for this first ep, its creators and label owners, sergio parrado and plä ziom, take samples of hip-hop, r&b, techno, funk and disco sounds perfectly geared and ready for the dance floor.

sir joe born in 1987 in america latina, as teenager he moved with his family to london, during his studies (thanks to his crazy schoolmates) he felt in love with the illegal rave party and with the new school of electronic uks music. a quick step that turned him into a music producer. sir. joe shaped his sound mixing european and american styles. old school chicanos groove and samples were restyled in the direction of the english and dutch style. lod is glad to present sir. joes debut... again five tracks of pure energy and soul mixed with few drops of acid. welcome to the house of sir. jo

foto recordings goes all symbolic for their tenth release. keeping the numbers in symmetry the 2-track single from label boss ooft! is pressed on to 10- vinyl, and features one pitched-down & one pitched-up jam. lead track here for you summons some 70s soul vocals and layers new beats and synths underneath to create a pitch-down monster suitable for late nights and end-of-set moments. on the flip whistle time has more of a steady summer-house strut with disco samples rubbing up against some understated 303s to provide some terrace action over the warmer months ahead

the last few years have seen chicago footwork rise to international success, and traxmans debut album - *the mind of traxman* on planet mu - played no small part in that. it showcased cornelius fergusons brilliant ability to synthesise the beat digging of classic hip hop with the high-speed abstraction of footworks house-derived beat science. the selection of tracks on this second chapter show a slightly different take on traxman s abilities. instead of bringing in concepts from other genres, he simply creates a wider variety of footwork, made with a minimal, reduced palette. often just one or two samples are selected and diced into brain-blurring cubist puzzles that bear little relation to their original sources, or anything else for that matter.
the double vinyl lp comes with download code.

with georgis sinnmusik debut receiving support from the likes of laurent garnier, john digweed, joyce muniz and shadow child, label favourite georgi barrel returns with another batch of dusty samples and deep, infectious house grooves.

the moscow duo is back with the followup to well supported glenview debut 12inch. apes in the orange groove has super funky piano chords, analog drum machine beats and on the original mix add l samples from kito jempere on the b-side secret circuit do an acid tinged balearic remix

around7 follows up his two laidback funk/jazz albums for robsoul jazz with his first ever venture into house music. his double crossing ep released through the main robsoul recordings imprint on 4th april 2014. the parisian, who previously delivered the back to basics and soul on wire lps to critical acclaim, continues his production style of sampling complemented by live, organic sounds. producer influences such as j dilla and dj premier continue to be in evidence, alongside the jazz of miles davis, bill evans and the legendary blue note records, all given a 4/4 twist.the result is four stripped back tracks with a low slung, smoky atmosphere, packed pull of acoustic sounds and live instrumentation. those who remember joss moogs early outings on robsoul will also find parallels here around7s music career began as a bassist and trumpet player in a jazz/funk band. after learning to play keyboard and discovering the akai mpc sampler and software such as cubase, he merged all of his skills together to create his own tracks based around live instrumentation and samples.

returning to hypeltd after only a few short months, the analogue cops seem the perfect artist pairing for the label, carving out an unashamed love of raw, pummeling, dirty house grooves and choice samples. 2013s in plain clothes ep was passionately received by many, and the italian team are back for more with the hot brass dance ep

*friendly bacteria* ist das erste reguläre studioalbum von mr. scruff seit dem 2008 erschienenen *ninja tuna*. mitte mai wird das album via ninja tune erscheinen und am 31.05. im londoner roundhouse mit freunden und gästen inmitten eines besonderen abends präsentiert. gestärkt und erfrischt durch seine lange studiopause, zeigt *friendly bacteria* den weltweit hochgeschätzten platten-afficinado, dj und produzenten in einer eher reflektierenden stimmung. sein album beschreibt er kurz und bündig als *tough, sparser, less samples, more bass. more vocals and collaborations and shorter tunes*. *render me*, der erste vorbote aus dem album, ist exemplarisch für die atmosphäre auf *friendly bacteria*. ein schleichender und gefühlvoller groove unterlegt die stimme von denis jones. scruff traf jones vor etwa fünf jahren, während dieser amp fiddler in liverpool supportete. nach diversen treffen und einigen jam-sessions wurde beschlossen, dass der singer/songwriter und multi-instrumentalist denis jones einen erheblichen beitrag am album leisten wird. desweiteren kann das album mit hochkarätigen gästen aufwarten, darunter house-legende robert owens und vanessa freeman!
das doppel-vinyl erscheint im klappcover inklusive download-code.

over the course of four eps for numbers and creation of his own label ‘total fantasy’, deadboy has charted his own path far beyond the deep black space of mediocrity with previous records ‘if u want me’, ‘here’ & ‘blaquewerk’. on ‘return’ deadboy journeys further into uncharted territories, taking his music to the darkest recesses of disco and extraterrestrial synth-werk. the opening track ‘return’ finds the london-based producer taking cues from the likes of tangerine dream and klaus schulze with a gentle ambient opener that unwraps to reveal a beautiful and moving track. ‘des niles’ is a shimmering disco track built around an 80s boogie bassline, plus those killer deadboy vocal chop-ups that take us even deeper into the producers nighttime world. samples are worked to within an inch of their life on the floor-ready ‘yhvh’, whilst punchy bass and synth stabs take care of the rest. things then move swiftly on to ‘life code’, with the deadboy once again notching the tempo down and letting the track’s wistful oriental melodies ride out into the dark.

the 50th instalment in the phoenix g series is a special one. a 4 track counting coloured vinyl affair of course from the hand of the labels head honcho and sole artist mr.g. proper machine funk drenched with synths and the significant samples make this 12 inch a journey through mr gs different sounds and mindstates.

emotional especial gathers pace with an eighth release from richard sen, a man whose cultured touch has had a hand in various strands of the uk underground for the past two decades. graffiti artist, graphic designer, music curator, dj and producer are all vocations richard sen has done at one point or another. here he goes solo with the ghost train ep, a dark and brooding release of old school meets new school house jack that takes its cues from 80s new york, italian house and the nascent uk acid house that sen himself documented with aplomb on a 2012 compilation for strut. naggingly familiar samples and a low slung box jam groove drive the spectral title cut forward, whilst sens mastery of delay is shown with aplomb on the dub version that closes out the record. nestled in between is the highlight however in *meteor shower* where discoid basslines merge with psychedelically charged keys and hollowed out steppers percussion.

strictly ltd to 100 copies! introducing charmin records. a new vinyl only label out of east germany started by long time dj and producer florist. the vision of the label is to release quality, underground house and techno by friends and fellow music evangelists on vinyl. the first release teams up producers tilman and florist for their first collaboration together and the result is a well rounded collections of quality house music focussed on the dancefloor. the ep kicks off with >sunday roll< which is a deep, laid back excursion into >proper< house music. the track is underpinned by solid percussion with easy rhodes and piano chords weaving in and out of distant vocal samples. the emphasis here is on warmth and soul. >blind< is a more heads down affair, with energetic drum patterns and a lovely, well rounded bass that bumps its way through the track. >i cant stop< takes us into more stripped down territory, with a rough edge to it. finally >deep reflection< pairs up dreamy, reverb washed chords with a heavy, unrelenting rhythm section. with this ep charmin records look to lay out their stall and show the public what is to come from this exciting new label.

klara lewis debut release presents an electronically charged reconstruction of organic sound matter. 10 tracks featuring a wide variety of sonic material which is subjected to lewis unique approach to the sonic landscape. field recordings, small sounds, samples, ambient pot holes, repetition, and giddy disorientation are all tactics deployed by lewis. on entering these works we take a voyage through a series of audacious audio adventures, playful musical miniatures and choppy sonic seas. there is a human warmth to much of the material as lewis expertly crafts musical matter from the living world. *ett* is an exemplary investigation as lewis reconfigures sounds of life itself, from the delirious to the tender. a bold vision from a bright new talent. recorded, sampled, edited, manipulated, mixed, produced and arranged by klara lewis, artwork by dave coppenhall.

sama recordings presents 4 different visions of todays underground dance music and revives certain emotions with a distinct nod towards all things atmospheric and non linear. laminats >lade< is a more darker and melodic piece in the tradition of raw chicago house music. >sulphur dreams< is an uprising ambient dj tool, while >she can see you< is a moody electronica piece with drifting voice samples. >the withdrawal< by maria colors label boss ynk is an ever-changing analog techno monster with a special feeling for sonorical details and rapidly changing drum patterns. grounded and spiraled out, the journey continues.

oh yes, this a heavyweight bad boy on gamm from french beatmaker/producer izem. after his extensive travels around the globe the sound on the ep is influenced by africa, cuba as well as the middle east.
itt is an electronic take on a classic fela joint, celia (cruz) goes along a similar route but on the latin tip. both are pretty nasty and a near perfect marriage between futuristic productions and raw retro samples. finishing off the ep we get served a slice of arabic boogie using hipnotics hard to find boogie gem *are you lonely* and some fierce middle eastern vocals.

super limited white label mix of this kenny dope burner that is already packing heat to floors worldwide. this has even more classic vocal samples thrown in to add more fuel to the fire

hypnotic groovin 4 tracker! leaving behind trendy peak-time sound, io delves deep into the depths of house music and takes to it like duck to water. firstly, jazz riffs and abundance of syncopation, draw attention to themselves and make the sound more >mature< and original. samples, without which it is difficult to imagine io are softer and deeper, rhythms are slowler. thanks to the creative production techniques, percussion grooves organically develop into melodies, this will most certainly please real music lovers. following a string of differently brilliant ep projects, io are finally releasing their debut album. the outlet for the album release is, a very well known to io fans, label mulen. without any exaggeration barefooter can be called a longplayer - album, as it consists of 14 tracks, 10 of which will be available in digital format and 4 only on vinyl.

s.m.a.l.l and oleg poliakov are no strangers to the scene! s.m.a.l.l making his mark on labels catwash, esperanza, monique musique and his own imprint politics of dancing, oleg poliakov setting it off on the sthlmaudio, circus company and bass culture imprints, both combined bring forth that special something to their sound. these two dynamic talents unite as one bringing you this explosive track entitled *munkaroo*. munkaroos driving bass and guitar riffs set off with soulful vocal bits, will definitely enlighten the crowd setting them off to a frenzy! brothers vibe remix quirky samples and deep vibe keep the party groovin steady... a massive release from this dynamic duo!

smoke & mirrors - is a breaky house track with old 70s vocal samples & a heavy sub bass rolling beat. smoke & mirrors (hanfry martinez remix) - rolling bass stabs with that apollonia esk percussion. amazing remix of an already fantastic original.

parts 3 of the amazing celebrate release on 12 inch... part 3 starts with a bang and -in der weltraumdiskothek- by mysterious dresden based producer dc production. if youve ever wondered what music would be played at the night club of the ewoks this tune might be the answer. -nuthin wrong here- is scherbe to the bone with his stumbling beats, dirty synths and heartbreaking samples. we also have a big heart for disco here at the valley and this is proven by sandrow m & k_chico who put a smile on our face with catchy guitar licks, bouncy bass lines and cheesy vocals. -space dancer-, what more could you desire? finally, filburt from leipzig brings things down to a peaceful end with his slightly melancholic -my time-.

following his well received fabric mix comp in december 2013, ben sims returns to his own theory imprint with yet another ring release in the form of *reflection*, which features two original new tracks, a remix from rod and a vinyl exclusive. the eponymous opener is a strident, 909 + 707 driven affair that fuses overlapping, stereoscopic tones to a gently distorted and brutalist groove that sits somewhere between dance mania and detroit. *break glass* is the second original on offer and has been a heavily requested track for the past few months. the perfect partner to *reflection*, *break glass* is similarly overdriven but heavy on the sort of mechanical funk that sims does so well. rods version of *reflection* is a linear assault which ebbs and ows with purpose throughout a linear and intense arrangement while sims remix of *break glass* zeros in on bone rattling percussive aesthetics and vox samples, in much demand after featuring on his fabric mix cd.

torrebros (numoment recordings / komplex de deep) is a french duo delivering in melted faces a subtle collage of samples and original floating textures. melted faces original mix reminds, by its driving beats and low-slung bass, the early nineties detroit moisture. borrowed identity (mistress recordings / quintessentials), a german-romanian producer, which last productions has been released on dvs1s new imprint mistress, gives here his layback and savoureuse interpretation by rearranging the original sample groove. dj steef (retrofit / gomma / numoment recordings), the mysterious french producer, finalized the ep with 2 more deep and downtempo remixes with a catchy and seductive rolling bass perfectly seated on a powerfull drum loop pattern.

it s time to celebrate! at catalogue number 20 uncanny valley extends its compilation-concept to 12 tracks spread over three records (or as a bundle if you prefer digital). with new music by label-regulars like jacob korn, cuthead and credit 00, friends like rvds & k alexi or filburt and fresh talents like goetterkreis & steve kasper it is an exciting ride along the winding roads through the uncanny valley. the three records are visually linked with distinctive artwork by the ever-reliable paul waak. part 2 sees the long awaited return of jacob korn whose der don is his first production for uncanny valley since his acclaimed album you & me in 2012. with overlapping strings and thrilling beats it s an epic dance floor banger and jacob korn at his best. dresden s goetterkreis and steve kasper put their focus on percussions and dub techniques. their puli kali (rooted dub) is a well-executed combination of dubby techno and funky uk bass music. also new to the label is lounge 44 who works up a soul tune into a climatic house track in best cut-up fashion. kornhead aka jacob korn and cuthead throw together their preferences for pumping beats and jazzy samples which results in a laid back house track that actually wanted to be hip-hop jam. free download included.

after a period of absence, killax recordings comes back stronger on a vinyl only release (first one for the italian label) whit the participation of noego and marco zampini aka kid mark. funk, jazz, and foxy samples is what you feel in motherfunk to follow the raw notes of lift, less melodic track that becomes very rough and coarse, carachterized by a more mechanic an futuristic sound.

es kommt sicherlich nicht alle tage vor, dass die eigene ehefrau einen track remixed. im fall des brandneuen remixes von simina grigoriu für paul kalkbrenner trifft genau das zu. simina, die seit knapp zwei jahren mit paul kalkbrenner verheiratet ist, nimmt sich hier den track >kleines bubu< aus dem 2011er album >icke wieder< vor und macht aus dem original einen gelungenen tech-house track auf basis des bekannten streicher loops. die exzellent gesetzten vocal samples und die markante discobassline geben dem gut gemachten remix eine weitere eigene individuelle note.

berliners dirk leyers and nomad expressed their hard earned musical freedom in a dogma: the use of a roland tr-808 analog drum machine in every single track. they programmed the machine to lay poly-rhythms over multicultural drum and percussion tracks, fascinated -and sometimes puzzled- by its own characteristically sudden swing and accent changes, and named it: africaine 808 - their third and first female band member. in the first year of their musical joint venture, the three spent quite some time in remixing and editing some of their favourite african and island funk tunes, transforming the old gold into modern dj and dancefloor friendly tunes. the sound of organic grooves mixed with 808-beats and analogue synthesizer basslines became soon a trademark sound, and more and more samples got replaced by live played guitar, bass, organ and percussion. the trio experimented with different tempos and styles ranging from slow cumbia and exotic rumba themes to island-funk and percussive disco, electro and house. in spring 2012 they first took the project to another level, turning their tracks into a full live act at one of the vulkandance nights in berlin. today the project is growing and integrating guest musicians, drummers, percussionists and vocalists - for live performances as well as for recording in the studio. 100% sonic voodoo golf channel every time!

untitled opens up, building behind a gently reverberated 4/4 kick and interchanging hat sequences. hypnotic, off-kilter samples and subtle flecks of acid generate a brooding and purposeful tone as a sense pressure builds throughout.

dutch duo twr72 unveil an ambitious collection of 72 killer loops, built for club domination. used by catz n dogz, ramon tapia, sei a, zdar, darko esser (tripeo) and autokratz amongst others.

geschmeidig faedelt madmotormiquel seine audiospuren durch genres und stilistische andeutungen. dabei gelingt es ihm, das scheinbar gegensaetzliche zu harmonischer stimmigkeit zu vertwisten. etwa hip hop und gradlinige tanzmusik. für den titel daddy are you proud verteilt der berliner produzent jazzige piano-samples und poetischen rap zwischen wummerndem bass und treibenden hi hats. mollono.bass setzt die stimme des originals nur sparsam ein, angelt sich für seinen remix die hintergruendigen synthesizer-akkorde und lotet ihre melodioese tiefe aus.. sie erweist sich als verdammt groß. im zwielicht hypnotischer flaechengebilde zeichnet sich mit minimaler und doch extrem schwungvoller rhythmik ein klangbild namens recall ab, und im spiel zwischen trippigem beat-gefrickel und verträumtem klavier-geklimper entsteht die dynamische ironie von too much money not enough style. eingaengige grooves aus faszinierenden zwischenwelten!

was braucht es mehr als beats, claps und samples für marc depulse und das duo boe van berg fehlt da so einiges: handgespielte instrumente, treibende basslines und rauchig-verträumte deutsche vocals charakterisieren die produktionen der drei musiker.

blank slate presents the debut of the düve project, a collaboration between soren jahan and ali Çakir. combining live recorded drums and instrumentation, samples from vintage 78s, internet videos and analogue electronics, this fifth instalment holds nothing back.

robosonic has been a pivotal part of off recordings roster, their releases being highly expected every time and usually meaning instant dancefloor melting magic. with a hip hop and techno background and adding many frequent flyer miles with worldwide gig schedule, the pair shows no sign of stopping. this time is no exception, cord and sacha get back in their creative roll of sample wizardry to provide two mouth watering jams. they once again prove their love for organic sounds and reivindicate the use of the turntable as an instrument, adding that old-school vibe to their trademark beats. macho madness is quite a trip, sweet rhodes over a bouncy bassline, great sample work adding guitars and an insane speech. as always, breakdowns are intense and its impossible not to dance to the groove!for the second track, robosonic joins another off family team, mat.joe and together they go deep into their hip hop influences again working the samples as only they could, a little disco flavor, a driving bass...all the ingredients are there for another instant classic and a respectful shout out to detroit producer legend j dilla, who left the game too early. r.i.p!

following suit where his 2xlp left off gunnar haslam presents a new ep for l.i.e.s. once again we see haslam find a nice balance between combining samples and hardware in his productions creating moving and atmospheric tracks, which range from slow stripped down soundtrack style cuts to more developed far out techno. mastered and cut by matt colton at alchemy.

kid sublime s protégé j.a.n. drops his brand new debut 12 .amsterdam based j.a.n. got inspired by local dj’s in the amsterdam nightlife scene at early age. soon he started djing, and hooked up with fellow amsterdammer and dj/producer kid sublime, who showed him the ropes of rocking a sampler. j.a.n. quickly caught the virus and invested in his own digital equipment, started digging for samples, and thereby widening his musical spectrum.

dave dubbz from basel in switzerland re-joins the robsoul camp, following two volumes of ghetto funk tales released for phil weeks imprint. his music can also be found on legendary west coast label tango recordings. the four tracks on *lost in the past ep* do exactly what it says on the tin, with classic funk, jazz and disco samples expertly wrapped and filtered around punching 4/4 house beats.

the singular colaboration of the russian singer lena kaufman and the parisian film-maker dj oof. they make their music with field recordings of sea organ, kisses, film samples and vintage synthesizers.

here we go with the *eine stadt frisst ihre helden* e.p., four rough and raw techno machines down from the evil subsea dungeons by the label head himself aka syntax error. every track tells a story out of the snorky life from christian in snorkcity giessen! el expreso de cerveza, do a beer pub tour in giessen and you definitely know that this means. *mad insomnia causing insects* contains samples which are provided by mad matze from his south america holiday, real monster quadrills noice! if this is not freaking you out, the *freak wave* will do, breaking over your head that crashes you on the deepest underground as possible. if this is not enough, enjoy some *döret talk* from the backstage! more dört that you can expect! this e.p. absolutely says eat my shorts and go fuck yourself! to be or not to be snorky! that is the question!

first vinyl pressing limited to 500 copies on white vinyl, including download coupon.
ricardo tobar is releasing his long awaited debut album treillis on established french label desire (ike yard, monoton, live skull, keluar, deathday, egyptology, etc). inspired by mysticism & noise, ricardo uses old drum machines, analog equipment and also samples he has been storing since some years to create dirty sounding drums, modulated synth sounds and keeping far away from the more expected and polished sounds most artists are using.

the a1, named after the release title, is a summer techno drive, or a ride through a hot landscape in central america, as the notes of marimba suggest. the subtle but crackling low toms reverb dictates the driving tempo, while the chasing hats warn of a night which is likely to be dirty and sweaty. ready 2 glow opens with an enlightening synth note softly spreading through the air. its the after-hour call, the quietness before a new storm, which is about to boost and bring to surface the spastic contradictions of the drug-based soul liberating after-hour scene. corners goes funk, the quirky and rugged bass line lays at the core of the groove. above, we hear a multitude of spooky sounds and samples ranging from flying saucer sonic surges to playful stabs and bongo madness. the obsessive vocal echo, manipulated according to the abuse of ifferent drugs, is a clear indication of that. alza pure quanto vuoi is almost taken as it was firstly conceived during a jamming session. its twisted, swinging, it breaks the scheme of groove flowing as the tempo suddenly escapes to a faster pitch, jacked out

ltd 2015 repress!!!
finally we close the ep with woman, a track thats probably about as close as the ds boys get to a smooching torch song. lush pads and strings bring a deeper vibe to proceedings but the female spoken word samples keep the energy high and ensure things never stray too far from the floor.

legendary studio 1 re-release! >a series of very special minimal funky music based on very small and sneaky samples, danceable music but very much influenced by architecture and by the idea of taking minimal by the word and leaving out as much elements as possible to bring the maximum within the minimum.< – wolfgang voigt on the studio 1 series. with this re-release of two tracks from wolfgang voigts seminal studio 1 series, lisbons assemble music turns the spotlight back on to what amounts to the basic grammar of most contemporary underground house and techno. along with basic channel and the concept series, studio 1 has long been acknowledged as one of the forerunners of minimalist techno, though voigt is at pains to point out the >differences between their handwriting. rightly so, since neither mark & moritz nor hawtin prioritised the funk and fizz that jumps out of these two tracks >gelb< the determined younger brother to the more conventionally dubby (but no less groovy) >lila<. any producer who has spent long hours making minute adjustments to the interplay between the simplest of elements – kick, bass, snare, hats – should know they have been walking in voigts ever-so-well-placed footsteps. this re-release from assemble music serves as a reminder of where the music has come from

warm and crispy as always, the third monday night - mixed, structured and recorded live on tape. the whole ep is a cutting-edge merger between old school and modern, carefully crafted sounds, to forge an outstanding collection of deep house tracks with a timeless fashion.the opening track on side a serves a gentle two-chord loop, locked with a groove beat progression, whilst track two builds up a dense swarm of rapid drums, with synthetic bursts twirling on an energetic bassline. on the b side, a bare, rampant one note bass leads a haunting, gloomy first track, whose main theme is surrounded by recurring confused, scatterbrained vocal samples, while the second one is characterized by the simplicity of an upright, stabbing rhythm directing an emotive one note chord. the ending track develops around a big, serious bassline, pleasantly contrasting with a succession of dreamy, floating melodies and noises

our favourite swedish house duo is back…more dirty than ever! the follow-up to the previous eps moody & trapped is nothing short of brilliant. waisted with its plucked strings is classic deep house held together by a bumpy groove, soulful vocals & slick keyboard but still maintaining the formula that defines dirtytwo and their finest work to date. talking 2 u is where dirtytwo gets deep down and gritty. chunky house chords, a meaty bassline, cut-up voice samples in full basement effect. flip over for the hard on edit of talking 2 u which goes one step further adding some acid lines and a raw basement feeling. a dub for those who seek a more raw and heavier tool. local talk is talking to you!

benjamin damages neue ep ist eine hommage an den raren analog-synthesizer eti 4600, die nach seinem album *heliosphere* wieder eindeutiger auf den dancefloor zielt. alle tracks wurde live mit analogen synths-samples aufgenommen.

incredible adventures in khazar khagante from the moscow based duo known for remixes for future classics, lovemonk and tigers on a leash is their first original release. skillful use of samples and a nu disco bassline and a remix by stallions (esp, internasjonal). mastered by kuniyuki takahashi!
pressing on black vinyl.

das ist das ostfunk debuet von dompe, der zuletzt schon sehr erfolgreiche releases auf mimique, tretmuehle, for you records, 040 und gastspiel hatte. der in koeln geborene shooting star überzeugt hier durch seine bluesigen vocal samples über dem perkussiven grundgeruest

4 raw, moody deep house cuts from vancouvers resident soul slinger. heavily influenced by classic hip hop production styles, he reworks soulful vocal samples with gritty drum grooves for a modern twist on classic urban sounds. limited to 300 numbered copies.

the *yes, i m elastic* ep is the latest coup from brooklyn-based artist physical therapy. expertly fusing gritty analog techno with playful, eccentric quirkiness and tweaked out samples of the artists own voice, the release marks physical therapys first release on fifth wall. j. tijn remixes.