remix ep

first ever vinyl vinyl pressing of the hyper-melodic power-pop debut ep from anamanaguchi, originally released in 2006. the famicom coloured vinyl (white with red & gold splatter) includes a download code.

chicago infected techno

ministry of sound compiles the origins of rave on double vinyl.

four hits from the first 2 sum 41 albums on limited and numbered 10 inch vinyl, cut at 45rpm.

split ep for electro fans!

90s style

analogical force welcomes voiron on their label

ltd 2020 repress !! tj hertzs first original release since 2014s critically acclaimed flatland lp comes in the form of objekt #4, a continuation of his club-focused white label series and a tribute to the sadly now defunct basement q, a formative and beloved haunt in berlin’s schöneberg district which quietly but profoundly shaped the musical identities of hertz and several of his contemporaries until its final closure in 2012.
the two tracks on objekt #4 pay tribute to two of the many musical facets of basement q in its later years. a-side “needle and thread” aims to condense several hours of a thursday night in the basement into 9 minutes and 26 seconds, embellishing a hypnotic rolling techno backbone with hyper-detailed atmospherics, enchanting melodies and tight, strident breakbeats. b-side “theme from q” is hertz’s reinterpretation of a basement q anthem, owner and founder dj bogdan’s own “love inna basement (morning dub)”, which never saw an official release despite providing the soundtrack to over 20 years of late morning love-ins in the cellar underneath the sattler & söhne glue factory. together, the two tracks offer an incomplete but nonetheless seductive illustration of one of the most idiosyncratic and overlooked clubs in berlin’s recent history.

remastered by dat

fresh minimal techhouse

great ep by the colours that rise

4 stomping techno tracks

limited edition of 300 copies.

hypnotic electro techno

3xlp trifold sleeve

hyper hyper ! it’s nice to be important, but it’s more important to be nice! scooter’s 1995 smash hit album back on limited double black vinyl, housed in a gatefold sleeve.

energiegeladener hyper jazz verschmilzt mit verspielten bässen oder eindringlichen flanger klängen.

gatefold lp + mp3

4x acid house slammer from vin sol!

ltd 10 inch with hyper jungle

ford proco wurde 1986 in tijuana gegründet und gilt in mexiko als pionier der fortgeschrittenen elektronischen musik. seit mehr als drei jahrzehnten entwickeln sie eine ganz besondere vision der komposition namens -autoconst-, die sich aus verschiedenen stilen (minimalismus, industrial, lärm usw.) und werkzeugen (bänder, synthesizer, sampler, computer) ableitet...

four-track ep of hyper-detailed techno

12 inch vinyl, 3mm spine sleeve, ...club / dj support: aphex twin, billy bunter, the fat controller, glowkid, slipmatt, dj jedi, dj luna-c, dj brisk, clayfighter, jimni cricket, bustin, sc@r, doughboy, saiyan, dave skywalker, liquid, hyper on experience, ant to be, ponder and many others

dj nobu & katsunori sawa are nobusawa. a true auteur of hyper functional dance floor techno production trades blows with one of the genres most lauded djs

sometimes, despite todays high-octane, fast-track and hyper-hysteric music business - you come across things that seem so pure, perfect and poetic that it almost hurts. socialo blanco is one of these objects

tolga continues his journey into space, reaching hyper speed soon.

event horizon ep ist eine schmackhafte, zeitgemäße mischung aus techno und elektro.

hot on the heels of hyper reality &#8206,,and vapour waves on cultivated electronics & mechatronica respectively, melas and zacharias deliver another four tracks of deep hitting electro on cpu.

ltd reissue, first vinyl ep archiving the birth of ortem featuring metro, books and cuelock. vector files takes the baton and runs with it. proceedings notch up to hyper speed as a rolling acid inspired bass line, boom bap beat, amen chops, arpeggios all !re o as the halle bop comet comes into view via some remote viewing. the energy created by the track could catapult a man to venus.

a memorably bracing, momentarily pummeling highlight of ‘song for alpha’, daniel avery perfectly bridges the light and dark contrast of his influences on standout cut, ‘diminuendo’. uncompromising tech-noid drums establish genuine frenzy, matched by a pulsating industrial drone, ultimately collapsing into ethereal feedback, before one final round of frenetic rhythm.

nova materia’s powerful, hypnotic music incorporates eerie sounds generated by raw and mineral materials (metal, rocks etc) to create tracks that are in turn hyper-rhythmic and dreamy, poised between postpunk rock and electronic dance music. the band’s sound is already making headway in festivals & clubs as well as in the visual arts & performance communities.
nova materia is a duet consisting of caroline chaspoul from france and eduardo henriquez from chile. the band was born three years ago from the ashes of panico, the chilean alternative rock group with which caroline and eduardo toured around the globe and released several albums. after two eps produced a.o. in collaboration with french producer chloé and her kill the dj label, nova materia have joined the likes of acid arab, konono n°1, juana molina, yasmine hamdan and matias aguayo on the crammed discs roster.

the first release on tava discs arrives courtesy of label-founder beigean, confidently establishing their remit of discovering and showcasing charismatic house and techno from a gritty, diy perspective. influenced by a diverse joyful musical upbringing of east coast hip-hop, turn of the millennium tribal techno, uk bass, punjabi folk and bollywood disco, each of the four tracks on beigean s ep flawlessly but daringly weave each of these specific musical avenues into hyper-specific and utterly physical tapestries of sound, road-tested and engineered to turn open-minded dancefloors outside of their heads.

boris brenecki and darko kolar (aka katran) regroup as ontal for a horo ep that combines their instinctual brutality with a deeper probe into their penchant for experimentation. lead track ikari’s flickering storm unfurls a rhythmic rage that rolls over you like a turbo-charged synapse exciter. at its peak ikari feels as if it’s about to explode into shards of jagged, forged synthesis, but pulls itself back from the brink to reignite its hostile oscillation. r-amen bends the famous breakbeat over a concentrated twin-drop, peak-time 130bpm eruption, while vigilante is a punishing machine, built to instil palpable tension. in blinding form, headless horseman takes apart ikari and reconstructs it as a hyper half-step technoid stepper, complete with a guttural drop reminiscent of the more advanced strains of 170bpm music.

boris brenecki and darko kolar (aka katran) regroup as ontal for a horo ep that combines their instinctual brutality with a deeper probe into their penchant for experimentation. lead track ikaris flickering storm unfurls a rhythmic rage that rolls over you like a turbo-charged synapse exciter. at its peak ikari feels as if its about to explode into shards of jagged, forged synthesis, but pulls itself back from the brink to reignite its hostile oscillation. r-amen bends the famous breakbeat over a concentrated twin-drop, peak-time 130bpm eruption, while vigilante is a punishing machine, built to instil palpable tension. in blinding form, headless horseman takes apart ikari and reconstructs it as a hyper half-step technoid stepper, complete with a guttural drop reminiscent of the more advanced strains of 170bpm music.

psp-dancer : the name says it all. this song is about electronic music between past and present, hyper funky, a glitter ball full with memories between flared pants and hedonism and yet straight forward for the year 2018. that s no surprise as for decades it would have been hard to imagine the rhine-main house and techno scene without frankfurt bedrocks pauli steinbach, sascha dive and patrick kunkel, not least because of their cocoon affinity. patrick kunkel and pauli steinbach take out the acid disco hammer full with endorphine acceleration towards dance floor. deep vibes recordingsimpresarios sascha dive and pauli steinbach form a disco reverb mix with a house-like depth between wild pitch and balearics, with kinky disco elements shimmering through again and again. try to take it high

hyper-dimensional sound traveling in shacks mode for intergalactic dancers

following a string of well-received eps on cin cin, exit strategy and get physical, belfast’s lor readies his debut, self-titled album ‘lunar orbit rendezvous’. this will mark the first release on his newly minted label lorec. a technique used in apollo lunar missions, lunar orbit rendezvous charts a journey to the moon and back. a bold album, both in concept and sound, its the work of an artist coming into his own.the title track and first single lunar orbit rendezvous prepares the album for lift off. its a track that carries the technical tension of crucial operations, with gnarly acid pulses and happily erratic synths sparring over a steadfast electro beat while vocal samples collapse into themselves. lunar orbit rendezvous comes accompanied by a video from studio creme whose design and video work has been championed by the likes of james holden, warp and simian mobile disco. using a hyper detailed black and white render of a nasa grade rocket, the video brings the optical journey of lunar orbit rendezvous to life

with sincere excitement co&#769,,,meme is now delivering katerinas very first ep to planet earth: just when you thought it was over. katerina from helsinki - finland via sofia - bulgaria is a passionate music lover, a skillful dj, an imaginative music maker and an emotional and hyper sensitive artist. she produces music that is essential and timeless, tracks that feel necessary in your life once they have entered it. katerina has already contributed to the ever growing, always radical and forward thinking catalogue of the co&#769,,,meme music collective, with tracks on the compilations solidarity forever vol. 1 and 3. she also hosts a show on radio co&#769,,,meme called radio emotsiya, in which she generously shares her broad musical knowledge and her very particular musical obsessions, for instance her steady – and in our opinion very understandable - veneration of dj quik. and yes, her music breathes the emotionality of hip hop, the sensitivity of well placed, swinging beats, and that steady survival mode, that essential melancholy in dance music: where melodies tell about love and longing, and rhythms help you to keep going on.just when you thought it was over, here we go again, its another day on planet emotsiya, from where katerina sends us reports about her adventures, always sided by her already legendary white cat nopo

schwarzes 12 inch vinyl in bedruckten innentaschen in bedruckter kastentasche (4 tracks), inkl. download-code (5 tracks) ... die -collapse ep- ist aphex twins erste neue arbeit seit der -cheetah ep- aus 2016. das klangbild aus hyper-editierter electronica, durchsetzt mit seinem typischen acid-sound, spuren von footwork und schwerem bassbrummen zeigt den zwilling von seiner modernsten seite seit seinem meisterwerk -syro- (oder vielleicht auch seit -druqs-). parallel mit der offiziellen ankündigung erschien auch ein atemberaubender videoclip seines langjährigen kollaborateurs weirdcore zum opener -t69 collapse-

ltd edition 12 inch vinyl in innentaschen in procédé heliophore-kastentasche mit silberfarbener alufolienprägung (4 tracks), inkl. download-code (5 tracks) ... die -collapse ep- ist aphex twins erste neue arbeit seit der -cheetah ep- aus 2016. das klangbild aus hyper-editierter electronica, durchsetzt mit seinem typischen acid-sound, spuren von footwork und schwerem bassbrummen zeigt den zwilling von seiner modernsten seite seit seinem meisterwerk -syro- (oder vielleicht auch seit -druqs-). parallel mit der offiziellen ankündigung erschien auch ein atemberaubender videoclip seines langjährigen kollaborateurs weirdcore zum opener -t69 collapse-

2016 fand in santiago de cuba das manana festival statt. es führte zu einem intensiven dialog zwischen vertretern regional-karibischer musiktraditionen und internationalen independent-künstlern aus dem spannungsfeld von dance, avantgarde und jazz. mit der gründung des labels manana wurden vor ort geknüpfte fäden aufgenommen und weitergesponnen. daraus resultierten bereits zwei außergewöhnliche tonträger. -soundspecies & ache meyi- ist der dritte dieser reihe, er fusioniert auf aufsehenerregende weise folk aus kuba mit britischer elektronik. hinter soundspecies verbergen sich zwei als djs und produzenten aktive brüder aus dem englischen dorset. in ihrer musik loten sie die verbindungen zwischen den klängen und formen elektronischer tanzmusik einerseits und den repetitiven mustern von traditionellem folk andererseits aus. die formation ache meyi hat sich hingegen afro-haitianischen rhythmen und stilen wie bembe, vodu, gaga und merengue verschrieben. und das auf eine ziemlich dynamische weise, was angesichts des bandnamens wenig überrascht. die yoruba-begriffe -ache- und -meyi- bedeuten so viel doppelte power.

after a triplet of solo 12inches, all courtesy of label main man rupert marnie, hamburg-based imprint the press group are set to break 2018 in with the multi-flavoured tpg004 - a versatile debut va that offers a fine close up on the labels whole cast of operating forces with some choice contributions from tpgs core tetrad including youthman(29), ten letu, dj dodo and marnie himself. mind your backs! shape-shifting yet coherent as a whole, this collective effort puts together a swinging confluence of sounds and aesthetics clearly aimed at the dancefloor but equally poised for laid-back chill sessions. first release on the label to reunite the entire crew, tpg004 mashes up a wide-spanning array of grooves and tempi in exploded view, giving full vent to each artists idiosyncratic universe whilst establishing a hyper-modern sound id, both infectiously funky and undeniably potent. casting its net far and wide: from the pared-down astronautical breakbeat of youthmans ‘aemilia to dj dodos breezy jacking jazz-footwork hybrid ‘the machine via rupert marnies lithe ganjah-smelling shuffler ‘health and ten letus muscle-flexing acid roller ‘ah, you shot me!, its a feast of feelgood beats that youre invited to, neatly connecting the dots between the guys shared love for video game soundtracks, liquid dubstep, heavy jungle breaks, minimal house and further daydreaming, hazy harmonics to drape yourself into. vital sales points: first 12? from the press groups whole cast of members including a locked groove on the b-side.

black vinyl housed in a 5mm spined outer sleeve. includes artworked 12 inch poster insert and download code. photography by fabian hammerl and design by bu&#776,,,ro bru&#776,,,ggman

tatu metsätähti and tatu peltonen formed their electro duo mr velcro fastener in the small town of turku, finland back in 1995. in 1999, after a couple of twelve inches, they released their first full length album ‘lucky bastards living up north’ on i220, which was well noted (not only for its hyper colourful cover art by the designers republic). the album took the duo touring in europe and overseas, and led to further releases on labels like stars-music, ali b’s air recordings, solina records, cyber dance and of course billy nasty’s electrix, as well as remixes for the likes of hardfloor, marco carola, dk8, transparent sound and aux88. returning to electrix with their third full ep for the label (and a gap of 13 years!) they have delivered their own unique and recognizable electro sound with two new cuts. ‘a monster in two worlds’ with its electro-funk sound, classic vocoded vocals and grinding groove is a perfect opener, while ‘bakteriofag’ (bacteriophage in english) like its name, creeps up like a virus, infecting the senses with its crisp and shining melody. additionally, there’s remixes of ‘a monster in two worlds’ from silicon scally (carl finlow in his electro guise) and m-twelve (the new moniker recently launched by billy nasty and surface’s nick dunton) to complete the line-up.

enter the winking ship and go on a journey through the half-human-half-hyper-reality of david goldberg. emo serialism is a sparkling macrocosm of breakbeat wizardry, technoid trance, robo emotion and versicolour ornamentation. the eponymous first track with its safe ground baseline is the cotton wool of the ep, the galaxy’s aether and the joyful opening ceremony of this planetary feast. baseelmnt64 rings out! the stars align and the tournament begins. lightyears later, hobbling yet graceful konradichtion 101 is the daring darling of the public, thus emerges victoriously. and the moral of this story is made for / left for blank.

originally released back in 2011, lord giveth, lord taketh away, saw freddie gibbs team up with legendary east coast beat maker statik selektah. the project was recorded in a single day, with the sessions being broadcast out on u-stream. across the seven track ep, gibbs showcases his hyper technical gansta rap flow, stepping out of his comfort zone rapping over some classic nyc boom bap production. the ep features guest spots from trae the truth, smoke dza, termanology and more. omerta inc. will be bringing this collaborative project to vinyl for the first time. as well as featuring the seven tracks from the original project, the vinyl release will include two bonus tracks, crushin’ feelings and carry on featuring joey bada$$.

music from memory return with more ‘music from the living room’. delving further into the archives of british musician michal turtle, mfm 029 ‘return to jeka’ brings together eight previously unreleased works recorded between 1983 and 1985. drawn from a larger archive of works the compilation highlights a fascinating period of material michal recorded after the release of his only album.

2017 saw the first two stunning instalments of lone aka matt cutlers ambivert tools series - breezy atmospheric house, stacked with floor ready trax, inspired by his red hot magic wire imprint. it also saw him present an inspired instalment for the venerable dj kicks series. (mixmag number 2 compilation 2017) now freshening up for 2018, volume 3 finds lone in vintage form - temples reconciles his love of heavy breakbeats with the nagging euphoric melodies, tracer thin synth lines and angular bass for which he is so beloved. hyper seconds once again displays cutlers ability to channel the grooves of classic us house with a banging rhythm track and glistening gated arpeggios contrast perfectly for a rugged peak time bliss out. with this latest instalment of ambivert tools its fair to say that cutler has proved himself one of the most consistent delivers of quality dancefloor tackle that perfectly balances the need for radiant melody harmony with tough grooves and psychedelic experimentation.