second chapter for the basic series back with a three tracker from french duo oddmann. half bakeds greg brockmann and david odd soul deliver a quality ep perfectly defining the blind box newborn parent label s minimalistic sound.

geodetic is the joint venture of well-known italian experimentalist claudio rocchetti, a close collaborator of valerio tricoli, and jukka reverberi, founder of post-rock band giardini di mirò and half of cosmic electro-disco duo crimea x.instruments of discipline is proud to release cold lights , geodetic s second ep, the follow up to broken consonance , released on maple death records earlier this year. cold lights is an avant-garde undertaking that artfully weaves soundscapes that swing between murky industrial atmospheres to moments of uplifting levity, all held together by strong rhythmic grooves, a collage of at times familiar sounds juxtaposed into an altogether unfamiliar whole.

the latest love notes welcomes perseus traxx to the fold with just the kind of romantic, classically informed hardware jam action that the label so dearly loves. fears of simplicity kicks off on a celestial tip that reaches skyward with its plush layers of electronic melodics, while exhilaration of the new sports a distinctly mr. fingers-flavoured vibe that s impossible to dislike. half heard whispers is a lighter jam that floats along on an airy bed of pads, and then in our dreams takes the prize as the prime cut on the record, digging deep to depict a more mysterious version of the old skool house music we know and love.

coyu is working on his highly anticipated debut album it will explain a story, my story attests the big cat. it s the first chapter of this story and the debut single of the album is 1+1, a track made in collaborating with thomas gandey a perfect summer track, powerful but addictive and catchy. in coyu s own words 1+1 it s me and my girlfriend, me and my mother, me and my team, suara and me, my music and me, the world and me. because without the people you love and all that you love you are nothing. 1 + 1 is a claim to love and be loved, to embrace sensibilities, to create synergies and teamwork. but also, it is the communion of my two great passions: techno and house music. nine minutes of linear and heavy groove that melts with the notes of an emotional piano. it s a track that i m deeply proud of, i am pretty sure that in 10 years from now i will continue to enjoy it like i did the first day it was finished and after a year and a half i can now say that it is just as much mine as it is yours. because you and me are also 1+1. for the remixes probably we have the greatest pack ever on the label: gerd janson delivered an amazing interpretation of the track: truncate takes the track down to raw techno, less is more. last but not least we have the introspective trip of cosmin trg which completes one of the releases of the year on the kitties labe

ian tocor is a smiling ambiance man, into ambient ,deep, dub and techno, half of outlander wax theory and drnchd bands, he signed his first vinyl on the american label love what you feel in 2014. played by fred p, this ep oscillates between a dub house in lace and a deep and colorful deep house. it has been found on the first compilation of simple music experience with a dreamlike journey called -blue- or on label vastechoses, the latest project built with his friends sevyce and lostsoundbytes, adventurous music, intrepid grooves and editions of all kinds are on this platform with evocative name.in short, music is for ian an outlet, deeply anxious to provoke in various forms links between moving bodies, his dj sets are as rough and strong as they are surrounded by sensitivity.

after the long awaited and acclaimed return of the notorious manie sans de&#769,lire on june records, one-half of the group, trenton chase, returns on the label with a bold solo lp marking his departure from the sound of his previous releases on the imprint. for his first album attempt, trenton embarks on the search for everything and manages to encapsulate the whole essence of the june records ethos within 43 minutes of music. although initially not planned as an album, deadlock was conceived organically as it only took a few months for its completion during the artist’s most abundant 2017 studio spring sessions. this body of work transcends formulaic attempts to showcase a very refreshing and uncompromising take on synth music. chase followed a crude approach to songwriting, rehearsing and improvising live until the best take would eventually become the final track. artwork by florent mazzocchetti.

what happens when a house-music icon takes a small, talented bunch of musicians and mixes it with a savory blend of jazz, funk, dance, and soul music? you get a hearty serving of e.o.l. soulfrito, who make their single debut with upright love on vega records. e.o.l. soulfrito, led by musical director and conductor louie vega, is the condensed version of vega’s elements of life live-band project, which over its tenure has released three albums, won a grammy award in 2006 for best remixed recording, non-classical (curtis mayfield, superfly (louie vega eol mix), and performed for a globally-televised audience during the 2007 superbowl pre-game show. e.o.l. soulfrito’s name is a play on the popular latin-caribbean seasoning sofrito, which serves as a nod to vega’s own puerto rican heritage. earlier this year, the band played their first show at gramps in wynwood, miami during miami music week. upright love embodies the organic energy of e.o.l. soulfrito’s live performances. with a runtime of more than ten and a half minutes, it’s a steady groover that slowly blossoms into a blissful symphony of sprightly chords, jazzy bass, crisp percussion, pattering tambourine courtesy of kat ayala, and cindy mizelle’s vocal ad-lib serenades. easygoing yet refined, the single plays out like a summer afternoon jam session between vega and his friends: axel tosca on fender rhodes & synth upright bass, josh milan on synth jazz guitar & synth percussion. start swaying those hips and let the rhythm carry you into the sunset. i wanted to create a more condensed band, since the elements of life band has ten members, it’s always been a little difficult to do smaller venues. i also wanted to create music inspired by groups and artists like war, cymande, johnny hammond, and herbie hancock’s headhunters, but with the vega e.o.l. twist and style. i then created e.o.l. soulfrito with my studio musicians and rhythm section of elements of life and nuyorican soul. i want to take this band and perform in festivals and venues like the blue note, jazz café, ronnie scots, and bb kings. e.o.l. soulfrito will bring you future grooves with a tinge of the musical landscape from our rich past, and yes, there will be experimentation get ready for it.

new yorks matuss returns with the eighth release on her absence seizure imprint this september, comprising three originals from the ukrainian born artist. julia matuss, better known as simply matuss has been steadily carving out a name for herself over the past decade, initially finding her feet as a prominent dj in the ukrainian scene she grew up in before a move to new york saw thing progress and the launch of her absence seizure imprint shortly followed. now eight releases deep the imprint has piqued the interested of dj s such as d julz, dj deep, derek plaslaiko, twr72 and beaner. taking the lead on the package is fairy dust setting the scene via warbling rhodes chords, raw dub sweeps and a pulsating low-end drive before a spaced out, sinuous resonant synth lead ebbs and flows throughout the focal point of the composition. baelfire follows and strips things back to raw percussive feel, employing thunderous claps, a weighty kicks and sweeping filtered sample as the foundation before the latter half of the record works in a frenzied acid-tinged hook. faramant then closes the package with an amalgamation of organic percussion, natural bass licks and glitchy percussive chimes which all subtly evolve and retract throughout.

brotherhood sound system records is back with the third solo ep on the label, this time coming courtesy of swedish producer and electronic mastermind nils krogh, aka arkajo. hes made his mark on the dance music landscape as one half of the revered house, techno and electronica duo genius of time, releasing on labels such as aniara recordings, running back and royal oak

deluxe triple vinyl edition, half-speed mastered at abbey road studios, pressed on 180 gram vinyl, download code included. six panel gatefold with three inner picture bags.
live at the apollo, volume ii by james brown and the famous flames was originally released in august 1968. a follow-up to the original 1963 album live at the apollo it too was recorded in new york at the apollo theater in harlem. this deluxe edition features a more expanded live set including 19 minute version of “it’s a man’s man’s man’s world”.

if osiris recent releases have signalled a change of pace, new artist the things they left behind represents the logical conclusion with this 12 inch comprised of two half-time, dubby tracks. the first, life through sepia, floats along to the ethereal backdrop of spoken word samples and distinctively melodic synths, the second, 68, sets a hazier and more abstract tone amidst on top of a sensual, rolling groove distant guitars ring as huge snares echo into the mist.

burgeoning swiss duo qzb come with a big bag of future for critical’s systems series, their first release on the label.
featuring four tracks of industrial-edged, expertly produced drum & bass and half-time, these guys should be firmly on your radars.

after a successful year with releases on cocoon, cadenza and get physical, gavin herlihy teams up with brothers in crime evan baggs (get physical) and julian ganzer (get physical, meerestief), to deliver a sci-fi soundscape which bounds into a banging bassline driven groove. doing the honours on the remixes are chris carrier and e-contact (half of gimikk), chris turns the track into a funky house tune, while e-contact adds a more of a chicago groove feeling to the track.

this second half of 2017 quintessentials will offer a lot of south american music. like from our long time friend and regular guest soul of hex! hailing from tijuana, soul of hex (also know as sebastien vorhaus) has a rich, nuanced and grainy style with an authenticity thats closer in sound to vintage detroit or new york pastures, despite his mexican heritage. busy djing, producing and running his own label vicario ltd, soul of hex is a driving force in the mexican scene. his new helipop ep offers different styles like a downbeat intro, a deep bassy rough house cut (helipop) plus 2 back to oldschool rave/warehouse tunes not afraid using some uplifting pianos, catchy vocals and deep basslines. house music all night long!

0am001 is the first in a series of various artists 12-s in which we ll aim to capture the spirit of the 00:am dance floor with music we ve received and road tested across our beloved city s bars, clubs, & half cocked after parties. the first release brings together local neighbourhood staples / roommates priori and adam feingold alongside our good australian pal mike midnight and la s very own ashtrejinkins. expect house from the melancholy to the roughed up, live drums & breaks, and beautiful dubby atmospherics. all this to say, there s no set rules here, just good music from good friends, and hopefully a little something for everyone inside.

rude operator’s dissonant intro on witchdoctor synthesizes a half-time beat with jazz undertones before bouncing into a percussive bassline. constantly evolving drum patterns, punctuated with horn bursts and upright bass from ornette hawkins, keep the dance floor moving.
gunman’s blissed-out atmospherics pave the way for a heavy combination of chopped up breakbeats and a juked-out drumline. equally influenced by early jungle and contemporary footwork, 808 percussion and congas punctuate the undulating bassline.
arrowhead fuses dubbed out elements with a running apache break and ominous synths. percussive vocal stabs propel the song forward, while a deep, driving bassline and amen cuts bring the pressure.
war diamond pays homage to dc’s indigenous sound, go-go. a hypnotic conga drum workout rinses oscillating bass with nature sounds, taking you above the canopy with a relentless swing. lightly toasted by born i music, this fresh take on jungle delivers a heavy, tribal perspective.

revered swedish producer sebastian mullaert releases his first exclusive vinyl on default position after the huge success of his remix to vedanta in 2014. sebastian first made his name as one half of the acclaimed duos minilogue and son kite, but in recent times focuses on his solo career, which sees him appearing at clubs and festivals all over the world and releasing on some of the industry s most respected labels and imprints. samunnati is a brand new double vinyl ep featuring four original mixes from mulleart, with remixes from fellow swedish duo johanna knutson & hans berg, belgium s danieli and label founder joseph s. joyce. its genesis lies in a melody recorded live on sebastian s roland sh101 which has been resampled and processed in many different ways, offering several contrasting mixes to suit many different tastes and styles.

with releases on loxy’s cylon and a track on the final hardware lp, the enigmatic shiken hanzo goes all-in on the first vinyl release on his own label hojo clan - and it’s an absolute lesson in claustrophobic half-time futurism.
the title track drapes the relentless velvety punch of 808s in a swirling landscape of spidery synth trails and mushrooming low-end radioactivity, reminding us of clarity’s precision futurescapes on samurai.
“yari vip” exhumes the bones of “shadowboxing” in its melody and layers them hypnotically across another dark, interrupted creeper.

glacial dancehall returns a two-headed excursion ofversions, samples + sirens chopped and screwed into oblivion bytime cowandlow jack. tasked with followingjay glass dubs first volume ofglacial dancehall(of march 2016) each artist served up a half hour side of ruff slow jams, bolstered with additional production and totalling 15 full blown edits. paris low jack can be found splitting time between on modern love, l.i.e.s. and the trilogy tapes as well as running his own editions gravats imprint with jean carval. westmoreland, ja, home to time cow - maybe better known as one of the key players in the equiknoxx crew, responsible for some of the island s crucial 21st century riddims. their watershedbird sound power on dds provides a weird manchester linkage that connects him to low jack via the modern love hotbed.

a must for any true hip hop fan. this collection contains two original half hour dr. dre mixes, ready for you to enjoy.

a must for any true hip hop fan. this collection contains two original half hour dr. dre mixes, ready for you to enjoy.

2lp gatefold + insert + mp3 dl code
in 1988, on the eve of a two decade civil war, somalia s authoritarian ruler siad barre launched punishing air strikes on the north of the country, known today as somaliland, in response to agitations for independence. the bombing leveled the entire city. barre targeted radio hargeisa to prevent any kind of central communication system that could organize a resistance. with the attack imminent, a few brave radio operators and dedicated vanguards of somali culture knew the archives, containing over half a century of somali music had to be preserved. thousands upon thousands of cassette tapes and master reels were quickly removed from the soon-to-be targeted buildings. they were dispersed to neighboring countries like djibouti and ethiopia, and buried deep under the ground to withstand even the most powerful airstrikes.

2016 was a banner year for dirtybirds founder, claude vonstroke. he debuted his get real alias with green velvet in the winter, and followed up with another number one single in the spring with the rain break. he celebrated the 10th anniversary of whos afraid of detroit to kick off the summer, and finished in the fall by being crowned americas best dj by pioneer at a ceremony he shared with all the fans at the dirtybird campout. after a relentless touring schedule the first half of 2017, claude hit the studio with a couple ace producers, will clarke & sébastien v to collaborate on two giant singles for the works well with others ep. tiny tambourine is the product of will clarke & claude working together. its a bit of a misnomer, as tiny is the last word to describe the heavy bassline which starts to form immediately at the tracks outset. continuing to build over crisp and heavy beats and outbursts of drama before dropping back to the burly bassline, the result is monstrous. will clarke has been on a dirtybird hot streak having released 3 solo eps, 5 singles, an appearance on justin martins album, as well as a brand new collab with shiba san on the bbq compilation and a full takeover on the birdhouse radio show. on the flip side, claude teams up with one of dirtybirds freshest talents, sébastien v, for daylight dark room a light, melodic tone contrasts with a dark and funky acid resonance to create a truly unique masterpiece. the mysterious sébastien v was also featured on the dirtybird bbq compilation with his super-hot track funkulate, and there are rumors floating around that he is actually someone from the core dirtybird roster sporting a secret alias.

olim in latin can be used to indicate a time in the past or in the future. it can mean ‘once upon a time’ and ‘someday in the future’. a name and a project to try to move away from trends and genres, by taking inspiration from the past but at the same time leaving it, moving forward to shape a different and more narrative sound. the first attempt to do so is recursively: an 8 track album, opening with a sentence from bunny marrett sampled from an old documentary about st paul’s and the jamaican immigration in bristol during the 80’s. inspired by those intro words, recursively is a journey born from many years moving around, packing and unpacking suitcases, leaving villages, finding cities,leaving friends and finding more, emigrating, integrating. it’s a story about an entire generation trying to find the peace somewhere, somehow, sometimes by repeating the same steps in a loop of actions which seem to be the same but ultimately never are. it’s a soundtrack of those feelings and at the same time a message of hope to continue the journey through the faith that the meaning is the infinite journey itself. an infinite loop masterfully represented in carol rollo’s illustration. a story to be continued.

big daddy kane’s 1988 debut album back as limited handnumbered release on purple & black split-coloured 180 gram vinyl.

(180 gr) one year on since their last venture as black spuma on international feel, fabrizio mammarella, also known as telespazio and phillip lauer, one half of tuff city kids, are back with the insatiable orme ep.

while red axes s ode to the sun is still running strong one and a half years after its release (it even made it into last year s top 50 at resident advisor), here comes the heavyweight remix package: german wunderkind konstantin sibold is hitchhiking the original into afro rave territories with vodoo percussions and a hauting bassline that will be hard to escape from. fango from the italian degustibis family continues his string of strong remixes as he turns the original into a rough beat version just to drop the melody in the break for maximum dancefloor mayhem. and last but not least the axes themselves come up with a tropical house version that works any time any place. and thus the sun continues to shine.

gl return today with -destiny-, the first half of their forthcoming double a-sided single destiny / reflect as premiered via clash & soon to be available on 12inch the first 100% independent release for the duo. locking themselves away in the studio after a very busy summer at st jeromes laneway festival, splore festival (nz), paradise music festival + the plot, gl will be returning to the live front with two very special shows in sydney & melbourne. gl have premiered new track reflect, the second half of their double-a-sided single destiny/reflect (available now). locking themselves away in the studio after a very busy summer at st jerome’s laneway festival, splore festival (nz), paradise music festival + the plot, gl will be returning to the live front with two very special shows in sydney & melbourne.

that cyberpunk chameleon of styles, manchester’s pride and dancefloor master ruf dug is back on wax on copenhagen’s music for dreams. following up the first 12” of remixes that came out last year, we once again re-visit the island life of monsieur ruffy and his debut full length album “island” (recorded during a sojourn on guadeloupe). first up we have italians on the mix. hi-jacking ruffy’s tribute to wally badarou, leo mas and fabrice opt to do their own thing: which is churning out a bouncing house belter of their own that bears little resemblance to the original lo-fi synth reverie. closer to the original then, is fellow mancunian andi hanley’s take on the same track. adding sparse percussion and and a simple but effective drum beat, this take seems to simply be an uncovered second half of the original, where it finally takes off for the dancefloor. “mangrove dub” is reworked by fresh-on-the-scene aussie producer tropical hi-fi who creates a brilliant version full of moist ambient textures and reverb-heavy dub treatments. at last but definitely not least, seahawks turns the whimsical hippie folk ballad “le rayon vert” into a more intense and neatly dressed affair, focusing on the instrumental parts and lifting aside vocalist nev cotte’s contribution to the original. still with a mindful of tropical dreams and the ocean shore close at hand, but in a more introvert vini reilly kind of way. essential package.

brighton’s klax crew return to critical with their very first full blown ep release on the label since their systems series debut back in 2015. from hard-hitting industrial strength and half-time leanings through to warm liquid gold, the klax boys deliver yet another outstanding, fresh take on drum & bass.

octo champ releases his second ep of 2017, following up on not quite there yet, which received major exposure from thump and dj mag. this upfront four-track release is a selection of dance floor ready disco and house and sits boldly apart from a lot of other music within these genres. dj support so far from dan shake and titeknots amongst others. taking inspiration from the more exotic corners of the musical spectrum the ep leads with the upbeat make heaven and its conga rhythms, vocal hooks and electronic patterns. cmi is slower and moves further into the groove whilst lacuna is the ep s funkiest cut, featuring a killer bass hook, percussion, guitar chops, claps and more vocals to carry it along. closing with a second four to the four track diametric leads with an elastic, acoustic bassline, synth pads and you ve guessed it: more vocal hooks. octo champ is one-half of dj/promoter duo rigid disco, running parties and radio shows across both london and glasgow and booking rising stars such as tom blip, fyi chris, hector plimmer and the rye wax crew. octo champ has remixed soundway s flamingods and chpln as well as contributing to the cdr x dimensions sounds 2016 project. most recently, his music was picked up by let s go swimming who released the not quite there yet ep.

brian eno’s 1975 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

brian eno’s 1977 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

limited numbered reissue on 180 gram double vinyl. 45rpm half-speed remaster, code for hi-res download included.

limited numbered reissue, 45rpm half-speed remastered. pressing on triple 180 gram vinyl with etching on side f, housed in a gatefold sleeve with download code included.

limited numbered reissue, 45rpm half-speed remastered. pressing on double 180 gram vinyl, housed in a gatefold sleeve with download code included.

2017 reissue , love what you feel returns with a new release by chicago native and half of africans with mainframes (mathematics recordings/creme organization), noleian reusse! the tracks on this record mostly eschew an easy four-on-the-floor rhythm in favor of raw, jacking beats. using an all-hardware set-up, noleian banged out all new tunes especially for this five track ep. the machine funk runs wild from the jumpoff, sometimes exotic, sometimes abstract, and sometimes banging, but never typical. the cuts on this record are versatile enough to fit into both techno and house sets, and there is even a dubstep-esque track that will have crossover appeal!

brian eno’s 1973 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

brian eno’s 1974 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

at last! the full 12:45 john morales mix of this underground boogie classic gets the proper vinyl release it has always deserved! all those discogs cowboys can now safely crawl back under their stones! replicating the original 1982 12”, except this one doesn’t fade out a minute and a half before the end. the original flipside is present, only this time cut at 45rpm for higher audio resolution. available from 14-07-2017. this release is (i think!) the first time all twelve minutes and forty-five seconds have been pressed on wax (in an ultra limited quantity) so don’t miss it, steven!

die reggae anthology-serie präsentiert zwölf ausgesuchte singles auf longplay-vinyl, die alle zwischen 1972 und 1985 veröffentlicht wurden. inklusive der beiden 12-inch maxi-single versionen -promised land- (extended mix), der in kooperation mit der renommierten uk-gruppe aswad entstand, und -children of israel- (special 12- mix), produziert von ossie hibbert. darüber hinaus gibt es seltene 7inch single a-seiten, die von jackie mittoo, niney the observer, phil pratt, herman chin-loy, joe gibbs & errol thompson, derrick harriott und dennis brown & castro brown produziert wurden. die aufnahmen wurden von den musikern der backing bands eingespielt: the taxi gang, the professionals, the now generation, crystalites. aggrovators, roots radics und soul syndicate. erstmalig erschien diese lp parallel zu dem 2cd+dvd set -crown prince of reggae- im jahre 2010 und ist jetzt wieder erhältlich!

roger gerressen releases with this two tracker tartouffe’s sixth imprint.

one half of the junior boys, jeremy greenspan makes his second appearance on jiaolong with the aid of none other than legendary, algorithmic composer, laurie spiegel. those not familiar with her work, spiegel is best known for her use of interactive and algorithmic logic as part of the compositional process, spiegel worked with buchla and electronic music laboratories synthesizers and subsequently many early, often experimental and prototype-level music and image generation systems. in the mid 80s, her most widely used software was the music mouse. here, greenspan works her piece >drums< into a confident dj tool, rolling steadily with angular electronic effects over a solid, weighty pulse. >sirius shake< employs a classic kompakt-style schaffle beat, mapping a curious robotic waltz.

after some excellent digital releases on editorial and ism as well as a fantastic remix of kraak & smaak on jalapeno as one half of allovers we are very happy to release i gemin s debut vinyl ep on pressed for time entitled the let s move ep , it features two superb deep house numbers in the trademark i gemin style - chunky, hypnotic and soulful. we were big fans of both tracks here at pft hq so we got head honchos yse and goshawk on remix duties. yse reversions it s about trust in a tougher, trackier style with some mood ii swing-esque spoken word vocal on the flip goshawk gets his talons into let s move upping the tempo slightly and adding a bumping bassline whilst keeping the soulful vibe intact.

after one year of hiatus ritual process is back with a brand new opus. côme the other half of the label first appeared in 2011, thriving on the musical radicalism and avantgarde of the electronic and industrial scenes of the 80/90’s. kerri lebon, the owner of discipline is actively involved in the san francisco s musical scene. she has mixed the -issue no five- cd for jealous god and recently produced a remix on los angeles based label stellar remnant. our third ep -years of decline- opens with -between generation-, an epic trippy track followed by the punchy noisy -expel the demon-. the b side will take you to a shadowy world with the original version of -fear- followed by kerri lebon’s astonishing remix. the record will come with an insert and will be limited to 300 copies.

12inch whitelabel, limited to 250 hand stamped and numbered copies. the 2nd drop on through my speakers comes straight from nght drps dubby chambers. showcasing his musical roots and influences, it blends earthy grooves and heavy drums with his signature deep and trippy vibes. from killing it on factmags against the clock producer series - collecting almost half a million plays and making it into the all-time top ten of against the clock to remixing moderats 2016 eating hooks, we are very happy to announce nght drps debut ep on through my speakers. already played by dbrigde, plastician, toddla t, sarah farina, kabuki, scratcha dva, zed bias, moderat and more

south london ordnance debuts on parachute. the british producer marks his first release of 2017 with parallel window, a four track ep featuring three wrought-iron originals and remix from token & blueprint affiliate, sigha. driven and direct, the music marries rolling low end with high energy drum machine percussion and wide angle highs - for the most part eschewing anxious, heads-down austerity in favour of a more uplifting, trancelike approach - spread across multiple bpms. despite the heady, crushed finish - shifts in tone are subtle, developing over prolonged periods, with careful modulation drawing sounds in and out of the sonic hinterland sporadically to create a comfortable atmospheric balance between peak-time dance-floor urgency and hazy mid-set moments. on his remix, sigha hones in on this sentiment - lifting the caustic lead bassline from parallel window and augmenting it with trademark cavernous low end, skittering highs & a rolling lead arp to create a hypnotic, half-time dirge.

incl julius steinhoff version (smallville) ...telfort returns with a third 12inch on his own imprint, following the aptly titled debut in a good place and stellar follow-up lickety split. his best yet, the edinburgh-based producer drops the evocative and soul-stirring soon i will embark on a journey, with its immense, alluring melody and downright addictive grooves. on the flip, the hazy and hypnotic æuntil nowÆ takes us further on the journey with its shimmering textures and mesmeric flow, radiating warmth through mind-soothing chords and gritty percussion. further on, we hear a reinterpretation from julius steinhoff, co-founder of smallville records and half of smallpeople. serene and smooth but equally stomping and floor-ready, the melancholic strings and trickling percussion slowly develop and captivate in a sublime and entirely fitting rework.

klaus returns from a 2 and a half year hiatus from himself with just 11 minutes of music - that s an average of less than a second of music per day, which is frankly ridiculous. you might recognise the a side if you were there when ben ufo opened up for jamie the xx at brixton academy, the only confirmed occasion this tune has been played in public. few are brave enough to do so as it is pretty murky. youve gone full heart of darkness eh (morris da boss kudos) lenna woke up when i played it, she cried but then grinned (manchu)