your 5 day holiday is coming to a heartbreaking end on the magnifique isle of paradiso. as you wait on the pier for your last rendez vous with that special someone, your holiday romance is nowhere to be seen. all that’s left is the memory of shared cherry vanilla slushies, inflatable flamingo races, and the vibes…
these vibes have been conveniently pressed onto the latest slab of wax by your friends at childsplay to remedy your post summer-luv blues.
don’t let autumn get you down, get down to manuel instead.

* no order* is a&#8203,,,,,, * deeply emotional and darkly &#8203,,,,,,atmospheric track*. billboard only three releases in and kidnap kids birds that fly is proving to be one of the most prominent uk labels with knockout releases so far coming from kidnap kid himself and bristolian applebottom. keeping the standard sky high, this next offering comes as an epic double hitter from us native amtrac. caleb cornett aka amtrac has been pushing his creative limits as a producer, dj, musician and vocalist since 2008. through this release he skillfully creates feelings of elation and euphoria sharply contrasted with a moody and melancholic ambience. he explains how ‘no order’ is like a movie score for the club, diving deeper with it’s dark atmosphere. big ups to kidnap kid. i love the direction he’s taking with the label musically and aesthetically.” raised in kentucky but now based in la, multi-talented artist &#8203,,,,,,amtrac can electrify an audience with his moving live performance and his driving, funk-filled dj sets. he recently released ‘those days’ featuring vocals from stevie wonder & marvin gaye on legendary uk label toolroom records followed by the &#8203,,,,,,‘lost in motion’ ep, which really gave a snapshot of where he is at musically. never content to settle, amtrac’s musical mood and influences change with each passing season. his ambition and curiosity keep him locked on the edge, always happy to experiment with new techniques and sounds.

kidnap kid’s birds that fly label got off to a flying start with his ow&#8203,,,,,,n release,‘ moments’ feat leo stannard picking up over two million plays and shaking up the spotify / hype machine charts. next up on the imprint is rising uk star apple&#8203,,,,,,bottom with &#8203,,,,,,‘the ride’ ep, an artist that draws many parallels to kidnap kid’s own early career as he barely has made his way out of his teens but already caught the ear of some of the most sought-after labels and radio establishment. annie mac can’t get enough of him and his releases on kerri chandler’s madtech, zed bias’ biasonic and uk powerhouse black butter records have coined him one of the future figureheads of dance music. applebottom has come to be considered a beatmaker able to transverse genres with that rarest of production talents: the consistent ability to make a straight-up club banger, which makes him the perfect follow up for birds that fly. “‘theride’ was quite a diff&#8203,,,,,,erent piece of music for me, ’he explained of the track, ‘i had been thinking about where i d want to release it and i was pretty stuck. but shortly after i d finished it kidnap kid’s first ep on birds that fly came out, and straight away i felt a connection with the sound and a lot of the music i’ve been making recently. it already feels like it has a clear and distinctive sound forming and i can t wait for my music to be part of that.” applebottom hails from the musical mecca of bristol but shares a pioneering view of its style and output. “&#8203,,,,,,i think a lot of people have just gotten too comfortable making the same sounding dance music - and for me that kind of defeats the point, there’s so much variety in it. i feel that particularly for my generation anyway, we’re a lot younger as producers and it’s kind of our job to be that next generation that produces that next sound. we should be striving to make something new and different and build our own vision of what it should be.

hot on the heels of the first two parts comes part three of hoshs stories from sa talaia series. the series takes tracks from his recently released album of the same name and releases them on his new fryhide label. first up are two collaborations with pig&dan. atlantis is not a fairy tale, a spine tingling tune with shifting melodies above rolling rubber beats. it s emotive and colourful and sets a nice mood to start off. the second brotherhood balearea is deep and elastic, with nice rubber beats and spraying synths bringing some real dynamism to the table. one of those tunes sven väth would drop at those special ibiza after parties. awakening of the birds a collaboration with karmon takes off right there and keeps you in that trance but gets more groovy with its inducing light footed drums, airy hi hats and skyward melodies all zoning you out. last of all, meeting mia lee is a beautifully melodic track that really moves you and strikes a resonant chord with your heart as the smooth and deep house vibes unfold. speaking of heart it features the heartbeat of hoshs unborn daughter. once again then, this is another richly rewarding ep from the one and only hosh.

london duo jynx provide the next chapter to kidnap kid’s birds that fly, an imprint quickly building a slim but effective catalogue.
this two tracker is a true fusion of sound, entangling vibrant ukg percussion, emotive vocals and charmingly quirky production.
altogether it creates something beautiful and unique, echoing the individuality of the label itself.

vinyl only , fantastic ep by matt star on brother gs vinyl only imprint * gravity surfer*

ian blevins has been busy making a name for himself on esp institute and futureboogie, but now he comes to not an animal with a slightly different approach that still speaks to the skills the upstart producer has in his sonic arsenal. -the birds- is a focused, steady-tracking cut for the deeper end of the night, but there s some serious weight in those drums and the heavily processed vocal snippets pack plenty of malaise. man power then step up with a -tropical bastard- remix of the original, cracking the curtains to allow a little light into the mix but stopping short of over-cooking the mood. -locate yourself- on the flip finds blevins in tracky techno mode, and it turns out it s a style he can nail just as easily as the more organic tones he s known for.

loaded acidic & crafted tension, exploratively executed with and overall consistent and limited sound palette. mullie mess has been recording and producing as 100records for years and always carved a way through the real sonic underground of berlin. simultaneously strict and tilted, straight forward and leftfield, harsly deep and still masterly captivating. last track is also source material for madteo s cositas ricas featured on sex tags amfibia s amfibia 15 lp compilation.

sb01 - cassette+digital - new sub-label of jsmë.

as fans since 2014, we’re very excited to be releasing the debut vinyl from danish multi-disciplinary artist øjerum. titled ‘when birds fly, the eyes of heaven can rest’, the lp features two extended tracks of aetherial, haunting and otherworldly beauty. the cover art is a hand-cut collage, part of an ever growing body of incredible work from this talented dane. the artwork expresses the audio perfectly. a floating, drifting haze of light, subtly shifting, organic. this is a world to lose yourself in. the lp is housed in a reverse board sleeve. pressed on clear vinyl, cut at the carvery. limited to 300 copies

dj seinfeld assumes his birds of sweden identity and unleashes a strictly limited and club demolishing vinyl only cut for the crew over at un.t.o.

when words fail, music has the ability to depict the deepest of human emotions and once again kidnap kid uses his signature emotive and sophisticated production to do just that. he returns to birds that fly, the label he founded less than a year ago with brokenhearted an ep containing two original tracks. brokenhearted is a reaction to the immense sadness in the world. my way of processing endless tragedy and distant despair. mist, on the other hand, is a more hopeful response, a faraway light at the end of the tunnel - kidnap kid. musicians have been making music about love and heartbreak for hundreds of years and kidnap kid’s statement on the eternally relevant topic starts with brokenhearted ,a track that taps into the memory vaults. next up is mist whose simple melody is layered over intricate sounds to create an immensely absorbing track. the start of 2016 saw kidnap kid launch his birds that fly imprint as a platform for his own music as well as a means to support like minded producers, such as applebottom and amtrac, both releasing on the label with great success. the labels debut release was from kidnap kid himself and moments was met with such high acclaim it collectively reached 10 million streams, 1.3 million of those coming from spotify and subsequently made the spotify chart in over 10 countries. it was championed by several radio 1 djs and was the closing record for many, including maceo plex who closed his set at crssd festival with the track.

this four track ep from venice based producer, steve murphy, features jazzy, rhythm heavy productions with analogue elements throughout. number nine from a label that keeps on giving.

kidnap kid kickstarts his new label with an anthemic and emotive production that is arguably his best to date.&#8203,,birds that fly &#8203,,is an indelible cut thats timeless in nature. its accelerated by an equally moving and slick production, moments feat leo stannard&#8203,,, a captivating classic in original form as well as the paired instrumental mix. after releasing on a number of great labels over the past few years, i m excited to have one to call my own. birds that fly was born of the need for a home that felt in harmony with my musical aesthetic. im looking forward to releasing the music i love over th&#8203,,e years to come. kidnap kid kidnap kids versatility is what shines here. treading a winding path, he originally made his home on the black butter label, but has since spread his wings to encompass a more underground aesthetic. this journey has led to the conception of &#8203,,birds that fly a home for his own and other likeminded producers and a platform that will no doubt be a compellingforceinthecomingmonths.th&#8203,,e&#8203,, vocalson moments belongtosingerandsongwriter&#8203,,leostannard&#8203,,,&#8203,,who at only 20 years old is also part of the black butter family, and was recently supported by bbc introducing.

rawax proudly welcomes alexander dorn aka credit 00 to the rawax family!
back in the days at the west-saxon highlands there was a missile, which marked the starting point. when credit 00 saw the legendary rocket rise on tetris’ final screen, it was the first time he became aware of electronic music at all. since then it actually hasn’t changed that much. he keeps pushing that buttons that belong to the impressive pool of music machines towered up next to his bed. after moving to dresden in 2000 to study fine arts, his passion for synthesizers and drum machines got nurtured through visits of dresden’s club-canalisation. he quickly made himself a name as a dj, who is just doing his own thing and got popular for that reason. as a part of the idealfun-crew he started hosting parties always in the twilight zone between legal and illegal. this led to “robo dance”, dresden’s only and (also for some other reasons) best electro club night featuring guests like dmx krew, luke eargoogle or imatran voima. the track credit made with randy barracuda of imatran voima has probably been created some time after the show. apparently, randy was not in good shape anymore and so “lebensraum” unmistakably bears credit’s hallmarks. for his own music he’s inspired by cannibal movies, number theory and birds. still, his music is not easy to pigeonhole. after all, he loves synth wave, electro, afro, kraut, kosmische, disco, italo, miami bass and other proto stuff – a lot of machine music.

when the flowers bloom at the awakening of the season. with translucence shining like liquid stars decked out in glorious hues of pink, purple and blue. when the trees grow and the birds fly out. when they gently beat their wings, gliding upon the blue canvas of the sky. you get touched by the sounds and the beauty of it all. it lights that fire deep within you... reedale rise shows us the way of things,.. as it was then, and still is now.

allblack + atoll remix. vinyl only. 180 gram.

after almost two years of busy tour schedules and widespread unanimous critical acclaim longstanding experimental pop crusader jane weaver finally commits one of her most requested projects to vinyl in the shape of dedicated mini-album the amber light presented here on exclusive and limited amber transparent vinyl.limited edition of 500 copies on orange vinyl

the second output of french producer sébastien bardy -floating birds- on numoment recordings. -floating birds- is a classic deep house track with a great arno e. mathieu remix. supported by : dvs1 (klockworks), karim sahraoui (transmat records), spencer parker (rekids), jane fitz, dj yellow, sébastien bromberger (modelisme), dj steef (retrofit)... « floating birds » long atmospheric intro with birds singing, deep and uplifting deep house cuts with classical tr 707, subtle acid bassline and a melodic pad that stays in your head. « floating birds (arno e. mathieu rn7 remix) » true to the arno e. mathieu’s productions, his remix is coming with a funk bass-line and additional cosmic melodies, bringing a soulful energy with organic textures, but keeping the electronic vibe from the main version.

the fifth record from jens records. this time gothenburg based artist birds ov paradise treats us to four dark, dreamy creations. rumbling drum tracks and hypnotic grooves.

after completing a hat trick of essential releases with seaside tune, russia s king of lilting melodies, coastal flavours and sunkissed sounds returns with his latest must have release.

one per customer and shop ... just another big gieging release, für kenner. every cover is unique

one per customer and shop

albion is back again bringing with a filthy dance mania style e.p. the fifth instalment is a various artist release which sees heavy tracks from dj lil tal, traxman, phran and a killer track under a secret alias from dj handsome.

blawan pushing his machines to the bleeding edge of techno.

music written and produced by konstantin gabbro and gonzalo urtizberea. mastered by rashad becker at d&m berlin. distributed by kompakt.

smashin three track vinyl

having featured international house heavyweights kez ym and andres on their previous release its no surprise that the late night blue sound ep was a monumental success with demand outweighing supply and a repress sought

the second release on jon rusts levels label comes from estonians ajukaja & andrevski.

due to its black color, the raven was often a harbinger of death in western culture, brought to you in conjunction with dark deeds. but according to native american medicine teachings, light comes out of darkness and the color black is associated with the source of all energy, creating new realities - with the raven as its messenger. silky raven, namely jakob seidensticker and henrik raabe, have dedicated their work to this process with projects like the havana boys, seidensticker/salour and wareika. on the remix duties we first have october, who delivers an homage to the lfo-influenced sound of the 90ies, raw and pure. and second we have a remix by visionquests shaun reeves and jay haze, who join forces to create a dubtechno- influenced pearl, perfectly rounding up the package.

die yippiee-vögel aus hannover haben für ihre neue ep ihre fühler jedenfalls weit ausgestreckt und bis ins ferne all gefunkt, um letztendlich eine nachricht aus ihrer eigenen stadt zu bekommen.der hannoveraner sebi mono aka bass tikal, der eigentlich eher fans von dnb und dubstep bekannt ist, hatte mit seinem partner aus bristol mehrere neue raketen gebaut und konnte seine langjährigen freunde sofort von ihrer mission begeistern. euphorisiert vom neuentdeckten machte sich mono und die vögel sofort an die arbeit. kurz vor dem start der ersten zweiwöchigen 12-mission und der folgenden zusätzlichen digitalen streifzüge freut sich das gesamte team euch nun ihren hoffnungsträger vorzustellen:da eine schallplatte ohne qualitätsverluste nur eine bestimmte track-länge zulässt, fanden sich am ende exakt drei tracks, die nun den dunklen weg der macht bestreiten. auf der a-seite findet sich das mehr als 10-minütiges debüt der beiden neuen vögel. hipster und youtube-kritiker würden dieses stück wohl als episch beschreiben. das yippiee-team fand aber, dass der titel stellar völlig ausreicht und ihren griff zu den sternen gut genug beschreibt. bei den tracks auf der b-seite handelt es sich hingegen um sehr an der bassline orientierte tracks, die auch durch die unvoreingenomme und unkonventionelle herangehensweise der beiden dnb-produzenten ihre gewisse würze erhält. neben durchaus bekannten grooves zeichnet besonders der feinfühlige einsatz von flächigen sounds im zusammenspiel mit prägnanten, aber auch maßvollen vocals diese ep aus.

foot & mouths latest comes hot out the blocks with a superb take on see line woman on the a side, toughened up with a heavy swing, crossing that jazz house nexus in perfect precision. on the flip and sunshine of your lov gets tastefully jacked for the floor by the mysterious sir bed & sir go. finally the last lick is a slice of proper bootleg garage.. bright as you like!

there it is - wunderbars number 3! we are pleased to present three new tracks by berlin artist powel. he stands for qualities to wunderbar which really fit to our understanding of music. a distinctive feeling for emotional music and an infatuation for details. we are pretty sure he is growing up! the curtain rises with *shake the birds of the tree*, a consistent rollin baseline with cheerful woven melodies which nibbles definitely on the outside earlap. next in line is *i dont waste my tears on you*. the original is sneaking in with discreet sounds until the intro gives way to an instantly touching piano-accord and lashing claps. in consequence all is waiting for the distinctive vocals and peaks! the release is completed by man of the moment lake people. his remix contains a staggering circle of mixed thuds, taps, rolls and flaked beats to chart a more bouncy course.

straight from the basement parish of yippiee headquarters the two hanover-artists igor the koi und kiatone (filtertypen) present their first joint production! bittersweet sorrow is a symbiosis of rolling groove and instrumental beauty picking up the listener physically and emotionally. beatamines & david jachs interpretation of the track comes a little less frisky. their remix is the reduced and rather streamlined version of the original yet underlining the immense stride forward – another thunderbolt release by the successful duo. the ep is complemented by igor the kois solo track broken chords. he utterly delivers a deep house stunner combining dub chords with a catchy groove and brilliant percussion. a must have!

nach dem debüt von manuelle musik auf dem zürcher label miteinander musik folgt mit mm003 die birds remixed ep auf der viadrina, spieltrieb, rafael kakudo und james creed ihre interpretationen der tracks vorstellen. ob zur peaktime auf dem dancefloor mit dem viadrina remix, zur späteren stunde weitertanzend mit den versionen von rafael kukudo und spieltrieb oder zum ausklingen mit dem james creed remix, auch hier wird eine musikalische breite präsentiert die perfekt zu den originalen passt.

3 previously unreleased, exclusive tracks by mark broom, birds two cage and patrick gräser

amazing release! nach dem vinly-only-debüt von miteinander musik folgt zum abschluss des sommers die zweite platte, auf der miteinander-mitgründer manuell gleich selbst hand anlegt. von melancholisch bis verspielt sind auf den fünf tracks wunderschöne stimmen und stimmungen eingefangen. drückend schwer und doch luftig leicht musizierend, widersteht der junge zürcher der versuchung, mit pumpendem house den hit zu suchen. gespannt sein darf man ausserdem auf die in kürze folgende remixed-ep, auf der viadrina, rafael kakudo, james creed und spieltrieb manuells tracks weiterspinnen.

die neue telefon tel aviv ep featured den berauschend schönen album-opener the birds in seiner originalversion und in zwei remixen, wie sie gegensätzlicher nicht sein können: bpc-chefin ellen allien pustet die schwermütigen nebelwolken des originals kurzentschlossen mit einem knackigen housebeat und munteren acid-sequenzen fort. ghostly international-mitbegründer matthew dear hat schon auf seinem eigenen album black city und seinen remixen für die chemical brothers, the xx und the drums eine ausgeprägte vorliebe für sinistre klanglandschaften offenbart. seine version von the birds bewegt sich stilistisch zwischen allen stühlen, verbindet sie doch kongenial singer/songwriter-elemente mit einem athmosphärisch dichten electronica-kontext. als co-autor, gitarrist und seelenverwandter tritt kein geringerer als cocteau twins-mitbegründer robin guthrie in erscheinung - nicht nur für düstere wintertage und kalte nächte der perfekte soundtrack.

third huge safari of the monkeys on own imprint mambo. dance!

limited kanzleramt classics!

incl brendon moeller & echologist rmxs

finest tribaling techhouse tune styled up wit distinctive vocals and a cool alejandro vivanco remix. big with kabale und liebe, monika kruse, tim green, brett johnson

>one of the most promising indications of this new sounds potential< pitchfork

boy 8-bits first release for turbo is highlighted by >yard birds<, an otherworldly piece of electro funk with a mammoth elastic bassline and actual birdsong samples!

naming your first release after your band is an auspicious way to introduce oneself, to say the least, but birds & souls have done just that-and the results more than live up to their sensational packaging. birds & souls lead single >birds & souls< (from the debut birds & souls ep on spectral sound) is an exuberant track built more for rock shows than dancefloors, charting a journey from giddy, congas-and-claves house to synth-drenched space disco to ecstatic arpeggiated bliss and back again.

2003 deep and soul house by hundrid birds

split 10 inch picture disc entitled >for the birds<. featuring awol one (the shape shiters), ikey owens (mars volta / free moral agents), 2mex, liferexall, joe dub, jizzm, radioinactive (the shape shifters). cover design by la mano fria (beta bodega coalition). limited edition, 300 copies.