to help us celebrate 5 years of wncl recordings, kevin mcphee has returned to the label – and this time, hes on the creep...

after the first ep from aprapta comes here the 2th ep from our friend patrik dittmann aka ibatan incl. felipe venegas remix enjoy it !!!!

darkness breeds darkness. since the beginning of time, the secret quest has always been how to simulate this blackness. vent explores the dark side of things, guided by the fearless stephanie sykes lighting the way. a complimentary reinterpretation from dasha rush is shedding new light on stephanie’s visions. with this installment, vent is more than pleased to display a different take on techno, both deeply atmospheric and danceable.

nologo is back with 2 essential, tried and tested underground club tracks. orlando b serves up side a with dark world, an epic, slow burning, dark-house journey. dark world begins completely stripped back before the main hook, an eerie hypnotic vocal is introduced. funky percussive elements creep in which drive the piece forward and a deep minor pad heightens the tension setting the tone for the rest of the track. the energy builds gradually with the addition of a 303 bass line peaking just before the end, taking the listener on a dark hypnotic trip. on the flip, is none other than house & techno legend mr g who uses the dark world vocal but takes it somewhere new providing his own unique and distinctive flavour. mr gs rum remix is a dark and twisted peak-time banger, the high energy from the off set perfectly complementing the slower vibe of the original. plenty of sub and twisted synth action keeps the momentum high and the dark stab he uses punctuates the vocal nicely giving it a raw edge. dark world is an essential addition to the record bag for darker dancefloors. dj deep: i love this, your remix is super funky and dark at the same time!!! dope! tom (panorama bar): ufff nice and dark.....another mr g gem. to be served with the rum rush...

middlesborough duo perfume advert (aaron turner & tom brown) follow up their long sold out debut release on 1080p with their first 12inch drop kappa downs for where to now? records

hopeworks opened just under two years ago, in the heart of sheffields former industrial centre. this empty warehouse has since become the hedonistic epicentre of the citys vibrant all night clubbing scene as chief resident and director of hopeworks, lo shea has built the ethos of the space from the ground up. having hosted an enviable list of international guest artists as well as showcasing the best of tomorrows talent, hopeworks has become an essential melting pot for the cultural and musical future of a city whose electronic heritage has surpassed its industrial one. a platform to release the music inspired by the space and its loyal crowd, not to mention the artists who have contributed to its success, makes perfect sense. who better to take the helm of this debut voyage than lo shea himself… following his successful seaghdha series, liam continues to flesh out a distinctive sound that doesnt easily fit into genre divides, but which is informed and inspired by all those late nights. often functional, always perfectly weighted - his productions have - given the diverse & astonishing energy of the space that feeds them - gained support from djs and dancers the world over… this is 100% mixed in sheffield & believe us, hope, works.

limitierte 3lp vinylauflage zum neuen deadmau5 doppelalbum while (1<2) mit 25 tracks und über 140 minuten spielzeit.

supported by pig & dan, horatio, mihai popoviciu, abyss, benoit c amm.
the freshest fresh from elusive. we ve got two exciting newcomers on this record! radkovski and ki.mi. have both been sending some positive deep vibes out to the world for quite a while now, and it s now time for you to hear and believe it, as quality of there productions speaks for itself. on the flip side label owner slavaki supplies you with even more power for the dance floor, unveiling one of melodic tech dance monsters that will leave no one standing by the bar. please welcome regeneration va as we move on to our 20th release

ford foster doing what he does.. no messin, straight fire tracks for the floor on new imprint just left white

limited editon for this 12 that compiles different hidden gems from aybee in his different projects like orion 70 or working with the vocalist omega or dozie. technosoul in the best way.

aperture records is excited to welcome back oberman knocks with a brand new four track ep: wrecque byte quarters.
following on from two amazing albums to date, oberman knocks continues to grow and evolve as an artist, this time stepping it up a notch in the field of musical experimentation.

where the voice ends is the awakening of music! 4 tracks of blazin deep, dirty high & low life fun in berlin

dftd is a new, breakout label to defected records focusing on fresh, new and undiscovered talent from around the globe along with the occasional curveball release from established acts. dftd complements its parent with a more diverse musical remit, releasing a broad range of electronic music, focussing on quality, discerning dance music

hessle audio co-owner pangaea (aka kevin mcauley) distils the sounds explored on his last record release into a three-track ep to begin his new hadal series. techno meets uk hardcore in 2013.

excellent 2x 12 inch with hot maceo plex tracks and edits... nice

fresh again, silks favorite dunce-dance diva, maria minerva, tries on a new wardrobe with her bless ep. busting out with sweet n swingy single black magick, minerva caters her classic la-la lyrics about an occult/joke-cult romance over a new waif, schneider-esque pop-rock lobsta beat. space 4 u slips echo-drone vocal monologues over a laface-style rnb booty bumper, while symbol of my pleasure sneers with a walk this way funk lick, both reminding fans of minervas naughty/playful creep-creativities. rounding out the ep are soul searchin – a sleazy, down-tuned, junk-jungle comatose doser – and lady blacktonikas black magick garage trippin remix – a layer cake of luscious tush pushin and an ode to another sassy lady, miss kier herself. confidence is key, and this is maria minerva struttin,’ on and off key, through her newest collection of wand songs.

wie unglaublich gut die floor-kompatible adaption von dillons sperrig-schoenen song-kunstwerken funktioniert, hat schon die erste remix-ep ihres gefeierten debut-albums this silence kills bewiesen

mannequin is sincerly proud to announce the second volume of the much acclaimed italian new wave italian compilation. danza meccanica is the latest, unmissable chapter in the story of italian post punk - the less traditionally rock branch. it outlines the approach taken by ten more or less unknown groups who all deserve rediscovery and to be remembered alongside luckier outfits. ten tracks that spell out the manifesto of a scene fascinated by electronic innovation, a scene that used the sounds coming out of english labels like factory, 4ad and mute as a reference point. the grey atmospheres and raincoats of a still-divided berlin, and those of manchester, which along with sheffield produced sounds destined to inspire future generations of musicians and producers. limited edition of 500 copies, 2 inserts

another member makes it to the family: deejay ozka
david nizet has been around in the belgian underground techno scene for ages, we mean early nineties. he was part of the 6th sense collective during the mid 90s with releases on dave angels rotation and the legendary belgian label re-load records. despite a detroitish nostalgic touch in his productions, small modern minimalist influences gently creep in to all his tracks to turn them into brilliant pieces of never outdated, or should we say evergreen, techno.
with past releases on aesthetik, mowar, labrynth and played by marcel fengler, markus suckut, matt o brien, jamie behan, .. (the list is too long actually), he is definitely up there with the big ones.

your imagination paints the picture as these sounds creep into the alleys of your mind … midwest maestros gmarcell (chicago) and keith worthy (detroit), get together on this one to create sublevel mayhem …. this is underground … this is deepness … this is: the rise of the dijital teknobots!!!!

deadboys own brand of garage flecked melancholia rocketed out of the stables on the single sided >if u want me<, our very first release in early 2010, and the brighton based producer hasnt let up since, remixing artists like cassie, jamie woon and romy xxs creep.

kitsune maison 11 >the indie dance issue< will be out worldwide on may 16th with rare and exclusive tracks by is tropical, creep, peter & the magician, housse de racket, polarsets and many more!

comeback-single der frontfrau der englischen punk formation x-ray spex! die single stammt vom kommenden album generation indigo von poly styrene und wurde von youth (the verve, killing joke, the fireman, edwyn collins) produziert und geremixt.

the journey starts with epic pads and deep-space melodic strings that flow into rolling drums on the intro, building up into the massive anthem . the drop delivers big, bad, wobbling basslines & retro analog synth stabs that fire over heavy assaulting beats, making this an absolute dancefloor smasher destroying everything in its path and taking no prisoners!
the flip side jumps off with a futuristic atmosphere of high-pitched strings, pads and funky percussion hits while hinting a classic hip-hop sample. wide-open, ravey synths creep up and build into the drop that hits with pounding drums and filthy punishing basslines moving in perfect balance to break free just long enough for the vocal to remind party people in the house what time it is. guaranteed to get the crowd going mental - this one is a banger!

after an impressive debut with thugfuckers >disco gnome<, life and death returns for round two as it once again gives us its slightly psychedelic after-hours take on dance pop. here it s with a remix ep that features two stellar remixes of danish band whomadewho. the first remix comes from tale of us, the young italian duo who were quickly recognized for their incredible remix of disco gnome and who are already being recognized as one of the most promising new electronic acts to come out of italy in the last 5 years. the second remix comes from michael meyer, a pillar of dance music and an outstanding producer who truly needs no introduction. with a dreamy voice and haunting melodies that creep into your brain and stay there until well after the lights have come back up, >every minute alone< seems set to establish the new label as strong voice leading the charge into new territories along the borderline of dance and pop.

well then. whats the news? on >we so horny<, hey-°-hansen strip down dub rhythms ranging from the fifties up to electronic dancehall and make them up freshly in the guise of dubstep. dub at the interface between digital and analog.

a made up sound bringing house for the emotionally unstable on 003. drunkenly swaggering along, the punchy discofied-bass-clap-whatever ‘alarm’ is owned by a pair of synth stabs that got out of bed with the wrong foot first. after an almost clowny breakdown, moody pads soon make clear this track ain’t funny at all... ‘crisis’ on the b-side is all about restraint. thick house-not-house beats and a thumping acid bassline move on and on while a vacuum cleaner blues and hazy will-o-the-wisp-like strings slowly creep under the skin. those who like it nice and shiny better think twice... killer twelve!

deluxe edition on 180 gram double vinyl, including the original album plus extra lp with live recordings from pine street theatre, portland, or on february 9, 1990.

brut! records baby sister label, pop!, sees its second release with popnonames spaces. an eclectic line-up, including joerg burger, freund der familie and paid for fame, remix the original three times over to offer a varied perspective of the same brave track. revving its engine, spaces drives you to experience things. it invites you to crack yourself open so that through that voluntary rift some new future might pour. bold, beautiful and formless it emerges, washed in a golden light. a baby nebula, perhaps if you are lucky, cradled in the spiral arms of a distant galaxy patiently building mass as it clumps gas and dust together. the important things often creep up silently…recognized only once they are there, even though you had given them no shape in your mind prior to their arrival. space gives possibility to what these forms might be, boundless in four-dimensions. its that expanding medium that allows imagination to roam without end…where the need to distinguish between what you know and invented evaporates and flows pure and clear as an ice cold stream.

must have classic live performance!! grunge at it best

special triple vinyl pack from karateklub, containing these eps:
- kk015 melani - pergolia
- kk019 oscar - creep speed ep
- kk027 material object - consumer electronics ep

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

the irresistible force of ambivalent and the immovable object jpls team up on minus74 for a collaboration that can only mean trouble for the dancefloor

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

ziemlich abgründig, was der gute seph hier vorlegt. sollte während des verzehrs von trips gemieden werden. ist schon trippig genug mit seiner palette an störgeräuschen

includes twista feat t pain, beanie sigel feat r kelly, kanye west and mario

german producer francesco diaz with a little help from those young rebels! more famed for their funkier productions, the duo allow their darker selves to creep outof the studio delivering a dark, heavy synth-graced beauty, complete with a naughty spoken top line….as ever with joia, the remixes aint just on here to make up numbers – swiss producer danny freakazoid has been doing the business now for the past 2 years, an ever present in the circles of toolroom, cr2 and big love, he applies some of his trademark studio wizardry keeping the mood a cool shade of dark whilst stripping loose the vocal. the final mix, is superbly constructed by the ever talented john dahlbäck, slick bumpin electro vibes work alongside the chopped up vocal perfectly, tailor-made stuff for the forthcoming seasonof mayhem…

6 tracks of dark & wavey roboter electro, very energetic. bunker dystopia / kommando 6 style

finest chicago ghetto tech 5 track ep

after the superb ost & kjex ep another norwegian pair comes to dialect – trulz & robin !! >crazy be< and >acid cake<, both licensed from planet noise and a hot new exclusive track entitled >move yer ass guttan<. this brand new track is once again a serious dancefloor contender. driving trippy acidic number taking no prisoner. >crazy be<, catchy vocals on a bed of tight electro beats. dark mean and cold, yet so good. >acid cake< is a insidious mid tempo acid groover that will creep up the back of your mind and never leave

dj traxx from the dirty criminals with a new slamming 12 done together with legowelt. dirty rocking smack chicago acid tracks, garantueed to jack the house..

an electro monster that will creep and crawl, get under your skin, and inside your mind. plus a phantastic roman flügel rmx (one half of alter ego) dj support - ivan smagghe, tiefschwarz, dan ghenacia, ata, jennifer cardini, alter ego. damian lazarus

party guaranteed detroit ghetto bass, co-prod. by godfather, nasty & mr. ries

a cross-section of house styles, from downtempo head-nodders to bumping peaktime pleasers to funky disco-house

cd+dvd edition, hardbook, hardback case packaging with sewn in booklet. celebrating 20 years since the release of neon nights

jazz