3 years, 5 months & 2 days in the life of... is the debut album by american hip hop group arrested development, released in 1992. the album charted at #3 in the uk charts, and #7 in the billboard 200. charting singles that came off the album are *people everyday*, *mr. wendal* and *tennessee*. the latter song is part of the the rock and roll hall of fames 500 songs that shaped rock and roll list.
pressing on 180 gram audiophile vinyl.

ruff daft returns, and after a various artist ep for number 7, number 8 on the label goes back to the founder, with three new tracks from cottam washed out kicks things off, at the cross roads between mood hut & basic channel where dub techno sensibilities meet dreamy chords for a delectable deep house track. horns harks back to cottam s earliest releases, with an afro-ish horn loop teased out over four minutes until the full loop and bass kick in to devastating effect. a ruff draft sees cottam look back towards his techno roots, with a killer kick drum and raw acid lending an abrasive edge to a well rounded ep of varied styles.

norwegian producer stian gjevik returns with his third full length album as cn with the derelict. the sequel to his 2011 concept album the expedition beyond (wil-ru records), the derelict unravels a new chapter in the story of a space traveller wandering the galaxy in his starship only to crash-land on a foreign planet and encounter new lifeforms. the shuffle of crisp airy high hats and punchy robotic rhythms lay down the framework for cn s signature cosmic sound. beautiful hardware based electronic sounds paint a colorful soundscape with blissful arpeggios and soothing washed out synth pads over groovy moving bass-lines, creating lush atmospheric listen that is as chill as it is suitable for the dance foor. ten new tracks of highly melodic motivating braindance music to get utterly lost in... this limited edition lp features cover art by adam burke and design by eric adrian lee. limited to 500 copies from weme and wil-ru records.

debut album from acid washed founder & member andrew claristidge on his own label. releases on record makers (sebastien tellier, kavinsky, midnight juggernauts). limited to 150 edition lp on yellow yinyl, includes insert to request download. insert will explain that if listener posts photo of the record on social media and tag artist, he will receive the free mp3 download link. the artwork was created by océane moussé.

welcome to the tonal island! this debut release sees a collabrative effort from l. collins and casau, delivering some seriously deep, jackin vocal house cuts. washed up, booming machine beats stomp whilst warming pads heat up the shoreline. this slammin debut is leaving its mark in the sand.

* garland yourself in all the green there is — ivy green, olive green, fennel green, growing green, yearning green, wet sap green, new grape green, green of youth and green of branches, green of mint and green of marsh grass, green of tea leaves, oak and pine, green of washed needles and early rain, green of weeds and green of oceans, green of bottles, ferns and apples, green of dawn-soaked dew and slender green of roots, green fresh out of pools, green slipped under fools, green of the green fuse, green of the honeyed muse, green of the rough caress of ritual, green undaunted by reason or delirium, green of jealous joy, green of the secret holy violence of the thyrsos, green of the sacred iridescence of the dance…* (from anne carsons new translation of bakkhai, by euripides)

gable & grant are joined by harlow in this next instalment of the diaries volumes. on the third release they explore more rolling, pacy grooves whilst still maintaining that familiar brand of melancholic, washed out nostalgia. the b side here is a proper floor burner with a choice vocal sample mixed in for good measure.

it’s been just a few months ago, rampa carved his last ep-notch into the keinemusik-release-tally. but here he goes again, delivering his second km-offering this year, an almost prophetically headlining track called “newborn soul”. this tune virtually is the score to the current situation of its creator. a lurking, tension building piece that’s coping without a kickdrum for more than 50 % of it’s running time, just to place it in floor-shaking boost in the exact perfect moment. a percussion and synthflavoured build-up somewhere between tool-characteristics and stylish peaktime-emphasis, that’s rising like phoenix from the ashes. “mascha” on the flip can be appreciated as a classic rampa. analogue sounding, washed out intro, irresistible tribal-grooves including analogue filter and delay-rides, percussive cushioning and folkloristic chants that will invoke nothing else but rowdy floor-ecstasy in this context.

romansoff continues his recent stellar run with a wandering, daylight-dreaming ep for mörk. four tracks channeling light-splintered techno, looping, shuttered-blind house and even some more visceral washed-out 5am sounds on the flip side. dreamy, deep techno at it’s finest.

special triple pack for all you neopren & blackfoxmusic lovers out there! contains 3 classic releases:
- bfm018: millimetric - wavecontrol (david carretta remix)
- bfm019: masterton - closer (robert babicz, channel x mixes)
- neo030: theremynt - robotique de l amour

the excellent meant label now offers up two new original cuts from maxime & remain complete with a stellar remix package from kasper bjorke and jackethat & lipelis.
already support by sid lerock, acid washed, maceo plex, sean johnston, acid washed scratch massive, rework, pulp disco and the outcast, click box, gabriel ferreira, matt walsh, chloé, ivan smagghe, tim paris, timo maas, my favorite robot, markus gibb, club bizarre, botin, demian, bufi, alvaro cabana, monoblok&pslktr, tronik youth, gameboyz, james friedman ...

the second mörk release finally gets out of the blocks, helmed by italian analogue explorer raw m.t. with some seriously heavy cuts under his belt, we coaxed him out of hiding for a varied 12- of low-slung house, dreamy beachside dreams and hammering arpeggiated techno, cut deep and heavy over two sides of wax. la duna is a deep 4am roller. murky and shrouded in analogue warmth, it steadily aches and strains through passages of pad filled delirium whilst the percussive echoes of lost nights swirl and clatter. untitled is a beachside dreamy acid number. steady slow grooves undulate under tender vocals with slowly yearning pads and deep acid bringing the light out of the darkness. flipping over to the b-side, strike ups the ante with some seriously driving war-game techno, drenching in arpeggiated madness and washed over with frenetic acid lines.

following the huge success of dlm 004 and the massive appeal of roman flugels remix of idle eyes (as charted by all from dixon to michael mayer, dan avery to maceo plex), here is a little surprise from our camp. glockd is c.a.rs trademark washed out sarcasm, bleached cynicism, the track forages paths through chloes dark mind. it was one of the first tracks she wrote on her own, and was recorded down the bunker with timothy j fairplay. a favourite of andrew weatherall (who nominated my friend, the c.a.r album, as one of the best releases of 2014), it is now coming full-circle, being given a stomping shuffle air guitar dance-floor rework by the asphodells … if you liked our lord sabres remix of fuck buttons this is for you. electronics looking at the floor & air guitar. following it is manfredas (the protégé of les disques de la mort) vocal version of angelina, a request from many after the instrumental being released earlier this year. the northern wulf is biting again. and he bites hard.

early support from marcel dettmann, dubfire, Âme, gerd, acid washed. raw, industrial, compact and dangerous.

the opening track on this double sided gynltd series comes from hironori takahashi. speclaz displays sharp panned cymbals and sonics, underpinned by a pulsey rhythm and modulated organesque synths. the takaaki itoh remix is a deeper and more moody affair, albeit with a similar syncopated rhythm structure and some tasty modulated acidic synth stabs with filtered atmospherics. on the flip-side, myk derill s crossroads takes a turn for a more broken industrial rhythm with looped vocal chants holding it all together before breaking down into a washed out synth breakdown, then returning to the pre-emnent fat rhythm and vocalised stabs. finally track 4 sees philippe petit remix, with the artist opting for a very stripped back 4-4 hi-hats/percussive workout underpinning minimalistic modulated synth and gentle bassy offsets. the most tooled-up track of this ep.

hold the front page! we first got a listen to these cuts while washed up in an after the after a couple of weeks ago, a bit of sober investigation led us to a fiendish plot involving a host of anonymous, though very well known artists, all contributing straight up, in-the-moment club music of the highest calibre ! needless to say, we shook hands on what is promising to be a very memorable and collectible series…night parade based on the japanese folklore of the *night parade of one hundred demons* each release in the series will take the name of a demon/monster from folklore and a graphic artist is asked to interpret/re-imagine it in their own style - sleeves will be hand screen-printed & each release limited to 300 copies. the music is by an anonymous collection of producers from all over the world.

while accurate for most washed up middle-aged rock musicians, the above definition does not apply to les has-beens.

hot new release from sunkissed recordings celebrating italian synth pop hero mike francis aka francesco puccioni. back in the 80s, francis elegant electronic style and smooth rich vocals provided a perfect backdrop to nights dancing on the sand and in clubs throughout the mediterranean and his popularity continues today amongst the balearic cognoscenti. this ep features the fantastic in-demand club mix of *features of love*, a funky pop-soul opus washed with lush synths, lazy guitars and dreamy vocals plus the sought-after long 12 inch cut of *survivor*, a gorgeous slice of blue-eyed soul with a strong dancefloor sensibility. flip over for big cosmic play, the magnificent 12 inch version of *body thrill*, a bass-heavy chunky instrumental with an art of noise feel followed by francis beautiful laid-back cover of the bill withers classic *lovely day* and lastly the heavenly hypnotic *on and on*, a little-known gem from the b-side from a rare 12 inch. a great package!

the next package from the ever-busy mb disco label is a whopping and wonderful collection of remixes of british/polish duo the kdmss hit single *part time lovers*. originally released on gomma, it has been fully licensed to the label who serve it up here in original form as well as with remixes from leaves & iron curtis, acid washed, label boss martin brodin, copycat, peter visti and nirosta steel.

maeve label honcho the drifter and co-emperor of the permanent vacation kingdom, benjamin fröhlich, team up for some rascal business. always quick to pull the sling shot out of the back pocket and hit you right between the eyes, the original version of -waterville- is full of hazy melodies, washed out bells and quirky arpeggios backed up with concrete drums for some extended dancefloor meditation. while the high tide mix wraps things up a bit with some more prominent drums and a little extra spice on the bassline. mysterious uk producer a sagittariun sculptures out of the original a breakbeat house track, that sounds like a hidden treasure from this short but influential period.

its time for local talk to go local again with another swedish producer, eric ericsson. with numerous releases out in labels like planet e, fragile and freerange he is one of those producers with one foot in the techno scene and another in the more soulful house scene. basically, he is not a one trick pony! for his release on local talk we would say he lands somewhere between classic chi-town house and thumping nyc house groove but without sounding too retro or washed out. its simply real house music!

after theremynts lp space control – a journey into electronic music offered by jan richard & eva peel, the trip goes on with this new ep talking about human and robot love, one of theremynts favourite theme (rachel rosen - on the first album was inspired from philip k.dick *do androids dream of electric sheep* aka blade runner).

strictly ltd to 100 copies! introducing charmin records. a new vinyl only label out of east germany started by long time dj and producer florist. the vision of the label is to release quality, underground house and techno by friends and fellow music evangelists on vinyl. the first release teams up producers tilman and florist for their first collaboration together and the result is a well rounded collections of quality house music focussed on the dancefloor. the ep kicks off with >sunday roll< which is a deep, laid back excursion into >proper< house music. the track is underpinned by solid percussion with easy rhodes and piano chords weaving in and out of distant vocal samples. the emphasis here is on warmth and soul. >blind< is a more heads down affair, with energetic drum patterns and a lovely, well rounded bass that bumps its way through the track. >i cant stop< takes us into more stripped down territory, with a rough edge to it. finally >deep reflection< pairs up dreamy, reverb washed chords with a heavy, unrelenting rhythm section. with this ep charmin records look to lay out their stall and show the public what is to come from this exciting new label.

banging acid & epic ambient house tunes from willie burns.

basierend auf dem vocaltrack dye the water green aus seinem letzten album silver wilkinson, der komplett neu aufgenommen wurde, beginnt bibio das neue jahr mit einer limitierten 6-track ep auf gruen-transparentem vinyl. wunderschoene, kaleidoskopische indietronica mit folk-appeal. für fans von flying lotus, four tet, caribou, boards of canada, toro y moi, gold panda, washed out uva.

little do people know that coober pedy is an opal rich town buried deep within the red and arid outback of south australia. lewie day (aka tornado wallace) and tom moore may be from melbourne, but the duo make up the coober pedy university band, coining the term krautback to describe this moon plain ep. drawing upon italo synths and mid-tempo balearica as inspiration, the first release comes in 10 form via soft rocks kinfolk label. the reverb washed australian crooner chet faker appears on the title track moon plain alongside heavy struck piano chords, while sentenced beyond the seas is a flow of groggy atmospheres and downtempo beats. oblong is the the eps stand out italo track with short bass arpeggios a highlight, while soft rocks acperience mix of moon plain takes on an acidic and space western theme.

vinyl only! the new vitzexy vinyl brings us dirty, freaky, crazy techno by alex kork (9volt musik, plattenbau music) & zellyana. the 4th release of zellyans vitzexy-series is a smashing colloboration between a german guy and a serbian girl a new fresh european techno vinyl!

hinter blackbird blackbird steckt das produzenten-wunderkind mikey maramag aus san francisco, das mit seinem traumhaft schönen folktronica/psychedelic-pop style a la caribou oder washed out bereits eine grosse online-fangemeinde aufgebaut hat. die wärme seiner analogen instrumentierung, umgesetzt mit digitaler technik, lässt vergleiche mit james blake, four tet oder mount kimbie zu.

its not often you hear a track that instantly transports you to the sun-washed climbs of miami and rapturous dancefloors of ibiza - but from the moment this tune kicks in – bang, you are there!

from the start of this debut release from amsterdam-based lapien, one conceives that the young producer is conscientious. >anvers<, the french name for belgian port antwerp, starts in unassuming manner, synths swimming, bass pondering, a gentle cymbal tapping. its the sound of thoughtful admiration, as if lapien is standing in front of the citys towering gothic cathedral, motionless in the midst of a now modern metropolis. but then, as loops spring uncomfortably back and an insistent beat thunders into the fray, one realizes that this is no time for admiring architecture: this is a night drive through the city – coarse orange streetlamps, chrome blue reflections, droplet-stained window panes. it is, also, at an unusually and unsettlingly fast pace, dragging its deeper house timbres and textures upwards. conforces mix is anything but restful: alarms in the distance fall around offbeat rhythms of increasingly diverse dynamics, bringing rain down on the city at night. to end, fred ps composition is heavy & uncompromising, yet it quivers with synths washed in beautiful, calming ambience

recorded in the immediate aftermath of his last ep >passed me by<, this new doublepack from andy stott features six new productions that are more desolate and exposed than anything on its predecessor. the opening >submission< tumbles into being with layers of washed-out digital revolutions, creating an artificial landscape thats quite at odds with the analogue machinations that follow - yet somehow rendering the alienated feel of this material perfectly. >posers< nudges its way into being abruptly and embeds another squashed funk variant thas all low-lit neon and growling textures, awkwardly shuffling into a more robust 4/4 template suffused with sparkling percussion and disembodied vocals. >bad wires< is the centrepiece of the ep, a relentless percussive cluster*ck that belies its slow tempo with a fearless rhythmic attitude. its as immersive and narcotic as anything ever produced by stott - peeling away one layer after another with each repeated listen. >we stay together< (part one) was the first track written for the ep and offers a more spacious narrative and a more sparkling, hazy palette - culminating in a beautifully frayed central hook thats somehow in keeping with the vhs aesthetic of both jamal moss and ferris bueller. >cherry eye< tumbles deep into a darkened hole before ep closer >cracked< turns up, fuelled by an odd mixture of adrenalin and sorrow to send you on your way.... buzzing and forlorn

vault series is a cheeky little series where rush hour drops never before released tracks and mixes from its vaults as well as tracks which are in dire need of a re-release.
the series kicks off with an unreleased track by the mysterious duster valentine. an anthemic disco track that, with its catchy piano loop, pays homage to the golden days of new york house music. music that will make you sweat!
on the other side we find aardvarcks fun-loving-freestyle-disco-mash-up-party-jam. its original release a few years ago saw support by many djs around the world. it was only released as a limited once sided promo. here is a chance for those who missed it to own a copy. this version is remastered and extended!

we are pleased to present the latest addition to our slow motion family - marcello giordani. disco overlord, laser cowboy and cosmic heartbreaker. >chubby rain< takes you on a journey through inner space and outer dimensions where the infinity of the universe glows in neon-indigo and thoughts and feeling come and go like waves on a beach. with wandering arpeggios, washed out digital strings and distant vocals, there s just the right amount of strut in the precision-engineered beats to propel you through the night. >roma< brings us back closer to earth with a smattering of classic disco sounds reinterpreted for a parallel universe. playful synths make us think of strange animals in distant galaxies, and inter-stellar adventuring with a happy ending.flip the record over and masimilliano pagliara breaks chubby rains epic journey in to smaller, sharper hops that retain the best parts of the original but adds extra rocket boosters to make for a more exciting ride. finally modus, the dirty, sexy robot cousin that we only talk about in hushed digital voices. she is slow, sleazy and spilling oil out of every hole. is that reggae she is listening to?
b1ig with: skatebard, bicep, discodromo, mano le tough, the beat broker, justin miller dfa, baby g., fabrizio mammarella, ...

returning to the kitchen after an over extended jaunt in the bathroom, the sound diggers grant us with another slap happy handful of flavor with their new piece entitled >dont flap just jack<. here at flapjack we do encourage everyone to wash their hands before returning from the bathroom to the decks. with the nasty low down n dirty grooves that are all over this ep, i am not so sure the sound diggers washed up very well, or at all. as we say in the business, when you get dirt in your salad, eh, its just a lil flava.

>going on< from geeks & gaz is a deep 140bpm roller with rich synth swells and grainy disembodied vocals which lend a washed-out melancholy air, while a limber 2step house rhythm propels a truly transporting five minutes of eyes-closed burial-esque low end groove, making for a track that will hit equal targets on the dancefloor and in the headphones. daily delivers >untitled<, an old-school uk garage-inspired track which comes to life with a slow rising synth line underpinned by a sparse beat, before breaking brightly open into a scene of high pitched buzzing keys and some seriously complex percussive intricacies, rapid on the conga skins and hard down on the blunted kick drum. for further triple-win value, hype west london producer jack dixon offers a jaw-dropping refix of >going on<, massaging the original into a sensuously twisted uk funky / garage hybrid shape, introducing dramatic synth lines, hypnotic vocal stabs, and a hightened detail in the beat programming which somehow increases the tunes club-tooled precision while simultaneously enhancing its wistful and reflective mood.

poker flat welcomes new artist show-b to the ranks! mathias schober is the talent behind this new and exciting production project - having already released on the respected compost black label - and now announces a whole new batch of funk laden, truly deep electronic jams. >far down< is a swirling and all-encompassing tech-house journey. characterized by pitching synths and focused percussion, the building track really ignites as its slow burning themes come to the fore and a remarkable moment is created. the technical and dubbed-out >time comes< is a superb example of a modern electronic hybrid. crossing heavy dub stabs and delay-washed fx with thick, room filling synths and exceptional detailing, this inventive and textural track is pure home-grown and highly recommended! a dub version is also included which focuses on show-bs stylish drum fills and great feel for tension in the arrangement

vintage washed blue shirt with light blue imprint (100% cotton)

>vibrational studies (in echospace)< is an alternate version of album opener >in echospace< and revolves around a relentless cycle of washed-out analogue loops layered around submerged field recordings and electric currents that somehow propel the track while at the same time immersing it in one of the headiest mixes hitchell and modell have ever recorded. >symbolism in transition< finds modell deploying a deep and padded configuration with a sort of late night shuffle so beloved of move d, all squashed house vibes, sparkling melodic currents and bursts of barely- there white noise û its a gentle, beautiful thing.

brut! records baby sister label, pop!, sees its second release with popnonames spaces. an eclectic line-up, including joerg burger, freund der familie and paid for fame, remix the original three times over to offer a varied perspective of the same brave track. revving its engine, spaces drives you to experience things. it invites you to crack yourself open so that through that voluntary rift some new future might pour. bold, beautiful and formless it emerges, washed in a golden light. a baby nebula, perhaps if you are lucky, cradled in the spiral arms of a distant galaxy patiently building mass as it clumps gas and dust together. the important things often creep up silently…recognized only once they are there, even though you had given them no shape in your mind prior to their arrival. space gives possibility to what these forms might be, boundless in four-dimensions. its that expanding medium that allows imagination to roam without end…where the need to distinguish between what you know and invented evaporates and flows pure and clear as an ice cold stream.

every new record from mlz doesnt quite fit in with the one that preceded it, something thats doubly true for this new release.
>one cycle< on the a-side is probably the most fierce, stripped and relentless thing ever released by modern love, a classic reduction that rotates into a frenzied crescendo of panning stabs and a washed out, chugging backbone that doesnt let-up throughout its 7 minute duration.
the flipside offers up something else entirely, a remix for hitherto unknown operator dj ghosthunter, a shady character not quite ready to unmask himself. mlzs remix offers a dank and obliterated house configuration, guided by the spirit of theo parrish and kdj.

ill keep on loving you lays down a commanding piece of old fashioned electro-disco, particularly notable for its blurry, washed out vocals and stately downtempo synth-funk. next, >living without your lov< weighs in with a bassline that halfway between >another one bites the dust< and daft punks >around the world< before sublime synths, twangin guitar and vocal edits pile into the mix to round off a delightful piece of grade-a rose-tinted disco.

this is the fourth release of the future roots series, the trials and tribulations of the first three download releases overwhelmingly convinced producer dj deep that a vinyle series was of an utmost necessity to authenticate the project..the aventure thus starts here..future roots is dedicated to new talents and is a subdivision of deeply rooted house .....future roots is very happy to welcome english artist alexander ross to the label. born in sheffield and now residing in berlin after a number of years traveling and working throughout the world, ross credits his formative years in his birth town with its rich, diverse musical history and world renowned community of passionate musicians and promoters as his greatest influence and the place where the foundations where laid for his dedicated and inevitably lifelong relationship with quality music in all of its many forms. ross first official release earlier this year on these days records saw him collaborate with greek artist argy on the hugely powerful see no evil which gained widespread praise from a broad range of djs and fans of the label alike. the apparent line...ep is made up of three spacial, driving drum tracks which draw influence in equal parts from alexander ross interest in reverb washed dub, deep techno and the cyclic, rolling grooves of percussive african music. the pieces utilise tight dynamic rhythms and expansive, echoing reverberations to create three striking and effective moments. support from carl craig, josh wink, laurent garnier, loco dice, argy, manuel tur, martin landsky, manoo & more!

10 years ago toronto’s matt thibideau (aka altitude/coordinates) contributed one of the finest tracks in cynosure history. today matt returns with three brand new cuts and a re-mastered version of the cyn001 classic track entitled “archenar”. asphalt starts things off with a cutting edge syncopated groove that precisely reflects the cynosure sound over the years. a minimal, swingin, synth stab work out giving you the right amount of funk. archenar smooths things out with some lush pads and a dreamy reverb on the drums creating a subtle washed effect, perfect for the early morning blur. but let’s not forget to mention the killer ms-20 sub bass line.. ahhh so deep. icebox comes next with some icy precision fm syncopation in the mix. accompanied by matt’s signature classic synth percussion grooves. full of melody and warmth this track would melt most refrigerators down. last but not least the outside b track entitled 30 story drop. following suite with matt’s previous releases on blue records under the alias altitude 30 story drop dives deep into basic channel influenced dub and drops some serious bass. matt thibideau’s return to the label has been long anticipated and proves that cynosure’s mandate of releasing timeless uncompromising music is still very much alive 10 years on

the one and only plastikman ... on your shirt ... great stuff vom richi hawtin yahh, im vinytage washed look

r&b / dance music

greyscale s next full-length release come from german based artist audhentik. titled hypno , this album encompasses 14 pieces that dive deep into a heavily-based synthetic world of atmospheric ambient and dub. imagine if you took some amazing pictures of a desert island then put on a pair of ambient dub filtered glasses on. a picture-esque nature beach scene has been processed so heavily that they evoke memories of a place you have been before. this is a true artistry in ambience. perspectives combines a wonderful balance of field recordings with washed out chords of grandeur. breathtaking and majestic like looking down on to a city from an amazing view off a mountaintop. period explores an off-kilter dub rhythm while feeling stuck in a languid moment of disorientation as the track disperses the tension near the end. that astounding build leads perfectly in to the title piece. hypno is a 9+ minute journey deep into the abyss with a track of pure aural pleasure. epic is an understatement here. a standout among many other standout s here. infinite edit is one of the key interlude s that link the tracks together on the album. this one provides a thinner airier stratosphere then the previous ones giving you a chance to catch your breath as you prepare for another trek into the depths of static . this one has you feeling adrift in a nautical theme of optimism through the arduous recent events of a shaky future. a wonderful storytelling is evolving on hypno ...

laslo, a hungarian producer, and newcomer to the greta cottage woodpile, creates and then inhabits a sonic world that is uniquely his own on minden nap vasarnap. through layers of delays, cavernous reverb, the ever-present crackling high end of light noise, tones and melody flicker through and decay into a washed out dub oblivion.