creativity lies in various artistic factors based mainly on commitment and maturity that is acquired with it, each project is a decision that is forged with a cold mind and requires to be conceived at the right time, a waiting time between projection and execution, this is what presents us with dorhg on his new label atroc records, where he opens a catalog with the remixes of kalter ende & sarf, a 180g and twelve inches ltd vinyl, entitled “fixing process“. the path taken by dorhg with fixing process reveals his experience and vocation for dynamic, rhythmic, deep and syncopated structures, through icy and mental sequences, without leaving aside the physical and direct in his message. melting is the track that opens the release, it is bent to a deep bass sequence that reiterates its presence without variation, and although it acts as the central axis of the track, it is the percussive elements that are annexed in the background that give a certain energetic charge. indistinctly to the original version, kalter ende refuses to maintain this bass line and leads us to another character more dense and textured in his adaptation, but preserving the rhythmic nerve. coalescence occupies the b-side. with the original, dorhg repeats the formula in terms of intensity, this time it is different components that alternate protagonism in a linear work loaded with particles that go from maximum excitement to calm. on the other hand, sarf creates with his remix a solid, direct techno piece with several ingredients operating in a loop and a deep textured mattress that gradually varies in intensity.

one half of iconic british duo basement jaxx felix buxton and vocalist gia make their defected debut with the soul-stirring so hooked on your lovin, alongside two groove-loaded remixes by mousse t. the first ever release under their selace pseudonym, the record comes laden with lingering organ chords and stunningly raw vocals, echoing the stripped back quality of switchs i still love you and with a similar deep-reaching feel to massive attacks early 90s classic unfinished sympathy. production maestro mousse t. works his magic with his funk-drenched disco shizzle mix loaded with a pumping bassline and guitar riffs alongside a deeper dubby shizzle version laced with a spoken word hook. less is more with selace, this is a minimalist yet undeniably stunning record that lets its captivating song do all the work. / 1 per customer

future breaks fire by netsh on french imprint comic sans records

next italo bomb from 87 !

2x12 inch lp incl all hits of the 90s

a journey through the inner world of kiss on limited coloured 180 gram double vinyl in gatefold sleeve.

black codes experiments assembles pfirter, arnaud le texier, ian axide and michel lauriola to unleash a techno tempest.

phat acid house madness

hand stamped and numbered. re-cut reissue! he debut 12- from the chicago -edit king- tim zawada, full of renegade reworks, loaded with tasteful, eclectic tune selections. straddling house & disco while steering clear of disco-house

* seasoned shogun duo technimatic are proud to celebrate 10 years working together with the release of their 3rd studio lp ‘through the hours’. born of time spent behind the boards, on the decks and travelling the world honing their craft, this is their most profound work to date. their first single ‘sometimes’, ‘goodbye kiss’ and ‘all our yesterdays’ are loaded with floor filling nostalgia while the tempo changes of ‘recurring dream’ and stand out ‘resolution’ are thrilling explorations away from the pair’s trademark liquid sound. technimatic fans will rejoice at the sight of previous collaborators appearing. jono mccleery’s devastating ability shines on ‘the nightfall’, while ‘weightless’ ft lucy kitchen is vintage, sublime drum and bass. matt wilson also joins the project as ‘holding on’ finds its feet firmly on the dance floor revealing a fresh side to their production skills. just looking at the three vocal tracks highlights the passage of time in the technimatic sound, seamlessly manoeuvring from classic to current. the grit and swagger of ‘true believer’ matched with the hypnotic lull of ‘let it fall’ give the album a conscious edge to satisfy all tastes. ‘through the hours’ moves harmoniously through sonic timelines appealing to both new and old school heads simultaneously. lastly and most importantly, the music is fantastic. the technimatic sound is as rustic as it is contemporary and after some time away, it’s clearly well worth the wait.

remastered from the original tapes, pressed on 180 gram double vinyl and housed in a gatefold sleeve with download code included.

amazing grooving 4-tracker by the mysterious trackmaster dre. subtle textures combined with energy loaded groove patterns complement each other perfectly to a strongly upbuilding and leg-shacking, head banging, mind trippin experience. mastering and cut by dubplates and mastering. artwork by markus suckut and cover acecrosser. manufactured by matter of fact.

ltd 2019 repress , heckmann returns with this ferocious double a side to afu limited !two raw and relentless tracks to kick ass and bring the noise back to the floors !energy loaded analogue madness...enjoy !

motorcity wine recordings returns in fine style with its second ep featuring a swashbuckling blend of house and jazz sounds from detroiters and their compatriots. rising live techno star haz mat leads this 12” with a house-tinged boogie funk cover of blue six’s “music & wine”, complete with vocoder and massive drums. kuumba reunion band slides through next with the afro-jazz number “3 fingered fist (jabbar)”, a cut loaded with hand drums and chunky saxophone solos for the jazzdancers and listeners alike. motorcity wine guest and london native aroop roy kicks off the flip with a dubbed out beatdown house joint, a brilliant midtempo track perfect for the dread moments of the night. last but certainly not least, the hughes/smith quintet finish the release with an uptempo jazz-funk piece, with generous amounts of fender rhodes and call-and-response melodies. only 500 vinyl pressed enjoy the soulful sounds of detroit.

* sheffield-based subaltern resident taiko returns to the imprint with a stunning selection of four distinctively grimy pieces of sub-bass science, proving once again his original take on the 140 bass realm. a. trenches introducing his unique style once again with a fresh twist, taiko delivers relentless earth-shattering bass waves in ‘trenches’, which graces the a side of the release. bells, strings and dark synths set the mood for a precisely executed wall of bass, complimented by subtle vocal work. b1. raid dramatic orchestral strings and horns set the stage for the grim reaper that is ‘raid’ - leading into a dark and roaring synth that accentuates the laid back bass-line. sure to shake every system it is unleashed on, the track keeps evolving and luring the listener ever deeper into a maze of darkness. you can run but you can’t hide… b2. mana pool ‘mana pool’ adds a more psychedelic and subtle edge to the release. synth loaded parts play in exchange with carefully laid out harmonic synth lines complementing the tasteful bass-lines, while remaining the raw edge of the release.

it was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now – anthony burgess, a clockwork orange after their lps “ike yard” (also known as “a fact a second” factory america, 1982) and nord (phisteria and desire, 2010) ike yard delivers their last album “rejoy” on noiztank, 2018 as the culmination of their recent years reinvented sound. as the perpetual flag bearers of the cutting-edge post-punk spirit, the nyc- based band shows muscle in a lp fully loaded with abrasive synth pads, scrap metal percussions, and whispered vocals. following the previous criteria of “sacred machine” 2017, it is worth to remark the inclusion of external vocals in the pieces “sister m” and “beyondersay”, which feature yuki osaki and maya. the nine tracks move through different atmospheres, tensions and moods that would perfectly represent a new contemporary soundtrack of the s. kubrick film “a clockwork orange”, a major influence and source of inspiration for the group this time around.

pushing at the edges which define techno, afro and deep house these three tracks bring fresh heat to the dancefloor, creating an ethereal mood whilst delivering maximum power and energy. if paired down, minimal electronic percussive sounds are your thing, lead track ligai will tick all the boxes. stina follows with driving, syncopated beats and a killer pan-pipe riff to hook you in. closing the record sand brings a deeper, atmospheric track loaded with floating m1 textures, warm bass and spirited percussion fills. all in all a highly effective and inventive slice of wax with a voguish twist to groove to.

k.a.c.z.m.a.r.e.k”, from the title to the sounds, is intended to be a more personal project for paul ritch – indelibly closer to the confluences of sounds that he hears embodying the spirit of kaczmarek. he drives the mind’s eye deep into the inner-ear with the album’s spacious opening tracks, only to leave your head bobbing with the extraterrestrial rhythms that emerge as the main body of the album. moody and foreboding, loaded with the scattered, staccato and broken beats, more ovular than linear in composition and ranging from vaporous-ambience to hyperventilating grooves, the nine tracks on this album defy categorisation. the “k.a.c.z.m.a.r.e.k” album will give the listener a deep well to return to. the vinyl release will be a fittingly rare issue – only 100 numbered copies are going out, while digital releases will run parallel. keeping with the dark and cryptic theme of the first releases russian artist, sasha sime, is back for his third kczmrk cover design

hey-o-hansen is a dub duo from berlin. helmut erler and michael wolf are originally from austria, their blend of folkloristic melodies from their home country with the bass-loaded echo chambers of jamaican roots has been called austrodub.

lock yourself into the beat, but don’t become prisoner to it. the techno pioneer jeff mills understands that only too well. in his quest to liberate himself from the tyranny of the sequencer, mills couldn’t wish for a better partner than the father of afrobeat.

music mania and indica dubs is proud to present the next release in their mania dub series. following multiple classic re-issues, we now bring you two freshly produced dubplates on a 10inch by uk dub innovators alpha & omega. taken from the forthcoming lp: dub plate selection vol. 3. alpha & omega are a roots/dub duo that mix both analogue and digital elements, comprising bassist christine woodbridge and keyboard player john sprosen. they began working together in the mid-1980’s and issued their debut home-recorded cassette in 1988. this 10” includes rootical dub and hands up high (both tracks will be found on the brand new forthcoming dub plate selection vol. 3 lp) that come with extra exclusive dub mixes, for serious sound system addicts! the tracks have been remastered to sound to their full potential! beware: loaded with heavyweight roaring basslines, unstoppable echoes, mystical reverbs and phasers. all special dub effects that will make you get up and dance! also coming soon: a brand-new alpha & omega lp on mania dub!

e-unity unleashes a batch of endorphin loaded club nuggets for ftd. following up much lauded eps for oscilla sound and intramuros, the french producer takes his signature leftfield dalliances several steps elsewhere, to jubilant club-centric heights.

mihigh & lizz teamed up, creating a clearly defined narrative on the launch of the 12-inches melodrom label, where the close, sometimes ambiguous details are incredible. the ep is loaded with the style of both producers: it combines mihigh’s minimalist sound with a strong attention to stylistic details and lizz’s trademark groove.

ruben montesco s new ep comes loaded with the purest, full-effect nineties sounds.
this throbbing 12inch is the artist s tribute, as well as a complete review, of some of the musical icons of this golden decade in electronic music.
ebm, new wave, techno and electro are the main styles blended in the four tracks included in this release.
a further listening reveals a clearly dancefloor-oriented ep that caches the essence of these styles and subtly brings them back to the present with elegance and savoir-faire.

the second instalment of the secret rave series with more break beat loaded tracks ready to spice up every party in good old rave fashion.

after kicking off with a selection of artists pushing hard on the serious electro tip, latvian label electronic leatherette is back once again with another round of smartly chosen protagonists plying their machine funk wares. plant43 are the most established here, dealing in immaculate drexciyan funk of the most aqueous kind. gestalt is equally on killer form with ecosystem while maroje t taps up the noir mood to perfection on la confidential. jack roland s crafty osmotic potential is a smart b2 reach loaded with detail and production chops while exploring a more mysterious atmosphere in the process.

the label’s latest offering comes from hamilton himself, who teams up with panick panick! label owner noha, offering a collaborative ep that is a fitting snapshot into the work of both individuals. the nohamilton ep gets underway with ‘lip service’, a rough-and-ready track with firm emphasis on a grinding, hypnotic loop that easily surpasses your average dj tool. highly finessed and progressing steadily, it’s the perfect example of how to do less with more. looking towards more sun-kissed planes, the duo deliver the ep s a2 track, a more heads- down cut that’s loaded with good-time grooves from the get go. sure to work a charm whenever it’s unleashed, ‘bored of life’ serves up an intriguing insight into both producers’ boundless studio output. romanian duo sit culminate matters with their ‘lip service’ rework. consisting of cristi cons and vlad caia, the pair have been excelling consistently, with both their resident advisor mix and latest release on the iconic sushitech label proving a potent reminder of this. taking the listener down the rabbit hole once more, they inject archie hamilton & noha s original with an eerie sheen, also adding an off-kilter baseline that’s hard not to get lost in. a suitably groove-led but unconventional interpretation, it closes off the ep with the sort of distinction we’ve come to expect from moscow.

as the title suggests, joakim recorded this new album last year at studio venezia, the installation/sculptural ensemble/recording studio created by xavier veilhan for the prestigious 2017 venice art biennale. built inside the french pavilion & inspired by the grotto-like merzbau by kurt schwitters, studio venezia had dozens of artists create and record there over the 6 months of the biennale (from chassol to brian eno, from joakim to sebastien tellier), invited by xavier veilhan himself with the help of co-curator christian marclay. with an impressive collection of rare instruments from medieval horns to rare modular synths (baschet crystals and percussions, a buchla, a clavinet...), studio venezia was an amazing creative playground for the adventurous musician. those instruments were captured by a team of sound engineers in the best possible way thanks to nigel godrich’s (beck, radiohead...) mobile studio loaded with state of the art vintage recording gear.

anyone who’s followed maurice aymard’s galaktika label over the years will be all too aware of the imprint’s leaning toward eclectic sounds. it’s an ethos that mirrored in the work of aymard himself and regardless of whether he’s turning his hand to tech house sounds or more straight-up techno jams, his is a way of working that’s endeared him to many over the years. his latest is a case in point. the 75th chapter in the galaktika discography, the into the night ep serves up an array of sounds that are enticing as they are upbeat and intriguing. getting us underway is the sounds of the title track. an unfurling beast of a track that’s loaded with dramatic tension throughout, it’s an eerie cut that’s characterised by its clever bells and some incessant percussion. a full on track that’s not to be handled lightly, it’s repetitive nature and sporadic vocal charms is indicative of levon vincent at his best. ‘shinning’, a more progressive cut, follows after. another track that’s notable for the suspense that lingers throughout, it serves up a nice stylistic alternative to what’s arrived before. aymard then goes all out on the frankly astounding sounds of ‘rage’. a propulsive gem of the type that sees the producer greatly rewarded for trying something that bit different, it’s a special sort of track that takes on various tones throughout but always stays captivating. seeing us out soon after is eduardo de la calle’s remix of the latter. the cadenza man is well versed in all things deep and dextrous, and his interpretation serves up a fitting example of his talents. although it starts on a melodic tip, it too soon brings the listener on a thoroughly captivating but unexpected journey. much like the rest of this ep, de la calle’s remix is full of surprises from the off.

first he had us in denial. then he made us an offer we couldnt resist. now hes fixing our focus on the most crucial player in this whole house caper: the selecta. come again? selecta is yet another crystalline acid body workout from the ovum boss whos been dishing out single sinewy shell-outs in a seriously rich vein of form of late. galvanised by heavily swung drums, loaded and coded with a venom-like funk and characterised by a big soundsystem vocal that tears out of nowhere and disappears just as quickly, its yet another unique piece of 303 witchcraft, the likes of which only wink can conjure. deeply groovy, unabashed darkness and just a nuance of mischief with the vocal, its yet another precision piece from mr wink whos also kindly provided an instrumental for your added creative pleasure. selectors, this ones for you. you know what to do…

fully loaded rompers, drawing from influences both far and unexpected corners of the globe that have been proven to be tools for the floor. the russian duo made their debut last year on private persons with their forever punk ep, leaving a heavy mark on lovers of tape-hissed electro, ebm madness, and acid-tinged worship. with their next release, lomay ep, we see a continuation of that same energy, but with an even more broader approach, pushing the boundaries of what ebm, acid, and techno mean today. tram planet is excited to announce the release of the lomay ep, making it the first vinyl release of the label.

the 2nd release on steady work by dear friends features conti with his exceptional consignment to all lovers of left field approaches to house and bass loaded music. contis ma lumps ep allows you to get a feeling for the crocking of the toxic but cheering industrial spheres of the city of mannheim. this ep is an emulsion out of distorted beats, field recordings, sampled baselines and vocal snippets, processed through a mpc, tracks in a rough tape compression mix style. funky-but-not-funky-kraut-hop-house at it s best. slope down from your faith by those lumps.

alex.do is best known as part of the dystopian collective, where he works alongside scene leaders such as rødhåd and recondite in pursuing a focused strain of contemporary club music loaded with emotional depth to match its functionality. this attitude comes through in spades on dusted, where do presents a selection of tracks that tap into all four corners of the night.

hot on the heels of their recent eps on roam, correspondant and futureboogie, zombies in miami maintain the disco heat with their debut on mike simonettis 2mr. three tracks and one remix deep, the entire release is a full trip to the senses. take it off leads by example: strident, uplifting and dynamically arranged so a whole new level of feels is unleashed when you least expect it, theres a real timeless energy and focus coded deep into every element. new odisea takes more of a cosmic approach with its slinking bassline and soaring, yearning chords that weave and wave above it. buckle up even the slightest variations and percussive additions are so well placed, they create an almighty rush every single time. finally ‘where is the voice of that man on acid’ attempts to ask the question we’ve all been asking for years. fittingly psychedelic, layered and circuitous, its springy riff persistently tickling under waves of evocative atmospheres and it comes complete with a sublime, sub-loaded rolling technoid trip-fest from honey soundsystems jackie house. the duo describe the ep as the result of hours of jamming, trying to imagine and recreate the loudest, most energetic and sweaty dancefloor tracks that we could play in mexico, europe and all over the world no matter the borders. we’d describe that as mission accomplished.

a double album of dirty, raw, bone-grinding techno from post apocalyptic survival times by franziska lantz released on global warming records, london 2017 loaded with heavy distortion, fat textures, harsh beats, relentless rhythms, moody synths and erratic melodies, this sound is bursting with rawness and urgency. harness your speakers and dance!

for the second release on their black series, ravage invited electronic music veterans al matthews and patrick walker to team up under their forward strategy group moniker. the last release of these legends was quite a few years ago, but the wait was worth it. their east port rangers ep kicks-off with nine and one, a hypnotic, heavy-loaded stomper containing some uplifting, loopy vocals. following is the most minimalistic track of the ep, lisp your way, yet it still has a lot of substantial punch and lash to it. the b-side starts off with heavy broken beats, combined with a classic rave sound, taking the listener back to the blistering sound of the nineties. finally, the ep oozes down with the track in abeyance, a haunting, down-tempo track with a melody to send shivers down your spine, which could be deemed a real creeper.

boys noize präsentiert den zweiten teil seiner hochgelobten strictly raw serie. als dj hält man immer ausschau nach zeitlosen house oder techno-tunes und hier sind 8 tracks, die von breaks über techno zu acid und klassischem house reichen, alle analog, alle strictly raw! boys noize. a collection of his label boysnoize records filthiest industrial stalwarts. spin magazine zur vol.1 (2015).

fresh from his lets roll ep on radio slaves rekids, hopeworks curator lo shea further cements his status as a true innovator of the uk underground with the iterations ep on duskys 17 steps. leading the charge, iterations is 8 dark twisted minutes of tripped-out melodic techno that will sweat the walls of warehouses from london to tokyo drawing a lineage from the omen, atomic jam and the orbit through to berghain, de school and hopeworks itself. on the remix, stockholm’s peder mannerfelt takes it down an industrial rabbit hole of terror-core synths, rave sirens and sonic paranoia. across rest of ep, lo shea flexes his sonic diversity with ornithurae offering an intruiging mix of bruising bass, twitchy layer loaded percussion and sinister soundscapes - somewhere between d&b don dillinja circa 96, early claude von stroke, radioactive man and fellow sheffield legend oris jay. dark, soulful and ravey, higher closes things off with a uniquely uk hybrid that traces lines through militant tresor-heyday techno, vintage strictly rhythm diva house and hardcore vibes.

robin ball has been on a roll of late, flaunting his wares on the memory box label amongst others. he makes a second outing on groovepressure with four tracks of dynamic, inventive machine jams touching on synthwave influences and a healthy dose of electro. there s atmosphere loaded into each of these forthright, roughly hewn workouts, not least on the eerie, trancey synth strings on mr mumble. the b side features the steadiest material in the shape of two versions of satin that tap into the housier end of ball s output.

there is no doubt that bobby moore is an absolute f***ing legend, and a true icon r.i.p. a hero who lifted the world cup for england at wembley. he is widely regarded as one of the greatest defenders of all time, and was cited by pele as the greatest defender that he had ever played against. a leader of the highest quality and a true inspiration to us all. we would love to say that neil diablo shares these traits and acomplishments but his bewuda ep is tribute enough to one of footballs gretaest ever captians. the ep itself is a remix record , the track is called bewuda, and what a track it is. a 6 min trancy club banger. 808 drums all over the place give it a 90s vibe but with mr diablos signiture italo feel. and what we can we say about his team mates. coyote, tiago & dawn again on the same record.yes please! the coyote boys dont mess around at all. straight into a ravey, sweeping banger.teasing balaerica but keepng it a fully loaded dance floor bomb.tiago does what tiago does. his signiture sunshine vibe oozing out of the track from start to finish. the drums are something to behold and the piano riff drop packs a real punch. and last but not least our mate from melbourne dawn again tears up the track and brings us a classic weird re-triangluation in true banging dawn again fashion. big record from team rothmans for their 15th release!

the amazon club is back on voodoo gold records with a 10 track release. loaded with their signature, hazy tropical funk and disco rhythms, this follow-up from their last years debut will take you back on a trip to the sultry hideout of our worlds greatest paradise.

manni dee might be best known for his upfront techno tackle on perc trax and the like, but he s also been quietly building up a separate identity as nuances, and it s a world away from his dancefloor output. following on from some choice album appearances on bastakiya tapes, it s up to tabernacle to give the project its first outing on wax. while tabernacle can have some range in their sound, this finds the label plunging wholeheartedly into ambient climes. heavily processed textures and delicate chimes all feed into a truly evocative atmosphere loaded with significance. ignore the familiar name behind the music - this is an album deserving attention all on its own.

>music is the silence between the notes.< the french composer claude debussy once said. the german trio wareika, consisting of florian schirmacher, henrik raabe and jakob seidensticker, love the silence between their notes, even if their music is often fully loaded with many detailed sounds, rhythms, melodies and intercultural sound links.

ali renaults cestrian alias is responsible for some proper gutter-dwelling electro business that has come to light on bunker records, mnx recordings and more besides. theres no let up with this new slab, presented to the underworld by vivod and unknown to the unknown as a joint release. napoli keeps the pressure wound up to a breakneck pace while -secret language places the emphasis on devilish synth tones. purge attempts something akin to a more melodic, mellow mood splattered with acidic bleeps, and then krapton fictor whips out some truly crafty android boogie loaded with short circuits aplenty. umberto swoops in at the last minute to remix napoli into a relentless, storming techno brute with brains to match the brawn.

better listen is back to cradle snatching for their first release of 2018, debuting young londoner joe cortis first vinyl release. its a four-tracker loaded with dusty samples warped cleverly for max dancefloor action the a holding percussive party jams and the b offering the lush deep disco sounds the label has become known for.

following 12inches from ricardo tobar and manasyt, the third release on tel avivs musar welcomes rising uk star and super hexagon label boss, j.wiltshire. the laghan pux ep finds wiltshire sharing his psychedelic electronic side and brings his versatile skills together, serving up four completely different soundtracks. the gleaming sci-fi gem desklep opens the ep as a pure melodic idm track loaded with cornwall style while the bass-heavy title track laghan pux is pumping as a dark & sharp peak-time trippy beast. on the b side, the mysterious roy of the ravers, gives you an interpretation of what proper acid sounds like, whereas chained releases takes you on a deep and hypnotic adventure into space, full of warm guitar melodies and trancey synths. summon them closes the ep, an ambient magic piece for a hazy, orange morning where the birds just woke up and the trees singing for the first time to break the day. early support from: josh wink, danny daze, cinnaman, marcel dettmann, ame, i:cube, the hacker and more

knlb first appeared with the initialize 12inch on vibraphone in july of this year, and it s not taken them long to return with another slab of on-point, upfront house music loaded with flair and imagination. up again is a heavy, chugging and bumping jam that should inspire all manner of screwed up faces of appreciation on the floor, and then fog machine smell simmers things down to a more measured house groove. half life brings a few more dubby elements into the mix, and then the club mix of sin sends the record spinning off in a wonderfully dusty reverie of detuned pianos and late-hitting drums.