first release of john dalys new label called one track. each release dedictated to one track which will be presented in several versions. these are tracks that john loves playing in his own sets and he is so friendly to share these tracks with us. meltdown is a crispy hypnotic tracks that has that lovely mood that mr.daly always creates in his tracks... he combines this with an irresistible updated larry heard groove. fierce classic chi-town drum patterns performed in a crispy modern way. the b-side gives 3 other versions and takes of the track which make it an perfect dj tool. john daly quality!

sometimes a loop is more than a loop. patterns that appear repetitive arent that repetitive if you take a close listen. adding lopazzs voice to this epic track is the ingredient that injects that next level of energy, the mystic touch, the it. that voice seems to dance with and around the music. and with every twist, the listener is drawn deeper into mr raoul ks world build of warm bass and cautious beats. a place in which someone would easily get lost if there wasnt the voice to lead him throughout the long journey...

electric city (original) is a classic industrial techno track combining the driving force of relentless beats and bass with the huge rooms the that roland drum machines open up when you put massive reverb on them. its hypnotic and psychotic sounds appeal to the primal side, driving you to forget about coolness and unconditionally express yourself to the beat. uplifiting and dark at the same time, electric city echoes the high tech metropolitain dystopia we live in today. >echoes< presents itself with a forward marching industrial beat, piercing synth lines, and sweat inducing rhtymic patterns. its psycho bleeps are pure industrial funk. when the vocal sets in youll feel the relief on the dancefloor as the straight forward groove brings out the primal need to put your energy and emotion into expression: dance. function s remix of electric city is dark !!

first pressing extremely limited to 300 copies worldwide!
jeff mills communicates through only a classic roland tr-808 drum machine, exclusively made for the purpose maker/axis. each track dedicated for the masters of the art form of drumming like: neil peart, billy cobham, buddy rich and others, mills explores how drum patterns and rhythms remain communicative on a higher level that has endured through evolution of humanity.

with releases on klickhaus, kiddaz.fm, toratoratora and his own label lazerslut you have to believe miro pajic is superstar in disguise. now miro appears on he 10th release for 9volt-musik! a triple trouble shot of drifting patterns and static charges. definitely a bomb!

>double rainbow< is the first 12 inch single by dcs protect-u partnership. a dripping bell loop drops over 707 patterns and deep bass as the a side twists, turns, and grows into a highlife house dream. the b side toughen up is tropical electro-funk gyrating in and out of itself, a 90 bpm churner for all the people out there (like us) living in that nu pangaea where the genres fall apart

catalog number 004 on four roses recordings is yet another sublime release of the motor city drum ensemble. following the success of his first single for frr, breath control, danilo plessow this time brings us two quite unique tracks: the a side (sunsequence) being a dark, repetitive and haunting piece of post detroit techno which continuously builds layer upon layer, until it finally explodes: the pulsewave drones, jupiter chords and 808 patterns will cause maximum effect on the dancefloor. feel the love on the b side slows things down a little, but keeps the dark mood, adding some of that old school sample flavour to create a trippy afterhour track, that sounds different from anything you ve heard lately. ltd restock

lets get down with some soulful disco house from the usual suspects. heres another massive production from super value with ltj. side a) presents cry, where spacey dubs are dressed in disco style. infectiously hypnotic, this mid tempo killer is a cry for more... side b) offers love extra another excursion in deep territories. prepare to be stunned by exotic rhythms, soulful keys and synth patterns a la moroder to take you to the edge of and ambient finale.

hot on the heals of the incredible radial album, the bas mooy double ep and the various artists release on number 70. planet rhythm is proud to present: a.paul. this man is hot and you all know it! especially for planet rhythm his most bouncy tracks were selected to please the crowd. this is pure techno like it should be!!

another blaster ep on the strong special series imprint. get ready for some serious funky techno bizzle from all your favourit artists. first up its man of the moment a.paul remixing ramons track turning it into a true floorburner. a.paul trademark bassline and the uplifting synths stay on top.. next up the french mat303 and josh love. josh just had his debut on patterns and its doing really well! this is samba bussiness for all the carnival people. big hit for rio!claudio opens the flip with his incredible sound. he is relatively known, but creates music like his been here for ages. mature techno for the masses.

ultrapaht dark and spooky detroit techno !!! reminds me to early hawtin productions!!

drums have been discovered in almost every part of the world. drums first appeared, however, in excavation from the neolithic era. the oldest recorded drum is from 6000 bc. mesopotamian ruins contain small cylindrical drums that are as old as 3000 bc. egyptian tombs have yielded small drums used for ceremonies. several caves in peru contain wall markings depicting drums in various aspects of societal life. it is strongly suspected that indian drums from the middle east are as old as 5000 bc. the american indians used a series of wood and gourd drums for their celebrations and some of these drums are still used in ceremonies today. drums were not always used for music. in africa, where music is simply an interpretation of everyday life in sound, drums were used as speech. simply a pattern of beats played in a certain way could communicate vast amounts of information. jeff mills creates the drummer (pm-022). 6 track 12 vinyl ep. mills communicates through only a classic roland tr-808 drum machine, exclusively made for the purpose maker/axis. each track dedicated for the masters of the art form of drumming like: neil peart, billy cobham, buddy rich and others, mills explores how drum patterns and rhythms remain communicative on a higher level that has endured through evolution of humanity.

the first release on phonica white limited series is from tokyos iori. this young producers impressive work ranges from woozy ambient electronics to full-on club tracks. the common thread is a highly developed sense of texture and arrangement.a-side galaxy is simply lean, expertly crafted techno, led by a rolling bassline and crisp hi-hats, with hypnotic melody patterns skittering off the surface. its a trippy but accessible heads-down affair that has the depth and the bite to do damage at peak-time and in the after-hours alike. urge on the flipside is an even deeper, sub-heavy cut, an insistent, club-friendly groove swathed in burbling synth arpeggios and fx. despite being stripped-back, the sound design and sheer warmth of the production is incredible. the track really breathes.

well rounded records launch with the debut 3-track ep from the up and coming south londons boy wonder: deadboy! three instant and memorable dancefloor gems that effortlessly combine elements of house / uk garage & funky. all tracks are characterised by twisted yearning vocal hooks, classic analogue pads, substantial subs and crisp original drum patterns. there is style and vibe in abundance here as you will no doubt recognise! these tunes have already gathered notoriety thanks to their inclusion on influential mixes by the likes of jackmaster (wireblock/numbers), ben ufo (hessle audio), oneman & braiden (both rinse fm), brackles and shortstuff. deadboy has already been tipped as one of the producers to watch in 09 and this is likely to be a one of the 12s of the year.

hamburg‘s very own stimming arrives on the hospitable shores of a freshly cut audiomatique with the wonderful ‚buxton pipes‘ ep. with releases on diynamic, freerange, terminal m and liebe*detail martin stimming‘s carreer was boosted by the underground hit „una pena“ last year and peaked in his debut album ‚refl ections‘ earlier this year. ‚buxton pipes‘, the lead track on the new ep, is a beautifully reduced, gentle roller that combines textural, shifting fi ltered percussion, phasing, effected melodies and a rich sub-room sound design that confi rms stimming‘s talents at working those subliminal zones. dainty, pretty and yet totally punchy at the right volumes, its a genuine slice of ultra modern micro-post-minimal- house. continuing the trippy, time-melting vibe perfectly, ‚kakusei‘ arrives with its pushing array of softened percussion and carefully extended spooky breakdowns. sliding and squelching through 7 minutes of prime tracky workout territory its another stellar addition to the record. finally the skipping ‚seepferdchen‘ throws a spanner in the otherwise smooth grooves with delicately jacked drum patterns and controlled sub-bassline throwdowns. super funky, ultimately reduced and sample-heavy it‘ll make those afterhours carry-ons all the more delicious. simply superb work from stimming on audiomatique. tracklisting: a: boxton pipes b1: kakusei b2: seepferdchen

classic detroit house alert! rick wilhites >godson ep< originally got released on moodymanns kdj label in 1997 and was never repressed… until now. all tracks got remastered and this release includes a bonus unreleased moodymann remix. check that original detroit house vibe.. big release!

clouded vision is turbo recordings and bugged out! resident matt walsh and partner, steve cook. after remixes for the likes of moby, cari lekebusch and brodinski on turbo, plus further releases for toob, we have band, king roc, johnny dynel and the golden filter to name a few, they now have their first full ep. neon rain is a slow tempo dark disco number and is backed with remixes from dissidents the niallist and astronomer. the niallist takes the track into space cosmic summerness and astronomer adds some big synth patterns, an emotional breakdown and even a rain sample. this is the first of a series of clouded vision releases with the upcoming outside ep with remixes from 4o thieves and photonz!

patterns has a string of releases lined up pure quality funky techno and next in this line up is no other than david moleon! this man needs no introduction. with his signature style he gets respect and filled dancefloors all of the world. not only are the dancefloors filled, but the people on it go crazy everythime this man shows his face! listen to his records and understand why...

the meeting between tyrrhenians obtane and romes giorgio gigli creates two deep and dark techno where cinematic elements meet industrial structures in a dry and powerful form. transmission is up building and tight, the dark patterns reach obsession. reception takes a wider signal from a mysterious laboratory somewhere in the mountains.

for sure dfr001 is a bomb plus it s hammered by dubfire, the advent, joseph capriati, joey beltram, technasia, markantonio, dj murphy, robert natus, ken ishii....
the first release features nobody else than the nice guy and techno-preacher eric sneo (masters of disaster / beatdisaster) from frankfurt, germany. after a lot of smashers on well known labels like kombination research, clr, patterns and abstract, eric is now back on driving forces recordings with a massive 2 tracker. on the a side you can find a mainstyle braincracking track called vintage force which will drive the crowd totally crazy. with a rolling beat, the sneo typical driving percussion and a wicked leading sound, this one will heat up every mainstage all over the globe. the b side features a track called coming home, a dark and evil bassmonster with a tiny percussive melo, strong enough to break down the walls of all the clubs out there. modern techno for the peaktime is what you get. it lets you forget the hype about the minimal kind of music. next to the austrian local heroes, a number of big names of the international techno circus were signed and thats why a good and diversified start of the label will be sure.

everythings here is a special record. constructed to epic proportions typical of a danny howells production, this is a building track for the bigger rooms. evolving through swaying drum patterns and a gentle rising and falling melody, the moment comes from the mammoth pads in the break. liquid thang is a funked up floor-mover for the tail end of summer. jazzed up by splashes of horns and flutes, there is a clear old-school feel to the track that marries neatly with the low-down bass grooves, cosmic-sounding distorted keys and chopped up vocal refrains. smooth and shiny!

patrick begins with his techno bomb “tooth n nail”, a track that showcases a heavy detroit influence with smooth synth work reminiscent of productions from robert hood and carl craig. midway through the track, patrick keeps us guessing with a wobbly synth line that adds playfulness to an otherwise straightforward, moody journey. an understated use of serene female whispers throughout gives this tracks techno classicism a fresh sound. next patrick gives us “davinches”, a chugging tech-house track that pairs a deep, buoyant bass line with a tight, resonant kick, giving it a dynamic groove. patricks tight percussion work keeps things moving with its rims, clicks, and ticks set against a spooky, playful melody that energizes and propels the track to its finish. fans of guido schneider won’t want to miss this one! on the flip, nyc’s elon of clink recordings fame, and a newcomer to klectik, takes on remix duties with a minimal techno take on patrick’s “tooth n nail”. elons version is a pulsating, stripped down mind-bender marked by sub-bass and the sporadic clangs of raw machinery — sexy! this remix maintains the smooth character of patricks original in melodic sensibility, but stands on its own via sparse rhythmic patterns resulting in a deeper, moodier treatment.

andy vaz recovered this data in 2006 for persistencebit records.

rebolledo is an artist from xalapa, mexico, who is very much part of the comeme family of latin american artists. he s been around from the early days when he used to provide music for the buenos aires based bumbumbox street parties. so far he s had tracks on previous comeme releases, notably pitaya frenesi, but this is his first full release on his own. rebodello is the consummate comeme artist, with a quirky sense of humour, a unique latin american approach to dance music and a lean lo-fi approach to track making that is built to cut through on any sound system. lead track >guerrero< follows in comemes now established strange sense of humour, guerrero means warrrior and is a track about a >guerrero< who comes out at night and dresses in leather, it s all shouted vocals simple beats and 80s style synths. venganza y seduccion means vengeance and seduction and features suggestive panted echoing vocals over a cosmic disco bassline, while atmospheric chords build in the background, if this sounds strange it s because it is, but the combination works really well in a club.
the b side of the record is much harder and more techno-like - marchante is completely different, aggressive kick drums, a pulsing bassline and siren-like synths bring this track a panicked feel, which is offset by the way the drums build into tough patterns. raid features strange nonsense vocals over a pulsing rhythm track that reminds of old chicago acid, if it wasn t for the strange atmosphere. rebodello is a very welcome addition to the world of dance music.

click box have fast become a permanent fixture in the minus firmament, personifying the subtle shifts that are taking place within the scene as the label expands its repertoire and broadens its horizons to incorporate emerging artists from all over the globe. already on to their second minus release of 2009, são paulo djs / producers marco as and pedro turra immediately pick up where they left off with the roving bass and pumping rhythm section of wake up call doing exactly what it says on the tin. as with the first ep, the oscillating synth patterns continue to dominate proceedings, painting neon shapes in the darkness before another delicious robotic sequence shifts the atmosphere by introducing a moroder-esque vibe complete with twisted disco bleeps. its just another example of how click box have honed their sound since their debut i&t release through a finely crafted mixture of proto-house, electro and techno, to create a distinctive hybrid thats fast becoming their own

the 2nd ep vinyl preview of the highly anticipated italoboyz full length bla bl bla (out in september) on mothership. not everyone is aware that both marco and fede migrated north to london from italy several years ago. this move has influenced their sound, hence the where is london? ep this ep also marks the start of their new live instrumentation work. where is london draws its title from a big ben sample put in reverse, but it also features experimental live piano work (piano strings struck with paper mallets) re-twisted into their addictive drum patterns. on the other side, lanagramme features salvador dalis voice and the interesting dual piano work of their good friend angelo. italoboyz are always pushing the boundaries and testing the limits of traditional dance-floor music and this is no exception.

next up from the very eclectic rong music is a remix ep from west indian girl.west indian girl is a rock band from los angeles. the bands name comes from a type of lsd that was popular in the early 60s. the initials are also a reference to james and tens previous band, wig scotty coats and wes the mes have fifty years of djing and remixing experience between them but their first release togetheruas wes coatsuis just coming out this month as the first california release on the newly merged dfa and rong music. patterns form hail from texas formed by sammy ragland & chris ornelas in 2000 making a cross between shoegaze trip hop & electronic moving to la in 2004 and forming a full band and have been playing live across the us ever since.

another mouthwatering viper beatz release sees the daylight and this bombshell is guaranteed to devastate the dance floors on a global scale. live a lie a jewel in the typical way only g town madness & the viper can create, breathes brilliance and has not only been receiving heavy dj support from the total top in hardcore such as endymion, nosferatu, tomyknocker, dj panic and evil acitivies, but is also to be found on major compilations like hardcore to the bone xiii, and in qontrol. with its impressive anthem break live a lie brings unity and gets back to that true feeling of hardcore: come as one! envy shows the raw side of these craftsman resulting in an ear piercing, raging, full in your face hardcore track yet without losing any of the true g town madness & the viper feel. the result is a raw hardcore bomb, as probably many would not expect from this magical duo. crazy edits, weird synth patterns and freaked distorted bone shattering kick drums bring a refreshingly different taste within g town madness & the viper releases till date. current dj support by the likes of partyraiser, neophyte, tha playah and outblast. when angerfist heard cliffhanger, he decided to give it an angerfist refix. gtm and the viper were so pleasantly surprised when they heard this, they immediately decided to let everyone enjoy this fine piece of rework. after circulating within the hardcore scene for quite a while also this tune will leave a mark on the hardcore scene as we know it.

in el nino, reduced hats, droning groove, elegant synths, and the hypnotic voices of der himmer über berlin are leonels key elements to a serious and straight masterpiece that perfectly translates his personal vision into sound. lluvia de estrellas takes us on a voyage through cosmic woodlands, clutching on the multitude of shuffled synth-lianas and leafing through its fantastic and grand breaks. lucas mari devellops a two-folds remix with a first part dedicated to a more ambient interpretation, while the second explores fresh and groundbreaking rhythmic patterns adopting some 2 step connotation. follow the shaman!!

soul camps smashing dubbed out, boogified original ( released on scr007 ) returns in 4 mixes by a finger-licking allstar cast. sense records artist soul parlor donats a laid-back, smoked out off-beat funkster with blinding rhodes, edgy, sharp beats and futuristic sounds galore. french production team affol’man keep the funk level high but this time embeded in a raw, slow-burning 4/4 groove that shows some oldschool hip-hop attitude. martin landsky and michael vater ( aka phonique ) represent the intim label in fine style: stripped down with loads of room for the original organ pads, subtle percussion patterns in the background and a dangerous bassline with a dub leaning. hamburg house messengers snider ( silver recordings ) and titus keep it on the dub side with a growling, slow-burning groover that twist your heads with some strange, haunting string stabs and hits you low at the same time with it’s gnarling analogue bassline. top-notch package bringing the goods for just everyone!

phantasma volume 2 by dinky, matthew styles and pier bucci is out now. this lovingly designed record is produced by three artists we really like and and it is just grea they decided to work with us again. matthew is damn sure one of our favourite producers and pier s skills are nothing short of his. on the last release we made with them, they d worked together as oblique strategies on balld inc. for phantasma volume 2 pier wrote a track on his own, highlighting the noble beats he is known for and expanding the explicit cadenced patterns with a chord phrase that leads the structure to perfection. dinky whose work was released on such labels as cocoon, traum, vakant and of course on her own imprint horizontal composed the other side together with matthew and you can sense their familiarity at once. the two arranged >choises< carefully, sleek and free of any kind of hubris. well, this attitude is hart to find these days and their versed piece may calm your stressed out ears both in the club and at home

here it is, one of the filthiest enzyme x releases so far. the tracks on this record are highly distorted and are therefore not suitable for all mainstream hardcore fans. expect strange kick patterns, absurd edits and groovy rhythms. the artwork of enzyme x 30 has a fresh new look. enzyme decided to give the vinyl a special treatment as well. the tracks are pressed on transparent marbled vinyl.

after massive success of insert coin records first release, the saga continues with contra. defaced strikes back with his latest project showing why he is considered the new rising tech star. contra features dark and rhythmic patterns, endless uplifts and a tremendous groovy bass line.on the flip the legendary italian producer dj simi (sci + tec label crew) creates a marvellous, trendy and housy remix. don t miss the new bomb of one of the most healthy electronic labels of the moment worldwide.already supported by d-nox & beckers, technasia, michel de hey and many more!

the innervate label is starting to get noticed and the releases are getting better and better. another funky piece of not to be missed techo vinyl by the likes of pedro delgardo, fer br and dj mika.the concept of the label is to keep pure techno growing as it deserved in all his forms. and it works! for all fans of labels like adult, patterns, spilo and more.

desolat is proud to announce that desolat x series goes on with livio & roby pres. premiesku, a project from romanian duo livio & roby, in collaboration with their pal george g. solid, swinging four to the floor patterns take inspiration from classic deep house, detroit techno and tech house. switched up and deconstructed, the result is a hypnotic brew that will see them representing desolat for the first time at cocoon at amnesia this year alongside loco dice and martin buttrich. on this release youll hear snippets of a surreal and breathy flute over top of a thudding kick and a bumping bass-line, or fleeting samples of reed pipe, vocals, ragtime piano or brass dancing on top of technotic, simmering loops

much to our advantage, layo & bushwacka! have been seeking solace deep in their west london studio since the closure of the end. this means only one thingàmasses of quality tracks coming your way from the duo and olmeto records over the coming months! the pairs latest twelve takes in two very different sides of their personality. the a side 21, supplies a deep slice of electronic funk complete with mesmerising pads, rising percussion patterns and the most beautifully addictive synth hook put to wax in ages if it doesnt give you goose pimples you need to get to the doctors! heavy weight sub bass kicks demand this be played as loud as you can possibly get it! go on, turn it up, annoy the neighbours on the b side, l&b take it back, waaaaay back, and toy around with some classic house music, creating a patchwork of off kilter, looped up madness to get the party masses hands high up in the air. overflowing with old school flavour, to make you quickly glance over your shoulder back to the 90s, whilst still sounding supremely relevant on todays dance floors.

hemmanns tendenz zum elegischen gepaart mit kadens hang zur rhythmusvielfalt mit schlagwerk ergeben den perfekten mover zur Ästhetik- disco. vollends treibende zutaten in allen patterns und figuren sind klangrhetorisch so galant clever arrangiert - ein dialog aller muskeln ist programmiert

peppelino is here with his first hit release on patterns! with his fusing elements of funky techno and electro, peppelino has seen excellent reviews and response, with many tracks charting high in download sales, appearing on dj charts worldwide, played on radio stations and web casts. he has worked to spread his sound to other parts of the world, and with an increasing amount of tracks and remixes being signed, and a very busy 2009 ahead. funky beats and catchy samples do the trick! lets go crazy on the dancefloor!!

dolls is known as a label with a steady, progressin techno image which is slowly spreading its infectious grooves across the globe. this last one tops it all, a brand new techno release by spiros kaloumenos straight from greece! known from adult, analog mode, patterns and many more this man is well capable of making all the crowd go wild!!

along with number 60 in the highgrade catalogue there‘s a new producer team, joining the highgrade posse: markus schatz who scored so far with releases together with tom clark for highgrade and by himself on labels like opossum and freizeitglauben. he worked out this release with brett longman from paris, known from one of france‘s most prolific labels logistic rec. with „dope on plastic“ both start a dub and percussion rollercoaster- ride: the stripped down structure in the beginning unfolds seamlessly to a wildly grooving dub-inferno. similarly funky „push it“ continues this direction: dodgy fm-sounds meet weird synth bleeps plus a whole load of rhythm - the trackname is to be taken literally here! on the flip-side schatz & longman in „running“ are adding some fine dubby ingredients to there rhythm patterns, next exit detroit, one might say. moody without being cheesy, that‘s how we like it. „good vibes“ is zigzagging elegantly, with deep pulsating melodies worked together with an uplifting groove to a fast-paced and atmospheric track.

fausts neuntes studioalbum >c?est com ... com ... compliqu?< produzierte der soundt?ftler tobias levin. es wurde eingespielt von jean-herv? peron und werner zappi diermaier sowie amaury cambuzat (ulan bator). gewohnt dadaistische (meist franz?sische) texte begleiten sporadisch ausufernde, repetitive patterns. in der musik vereinen sich scheinbar widerspr?chliche attribute: sie ist wuchtig und sanft, monoton und melodisch, erdig und ?therisch - schlicht einzigartig.

september 2008, nima gorji is spending 1 month at the house of his friend babalow baba ifa leri oma in ibiza. in cuban santeria, a babalow is the father of secrets, a shaman, a spiritual guide. the philosophy of ifa was brought by the slaves from afrika, especially nigeria, to the caribbean islands. it became santeria in cuba, vodoo in haiti, condomble in brasil. the yoruba language is used in the santerias books and the ceremonies as chants. nima assisted to some ceremonies where the babalow is cleaning somones soul, energy, or aura, and establish a direct conection with a special energy called orisha. each orisha has specific attributes like a color, tools, beads, and various patterns of percussion rhythm. nima is listening to all these beats coming directly from cuba, he samples some parts, and produces a new ep : azul y verde. we are blue is a tribute to yemaya, the mother of the sea. she represents maternity, fertility, and life on earth in general. her color is blue and her number 7. the chant is performed by lazaro ross a cuban artist who died in 2005. lazaro was a legendary akpwon, or lead singer in the yoruba tradition. warriors is a tribute to oggun, another main orisha. he represents the force and the work of human kind. he is working with metal, and he always carry a knife. his color is green and his number is 3.

ian pooley makes his debut appearance on simple to kick start what is shaping up to be a bumper year for the label. german ian pooley hails from mainz but recently found a new home in berlin. ian is well known as a remixer and for his own prolific output bridging the gap between techno and house, creating superb tracks such as the massive >celtic cross< & >chord memory< on the force inc. music works, as well as recording more housier and disco orientated workouts for labels such as john acquavivas definitive recordings, effective records and nrk sound division. ian has also remixed for daft punk, the cardigans, the beloved, green velvet, modjo, nick holder and many more. ian has recorded two albums for v2 records, his debut >meridian< was a classic late 90s pooley album, full of tech-house delights and including the massive >whats your number< as remixed by jazzanova and bob sinclair. followed by huge albums >souveniers< and >since then<, and most recently >in other words< featuring robert owens, tim fuller and perry colo. most recently hes been busy djing across the globe, producing new music for the likes of us and producing for artists such as get physicals dj t. nightscape - a deep, heads down house groove that locks you in with its lovingly crafted percussion and beautifully bouncy bassline, whilst the wistful, melancholic pads are food for the soul. ians experience in production shines throughout the ep, making the tracks as much of a delight on the head phones as they are on a function one soundsystem. difference (jupiter/eight mixes) - intricate percussive rhythms combine with a rubbery bassline and rich poly stabs to set the tone. strings build and release the tension and a delicate piano riff brings the soul. the evolution of the patterns sees a heady crescendo for the floor. for the >eight mix< ian reworks the stabs and bass-line and pushes out a more straight ahead groove

boriqua tribez is back with another funky techno hit on patterns! funky beats and catchy samples do the trick! lets go crazy on the dancefloor

the mysterious fat camp collective put down the hi energy, low calorie bars for a minute to take a leisurely stroll down memory lane with this trio of high quality edits for your dancefloor workout ! anorak 001 features some jam, lovingly made in the kitchen here at anorak cottages, refined from a 1970s recipe first created in philadelphia, alongside two other dishes, best served hot: dont get me started and you know you make me feel brand new, both created out of genuine traditional loom-weaving patterns in new york and first brought onto to the market in aberdare sometime in september 1979 - ridiculously limited pressings - do not miss

incl remixes by johan bacto (sway, zync), vincent de wit & bas mooy (patterns, audio assault)

with releases on klickhaus, kiddaz.fm, toratoratora and his own label lazerslut you have to believe miro pajic is superstar in disguise. now miro appears on he 10th release for 9volt-musik! a triple trouble shot of drifting patterns and static charges. definitely a bomb

phunky forward going techno incl remix by dj preach (intec, patterns, blackhole)

tweaked monosynth lines and rich polyphonic pads are featured on most tracks, and single note patterns of various timbre often reinforce the grooves. the title track on the a-side is as simple as effective and the name relates to some of the percussion parts which reminded them of a rodent digging a hole in the ground. first on the b-side is >if i was a man<, a slow-down groover with a dark and funky atmosphere, inspired by barbara alcindor s abstract spoken words, becomes more and more twisted towards the end of the track. last but not least, >zig zag<, which is named after the wobbly monosynth phrase which is being tweaked throughout the tune. all tracks speak of sweet, riding rhythms and nights full of action. pure quality