works. since the birth of random island in 2012 he has carved out a singular sonic niche for himself with various solo eps and albums and also his partnership with nihad tule as ntta11.

pressing on heavy-weight 180g vinyl.
with all the cosmic energy and masterful musicianship youd expect from the three-man orchestra, azymuth rise from the ashes!

three track ep with tracks taken from the rare 1980 disco /boogie la walk album from estiban lindsay from canada. come to me has had recent wider exposure from dj hunee who has been caining in his dj sets causing the value of this rare album to rise over 3 figures.the tracks have never been available as a single in their own right and have been officially licenced for the very first time. limited edition 180 gram vinyl ep

the latest single taken from no fantasy required, blondes have more fun exemplifies tigas knack for deceptively deep songwriting and lush production. it is accompanied by a trio of remixers from contemporary electronica royalty: prolific swedish producer on-the-rise jonas rathsman, running back boss gerd janson

romanias iuly.b release observatory ep on visionquest, featuring three expansive originals. following an impressive run of eps on moral fiber, bouq, claque musique, memoria recordings and vatos locos, romanian artist iuly.b has impressed a number of electronic musics figureheads and is on a meteoric rise up the ranks of late, his next project leads him to team up with visionquest for his latest offering here.

kepler. makes the second contribution to silencio s catalog with “planetary systems i”. with refined ethereal elements rendered from what is surely an eerie origin, “186f”, is truly engaging. this track is fueled with a seductive synth heralded by haunting vocals that effectively whisper over its steady, punchy bass line. meandering in the background is the type of idiophone sound one would associate with a hand-percussion triangle instrument. its particular effect provides a complex, rolling rhythm that vibrates in a beautiful tone until its objective has been achieved. on the b-side “452b” is a great track to open up a set with, gentle yet still energetic in how it introduces itself to the audience. it begins with a series of echoing sounds that rise and dive throughout, seemingly reflected off the surface of one’s subconscious, in a satisfying manner. accompanied by a deep pulsating bass line that accents its driving drums, this track will set the tone time and time again. imagine the dawning of a realization formed from an inspiring event in nature. the second track, “luzon”, features a laid back tropical tempo and samples that feel transported from a lush, rhythmic rainforest. kepler expresses this vision within the confines of a catchy groove, utilizing subtle bird sounds and rattles that resonate over layers of atmospheric synth. this is emotional music meant to move a crowd or manufacture a sincere moment of clarity.

180g 2lp gatefold reverse board - lasercut stencilled braille typo , printed innersleeves with lasered artist name title (a/b) and transmat logo (b/c) , sticker

heavyweight 180 gram double vinyl in gatefold sleeve.

original, expertly executed, full range dub house / electronic dub set

the motorcity boys are back with loveit003 a fresh sounding 4 tracker strongly reflecting the diversity of styles found at their parties. lds kicks thing off with 909 to heaven, a jacking and balearic workout with a rootstrax, chicago style bassline keeping the floor hypnotised until the small hours of the morning. snares, kicks & rhodes is a more laid back jam. lazy warm pads and a slow winding sub bass rise and fall intermittently only to be interrupted by a lo-fi distorted bass that snaps you right out of that trance. nico brun opens the flip side with an absolute banger, hazily reminiscent of that 90’s warehouse rave. lds and nico brun close the ep with an atmospheric collaboration perfect to start or end the night with. splashy beats keep up the footwork whilst pulsating synth sounds slowly wind together and drop with a beautifully crafted sample that’s guaranteed to bring some sexyness back to the dance floor. this ep will definitely be a regular addition to your record bag to spread those warm summer party sounds. bruno farace early support: xdb (echochord / dolly): debut ep? congrats! end monologue is my favourite.

silencio, a new label out of chicago, will debut its first release from new young talent cirq’on titled the other side ep. on the a-side, “screaming around”, makes its presence felt with a beefy bass line that periodically stacks and stutters throughout its progression. this track is impossible to resist. even the most hardened scenester, the type of person who never dances in an effort to look cool, will be forced to cut a rug as they acquiesce to the bombardment of this pleasing beat. peppered throughout with spooky vocals, tempestuous tones and mysterious snippets, it leads you down a path of rhythms that pushes past the point of no return. similar to the first transmissions intentionally broadcast out into our universe for the purpose of contacting intelligent life, “the messenger” delivers on the b-side with layers of haunting harmonies that unfold over simple, satisfying drums. it’s steadily driven by scintillating sounds in the form earthbased radio signals that rise and fall, as if bouncing off of orbiting space debris on their journey to the great unknown. this track is best described as a mind-exp.

the stunningly prolific manchester-based beat-monger my neighbour is has returned to the cold busted label for his eighth album of head nodding delights. elegantly titled moons reflection on a quiet lake, this set of funky dance floor nuggets showcases the producers acumen for punchy, rolling rhythms, smooth melodic textures,and cleverly woven sample tapestries. moons reflection on a quiet lake is perhaps the most accomplished effort yet from my neighbour is, evidencing an innovative producer on the rise. dont miss it.

bicep line up a landmark 12” on feel my bicep as they follow up a series of self-released originals, remixes and collaborations with their first signing to the imprint. an exciting discovery from a small student town, dunedin in new zealand - tomas krammer and eden burns a.k.a sandboards. the young duo present their ‘visa’ ep, a balmy and energetic 3-tracker that comes inclusive of a remix from london producer and previous fmb mix contributor shinra. 80’s-tinged synth lines, crisp drums and stirring melodicism colour a release that both slots in and adds facets to the feel my bicep, as the irish duo continue in their vein of their blog in providing a platform for auspicious producers and djs to rise.

blackwater is honoured and proud to present a very special release, in our production catalogue number as “bwl000”, released on vinyl in a very limited edition. a single side ep screen-printed on the non engraved side with a suggestive image of the sea of “capalbio”, a town intimately connected with the rise of blackwater society. the ep will be initially presented at the 2016 edition of the flussi festival where blackwater began its music journey two years ago starting right from -capalbio- and starting musically from that first piece “il mare di capalbio” produced by -devianza- owner of the label, who made this as homage for flussi. “il mare di capalbio” finally will see the light, being pressed on vinyl support exactly in the same month, in the same festival together with the same...

hailing from bucharest, romania the vinyl speed adjust duo have been rapidly on the rise as producers and djs over the past few years with a back catalogue boasting material on pressure traxx, gilesku records, colours in music and visionquest where they return to here, as well accolades from leading industry names such as ricardo villalobos, raresh and rhadoo. here we see the pair back on fine form for visionquest following their carpe diem ep on the label in 2015 and taking the lead is title track retro which sees things taken down a percussive led path via modulating pot drums, murky bass flutters and screeching atmospherics. det riot follows and ups the energy levels with robust rhythms and stuttering vocal chops running with subtly unfolding arps, and further howling expansive swells hidden in the depths of the record before stretch souls rounds things off, closing with tumbling organic percussion, soft pad sweeps and a rumbling low end drive.

colored vinyl series.

as our favourite victims head off to san francisco and their stateside studio of choice known as room g to put the finishing touches to their third lp, we have a beautiful little taster of what to expect in the form of the matching half ep.

this ep represents a further manifestation of sound-expression over sound-design. each track has it¡¯s own characteristics. it¡¯s a symbiotic ep which combines vintage analogue gear with live digital effects, everything is done in a moment - manipulating things that you can¡¯t calculate but feel. this live combination is really important that the listener will subconsciously get a psychedelic and emotional bound to electronic music - resembling genres like krautrock. do what you want, it¡¯s the only law - it¡¯s a sentence very dear to the whole les points collective and with this boundery it¡¯s no surprise that audino & barbir have collaboration featured. dilettantes on the rise!

born and raised in newcastle in the uk, man power is now embedded in the depths of mexico in monterrey, a city on the rise after many years of internal strife. this unique new perspective and observations while on the road as a touring dj has given man power the impetus to launch his new label entitled me me me with his own production ‘tachyon’ paired with a remix from dj tennis.

yoruba records is proud to present this new album by label veterans nomumbah. hailing from sao paulo, this three piece consists of andré torquato, ale reis and rafael moraes. with this release, nomumbah show a great deal of maturity, a mark often only surpassed with the release of a sophomore album. the track ‘words’ will strike a familiar chord with listeners, its clever use of maya angelou’s reading of her timeless ‘still i rise’ fits perfectly over the top of a deep bass and bongo driven groove. ‘meinhaus’ is another beautifully crafted track, one that seemingly pays tribute to chicago’s earliest fathers of deep house while still keeping a certain swing that will set it apart on dance floors today. ‘precious’, a definite future favourite, features a cutting lead synth that adds warmth to the track and is accompanied by crystal clear hi-hat bursts and a simple, yet captivating, vocal. this album’s title track, ‘amanha’, edges on tech house with stripped down percussion, a simple rolling bass line and a pulsing lead synth, perfect for setting a more chilled-out vibe. a deep and at times techy release, djs will find all 10 tracks well suited for the late night into early morning hours. featuring rhythmic, chunky bass lines, ambient keys and radiant backing vocals this soon-to-be yoruba classic is a must have for your kit bag in 2016

yes, we re back at it again with more eddie amador. after the success of house music and rise, we decided to diversify and go for a double a sided remix package with two distinctly different remixers. so please welcome ardalan and cj jeff to the yoshitoshi family! given ardalans propensity for booty basslines and infectious grooves, psycho x girlfriend seemed like the appropriate choice for the dirtybird affiliate. he flipped the tracked on its head by pumping it full of sub 100 hz frequencies, mental sound effects, and even a pinch of acid. the remix again shows this young gun s talent for creating bona fide bangers that keep the spirit of house alive. greek house don cj jeff took on 6am, the groovy and oft-overlooked 2006 wee hours anthem from amador. his remix bears a massive 808 kick that floors the mix (no pun intended) into overdrive. his simple, catchy melodies capture the classic yoshitoshi vibe beautifully.

thomas hessler returns with his second full ep for imf, with four tracks further establishing the on-the-rise german producer s talent for sleek, agile techno. ep opener push is the record s most intense cut, brimming with a powerful intent that s barely contained by the track s dramatic surging synths. it s followed by rise, which matches its rhythmic urgency to an escalating melody that teases while it builds towards its cathartic house lights up moment. the record s b1 track, the aptly-titled reflections, is the ep s most contemplative, with an unwavering pulse underpinning a subtle rising-and-falling melody that always threatens to burst into technicolour before dipping back into darkness. finally, ep closer the hope may be optimistically named yet is conversely the track most likely to incite dancefloor panic, with a drum rhythm that bucks like a rodeo bull, to which your best course of action is to hold on tight and enjoy the rid

experimental synth quartet survive’s sophomore full-length and relapse debut is a dark, sweeping exercise in analog synth mastery. the pulsating, 9-song instrumental release showcases immense diversity between tracks - rr7349’s compositions range from grim tom-tom thunder to space-age epics, pairing tense plodding grooves with meditative ambience and driving, rhythmic beats. inspired by idm and horror scores alike, rr7349 is simultaneously ominous and hopeful, tense and relaxed, percussive and melodic. additionally, two of the group’s members recently scored the soundtrack for the hit new sci-fi / horror show stranger things on netflix. rr7349 is a unique addition to the relapse discography, and unquestionably survive’s best work to date.
the vinyl release includes a download code.

neville watson’s debut on riverette! big! 3 tracker full of bangin techno! take cover!

repress finally in! the second release of the attic laqs series is signed by the italian duo boston 168. the ep presents three acid techno tracks matched by some psychedelic and melodic touches, where the old school meets the modern sound in a perfect hypnotic flow.

limited first pressing of 500 numbered copies on yellow 180 gram vinyl, including 4 page booklet and housed in a pvc protective sleeve.
pelé: birth of a legend tells the miraculous story of the legendary soccer player’s rise to glory from a young boy, to the 17 year old who scored the winning goal in brazil’s first ever world cup victory in 1958. from a life full of disadvantages and an impoverished youth in brazil, pelé used his unorthodox yet authentic style of play and his unbeatable spirit to overcome all odds, find greatness and inspire a country that he changed forever.
the original motion picture soundtrack, comprised of several styles of latin music, is composed by the indian composer, singer-songwriter, music producer, musician, multi-instrumentalist and philanthropist a.r. rahman (slumdog millionaire). described as the world s most prominent and prolific film composer by time, his works are notable for integrating eastern classical music with electronic music sounds, world music genres and traditional orchestral arrangements. rahman won many awards including two academy awards, two grammy awards, a bafta award, a golden globe and four national film awards.

a tribute to klang club vol. 2

5 years knuggles recordings! *rising 2016* is deep and dubby balearic tech house. netto houz sampled their classic ladomat 2000 track *rising* to produce two versions of a floating and swirling monster, a late transatlantic descendant of electronic krautrock as well as tracky chicago house. the latter becomes evident when dj kriton reworks the drum parts in his jackin * rising beats*. get two copies of this 10th release on knuggles recordings and mix them from breaking dawn to bright morning sunlight!

few would challenge the claim that the 1960s and 70s have been the most fertile two decades in the history of popular music ever - a period which, regardless of genre, laid the foundations for everything that has followed. what is more, this period was so fertile that the speed with which tastes changed left a colossal amount of incredible music to gather dust - perhaps most famously a profusion of funk, soul and jazz. it was a musical legacy that lay mouldering until the rise of sampling in late 80s hip-hop precipitated a mad scramble for lost crates and suddenly, the music that became known as rare groove - for obvious reasons (it was rare and very groovy) - experienced a phoenix-like rebirth. a quarter of a century on and a million funk, soul, jazz-funk and rare groove compilations, re-presses and re-releases later, you d think that cupboard was bare and yet, even now, there are gems to be found. pt is re-releasing the rarest of cuts that often were originally only limited runs or private pressings and new compilation down & wired is just such a collection. always soulful, this features everything from mod groovers and northern stompers, to funky bumps and latin heaters. yet while the quality of all cuts is immediately apparent, only one of the eleven has ever been previously been compiled because when pt do rare, they don t mess around. in fact, if these tracks were steaks - they d still be walking around eating grass.

paradise garage anthem “let’s do it” by convertion with remixes by krystal klear to be released on original sam records label. 12” vinyl released on september 9, 2016 let’s do it by convertion was originally released in 1981 on sam records, and featured production by greg carmichael and vocals by leroy burgess. upon release this song immediately went into heavy rotation for larry levan at the paradise garage and for frankie crocker, then the number one rated disco jockey on new york city’s number 1 ranked radio station wbls. over the years it has become a staple of classic disco playlists worldwide. now remixed as a peak hour tune for today’s dancefloor, this 12” release includes two mixes produced by dec lennon p/k/a/ krystal klear. a dublin native and red bull music academy alumni, klear has made a steady rise to become one of the freshest new faces in music that both has the chops to destroy underground dance floors with his deep crate of records or spin out polished productions in the studio with legends like nile rodgers. klear’s musical accolades can be conveyed through his singles “tried for your love” that was championed by bbc r1 dj benji b for 13 weeks in a row, and “addiction” which has helped solidify main stage at top tier events such as sonar, fabric, space ibiza, and the famed panorama bar.

peter kremeier, aka losoul, has always been an artist weve greatly admired here at hypercolour, so its a real thrill to have him on the label at long last. a huge catalogue of eclectic, distinctive and funky music for labels like playhouse, moodmusic and freak n chic, losoul turns in two exceptional tracks on the slowly turning release here.

desolat label boss loco dice is back with what is sure to be a massive autumn package: he has remixed the seminal dance track ‘go’ by the legendary moby, twice, and has made it all his own in the process. moby needs little introduction: the american dance producer and live performer’s albums are classics of the genre that are celebrated far and wide. they have been used on thousands of adverts, have given rise to hit singles all over the world and have made him one of the most celebrated electronic music stars of our time. his ‘go’ track was what started it all for him back in the 90’s, and was a bona fide club classic of the day. it still resonates today and always gets crowds going. now it has been remixed twice by loco dice, who has added his own stamp to it in distinctive fashion. his first excellent version is eight minutes of chunky and tribal drums, with rubber kicks, clipped horn stabs and big hits all building the pressure. those most famous vocal cries really finish it off in style, and ensure that dance floors will go wild whenever it is dropped, as do wonky synths and big piano chords at the breakdown. the second version is more emotive, with big sweeping strings smeared in the background to help make it all the more dramatic, teary eyed and impactful on the floor. this one is for the peak time in any set and is sure to make the most memorable moment of any night. both remixes here pack a real punch, and whilst remaining true to the original, they both sound just like you would expect from modern dance heavyweight loco dice.