the self-titled debut longplayer from melbourne’s cool out sun on red coloured vinyl with download code included.

reissue on red vinyl - marvel standard cover edition.

reissue on 180 gram vinyl with download code included.

almost exactly a year after his first ep on byrd out (the kiyadub ep), the legendary andrew weatherall returns with new material for a second release. andrew invited a mate round to his studio to try out a les paul his friend was looking to buy. as it turns out, his mate was ride s (and oasis ) guitarist andy bell. anyway, andrew suggested he test the guitar out over a track he was working on, and ‘making friends with the invader’ is the resulting track, which andrew paired with the ep’s title track ‘blue bullet’. both tracks plough the trippy, cosmic dub furrow, and come in at a weighty 8 and 9 minutes plus. 1000 vinyl only, and 200 cassettes. grab them while you can! mastered by noel summerville. artwork by g.s-l studio

almost exactly a year after his first ep on byrd out (the kiyadub ep), the legendary andrew weatherall returns with new material for a second release. andrew invited a mate round to his studio to try out a les paul his friend was looking to buy. as it turns out, his mate was ride s (and oasis ) guitarist andy bell. anyway, andrew suggested he test the guitar out over a track he was working on, and ‘making friends with the invader’ is the resulting track, which andrew paired with the ep’s title track ‘blue bullet’. both tracks plough the trippy, cosmic dub furrow, and come in at a weighty 8 and 9 minutes plus. 200 cassettes. grab them while you can! mastered by noel summerville. artwork by g.s-l studio

ltd to 300 copies

reissue on red vinyl - limited marvel hologram-cover edition with exclusive comic.

grooving brasilian sounds on far out recordings

out of tune s first release by saverio celestri

by popular demand we are excitedly reissuing the 3rd release from metamorphic, origins ep by planetary, carefully remastered from the original dat recordings! in the interest of preserving the original mood of the release here is the text from the 1993 press release for this record...

the 1990 ambient album from klf back on clear vinyl, housed in full colour sleeve with original artwork.

limited to 500 copies.

remastered version

faboulous jazz sampler

limited edition of 300 copies.

little boots has teamed up with a variety of artists to remix her burn ep, with metronomy s anna prior s remix of eros the lead single from the remix ep. anna takes little boots new wave of electro pop and disco rhythms and punts them in a more house direction, with beautiful string underlay. eros (anna prior remix) is released on a bright orange cassette, and limited to only 300 copies. period.

tracks from aural imbalances propagation of light album versioned and rendered for wax. just breathe gets spotlighted on the a-side with two remixes. first up, maps of hyperspace grafts his brand of dubby ambience to simon’s instrumentation for trippy chill house goodness. off land strips back the beats and ups the ambient bandwidth on his version to close out the side. the b-side kicks off with soul solution, one of mr. huxtables trademark lusicous atmospheric house tracks. adriano mirabile brings his techy production stylest o the desk on fall of stars to wrap things.

mit viel flow und prominenter unterstützung: solodebüt des new yorker ratking-rappers. das doppel-vinyl erscheint inklusive cd.

a collaboration of oscar powell and wolfgang tillmans on limited vinyl.

a 1999 classic - well known tracks for the house heads. check out the b side - a must have!
2018 reissue-max 1 copy per customer!

debut release from guido, full name guido silvestri, member of the oltrarno recordings crew. after the appearance on the fourth label release as half of the ural project, here he goes on his own bringing this ep out of the berlin studio. from the edges of unknown lands, synthesizers landscapes unfold during the longest night. all life expectations are then distilled at dawn with the creation of a new body.

dutch beatmaker moods presents his debut album on kraak & smaak’s label boogie angst. the double vinyl is housed in a gatefold sleeve.

verschwurbelter dream-pop vom finnen jaakko eino kalevi. das album erscheint auf schwerem 180 gramm vinyl inklusive downloadcode.

the original memphis recordings of primal scream’s 1994 album on 180 gram double vinyl (cut at 45rpm), housed in a gatefold sleeve with download code included.

due for an autumn release on far out recordings, rasif sees amaro freitas take a deserved step onto the world stage. from the afro-brazilian maracatu born on the sugar plantations of slavery, to the high intensity carnival rhythms of frevo and bai‹o, amaro s heavily percussive approach to jazz is as indebted to these pernambuco traditions as it is to coltrane, parker and monk.

motorcity wine recordings returns in fine style with its second ep featuring a swashbuckling blend of house and jazz sounds from detroiters and their compatriots. rising live techno star haz mat leads this 12” with a house-tinged boogie funk cover of blue six’s “music & wine”, complete with vocoder and massive drums. kuumba reunion band slides through next with the afro-jazz number “3 fingered fist (jabbar)”, a cut loaded with hand drums and chunky saxophone solos for the jazzdancers and listeners alike. motorcity wine guest and london native aroop roy kicks off the flip with a dubbed out beatdown house joint, a brilliant midtempo track perfect for the dread moments of the night. last but certainly not least, the hughes/smith quintet finish the release with an uptempo jazz-funk piece, with generous amounts of fender rhodes and call-and-response melodies. only 500 vinyl pressed enjoy the soulful sounds of detroit.

axe gabba murda mob releasing on prspct’s rvlt imprint for the first time. what does this mean? well.. bryan furry & hellfish with their signature quality uk hardcore sound but jut that little bit more broken up. in other words: brutal and out of the box. just the way we like it!

slipmat pair with a honage print to the tb303 bass machine

slipmat pair is a homage to the legend drummachie

camelphat and yousef have known each other for many years. much alike one another they ve earnt their stripes, contributing to the dance music industry in a plethora of ways, dj ing, running events, running clubs. naturally, this friendship, teamed with camelphat s admiration and understanding of circus recordings, led to the exchanging of demos that finally manifested in this release. opening track the solution is nothing short of relentless. having had numerous plays out, the track has been dubbed check-mate on the dancefloor . with second track, dmt , yousef was immediately hooked on the way it pushed the boundaries of camelphat s vision further than ever before. indeed, a fully twisted techno work out that sees heavy kicks and driving bass build, amid looping sirens, to not one but two huge crescendos. this ep showcases club music with the heftiest of parameters. undoubtedly, another enormous ep for camelphat and a fitting following to the equally enormous say something by nasser baker already out on circus recordings

dancing with fireflies from sanderson’s second long player urban mosaic gets the treatment courtesy louis haiman, minimal states and off land. louis once again shows his flare for soulful detroit influenced tech, putting a fwdthought spin on sanderson’s original arrangement. minimal states leaves an equally strong mark with his rich idm techno flavoured rendition. stasis recordings stalwart, off land, reworks just beyond into a gorgeous piece of chill out bliss.

garage bands suddenly obtain cult status and become the antithesis of their initial appeal’ garage class were a group of reluctant outliers who produced one of the finest contributions to the wave of uk diy music that emerged during the late 70s and early to mid-80s. hailing from alsager in north west england and comprised of tim shutt (vocals) phil murphy (lead guitar) clive williams (guitar) lynne sanders (bass) and phil bourne (drums / bass on studio recordings) garage class originally went by the name of the pits before their then manager steve hurt imposed an alias which, though unpopular within their ranks, would nevertheless reflect the shambolic art they would eventually capture on their first and only single.

so gerd and philipp were due to play xoyo one saturday night and the club is 6 minutes from my studio so i suggested we go there first to make tunes for a few hours. we made 2 songs that night and one of them is ‘reach out’. gerd did the drums on my 808, philipp wrote the beautiful lead part on my obxa and i did the bass in my cs80. i added the words a couple of weeks later, they are inspired by leonard cohen’s letter to his muse marianne ihlen on her deathbed. (joe goddard) including fantastic remixes by erol alkan and osborne.

for our number 013 we have label boss and founder on command. kessell delivers four slices of precise, expertly crafted modern techno. the minimum for the maximum motto works perfectly to describe this ep, nothing is left over, all the components are carefully chosen to convey sensations and say something. linear synth sequences constantly evolving, profound kicks and sharp hi frequencies, continuous arrangements and solid components, no drones, no breakdowns, no big reverbs. functional tools for the real players out there.

marking sixty years of bossa nova, and twenty years since marcos valle s first release for far out recordings, what better time to bring back this era-defining classic from the brazilian master composer?

instalment three in the minor notes recordings journey sees baltimore chop provide four cuts of hard hitting house. moving is straight out of the gate with an acid laced, pumping jam resonating those vocal cries right around your mind, before deep in your soul cruises in with a bustling, low slung, deep house jaunt, sweeping synths behind a hypnotic vocal refrain. on the flip, again & again is a summery, synth laden, garage house groover with the closing track, a remix of deep in your soul, rounding off the ep in style switching the low slung dynamic to a bassy, club ready bomb.

new yorker electronic producer dj spider is back on itay’s out-er with a muggy, abstract techno release “human erosion field ep”, similarly to its debut “v ep”, released in september 2017 and produced in featuring with his longtime friend phil moffa.
italian label out-er presents its twenty-sixth release continuing to explore the diverse musical path between house, techno and experimental electronic - which appears in most cases on out-er’s sub-label pregnant void. “human erosion field ep” otherworldly showcases both a radiant take on electronic as well as gloomy and wild-eyed pieces, an aesthetic approach for which dj spider has been most known in the scene. overlooking to the style of the tracks, the release does contain a sinister mood and a dense, solid sense of groove overall, a typical recurring feature of the producer’s previous outputs.

the 1979 latin-jazz classic by azymuth remastered & reissued on heavyweight 180 gram vinyl.

for the fourth instalment of scb remix eps from hotflush, mor elian and hammer step up for their own interpretations of tracks from caibu.
fever am label co-founder and hybrid club producer mor elian provides a spaced out take on ‘fish bowl’ full of angular drums and woozy synths. for his take on ‘test tubes’, hammer formulates a steady groover for the after hours.

alma negra are back on heist! after their much applauded 2017 release with that great soulphiction remix, theyve been rather busy taking over the scene. they started their new label alma negra records where they released 3 eps in quick succession, with new as well as older material that showcases their tropical roots and keen ear for clubby reworks. they launched their live show, doing gigs across europe with a highlight at one of londons more intimate live venues: the jazz cafe. their latest outing making their release count a total of 4 in only 8 months was on marcel vogel’s lumberjacks in hell and explored the more live / rework side of their project. now theyre back on heist with 3 new tracks, supported by an awanto 3 remix. conversation is a track we wanted to put out on heist badly, simply because it’s a beast of a track. it sits somewhere between a live african drum track, percussive techno and moody midwest electronics, with pads and strings coming in and out of play while a relentless kick drum keeps the energy on a haunting level. this track is alma negra at their filthiest, and it feels like they’ve taken a next step from last years dark and heavy luanda dub, bringing it from an intimate dreamy stage straight into the main room. this is the place shows a different side of the house spectrum with the alma’s love for dreamy deep house. the track flows up and down, with soothing rhodes chords, arpeggios and mumbling vocals setting a summery mood thats perfect for your warm up or daytime party. meanwhile, their third original track from the heart goes even deeper and navigates around a smart vocal loop topped with strings, bleeps, claps and rimshots that just keeps going.

remixes fro phonk d & delphi (one half of tiger & woods)

fans of electro’s big hitter djs such as helena hauff, dave clarke, umek, maceo plex, and umwelt won’t have escaped the sonic assaults of dutch artist rxmode and his fellow transhumanism collective members, w1b0, slaves of sinus, tfhats.
rxmode’s last ep cerberus was very much the ep he’d been building up to since his debut on bass agenda recordings back in 2015, dark, sinister, heavy, and distinctive.
one of the tracks from that ep, degraded, gets the remix treatment from the other transhumanism members on this, the third vinyl release the collective have put out.

there is some serious music coming out of nz right now and has been for a while and these tracks are of no exception. this ep has a very sonically pleasing sound about it all coated with an industrial vibe. from a main room club banger right through to the early morning dark twisted -i have had way too much of a good night- tracks this ep really does push the boundaries and brings something new and refreshing to the table.

rÜfÜs chart topping debut album, atlas, gets a much-needed worldwide release, having only been available in australia up until now. featuring the much loved singles take me and desert night , atlas debut at #1 was a testament to the band s passion, work ethic and diy approach to music. a labour of love, the album was written, produced and recorded by the band between two studios they built themselves - one in a remote farmhouse on the nsw south coast, the second in a hollowed out water tank under one of their parents houses. “their sound cannot be likened to any other act- - ***** acidstag.com “australian indie-dance juggernaut rÜfÜs are poised for a worldwide breakout. the trio has already released four eps, put together a string of remixes and gone on multiple sold-out tours of australia… nobody can deny their infectious results.- - mtvhive.com

detail: having persuaded flamingods to dj at an east london food bank fundraiser (£7k raised for eat or heat), byrd out hounded them to produce a remix ep of their 2017 kewali ep, bringing together a team of intriguing artists. erol alkan s co-conspirator in beyond the wizard s sleeve, richard norris takes mixed blessings in a more a dancefloor friendly direction, liverpool 3 piece stealing sheep paint a hypnotic gloss on the title track, bringing out the colours in a downtempo sunrise of a remix, made for 6am, the quietus darlings vanishing twin s remix starts at a run and carries on from there, most obviously absorbing the middle eastern vibe. the ep is a step forward at a time when the world seems bent on looking backwards. artwork by james burgess, mastered by the legendary noel summerville.