dancefloor-friendly material where he combines his trademark points: the rephlexy electronica sound so dear to his heart & the european ebm influence > always present in his dj sets. pipe all this thru manels unique production skills and you are next to factor citys latest bomb

phat filter disco smash (la monde remix) incl dj friendly acapella plus raw & dirty styled dub pass remix !!

deep soulful vocal house with a church flavored organ and choir like back up vocals..solid dj friendly dub and beats on the b side..

catchy bassline, boogie down drums and those very special stabs, we all missed for so long. masterpiece! on the flip men of the moment dirt crew aka james flavour and break 3000 take the chance and rub down the original into one of their most floor-friendly outings to date

dj friendly classic axis sinister techno & experimental edged trks

mark hawkins, gearshifter, skew & candy team together on this new labrat release.. 4 slammin, dancefloor friendly tracks, ranging from more electroid to strong pumping clubby techno w/a wonky feel! you know the score!

the infamous player series reaches its 20th release. a 4 track ep of funky techno and full on dancefloor friendly electro. top quality stuff from up north

straight from the icefields of finland!smooth electrofied techno 12inch which is probably a bit more floor friendly then his mr velcro fastener project. 4 nice electrofied tracks where you can here the detroit influences from underground resistance, carl craig and derrick may. another high quality klakson release

minimal techno flowing freely once more on this superb 2-tracker, again focusing on rob s love of stripped down floor-friendly techno, with synths sweeping and swelling to provide some textures for his stellar drum patterns and throbbing basslines.

on the a-side youve got two fresh new mixes of emerald city, bothof them on a thumping, tripped-out 6 am deep house feel. on the flip king of clubs, feat. a ranting vocal over a child-friendly, marching beat is already played by germanys leading dj hell (gigolo) must be heard to be believed!

it's taken from the album (-)x(-)=(+) and has never had a single 12inch release. the original is subtle yet anthemic house music from germany. the remixes from swag are dancefloor friendly house mixes.

a dope, funk-fueled three-track ep that's been getting some nice hype since the wmc. funky, jazzy floor-friendly house is what’s on tap here, kind of like what you’d hear in a vintage mark farina set. if you like the inland knights, you’ll definitely need to have this ep

ultraphat mixes by solid groove & freaks !!!

funky floor friendly tribal -detroit techno with an experimental taken from the forthcoming compilation.

funky floor friendly tribal -detroit techno with an experimental taken from the compilation.

supercool picture disk!!! selecting the cream of the crop from todays lektroscene (kitbuilders, t raumschmiere, radioactive man, bangkok impact), while blending these with some hard-to-find classics (velodrome, ymo, neon judgement), but allways maintaining a distinct dancefloor-friendly flow!

the sixth solo album from dj hidden is a quite introspective affair.

indie

the sophomore album from erika de casier.

(retrograde eco friendly digipak w/custom chrome sticker)

remaster

3x cd with bighouse anthems, dj friendly umixed tracks

cd+ 16 track download

extrawelt are back! although in fairness, they were never gone. on the contrary, since their first release on james holdens border community label dropped in 2005, arne schaffhausen and wayan raabe have been responsible for a plethora of classics including schšne neue extrawelt and in aufruhr, their two seminal albums on cocoon recordings. the duo are one of the most booked live acts worldwide, commanding a huge fan base. their performances are the stuff of legend, making them the absolute highlight at every club and festival they play

over the last few years dexcell have been in high demand for their remixing talents. with official remixes under their belt for some seriously heavyweight acts such as ellie goulding and philip george through to the more underground acts like hybrid minds and bcee, an album of original material was long overdue. not content with just rolling out the beats, dexcell have drafted in some of the finest vocal talent around today. from the underground jungle influenced impulse to the peak time radio friendly running to the laid back melody ofÔover the influence, under the blue showcases just what the trio of dave, adam and sammie (aka dexcell) can do. support from beats 1, friction, high contrast, spectrasoul, camo & krooked, bryan g, s.p.y, nu:tone, zero t

cd airy, but still conveying a touch of hedonism in its most club-friendly sounds, this album is yukseks writing of a musical story. nous horizon È is yukseks great studio album comeback, 5 years after his last album. yukseks characteristic sound, midway between post-disco, house and pop, shines through on its various tracks. even more than on his last album, living on the edge of time, yuksek shows his talent as a singer. nous horizon is an album of mostly duets, invitations to sing together (break my heart, sunrise, sweet addiction, stay) featuring greek singer monika, french pop bands her, juveniles and roman rappak (from band breton) his new melodies are sunnier than before, his beats and production more subtle.

sweet addiction is yuksekÕs great studio comeback. its 5 elegant tracks signal his return as a main player. the maxi, which prefigures a 3rd album, features the greek singer monika (make it easy) and the duo her (on the1st single, sweet addiction). yuksekÕs characteristic sound, midway between post-disco, house and pop, shines through on its various tracks. even more than on his last album, living on the edge of time, yuksek shows his talent as a singer. his new melodies are sunnier than before, his beats and production more subtle. airy, but still conveying a touch of hedonism in its most club-friendly sounds, this ep is a foretaste of a sparkling new opus. bio : at the start of the 2000s, yuksek released a series of maxis and then two albums: away from the sea (2009) and living on the edge of time (2011).those records laid the foundations of a sound that uncompromisingly combined pop, disco and electro. then in 2013, he set up his own label: partyfine. it is now home to artists such as clarens, weekend affair, get a room!, jean tonique, juveniles,tepr and villa.

with the release of fourth album crown posada, smoove & turrell cement their position as one of the uks most exceptional soul acts with their innate ability to deliver hard times social commentary in a dancefloor friendly medium. proudly working class as a band this album celebrates love, life, politics and the lows and the highs of growing up and raising families in the north east of england. gritty and powerful, the band make no attempt to sound or look like anyone else not for them the sharp suits and trumpet twirls of some of their peers. instead you get a wildly talented and vital crew of larger than life geordie lads taking their rightful place on the international soul scene having already become figureheads within the uk.

being pioneers with a new album created in no more than 6 months, the orb are bound to be exposed to fan expectations running high, while quizzical questions about little fluffy clouds and the good old times take over. it s especially jarring as the duo of accomplished soundsmiths alex paterson and thomas fehlmann has become known for its genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats. the funny thing is, though, that whatever the context, you know a track from the orb when you hear it. case in point: cow / chill out, world!, their latest full-length offering - a masterful ambient album that branches out in many directions, but unmistakably sounds like the orb in either ear (and probably to your third ear, too).

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities

the first years, from his first album in 1976 to his 7th in the middle of the 80s, were fuelled with an exemplary sense of creativity and a free-spirit vision. against everyoneÕs advice, cerrone was never reluctant to compose long and pure trance disco tracks, not exactly radio-friendly at the time, but which did incredibly well because they encapsulated the hedonism of the day and were far more than a trend. for instance, love in c minor and supernature have become unbeatable classics, featured regularly in the best pop, disco or dance selections. such a success would have burnt most of the othersÕ wings, whose career would have been ruined. at the beginning of the 80s, when he decided to unleash his creativity on stage, cerrone managed to rebound with you are the one studio album.

to celebrate their weekly residency at ushuaia in ibiza, the united ants crew has recruited dj sneak, tapesh and los suruba for a bulky three-disc mix-up. predictably, its us house veteran sneak who steals the show, delivering a disc that flits between his usual pounding, loop-heavy productions, dense african rhythms, sun-kissed, party-friendly deep house, and the latin acid house of apollonia

for the second installment of their mixtape series, hospital records has turned to devonian duo fred v and grafix, who epitomize the label s festival-friendly outlook. they don t disappoint, either, dropping an action-packed mix that shoehorns 32 tracks into an hour of non-stop dancing fun. after kicking off with the guitar laden hip-hop wooziness of cyantific s high water mark and dimension s tear-out beast whiplash, they variously touch on liquid, hospital style disco drum and bass, and harder flavours. happily, they find room to include eight exclusives from a variety of producers, including a previously unheard vip re-work of their own summer smash major happy

without loosing the red thread you can find clear traces of downbeat and funk next to the club friendly tracks

jura, the sophomore full-length from the swiss duo larytta, is a galvanizing synthesis of essential grooves and effervescent melodies. it took years to finish the record! christian pahud and guy meldem spent this time carefully calibrating their songwriting to achieve what could be called the golden mean, i.e. the perfect balance between a radio friendly sound and club functionality. the result is a collection of songs that are instantly accessible, yet wholly unpredictable. they feel familiar because they were crafted by seasoned musicians who, over the years, have mastered the science of fundamental swing and melody.

on moving to canada from his original home of haiti, pianist and singer/songwriter henri-pierre noel brought with him much of the tropical island s influences. the kompa funk sounds of his homeland, along side contemporary north american jazz and disco, ran throughout henri s 1979 album piano, re-released by wah wah 45s in 2012, and now its time for a second helping with the re-issue of 1980s dance floor friendly one more step, both albums having been originally released on very limited private presses and since become holy grails of the back music scene.

the friendly, handmade quasi dub is at the same time experimental and accessible.

aufgenommen wurde die scheibe in den ehemaligen gigantic studios zusammen mit produzent chris zane (passion pit, friendly fires, mumford & sons). ben und low selbst beschreiben das album als den ruf nach einer revolution im genre der popmusik

mix the verspielheit of mgmt, the darkness at zola jesus, the groove of the whitest boy alive put atop of morricones or calexicos shimmering desert landscapes and around that certain sexyness and lasciviciousness that remind on the chromatics or glass candys of this world. this is the building, a trio from hamburg. based around the fabled drummer sven elsner (ex tigerbeat) , as well as writer and singer daniel chun and pianist and second lead vocalist tina kaempe.

rhodes dreamline by tasos giasiranis tasos giasiranis is one of those people that their birthplace is proud of having. born in rhodes island, he was the younger at age ever radio producer with his own show in the history of rhodes and as years passed he became the most famous person in the islands nightlife. his bio is full of trips around the world presenting his very friendly house style and being an ambassador for his favorite place in the planet, rhodes. in 2009, promoting rhodes was the idea of his first ever music compilation.

must is pure sonic architecture that breathes and sweats, this is how asphalt and steel sounds in contact with rain and sun. the hunch synthetic of pablo bolivars interlinings, reaches in must a degree of warmth and unpublished maturity. oblivious to this musician modes and contemporary fashions, he deliver the album he always wanted to do. idm, deep house, soulfull and sunny electronics designed and crafted with the meticulousness of a goldsmith. songs as sophisticated as friendly, loved but without raising fears. never bolivar has been as musical as now, delight and enjoyment in each beat. that is must, an album to listen carefully.

back from its hiatus, bios recordings are pleased to announce, the return of bios! to mark the labels comeback, label boss amaning has carefully selected dj friendly cuts featuring productions from a host of artists.

special double cd , compiled and mixed by al kent. even more rare disco & soul uncovered ! cd 1 = mixed by al kent. cd 2 = unmixed , dj friendly as well

10 full length dj friendly tracks

welcome to the prelude of a new musical journey. jamie lewis exclusively present in this dj friendly cd is still unreleased brand new productions in collaboration with housestars marc evans, kim cooper, cosmo klein, djamin, liquid deep, david penn, michelle weeks and his recent remix for the legendary superstar prince