ltd reissue, first vinyl ep archiving the birth of ortem featuring metro, books and cuelock. vector files takes the baton and runs with it. proceedings notch up to hyper speed as a rolling acid inspired bass line, boom bap beat, amen chops, arpeggios all !re o as the halle bop comet comes into view via some remote viewing. the energy created by the track could catapult a man to venus.
second part of the beat installments series by dj mitsu with 4 cuts of jazzy hiphop-downbeats plus a collab with takumi kaneko aka cro-magnon on >silver< for that special jazzy deephouse-touch.
first part of the beat installments series by dj mitsu with 4 cuts of jazzy hiphop-downbeats plus a collab with takumi kaneko aka cro-magnon on >snow bunny< for that special jazzy deephouse-touch.
following up drawn with shadow pens on spectrum spools, belgian sound artist yves de mey returns with bleak comfort , his third solo full-length. geared towards serving up an intense musical experience, the album deconstructs regular club music to highlight some of its key elements in a transformative way. an album about absence, malfunction and disorientation, bleak comfort is equally packed with floor-functional material and left-of-centre electronics. by turn sizzling and spherical, convulsive and atmospheric, yves de mey ushers his listener in a hypnotic kaleidoscope of sounds, providing a fascinating picture of his ever dynamic grammar at variable scales and tempos.
nachdem temporär die special edition des soundtracks erhältlich war (anderes coverartwork, pink gefärbtes vinyl), kehren invada nun mit dieser neuauflage zu dem ursprünglichen design des soundtracks zurück. sprich es ist auf dem cover wieder die rückenansicht von ray gosling in seiner silberfarbenen skorpion-jacke zu sehen. damit es nicht langweilig wird, ist das 140g schwere vinyl nun so gefärbt: frosted clear with multi-coloured splatter . das gatefold-cover rundet diese edition ab. -drive- gehört zu den populärsten scores der letzten jahre. die mischung aus elektronischer pop-musik (unter der leitung/produktion der chromatics) und dem elektronischem soundtrack (von cliff martinez, ex- red hot chilli peppers) geht wunderbar auf und verbindet sich treffsicher mit den suggestiven bildern des films.
danish composer the swan and the lake is at it again with his trademark widescreen soundscapes wrapped around eight new tracks of exquisite scandinavian balearica. with the release of his first album -moments- last year on copenhagen’s music for dreams, we were introduced to a unique artistic vision. with one foot in the ambient chill out spectrum and the other in everything from classical avantgarde, idm and jazz, the music of emil svane breum under his alias the swan and the lake is both very accessible yet complex. on his new album -clouds- we see him expand on those same ideas and with seemingly simple means achieve extraordinary strong emotions. opening side a, the jazzy intro of -fresh food- leads us into a sublime piece of hazy ambient groover that could easily be mistaken for a lost 80s production from japan. -clouds over Østerbro- keeps things playfully cool and adds elements of scat singing and xylophones, layered over breum’s shimmering bright chords. while the title suggests we are still on danish soil, this feels like a five minute vacation to a tropical paradise. guitarist johan liepstack makes a guest appearance on -summer in december- which comes off as an understated anthem that could break out into euphoria at any second, but manages to stay in a sombre state all the way through. on the track -plastic pacific ocean remake- we are visited once more by airy vangelis-like vocals which assume the role of a nurturing angel, guiding us to a comforting state of relaxation and healing, as breum lays down an overwhelmingly beautiful synth serenade with chords that hit you right at the core of your most vulnerable state. flip over for the mallorca inspired track -port d andratx- which comes in two versions - part 1 (sun) shines like a perfect escape into that cafe del mar/ hostal la torre sunset while the more deep and melancholic part 2 is aptly named rain. the gentle trickling of -waterfalls- sees breum mimic the eternal cycle of water, creating an organic and ethereal composition that stretches out seemingly without beginning or end. and finally on -heaven’s voice- we see breum in his most epic and emotional mood, as he steers us through a slow explosive force of cinematic sounds. it all ends with a heartfelt spoken word contribution by guest vocalist neonbi.
zum fünfjährigen jubiläum legt das britische label invada eine special edition des soundtracks auf. musikalisch gleicher inhalt, aber die verpackung ist völlig neu: regisseur nicolas winding refn und komponist cliff martinez haben neue liner notes verfasst. die komplett überarbeitete grafik stammt von dem künstler john bergin. das vinyl selbst ist zur hälfte transparent, zur hälfte pink. diese edition gibt es nur bis zum jahresende. sie ist zeitlich begrenzt und damit sehr limitiert. danach wird wieder die ursprüngliche version aufgelegt. -drive- gehört zu den populärsten scores der letzten jahre. die mischung aus elektronischer pop-musik (unter der leitung/produktion der chromatics) und dem elektronischem soundtrack (von cliff martinez, ex-red hot chilli pepeprs) geht wunderbar auf und verbindet sich treffsicher mit den suggestiven bildern des films.
CHICAGO BOUND - CHESS BLUES, R&B AND ROCK N ROLL (2X12)
2x12 Inch LP 13.06.14
der rhythm & blues-fachjournalist lois wilson (mojo, record collector) hat für fantastic voyage tracks aus dem chess katalog aus den genres blues, r&b und rock n roll ausgewählt. die vinyl edition enthält 32 clubtaugliche stücke und einen farbigen einleger. mit dabei sind songs von muddy waters, chuck berry, howlin wolf, bo diddley, john lee hooker, u.v.a.
the golden anniversary of the godfathers of dutch rock is something that should be celebrated in the best of ways, and music on vinyl has decided to join the party by releasing a brand new compilation of the golden earring on heavyweight 10 inch vinyl!
this is not a run-of-the-mill collection of best ofs, but a personal selection of favourites that in some cases were only released as singles in the early years of the wild boys, before their big international breakthrough. but be quick!
comes as 120 grams audiophile vinylin gold printed and numbered sleeve.
crossroads in cowtown explores a period in country music history when genres were being bent and boundaries smashed. focusing on western music, either produced in or influenced by californian studios and artists of the fifties, this compilation delves into the classic hillbilly sounds of the period and revels in the oddities created when disparate styles collide in the search for commercial success.
compiled by brighton-based dj shamblin sexton, crossroads in cowtown collects together a swinging selection of western pop tunes that brings on the hillbilly fever!
dj support: peaky pounder, the dj producer, broken rules, lenny dee, tymon, ophidian, dj smurf... yes yes, release number 6 is ready to hit the industrial floors. this time we present you various (most of them already well known) artists on one ep.
dj support from cream with andy mac (radio city), a trax, laidback luke, fake blood, tepr, ali b, crookers, drop the lime, dj craze, bongorock, nadastrom, tittsworth, dj fame...
traum is proud to welcome the new wunderkind from the uk, max cooper. max is a great uk dj who is also involved in mathematical modelling research on the evolution of networks of genes at university college london, a sci-art project combining evolutionary and music production algorithms. max cooper has many lives and he is a true wizard in his category. born originally in belfast he has been resident at the rumour as well as playing his 9th year at clubnight >firefly<. max can be heard regularly djing in the key - london, stealth - nottingham and the cross - london. he was quickly recognised by the media, receiving the label of mixmag future hero . max has joined traum with a 3 tracker involving top english producer kanio for a remix of the a-side track >harmonisch serie<. max coopers innovative programming positions him music-wise alongside artists such as dominik eulberg, minilogue and extrawelt. his epic structure has a unique narrative character to it which distinguishes him from others and sometimes dares to become almost soundtrack like, full of ambience. maybe this is best expressed by his b2 track >i< . his debut on traum is a unique sound sensation of incredible details and big sound layouts, as if made for traum. melodic and gentle but at the same time energetic and full of colours with a sci fi edge to it! max has also remixed extrawelts >im garten von eben<
2022 repress - scott grooves is back to work on his natural midi label with the >another 500< ep. the a-side is an updated mix of 2007s > only 500< - a track that has been sold out and in demand since its release. on the flip, we have >decimal 2.0< - a raw and hypnotic techno track and >deeply uncomforable< - a deep house track stamped with grooves classic signature grooves all over!
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