bm/cc/cws spectrum debuts the collaborative works of three new york gs: brendon moeller, clay wilson and oliver chapoy aka certain creatures. inspired by each others live performances at an industry of the machines party in may 14, brendon, clay and oliver re-convened for an impromptu recording session a week later. spectrum culls three serpentine heavy-weights from that session. each track warps modular meltdowns into aerobic feats of primed dj mayhem, mixing the visceral with the psychedelic for a twisted take on techno. *spectrum 1* peels queasy melodies off charburned, disintegrating toms that disappear into the howling vortex of *spectrum 2*. the third and final (for now) *spectrum* emission channels the most harrowing moments of the trios live performances - a deliberate, free-form exploration of technos widest fringes and wildest possibilities.

odd even is the new label project from andre kronert. created as a wide open space and blank canvas for friends and peers to release music that andre himself will include is his dj sets. odd even is a playground for both music and art, with each release receiving a full vinyl press and exclusive cover artwork.
001 is from the label boss himself and features the stripped, staccato sounds of the title track and the stealthy purring acid of isolation. the labels first remix selection sees andre look to argentina and two of the countries finest musical exports, jonas kopp and pfirter. both take terminus into tougher territory where kopp twists the piercing note of the original and pfirter assaults us with his blistering drum work.

imagine going to a club with damp leaves underfoot, raindrops falling gently from branches stretching high overhead, and all kinds of animal life creeping and flitting barely seen through the undergrowth. welcome to the soundworld desert sky creates on *rare consistence*, the a-side to this new ep on assemble music: a journey deep into a living, breathing rainforest. come for this endlessly rich and evocative take on minimal house soundscapes, but stay for the moment 7 minutes in when, with a wash of detroit pads, a shaft of brilliant sunlight penetrates the canopy, helping to illuminate the surroundings in all their complexity.

2014 repress! super music for super people. lucky you!the universe must love you dearly because you are about to experience the various artists series from the fantastic ursl records. this record is jam packed with only the best tracks from all-time - past, present and future! original hits from original stars! play this record at any party anytime and you will be the undisputed hero of the night, a true master of ceremony. simply place the needle to the record and watch as the boys and girls instantly transform into crazy party monsters, smiling from ear to ear, exploding with love and and funk on your dance floor. each one of these body-rocking ursl superhits have been played by super famous superstars on dance floors across the galaxy and throughout the entire dimension of time to devastating effect. so grab this red hot compilation of solid-gold chart-topping ursl superhits today. its guaranteed fresh to infinity and beyond, yeah!

fish go deep return with a double header of intense electronic house music. over a muscular rhythm track, turning stones builds layer upon layer of melody before a jagged synth riff knocks the track into another orbit altogether. the dub takes a different path, with a steady rhythmic pulse that allows plenty of space for the music to soar.

heeeeere is eddie ! red motorbike has been a handsome vehicle for eddie’s own, ever-essential output, alongside some specially selected collaborators here, the head honcho rides out again, with another extra fine duo of dubbed out edits. farmer god sees a high plains drifter out of his gourd on powerful peyote, strumming away and riding into the sunset. on the flip the touch is classic eddie business as a beautiful mid-tempo jam is expertly extended, with only the juiciest parts added to the blender a lot to love in a little package! pressed in hamburg. stamped personally by eddie in berlin. 300 copies only.

for this first installment of vibeline music we brought on board an industry veteran and top gun, the one and only john acquaviva along side spanish heavy hitters jordi castillo and paulo tella. to top it off, cassandria daiva brings you into her own musical universe with a bumpy, funky dancefloor pleaser.

supported by: nic fanciulli , mirco violi, mihalis safras, gruber & nuernberg, gavin herlihy, sebastian lutz, richie hawtin, d.diggler,..
one of the hottest greek commendations to the electronic music scene is mark spanoudakis aka kreon. someone may know him because of his releases on cecille, robsoul, below, resopal, be_chosen or freerange. but also with his companion lemos he has some stuff out there like on labels resopal red or be chosen. with his very versatile sound he achieved high rotation and made it into the playlists of international top acts & compilations. for his debut on plastic city he predicts a revolution...

as bass culture proudly reaches its 40th release, it gives us great pleasure to welcome back john jastszebski after he last turned out an ep for us back in 2012. releases for phonogramme and robsoul in the past two years have confirmed that he is a force to be reckoned with in the booming parisian house and techno scene. his approach on the would be back e.p fits in perfectly with the bass culture aesthetic, delivering tracks with a simple immediacy, always loaded with soul in just the right places, but never shirking the all-important groove. > would be back< s sturdy beat leads neatly up to a colourful burst of piano chords and rousing strings that make this into a perfect summer house cut. > fevrier< comes on with an entirely different season in mind, as mysterious and dubby tendrils of synths and samples unfurl around each other with a distinctly wintry mood. > my girl< meanwhile keeps the energy levels up with a stripped back, punchy beat, filling the space in the mix out with rousing pads that soothe and uplift.for a remix of > would be back<, we decided to turn to a long-time legend of the uk house scene, nail. his remix takes a more emotive approach to johns original, dropping in some playful synth lines and dreamy effects with stunning results. reaching across all seasons, situations and times of day and night, the would be back e.p delivers just the kind of versatile house music that sets our souls alight here at bass culture

following and expanding upon the line of thought put forward in her 2013 album syzygy, lucrecia dalt ends in a place familiar, yet noticeably different on her new ep. its two tracks, esotro and veta, continually defy expectation, haunting vocal ballads that trickle into clouds of white noise, but for an acquainted listener that wont surprise.

roberto bosco has selected in recent months kinys music, to better prepare his first 12 inch, consisting of four tracks, named *damaged memory*. the track *unknown* (a1) leads off the dance of the release on last drop records imprint. it is a proper exploration in an unknown sonic territory to most of the people, and also a difficult element to make out for those who are novice to the visionary component in the musical poetic of kiny. the track starts with rounds of recurring sirens, almost deafening, framed by dark and ghostly noises. something not easily identifiable, ambiguous and unknown, as the title itself says, is perceptible in its sound. all this helps to shape a bad presage that fades away into the mystery.

dense & pika return to hotflush with their first original material since last year s smash, colt . meanwhile they issued a chart-topping remix of paul woolford s erotic discourse with a signature bombast that carries over into the present klank ep. six tracks leave plenty of room for variety, however, from the toecap shuffle of the eponymous lead track to bad ink s melodic grand designs, through slacker s binary jack and the pared-down house groove that is slowhand , not to mention the aquatic depths explored by wandering hands , we see dense & pika s muscles at full flex.

debut release on studio barnhus from our man in wroclaw: pawel klimczak, a.k.a. naphta. this thomas mann-readin, sun ra-diggin young pole made palm trees love and spring ball so we could all keep the magic summer of 2014 blazin just a little bit longer. dzieki, pawel! simon haydo, our man on alpha centauri, delivers a deadly remix of spring ball, reworking the nice & bouncy original into a warehouse-maddening techno missile with that extra haydo twist.

following hot on the heels of paul bennett’s ‘modthree’, the next release on modernista comes from russian multi-instrumentalist and producer yuri shulgin. after releases under his own name and as mistanomista, alongside collaborations with anton zap, yuri joins modernista for a three-track 12 inch that effortlessly pieces together elements of acid, house, dub and jazz fusion into a very personal sound.

nice price deal !!! 2nd release picks up where the 1st ended, under the tutelage of the pittsburgh track authority, as 2 young pittsburgh producers grab the reins, & take the labels sound deeper into funky space-age techno.

after years of toiling behind a paper thin veil of obscurity c powers is finally starting to burst into view. having just finished handling production duties for recent houndstooth signees 18+, c powers continues to demonstrate his sonic versatility with the *up neck* ep (cgi007), his proper cgi debut.

radioactive man: -dub has always been a major influence in my music, mainly roots a la king tubby, marley, lee scratch, king jammy etc. i used to religiously tune into the manasseh show on kiss fm on saturday nights after coldcut, that introduced me to the massive amount of roots reggae and dub that was made in the 70s. i always loved the fact there was two versions, a vocal and a dub, which was always played in that order... the original remix music i guess...

the latest ep my normal usual far from apotek keeps the label in a firm stride. jerome sydenham forges on with another classic edit. on this occasion, sydenham minimalizes jonas kopps classic reforce leaving us with a steady pumping floor pounder. my normal usual far is the second installment of the new ibadan records artist sally. armed with an array of organic drum machines and synth jerome sydenham and sally trail blaze their way into tech-house heaven. the movement of this track is indelible. with encouragement sydenham and sally continue on the path to tech-house excellence with this stripped down ultra tool.

mallorcas dakpa has been on a roll since amam released his debut ep last fall. he has contributed to several compilations, including amams own hand out series, kina music s fade to k pt. 3 and wizz vinyl s sonar sampler 2014, plus eps for labels like district raw and serial number 849. but amam gets the honor of issuing his first own vinyl release, the distres ep. the opening title track is an exercise in jacking minimalism, vibrant tech house with just the essentials, but more than enough to get the floor moving. then, ademus gets into a slightly more colorful groove, with tropical percussive interplay and some whooping voice for a humanistic accent (is that brigitte bardot?). on the flip, virgo gives a modern update to the frenzy of acid house. the title alone brings virgo four to mind. on that note, this one is an effective tool for warping minds and evoking spastic dance moves. finally, the dependable gaetano vinci a.k.a. hooved reinterprets ademus with a heavy dose of melodic funk and symphonic washes, making the track into an entirely new creation.

life, death, energy, love, hope, danger, agony, peace, if i stop today it was still worth it. even the terrible mistakes, that i have made and would have unmade if i could, or that maybe i would just redo the same. the pains and thoughts that have burned me and scarred my soul, it was worth it for having been allowed to walk where i ve walked. which was to hell on earth, heaven on earth, back again, into, under, far in between, through it, in it, above and beyond it… i won t regret!

boston based production duo and room-mates john barera & will martin continue their journey into sculptural, storytelling house music, with their debut album on dolly - >graceless<.

ltd repress
new dutch signing ivano tetelepta touches down on fear of flyings first release on their main label in 2011 with > smokin g<, a 10 minute excursion into the trippier side of house music backed with a remix of pure raw analogue power from those berlin based italians, the analogue cops. ivanos second original production > flowers< rounds thing off, gentle shards of melody underpinning a deliciously tight deep house groove

2014 has been a slow year for sequencias in terms of releases. most of our energy has been spent towards the development of different projects, like our new webstore, that has become an outlet for us to share some of the records that influence the way we do things. so, with the wax offering slowing to a mere trickle, who better to entrust with our sole release for the rest of the calendar year? dcantu, of course. cantus electro-heavy sound is fleshed out here and while still lean enough for dance floors, it makes bolder moves into atmospheric and melodic territory.

die budos sind weit gereist und weit gekommen — sie haben auf vier kontinenten gespielt — seit den anfängen der band. eine gefühlte lebenszeit an welt-tourneen und wöchentlichen bandproben floss in die entstehung von burnt offering mit ein ... und die reise ist noch lange nicht vorbei. so lange es neues publikum zu begeistern und musikalisches neuland zu erforschen gilt, wird sie nichts stoppen. *wir haben unsere mission noch längst nicht erfüllt*, erklärt profilio. *wir sind immer noch hungrig.*
die vinyl-lp erscheint im klappcover inklusive.

teddy douglas, dj spen and maurice fulton don their those guys alias and invite jean-luc ponty to jump head first into their sampler down in baltimore to show some love, love, love and the result is this amazing 12 inch originally released on basement boys records in 1996. a truly deep beauty of a track that utilises pontys violin from 1983s *computer incantations for world peace* to the absolute maximum in over ten minutes of building bliss, *love love love* is an under the radar classic, a true gem and a real treat for all djs to play. the alternate mixes and bonus beats are also great, dj spens balto doo doo mix for example, keeping it thoroughly b-more with the old school breakbeats and snatches of the original sample jumping through the mix from time to time make this an essential weapon in any record bag! this 12 inch has been re-mastered and re-pressed in conjunction with the basement boys.

for the latest release on dissonant, his founder marc antona presents two grand journeys that reach into the deepest parts of his musical psyche. in rattle snaps he turns out a seductive bass line and a captivating beat drawing on his strength in layering up ingenious sonic details.

get a first glimpse into the musical mind of henry gilles. on their 7th offering public possession proudly presents to you another munich local: this is the first part of collected works henry has gathered over the past three years, with the second soon to come. we are very happy to share these tracks with you as we think henry is one of the most interesting young producers out there. whilst this release is musically leaning towards house and disco you can expect a wide range of different styles in the near future, ranging from hip hop to downbeat and further.

plastic love welcomes fellow angeleno michael walsh on board for the 2nd release on their budding label. walsh s debut ep showcases the producer s breadth and depth of all things rave with two distinct tracks aimed squarely at the dancefloor. before when it was new s unmistakeable melody act as a call to the dancefloor while a rumbling bassline underneath keeps you locked into a groove. strobe lights arpeggiated bassline and snappy disco drums showcase how versatile walsh can be. remixes come courtesy of label co-boss maheras as well as caravan boss and aus music stalwart dj october

nice price deal !!! having evolved from engaing underground prospect into a fully established international dj and producer in recent years, the time has now come for huxley, to release his debut album, entitled blurred

enter the spiral - the title of the opening track by the first collaborative work between sebastian mullaert and eitan reiter is not just a random name. it is a title which anticipates what can happen if you let yourself go alongside their nine epic musical trips

panel trax has grown international due to the producers and the trax being played abroad. the label is releasing trax in the spectrum of techno, acid, minimal, detroit, ambient and dub. it is into oldschool a new things as well but doesnt want to follow the actual trends. it just has a focus on atmosphere and sounding.

killawatt debuts on run out run with four of his signature journeys into electronic music. brutal drums meet paranoid synths and cavernous atmospheres to create four cuts ready for the soundsystem.

kitt075since being propelled into the limelight many years ago by none other than steve angello, italian duo veerus & maxie devine have showed no signs of resting on their laurels.becoming established names on the suara roster, the pair have remixed the likes of fatboy slim, noir, wally lopez

in the heart of madrid the el barrio djs have been one of the biggest gamm supporters over the last 10 years or so, spinning our gems in various jazz clubs in the spanish capitol. we are now overly excited to have them onboard gamm with an absolutely stunning 3 track ep. the el barrio guys really know how to twist and rework various tunes into one song and the art of editing have never sounded better than now.

cut a. kaos has been in the music and dj business since many years. last summer, he actively returned into techno with the purpose to create a new album. in other words, he targeted a genuine techno album containing two parts. the first one is a retrospective view to the origins of techno, consequently deep tech is accompanied by clear acid structures, exhibited by artists such as the martian, beltram or the old umek stuff. although many styles are aggregated, they are all pure techno. niereich, austrias number one techno artist, contributed a brilliant remix of *because it s acid*! another artist, edelstahl, produced a remix of *walk and talk*, which resulted in a hard and fat monster!

coming from the darkest depths of the south american jungle but raised in the city of utrecht in holland, julian alexander is a name that might not have fallen on many ears as yet but we guarantee you ll be hearing a lot of this 18 yr old powerhouse in the future. with a background in jazz and a trained multi instrumentalist, exploring hip hop and underground house and uk garage, julian soon started to craft a unique style and put his own slap and funk into the mix. focusing on a deep powerful sound with plenty of pound he quickly caught our attention as his meaty, stripped down minimalism explores an even darker chamber of the dungeon . julian s hustlin ep delivers the kind of tracks that keep the floor moving, essential tools that can be the perfect transition or the spark that lights the fuse on on the dance floor. can you believe he made the track undrg at the ripe old age of 16 years old. it really blows our minds to think he made it 2 years ago and it still sounds fresh and futuristic. as with all our releases these jams are tried and tested and proved to be very useful for building the tension and getting those fist pumping. their solid, track, bass heavy vibe will have no problem bothering even the biggest bass bins

following on from their last 2 eps on rinse as well as there unique take on route 94s - my love, maison sky are welcomed into the materials fold with their latest record, 69.

fracture is a new label which aims to release quality music on a medium we care about. this is why we chose to work with matt colton from alchemy mastering, and also why we decided to put only one track per side of a 180 gram vinyl. after a first ep earlier this year by berlin s i/y, this second release features signalweiss, one of the alias of prolific and talented italian artist dario tronchin (also known as chevel), here supported by a remix of milton bradley.the past years have seen dario exploring many directions, from intelligent dancefloor tracks to surprising housy & technoesque pieces. artificial is another occurrence of him blurring the lines between different genres, dreamy and abstract, it successfully creates a refreshing and unique atmosphere. milton bradley skillfully brings artificial completely into the realms of techno, keeping the original s track attention to space and melody, the track in his hands turns into a mental and punishing dancefloor bomb.

the first vinyl from kyoto based japanese label, descanso. for side a with 2 tracks, the label owner baiyon collaborates with los updates (aka jorge gonzález) with vocals. they have built a collaborative friendship since baiyon rimexed “i throw water into the lake” and “miss you so” by los updates and ricardo villalobos released from nice cat! records. a jazzy, energetic track entitled “i don’t care” for side b by baiyon.

here it comes the third release from rising label with an original track from deepbass, another rising artist, that gives the name and life to this record and gets completed by remixes from abstract division, max_m and p.e.a.r.l. the original track, -sleepwaker-, is a deep gummy trip into the deepbass world, shaped on modern techno. following, we can find abstract division remix, where the dutch guys goes on purposing a very beautiful version keeping at time an eye posted to the dance floor. on the b side we can find max_m s version, a track that goes punchy and energetic from the beginning while keeping all the essence from the original, simply and very effective. p.e.a.r.l. closes the ep going darker and harder with a broken track, -loopy- and powerful version to complete another finest techno ep.

redinhos always been different. debuting on numbers in 2010, his bare blips ep showcased an artist with no desire to fit into the landscape of the time

three emotionally driven club tracks straight from the heart of untzz regulars, mic mills, furious frank & bessie. channeling a once prominent adelaide/detroit connection in various forms, mfb present a record fusing golden era techno and electro updated for the modern sound system. freddie norwood lends his trademark burliness to the final cut of one eight four, an epic journey weaving euphoric arpeggios and big bollocks into one tidy parcel. unlike previous releases from the label, one eight four sees untzz twelve inch really find its stride and has struck gold with this record that showcases a glowing adelaide culture. all tracks were recorded and mixed at one eight four, an institution of hedonist lifestyle in adelaide.

for the 13th release, icarus audio proudly showcases the debut release of a brand new drum and bass collaborative project from basis. coming out swinging, icarus brings them into the fold with their multi-flavored, graveyard ep. from the album artwork to the grooves of the plates, this one is sure to fire heavy on all cylinders!

dense & pikas offshoot label kneaded pains returns with another techno focused 4 tracker from the mysterious moss a1 brings the heat with a spacious warehouse jam, kicking off with a warm pad before unloading with the tracks monstrous bass hook. a2 dives into lo:fi realms with a moody yet effective groove complete with male spoken vocal. b1 keeps things main room albeit in a more clean and serene way with razor sharp kicks and percussion providing a nice counterpoint to the rougher edge of the a side before b2s deliciously deep jam rounds off the ep.

longtime raíz collaborator subversive makes his debut on droid sister label vrv with chainbreaker. subversive has appeared previously on historia y violencia and contruct re-form (under the name deception plan with voiski). this release for vrv is a collection of 3 tracks that reflect his focused, methodical programming. the title track stretches a deep, driving narrative over the course of 7 minutes, perfect for adding hypnotic breathing room to any set. the other side contains intergalactic, a subtle and harmonic passage that sets the stage for a2, telemore. telomere begins with intense, brooding synth design that inevitably builds into heavy rhythm structures, providing the sets most driving dance sounds.

house shoes is proud to present the first-ever physical release of the instrumental version of danny browns hot soup, his debut album released in 2008 prior to the release of the hybrid. featuring production by quelle chris, nick speed, and danny brown himself, hot soup immediately propelled danny brown into hip-hops national consciousness and solidifed him as one of detroit’s most electrifying live performers.

pacific horizons once again call on friends & family for interpretations of their catalog. oslos frisvold & lindbaek rework their recent single bandini into a rolling psychedelic techno workout. crue-l mastermind kenji takimi takes 2010s forest electric into bombastic disco territory as being borings. on side b music for dancers co-founder & resident thomas k makes his debut as romeo with an epic remake of beaches of the black sea complete with fresh vocals & acid. finally, another los angeles luminary, top shelf founder j-disko, screws fata morgana into a stony, percussive, promethazine-hazed journey into the night.

while industrial and ebm seem to be words buzzing around the media today, not too many artists associated with these words seem to be truly delivering. tzusing, who resides in shanghai has been a student of the game through the years, and has strived to execute his take on these sounds and does so with shining results. this four track ep is a testament to him transforming the metal beat into a sound of his own and running wild without limits. dont miss this!

vin sol & matrixxman open up their label, soo wavey, to newcomer en who drops this 4 track ep (including a remix by vin sol & matrixxman) of house and techno. the lead track truth steps out of the gates swinging with aggressive yet tucked tr-909 programming sitting nicely alongside dark motifs. ens and reality then delves into menacing minimal drone techno territory, ultimately yielding to a subtle call and response exchange among dueling 808 tom bass lines. on the flip side, 4u lighten things up a tad with soulful, atmospheric detroit chords supplying a much needed breath of fresh air. last but not least, vin sol and matrixxman join in on the fun supplying a hypnotic, off kilter reworking of 4u imbuing the remix with restrained chicago jacking vibes that flawlessly straddle the divide between house and techno. limited to 500 copies (no repress!).