new limited joe claussell 7 inch on sacred rhythm music!! quality jazzy deep house !!!

support from the worlds finest djs and artists such as pier bucci, argenis brito, butane, maetrik, gregory shiff, ambivalent, and id, barem, and noah pred.
this four-track vinyl is an absolute must have for those who love to play a chugging, driving style of minimal and techno. produced by barcelonas pablo bolivar, >looking for a shape<, pushes the depth and groove that he is known for, but in a more aggressive yet subtle way. the original doesnt allow one to breath with constant changes in percussion and amazing flow. his >phase two< track will annihilate the speakers in clubs with deep bass and is a sharp, tightly wound percussive masterpiece.
the remixes offered are by monkey brothers, who take a very different turn with the track and offer a soft vocal and is perfect for the dance-floor as it delivers a strong pop for those later in the night moments. finally, the last track on the record is hidden recordings owner deepak sharma + dieter krauses interpretation of the original. they have created a more slowed down, druggy, groovier version of the original. its not quite as smooth as the original and thats a good thing as the extra glitch is great for those who need more punch in their sets. there is something in this release for all kinds of djs.

nice price deal !!! intimacy waste no time in following up paul woolfords >false prophet ep< with another missive, this time from belfast duo timmy stewart& john mciver - collectively known as jet project. responsible for a steady stream of dancefloor moments which often combine a rare appreciation for dancefloor dynamics, engaging & provocative sample sources, and a knack for arrangement that maintains the energy. its not surprising to know that andrew weatherall is a fan. label head paul woolford first met the boys in belfast in 2003 and after many repeat visits to play at their residencies, the stiff kitten and shine, (both techno institutions), their bond was sealed. the title track from this ep takes a large part of its inspiration from a charles baudelaire recital and is hard evidence that jet project truly take their lead from nobody. on the flip, we march at dawn furthers the cause - and we are then taken on a ride by the in-form sian via his heart bound for hell reworking, which rebuilds the track and surges upwards with more pressure, capping off a killer new ep for all involved..

2nd part with more killer tracks, check it out !!

the italian rising star team daddys groove and the most popular dj & producer in the world bob sinclar, join their experienced vibes, crossing down into a magic brand new tune...

amplified introduces new kids on the block: the shake up connection. heading from the same town as fellow label artists amplified orchestra: chicago! their debut single you got me is a super-gorgeous, melancholic affair which sees 4 tracks suitable for dancefloor play. the tunes on this ep mark the shake up connections fine blend of samples, electronica and acoustics and they get on their mojo for sure: pitched-down guises and ready to rock. the immaculate production and frighteningly powerful build-up should prove it all. do not miss!

1995 must have classic!!

2009 rework of the 1997 classic!

this 12 brings four typical deepart tracks, mastered to full quality. again they come in his typical, minimal lo-fi style, with the soul deep within. >monsoon< probably goes most abstract, a deeply funky combination of strings and beats. >n-w-2< combines the same ingredients, together with live guitar played by simon gayes. side b holds the more down-to-earth >questions< and goes spacey with >city life<. best deepart release since ages!

hellfish is back on deathchant and in what way! 2 excellent heavy hardcore dancefloor burners, hiphop influenced by the master. awsome down- and uptempo quality (uk-) hardcore.

juke and ghetto house hero dj gant-man was part of the fools gold family from the start - his remix of kid sisters >damn girl< was on the back of our very first release, quickly followed by production on kid sis >switch board< and shows around the country as her tour dj and hypeman. so naturally, we are very proud to present gants new solo single and debut fg artist release, >juke dat girl<.
from his earliest 12 inches on dance mania, to rocking parties around the world on the rave and club circuts alongside legends like paul johnson, gant has been pushing his signature chicago sound for almost two decades - mixing up rapid-fire juke beats while referencing all the house and disco classics that first paved the way. >juke dat girl< is the latest development of gants hybrid approach, slowing the bpms down to a more universal tempo but keeping the hyper, party-starting energy intact.
the banging original also comes backed with two massive remixes - an amped-up rave version from the heavily buzzed dc duo nadastrom and a groove-filled uk funky house rework from ex-bugz in the attic producers greenmoney. the entire single is a dj must-have, so pick it up and work! and juke! and work! and juke…

2nd gt muziker release burns down the techno-floor with tracks by fer br, peppeliuno, luky rdu and pratap!

lerosa makes a welcome return to uzuri recordings. night radio ep is lerosas most dancefloor friendly release to date including metaphor (feat on the much later ep) revisited by non other than nyc legend elbee bad, laying down a vocal and some funky brooklyn vibes to the proceedings. a winner of an ep with no fillers but essential cuts!

hakim murphy has been on a roll these past couple of years. he is on a roll and on a mission to take the chicago house music he loves into the future in the hakim style, staying true to the jack, groove, and feeling of chicago while at the same time exploring new territory and his own inner space. after his last ep on metamorphic, wiggles, hakim has gone on to produce a string of releases on labels such as his own synapsis records and remixes including a stunning reinterpretation of the classic welcome to chicago by future forward feat. john simmons. now we are again proud to present a flollow up ep from hakim called black robots having sex with a very special remix by metro areas morgan geist! this 4 track ep shows hakim at his best covering the full range of his personality, deep melodies, jacking rhythms, and sexy funky robotics. morgans remix of jupiter poop is stripped down, thick and warm, focusing on the subtle pulsating sub bass of the original with teases of shimmering melody and solid crisp percussion throughout..

this great selection of rare electro/wave/disco/cosmic tracks should be able to plug some holes in even the biggest of record collections! top leftfield disco action!

belgian producers sierra sam & marcus vector return to their house-oriented project d.i.y. (dumb irresponsible youth) for three more sly, sexy groovers, with contributions from dop, big bully and markus fix.
while sam and marcus are generally known for their more techno-focused productions, last years house tools vol. 1 was a minor hit, with tracks included in ellen alliens resident advisor podcast, jay hazes recent fabric47 mix cd, and m.a.n.d.y.s charts. since then, they ve kept busy with their own toys for boys label, meanwhile sierra sam has co-produced the debut album by bloody mary on contexterrior.
still, they ve found the time to crank out these new elegant-yet-sleazy cuts, and while vol. 1 was purely instrumental, for vol. 2 they ve roped in some guest vocalists. first up is their collab with comrades dop (circus company, eklo, supplement facts). >kilimanjaro< features d.i.y.s tribal bounce combined with dops seedy, trent reznor-on-opiates vocal delivery.
the flipside has two versions of >suck my caulk<: d.i.y.s original elevates thelevel of melody and sunshine, weaving in the voice of big bully (known forhis work on spectral, get physical and vakant). markus fix of cecille offers his own interpretation, bringing the track down into deep house territory. placed in the right hands, these tools can do some serious dancefloor damage!

russian duo easy changes have been demanding international respect for some time now and have established themselves as free and forward thinking producers, who continue to surprise. returning to mean, easy changes have delivered a refined, abstract jazz experiment that teases with continuously evolving elements, moving, shifting, drifting, telling tales, whispering in corners. zhazdha krovi gets our attention with twisted vocals playing with off key elements focusing on refined detailed percussion and clean bass sounds. stolem is a rythmic workout. light, quircky elements amuse whilst sitting on top of the groove that insists we get down. sweet n candy come in on remix duty and deliver a tech house killer. pulsationg, tough grooves that will raise the temperature on any discerning dance floor. b2 is a minimal jazz jaunt that teases, off kilter and experimental and refined

the phenomenal handclap band, are a many-membered ensemble which also features musicians from tv on the radio, jon spencer blues explosion and amy winehouses backing band the dap kings, all of whom contribute their individual talents to make for a very exciting whole. their sound is an anthemic, dancefloor-oriented blend of progressive rock, disco, electro, and 60s soul with sprinklings of hip hop-styled orchestral breakbeats and moody, synth-soaked & heavy hooks. using live instrumentation to evoke the intricate arrangements of norman whitfield, quincy jones and phil spector as well as the pared down beats of contemporaries like the neptunes and danger mouse.
a prime example of this melting pot of styles, this single >15 to 20< , combines >vintage sounds of blondie and esg with some css and james murphy thrown in< (zane lowe, bbc 1) to make for an instantly catchy disco pop concoction thats times-tabling chorus will be as popular in the playground as on the hottest dancefloors. >15 to 20< enjoyed spot plays from the likes of radcliffe & maconie, john kennedy and zane lowe, who made it his >hottest record in the world< and went on to describe it as his >breakthrough record of the year so far.< press-wise it has featured in the nmes 10 tracks you have to hear & in the guardians film & music playlist.
live they are a core band of 8 all of whom participated on the album, being daniel collas (organ / vox), sean marquand (keys/effects), quinn luke (guitar / vox), luke o malley (guitar / vox), nick movshon (bass), patrick wood (drums / vox) amanda tomme (lead vox), laura marin (lead vox) with special guests from the album popping in all of the time. dont be surprised to find a 15 piece psychedelic, disco-matic, get down, groovy, hippy cult, rock spectacle-supergroup that really is not to be missed!

big with: norman nodge, surgeon, dave clarke, peter van hoesen, mike parker, ben klock, marcel fengler, laurent garnier, hell, vince watson, ben sims, cassy, slam, dan curtin, ...
with releases on labels like ostgut, time 2 express and prologue, the finnish producer is one of the leading lights in the new wave of european techno. samuli gets straight down to business on orbiter. based on chugging, insistent drums, the listener is led to a place where repetitive droning sounds, pitched up percussion and robotic bleeps dominate. if ever there was a soundtrack lose your mind to in a dark room, then >orbiter< is it. >metal space< is more considered, but its no less effective. berlin producer mike dehnert rounds off the ep with an excellent, deeply textured take on >metal space<.

yore returns with yet another deep master piece. javier alvarez, a madrid based producer and proprietor (along with his younger brother dubbyman) of the underground label deep explorer music, brings his relaxed above smoke sound to the yore imprint. in the first of four warm and atmospheric mood pieces, awfully drapes dense synthetic winds over a deliciously grooving, bass prodded deep house pulse. get down does exactly that with five funky minutes of rhodes chords, disco hi hats, and synth swirls, a percolating bass line lends the track a propulsive charge, while crowd voices give the cut a party vibe. on the b sideÆs ôthe fixö javier scatters chopped fragments of the spoken line, i ve got a lot of shit to say and i cant say it all in one day, i cant say it all on one piece of tape, over a funk house groove, after which dubbyman offers variations on the theme in his remix of the track, dubbymans version digs deeper into the cuts bass science and warms the tunes slinky pulse with hand percussion and claps. old school in its embrace of classic house sounds, above smokes ep is tailor made for those who like their material laid back, groove centered, and funky.

album of one of the most talked about electro acts of the moment. one luxemburgish, one lebanese, one french, one musical language which takes its source from the academic knowledge of juilliard school of n.y.c. but raises itself above the classic, contemporary, rock and electronic genres. the first album of aufgang knocks down, surprises, and lays down matchless basis for reinterpretations. after >sonar< released earlier this year, here is the full lengh album ... future classic.

ltd repress !!! 3 stretched out and beefed-up edits of tracks that originally appeared as skits on the brilliant rockwell records label...tried and tested on the dancefloors of amsterdam - these are sure fire head rockers/ankle flexers!! >kutparra< is a contagious banger that makes you want to jump, like kriss kross used to do. >kutwell< comes as a catchy discofied house tune that reminds us of some detroit productions some years back.. this stays from though! >nosestep< finishes off in true aardvarck style.. a stripped down track with a bassline to kill for… bare essentials

nice price deal !!! the fourth rwina sees the light of yet another taz buckfaster 12inch thats going down in a true epic vein, one for the anthem horny jocks. so if you are into the grimy synth heavy side of things then better check this one out.

fxhe records hits us with one of the best house records we have hard this year, produced by omar s cousin - big strick. highly recommended

the rising consciousness ep takes you on a tour of your own mind via two brilliant originals with remixes from techno veteran bryan zentz, and label head lets go outside. side a dives into the limbic system with the deep house masterpiece that is waving, surviving. its slick and sexy, creating a beautiful, wide space around its subtle textures, exhilarating swells, and tones which envelope you like a big hug. bryan zentz massive remix explores the frontal lobe further, managing to perfectly balance the plus 8 recording artists heavy dance floor genius with the warmth of the original. on the b side, rico tests your motor skills with skinless, a driving and playful tech house trip. this is raw fun dance music that slaps every neuron in your cerebral cortex with each step. sliding down and out the thalamus, slant label head lets go outside reworks >skinless< into an overwhelming, full blown body and brain workout.

restoration records highly awaited eighth release is the most powerful sonic weapon to face up this hard times. captain power and the soldiers of the future will lead the riot of the machines in order to restore the analogue kingdom. humans and machines, blood and fire, souls and transistors are operating together to fight the conformism and the loss of values imposed by the mass communication of this post-industrial era.
third side is the new operative group of restoration, formed by marieu, lucretio and by resident dj of panorama bar steffi (klakson/ostgut ton). >ready to dance< is a dancefloor disco-bomb, funky and sexy but minimalistic at the same time. very essential in its build-up, its bass line is addicting and relentless and its bass drum is powerful. we are ready to dance, its time to jack!
analogue cops >chamber< is a strong dark track in which a massive 808 drum explosion runs together with an ultra-pitched down voice sample. rushing percussions, piercy hi-hats, a breathless progression. an experiment which turns into a solid club tack.
on side b, >still me< represents lucretios vocation to neoclassicism. the time disappears and a gospel organ full of motown reminiscences reminds the most soulful works appeared on planet earth. dramatic and sweet, its evocative and hopeful. lucretios track on rst006 appears on tama sumos >panorama bar – mix cd<.
>mauzy< is marieus deepest track on restoration. beat-down smashing 909 drums, punchy snares, delightful piano chords, sharp cymbals, a praising voice. a track for a spiritual elevation, a track to dance until the last second. a track to listen to a million of times.

the wurst edits gang has inducted yet another ny disco acolyte to the fold, the inimitable irishman in new york, eamon harkin. known for wild dj sets not to mention his innovative bookings at such parties as sunday best and fun, harkins no stranger to dance music. no wonder the mans shared bills with such legends as afrika bambaataa, juan atkins, grandmaster flash, the egyptian lover, and kevin saunderson. on his debut single, the man heads straight into peaktime territory with the sinister sounds of john boy, where synth toms jump out of the shadows only to punctuate an incredibly propulsive groove. innit takes a decidedly different turn down edits lane, rejuvenating an early 90s house gem in magnificently wurst fashion. extremely limited edition with handpainted covers

after sizes debut on adam beyers truesoul, size hits amsterdams 100% pure label with stripped down funky beats which are bound to work those big systems!

hot city is dropping some severely skewed house music, twisting it up with his own blend of jackin chicago house, 2step/ukg, and bass bumpers. with only two tracks sent out to a handful of the finest djs around in the past few months, he s secured two gigs playing out at wifey, certainly the most fun club in london at the moment, and managed to generate a fair amount of hype already:
- smash, this is a mega rave hit bro, nice one! - drop the lime (t&b / nyc)
- very nice, thanks for this, will def play it - hudson mowhawke (warp / glasgow)
- i really like both these tracks, kinda minimal garage, very cool - hannah holland (batty bass / london)
the tracks on this new 12 inch build on the momenetum, with two tracks of stripped down dancefloor killers - >yeah!< is a monster builder, all todd edwards style swing and tight edits with crazy deep kicks, chopped up vocals, old school piano stabs, soaring strings, and hands in the air breakdowns. already being played out by drop the lime (check his latest exclusive mix for fact magazine where he opens his set with >yeah!<). >head work< on the b side is on more of a masters at work/harddrive era tip - deep garage beats tripping over themselves, burbling oddity synths, shuffling snares and the weirdest vocal melody breakdown/build-up ever!
the originals are complimented on the 12 inch by two remixes - tvo takes yeah! to another dimension altogther with a head destroying 140bpm hardcore junglist remix. on the flip, san franciscos eats tapes take >head work< into the wonkiest area of minimalist techno, showcasing their totally unique take on future groove.
the ep has been mastered by the irrefutable shawn hatfield/twerks special touch, bringing out the strengths of each track and tweaked for that perfect crisp warm vinyl pressing.

london based masters of the groove berkson & what are back on pokerflat with another sublime excursion into deep flowing hypnotic and modern house music. the pairs infamous live show has taken them far and wide, delivering their detailed and unparalleled electronics from berlin to miami and back... now their story continues with the >ghosts ep<. the extended, jacking trip that is >ghosts< is a strong grooving reduced house track in the purest sense of the phrase. tough, tight chicago style beats flare and snap as a melancholic and mysterious synth motif dances around the funk-meets-dub bass sequence. all manner of ethereal spoken word passages, uplifting vocal meanderings and cuts are then intertwined in a complex ambiguous narrative that fills the room with the ghosts of house and soul music gone by... understated, uncompromising and super functional! next up the boys lay down a tribal house groover, full of thick keys, richly embellished drums and spiritual vibes a-plenty. no doubt first jammed out during one of their long studio sessions, the live feel and flowing arrangement opens up beautifully with soft key flourishes and tender vocal hooks.

the mysterious fat camp collective put down the hi energy, low calorie bars for a minute to take a leisurely stroll down memory lane with this 4 pack of high quality edits for your dancefloor workout ! anorak 004 is another sterling selection, and includes the much blogged about and honestly quite spectacular heavyweight paisley park funk-out of ‘100mph’ by mazerati - worth the price of entry alone, not forgetting the 3 other underground funk, disco & soul hits plucked from obscurity, given a shave and a haircut and served up all nice, fresh and plump for your continued listening pleasure

alex comes to an end with the first series of releases on his imprint credo. ten outstanding records have been highly recognized as a contribution to the modern defintion of techno, contanst plays from the big names and there is no doubt that end of the bleepwill perform as well. again one track which is nothing else than techno for the real peaktimes, driving basslines and a modulating signal-tone to cook the floor up and down. the flipside with blablableepis kind of deep, very useful for the early or late hours on your set. take a deep breath, this is techno 2009 with clear roots to the golden times of the style. watch out for the remix-series on credo to come up in fall featuring remixes of selected artists...

2nd e.p from basement soul aka greymatter via the kat label, which, in a similar vein to vol 1 hits hard bringing us 3 more edits with the sole intention of getting them feet firmly on the dancefloor and getting down proper. loads of support on this from horsemeatdisco, ashley beadle, domu etc.. chains is the teena marie beauty from 1980. ace funky disco with subtle (but very effective) cuts n beefed up drums. this edit rolls in at just over 7 mins and sounds all the mightier for it. newbans magic lady is a massive slab of afrocaribbean disco goodness pure n simple. horns…breakdowns…killa vocals and congas a plenty. girl watching is another funk-edged boogie big hitter. original by t-connection, greymatter takes the already massive original and takes things up a notch or two

its been almost a year since the release of efdemins fantastic two-tracker >america/the pulse<. >america<, that was also used on his curle mix-cd >carry on...<, became quite a big tune and even ended up on the number one spot in groove magazines chart. therefor efdemin preferred that no-one touched that track anymore, and we decided to give >the pulse< a remix treatment. john beltran is a highly respected artist that has been around since the early nineties - r&s! peacefrog! styrax! - and when we heard the ultra-funky mega-bomb he made from >the pulse<, we knew we made the right decision to ask him. another one of our long time favourites from accross the ocean is convextion aka e.r.p. he did some ground-breaking stuff on matrix, down low and frantic flowers. we asked him to do a remix of crcs amazing take on detroit techno, >vaskitsaherra<, originally on curle 009. the result ended up being nothing else than a timeless piece of art.

jericho - having cemented his position as one of the producers in 2008, with a string of genre-defining releases on many leading labels, including great stuff, craft music, turbo records and yellow tail, ramon tapia is hot property. here ramon teams up with production partner bp for this double a-side release on jericho

>pani chacha< is her highness the dutchess of the southern party. inspired from the drink which is lovely regarded from georgia to the balkans, korablove created a house tune with a drunk bass section, thus representing an irresistable dance tune for the gipsy autumn. stripped down and extended with a scsi-9 remix on the flip. bottoms up!

the second record >trapez 100 pt2< features a great dynamic track by dominik eulberg, and two remixes, one by break 3000 of oliver hackes legendary trapez track >der vampir von düsseldorf< and the other by the famous berlin duo format:b of florian meindls hit track >blast<. welcome back to the trapez world. dominik eulberg released stunning records on trapez in the past: >gasthof zum satten bass< was a huge hit and also >adler< createda waves of enthusiasm. with his exclusive track >ambivalent< for the trapez 100 release he refers to the days when techno was defined through its drive and enormous dynamic. >ambivalent< is exactly such a pounding driving track with a big synth joining in that creates joy and a great rush. mr eulberg was in a really good mood when he finished this track and we expect it to be played on many big raves. >der vampir von düsseldorf< (eng. the vampire from duesseldorf) is a legendary track, we released without any writing on the etiquette and just communicated by word. very few people knew that oliver hacke produced it and a lot of people like michael mayer and richi hawtin played the limited 12 inch a lot. now you get a very cool and fantastic, monumental, grinding remix by dirt crew records label owner break 3000. the format:b remix of florian meindls slammer >blast< is a winner. they manage to walk the fine line between techno and minimal by using sounds from mystery movies and funky beat patters, as well as slow down beats which create funky breaks and interludes that provide the original with a more trippy and rhythmic side.

after his outstanding album debut christian naujoks is back withthe first of a 12 inch trilogy to be released on dial records. adoring the sound of pitched down pre-recorded strings dressed in deep, dub-styled echoes, east end boys is a song dedicated to to the raw and powerful sublimity of physical sounds. the song was created while naujoks was working on a live set for the akustic saloon at legendary berlin based berghain club in april 2009. overwhelmed by his flatmates live performance, lawrence decided to produce a remix of his favorite christian naujoks tune >bloom<, which appears on the flipside.

the boys i mean are not refined,
they speak whatever is on their mind,
do whatever is in their pants.
the boys i mean are not refined,
they shake the mountains when they dance.
- which i like.

straight off the heels of his highly successful bird brain album teaser tracks, aundy and beat that bird comes the definitive claude vonstroke record everyone has been waiting for. the a side is classic genius cvs at work. he constructs a mad vocal pattern up and down through 4 octaves and all the vowel sounds of the live human voice. then he creates a chord out of the notes all coming together for en even bigger surprise in the 2nd half. this track is quite simply unique. there is nothing else like it. the b-side resembles the freaky side of cvs harking back to the tech funk sound of tracks like chimps. this time claude makes an ultra-wide filter sweep sound like a pair of humongous tits bouncing up and down on a trampoline. the boob jokes are there but the track is so filthy dirty its hard to even find time to chuckle.

svetecs first solo release on the cannibal society! and what a burner! uncompromising hard techno with big beats, solid arrangement and basslines to die for. solid punishment of the mind with some chemical warfare aimed straight at the dancefloor. so take cover and hide, cause the cannibals are coming to hunt you down and theyre freaking hungry!

another fresh face for the vastness we like to call minimal techno. a few months ago, javier logares tracks for bar 25s little sub-sister bar25digital went down a storm, so it was about time to introduce his music to the vinyl world of bar 25.
>elastic doll< is a cheeky bouncing piece of minimal techno with a marching bassline and a handful of dancing bleeps at all the right places. this elastic doll will lure you right into afterhour debauchery.
on >the wrong clue< javier dims the lights and sets a more haunting tone with an eerie synth-melody and bleeps, that slowly but surely crawl up your spine. seriously tripping stuff this is.

spectrum recordings returns after the summer months with a fantastic deep dark two tracker to take us into those shorter nights of the year from italian duo ascion & davide carbone. the a side >shaved< is a stripped down dubby groover, with eerie vocal stabs and spacey edits. this has a seriously tripped out vibe, which is perfect for the after hours, but still with more then enough punch to work at peak time, with some layered percussion or effects. the flip side >spectral town< is a minimal funky track, superbly produced and once again perfect for the after hours. a very cool and classy record from a label stamping its mark on the scene, and still only in its first year of releasing music. look out for future releases from ramon tapia, gui boratto and alan fitzpatrick. big things to come!

released in 1980 this italo gem has more recently become a huge collectors item worldwide due to its incredibly hard to find status (ú100 ebay / discogs). this album was the prototype for the whole italo sound, with the majority of it written in 1979, but was only a minor hit in its time and not much is now known about the band. the album spawned two singles gipsy and back to heaven but is full of off kilter disco classics such as mister luck and down to the disco. dusted down and remastered this album has really stood the test of time and given a fresh lease of life its bound to find a whole host of new fans worldwide.

this 4 tracker comes deep and dirty. tube amplified driven grooves with colorful shining percussions - the unstoppable affectiv exciting melodies on top - plus the ever appearing bonus loops makes this again a very exceptional and personal sounding something twelve inch. the included dancefloor madness will shake your heads once you are down with it. house music that will move you, but also amaze your senses in relaxed listening situations. play that tracks in moody places and this record brings you into other orbits. finally this again has that typical stl vibes inside, for what he is notorious for, meanwhile. buy something - your turntable will be grateful!

alex ridha aka boys noize is, along peers erol alkan and justice, part of a new mongrel breed of techno / electronica artist with a maverick bent and solid vision, beaming a myriad of influences from the past through a prism to create something fresh, new and exciting. founding his own imprint boysnoize records (bnr) in 2005 he achieved to establish his very own sound. alex released the first boys noize album “oi oi oi” in 2007 on bnr which featured febrile club favourites like “& down and “lava lava” and also more soulful techno tracks like “shine shine” or what many regard as one of his finest works, his remix of feist’s “my moon, my man”. official remixes for the likes of depeche mode, snoop dogg, justice, late of the pier, his latest work for royksopp, highly regarded dj mix compilations (bugged out! / i love techno) as well as productions for black eyed peas and canadian genius gonzales proved how versatile he could be. now boys noize presents his second longplayer as a lim.ed on vinyl instead of following the commercial path after the unexpected success of “oi oi oi”, boys noize passed on any big name featuring, the great pop approach or feeding trends. keeping it real, “power” starts where “oi oi oi” has ended and shows the freshest of electronica and techno music.

2009 is quite obviously sven tasnadis year, having already released five eps this year on cream-of-the-crop labels like pokerflat, ornaments and liebe*detail. each ep revealed a new facet of the leipziger, riding the nuances between the 4/4 beat. after his ep >down under influence< with juno6 in spring 2009, tasnadi now dishes up his new solo ep on cargo edition. >what we do< is a classic housetrack - very deep and peppered with vocal shots that hold the tension of the track over its whole length. it s smooth, yet deliciously rough around the edges. >amour fou< on the b-side surprises with a very compact rhythm - around the driving bass drum fly percussive elements, all tied together by a reduced bassline, some interspersed vocal samples and deep chords.

mark e is a one of the hottest nu disco artist.his release on running back, jisco music are always highly evaluated. a side, codsall juniors which already included to the compilation im starting to feel ok vol.3 is a typical his trademark slow mo house. b side, gunstone is a mark e taste beat down track. if you like the track of rekids or stl, you will love

introducing the hells of love! two disco reprimands with an unhealthy penchant for slap bass, synths and drum machines. having both released singles under various guises, michele tessadri (fratelli riviera, bearfunk) and luca sapo saponaro (member of the love supreme project on tirk) decided two disco heads were better than one and headed to the studio to battle it out. the resulting cacophony of squelches and bleeps resulted in the third release on new fledgling jisco affiliated label under the shade.

flint kids are london based electronic music duo dave smith & daniel nolan. they began writing together in 2000 on an akai mpc 2000, s600, korg trinity and 303. years later, after having brought laptops, logic, ableton and other electronic goodies, it became clear that the sounds they were hearing in their heads were possible to recreate. their passion for so many different styles of music saved them from ever being pigeonholed, glitches & bleeps fuse with organic matter fired from a techno blunderbuss to create a pool of binary sputum that finds no home in any one genre. what may begin as a well earned candlelit soak in the tub of ambiance can quickly drain away as they pull the plug, leaving the listener cascading down a dank, jagged hole with only a rung less ladder made of plasticine.... not for the faint hearted!