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As the title suggests, Joakim recorded this new album last year at Studio Venezia, the installation/sculptural ensemble/recording studio created by Xavier Veilhan for the prestigious 2017 Venice Art Biennale. Built inside the French Pavilion & inspired by the grotto-like Merzbau by Kurt Schwitters, Studio Venezia had dozens of artists create and record there over the 6 months of the Biennale (from Chassol to Brian Eno, from Joakim to Sebastien Tellier), invited by Xavier Veilhan himself with the help of co-curator Christian Marclay. With an impressive collection of rare instruments from medieval horns to rare modular synths (Baschet crystals and percussions, a Buchla, a clavinet...), Studio Venezia was an amazing creative playground for the adventurous musician. Those instruments were captured by a team of sound engineers in the best possible way thanks to Nigel Godrich’s (Beck, Radiohead...) mobile studio loaded with state of the art vintage recording gear.