super single slipmat aus neopren

this is genetic testing – acidicted_0.7 unveils hieroglyphica s mystic experiments of remaining humanity... black vinyl only release with special handprinted silkscreen artwork and numbered insert! ltd to 100 copies

following a superb remix of hakimonus æinsular realms in 2015, ed davenports inland alias returns to deepa & biris black crow recordings with a brand new ep for the labels tenth release. having played a key role in the relaunch of functions infrastructure new york imprint, in addition to operating his own widley admired counterchange label, davenports techno project has brought the englishman to wider recognition as one of the genres most talented producers. the new eps three original tracks finds inland exploring all facets of his diverse sound: a1, æmetatlantic is driving, acid-laced techno, æcosinaxis, employs electro beat patterns and idm aesthetics, b-side opener, ælagoon9, is a melodic detroit-indebted big room weapon. closing out the ep is a remix of from 3kz aka italian duo z.i.p.p.o & kaelan, the latter of whom provided one of black crows standout releases so far under his 2030 alias with last years timeworm ep. their remix of æcosinaxis follows hot on the heels of their debut album æparallel reflections, released earlier this year on z.i.p.p.o.s fides imprint.

originally released as a b-side in 2007 on figure’s then-sublabel podium, len faki’s ‚my black sheep’ was one of those rare tracks that unpredictably take on a life of their own. a veritable underground hit, it not only came to define the sound of len faki at that time but for many became equally synonymous with the state of the scene in berlin around that time. now that ten years have passed since then, we felt it was about time to finally treat the sheep to a fresh shave

does the world need more acid? yes it does! the r-a-g trio aka dutch producers ma spaventi, g-string & aroy dee deliver three raw acid-jams with aroy on the couch working the mic. the lyrics of dreadfully nervous are based on a edgar allan poe story. . dreadfully nervous (aryd s acid mix) is a gurgling brew of squelchy acid with dark vocals and pinging cowbells pulling you in all directions. coarse claps and ever more wild synths encourage you to cut loose and make for another timeless cut. dreadfully stoned is more stripped back, with a rubbery arpeggiated synth the main hook over subtle, supple drums. those dark spoken word vocals are back again and the whole thing is freaky and unsettling as a result. last of all is the bright and glistening no soul with metal hits and claps and prickly acid all bursting out of dusty chicago drums. it s raw and sure to fire the synapses just like r-a-g productions always do.

runemark records comes back with the seventh release and this time it s a perfection from dumming dum and rush midnight and their co-creation three pills into a fist including remixes from atapy, black mami and the first ever remix from ten walls. the original version from dumming dum sets a deep and groovy tone with acidic bass line and the wonderful rush midnight s creamy vocals on top. ten walls has made an official remix that grabs attention from the very start. it s ten-wall-ish bass line, orchestral and emotional breakdown construct dark and epic vibes. a beautiful trip through deepness and back to the dance floor is laid out in black mami s interpretation. and the last but not least remix in the release is a banger from atapy. dance-able as hell and the most energetic composition in the pack. dumming dum - three pills into a fist (feat. rush midnight) is available in vinyl and digital formats. enjoy the music!

following the release of the homemade waves ep in 2015, the room below returns to don t be afraid with his second ep for the label. the title healing scaphoids reflects on the period of time he spent constructing the tracks, during which he suffered two separate broken wrists whilst cycling around london. one right, one left. both time, the scaphoid bone! unfortunately, only one of the wrists healed properly and the ep retains a slightly broken feel, steering away from four-to-the-floor territory, and with london as a clear sonic influence. 2017 has been a productive year for henry keen aka the room below. as soundspecies, alongside brother olly, he released a collaborative album with afro-cuban percussion group ache meyi, performing live at the barbican in may to follow the previous year s appearance at the manana cuba festival in santiago de cuba.. henry also has a solo ep forthcoming on rising new york label maddjazz, due for release in mid september.

aquamarine puzzle marks a new step in the sound of luxus varta. six paths are etched for this journey into time, space and the machine. a spectrum of sound is allowed to roam, to wander into strange worlds of galvanised synthlines, serrating snares and soulful strings. the 12- is perfectly balanced, astral melodies countered by crisp and precise rhythms, distant harmonies tethered to absorbing bass. a renewed partnership with machinist in arms paris the black fu of detroit grand pubahs is formed for the mechanical dreamscape that is -globb.- a complex and utterly compelling encounter with the luxus varta nebula.

black ivory was the pride of harlem and new yorks answer to the philly-fine delfonics but with infinitely more teen sex appeal. this silky-smooth 70s harmony trio featured the fabulous falsetto lead of leroy burgess (nephew of philly soul legend, thom bell) and charted four top-40 r&b singles and two top-30 lps under the guiding hand of their manager and today records driving force, patrick adams. songs like, you and i, time is love and dont turn around (which they performed live on soul train) are acknowledged sweet soul classics. and as the decade progressed and tastes changed, they successfully conquered the disco dancefloors with fave-raves like, mainline and walking downtown (saturday night) for buddah records which were liberally sampled by the hip-hop generation a true testament to the staying power of their incessantly soulful sound.

cb004 comes from michael james. vinyl only.

french artist marc nguyen tan released two renowned albums in the early 2003 and 2006 under the artist name colder on trevor jackson’s seminal label output recordings. in november 2015, colder returned after a decade in hiatus with his third, highly acclaimed album many colours followed by two other lps titled the rain and goodbye in 2016. kasper bjorke is one of the most acclaimed and versatile producers and djs hailing from denmark. kasper has released five renowned solo albums over the past decade and remixed a wide range of artists, from rebolledo to weval. the two artists first started working together when kasper remixed colders single ”your kind” - and colder in return remixed bjørke s track ”marbled blood”. the idea to take their collaboration even further was formed when the two of them met in person during sonar festival in barcelona in 2015. in 2016 they then teamed up in the redbull studio in paris for a three day improvised recording session. the result is the black magic ep in stores on september 8th via throne of blood. a collection of five raw, driving post punk / new wave and techno influenced compositions, recorded via the studio ssl desk in paris, using hardware synths and drum machines played through some exotic vintage effects. colder recorded his mesmerizing vocals on the spot along with french drummer julien sabourin and saxophone player thibaut javoy. the ep will be followed by a stellar remix package from the golden filter (optimo music), mutado pintado (paranoid london) and french producer and dj pilooski.

repress !! part 3 of 3, meander turns 10! beautiful representation of the past 10 years with previously unreleased music

dudley strangeways steps up to chord 002 along with label owner luke black.
chord’s old friend dudley strangeways fills side a with 2 solid tracks, typical strangeways textured bass and edgy minimal.
while on side b luke black stamps his signature minimalistic sound with 2 stabby, wonky and spacey cuts.

die nahezu perfekte melange aus rock-folk und pop.

banoffee pies records return to their black label imprint with new label signees on part 2 of their second release with bpbl02.2. a three track journey through auto tune outer space with jay anderson on the a1, a minimal exploration from s ii p on the a2, through to an 11 minute tripped out rain forest track from peshka of ukraine with expertly sampled voices from the rivers of hanoi in bp style. music for pondering and thought. moody feelings direct from banoffee pies hq. farewell my princess. x

in england war gerade die punk-revolution ausgebrochen, als heavy-metal-act fühlte man sich orientierungslos. im benachbarten studio in miami nahmen the eagles ihr album hotel california auf, aber nur im gebrauch von kokain fand man eine gemeinsamkeit. das entstandene musikalische resultat fasste das britische magazin mojo trefflich zusammen: technical ecstasy is the sound of sabbath trying to make a grown-up, radio-friendly rock record and, in some parts, it works!«. das cover der graphik-agentur hipgnosis hingegen wurde legendär. auf die bedeutung angesprochen, meint osbourne: two robots screwing on an escalator!

h-productions proudly presents >hide and seek< by cari lekebusch. this is the ninth release in the full color spectrum serie, that is aiming to result in 10 different colored vinyl 12inch. both tracks are maintaining a stripped down policy, solid sound pictures and simple arrangements - with no unnecessary events. giving the dj more freedom to manouvre. all tracks in the full spectrum series have been generated with analog equipment, and are all inspired by the various h-productions releases that came out around 1993-1998.

available in an edition of 500, housed a in picture sleeve with a printed insert featuring the text reproduced in full, and download code.

the story of the great roots reggae harmony trio black uhuru is one defined by many unexpected twists and turns. in its best known form, led by michael rose and with founding member duckie simpson and the black american female vocalist, puma jones, the group would enjoy the greatest popularity of any act in the wake of bob marley’s untimely death in 1981, but the origins of the group lay in the turbulent waterhouse district during the mid-1970s. duckie first formed the group as uhuru, the swahili word for unity, with garth dennis as lead singer and don carlos to join him in harmony, after cutting an adaptation of the impressions’ “romancing to the folk song” at dynamics, “time is on our side” at randy’s for clive chin, and “slow coach” for raymond “benno” anderson, dennis drifted into the wailing souls and don carlos went solo, leading duckie to recruit rising waterhouse vocalist michael “tony” rose as lead singer, and errol nelson from the jays for harmony. their debut album, love crisis, was produced, voiced and mixed at king tubby’s studio by prince jammy and remains and outstanding example of jammy’s roots reggae production phase. the song “hard ground” vamps on a similar theme to marley’s “talking blues”: rose sings of a life of everyday hardship, with destitution and homelessness the pervading factors. on the extended dub portion and dub the instrumental cuts that follow the alternate vocal take of this enthralling 12-inch ep, you can hear the non-standard instrumentation that helps make the work so innovative, with winston wright’s harpsichord melody emphasising the hopelessness of rose’s emotive lyrics, the commanding rhythm and understated bass and guitar from robbie shakespeare and chinna smith completing the picture.

limited re:issue on 180gr vinyl - classic

limited reissue on orange coloured double vinyl of kid rock’s 1998 album “devil without a cause”.

special sales pack for all you afro vision lovers out there - contains three classic releases:
- av001: joe jam ft. d. preacher - we will celebrate
- av004: tatjana orffe meets jocelyn brown - black skin blue eyed boys
- av005: jonathan ulysses meets joe samba jr. - all i want is you

gynoid audio release #13, 17 & 18 all bundled up for one special price!

(180 gr) one year on since their last venture as black spuma on international feel, fabrizio mammarella, also known as telespazio and phillip lauer, one half of tuff city kids, are back with the insatiable orme ep.

classic live album by black sabbath!! recorded at manchester and the rainbow london.

black bones debut was one of the year s best sellers, and it s easy to see why... lucky for all of us, the blackbones boys have more than one trick up their sleeves, as another back-breaking digging session has unearthed some sacred remains, ready for modern scientific re-animation ! sonny retools a highlife classic into a splendidly sun-soaked summer beauty... on the flip xtc takes a more cosmic route to dancefloor abandon, while roller is a barn-storming discoid jam that wraps up another damn fine ep !

brothers black kick off their self-titled label with brbl001, a four-track original techno ep. following prior releases on their own joint imprint, bade records, and family labels safer at night and voxnox records, brbl is a new home where the pair will curate their own sound and productions. the pair kick off the a-side with creep oder was? , a stripped down vocal banger that teams hard-edged percussion with an acidic lead. the a2, axe to grind , combines dub chords with raw rolling percussion to create a deep hypnotic atmosphere. on the flip side, the b1 only human is a tense, driving tool with industrial tones that s perfect for the peak time hours. the b2, imagination barrier , is a frantic 140bpm techno exploration that combines the duo s signature vocals with heavily 90s influenced percussion.

official reissue of some ultra rare electro tracks produced by anthony shake shakir. raw detroit electro with a nod to miami bass!

clouds delivers four stunning cuts gliding in the realm of techno with dense atmospheres and rollin beats! ultra great ep!

cop envy debuts on black opal with diverse jackin beats drifting through uk house/techno accompanied by a killer remix by manse!

an absolute ace release by l. neils with four mesmerising tunes floating about in the house and techno cosmos!

high-tech dancehall battering ram with an ethereal, mournful edge… rhythm and blooz for sentimental gun man dem. deep and desolated pop-ambient. canonbury after the rain. vocals from the source squished, hacked and splattered across an infinite horizon of vaporous, funereal string-pads.

black truffle is honored to present a new issue of annea lockwoodÆs classic 1970 tape piece tiger balm, unavailable on vinyl for over thirty years, accompanied by two exquisite unreleased works for percussion and voice. created while lockwood was living in the uk, the side-long tiger balm is a singular work within the cannon of tape music. inspired by research into the ritual function of music, the piece explores the possibility of evoking ancient communal memories through sound. breaking entirely with the dynamic language of the musique concrÞte tradition, lockwood uses a select palette of mainly unprocessed sonic elements chosen for their mysterious and erotic characteristics (a purring cat, a heartbeat, gongs, slowed down jaw harp, a tiger, a womanÆs breath, a plane passing overhead), presenting at most two sounds at once. as one sound flows organically into the next, their shared characteristics are highlighted, opening a space of dream logic and mysterious associations between nature and culture, the ancient and the modern. the b-side presents two pieces for percussion recorded here for the first time. amazonia dreaming (1987), performed by dominic donato, uses unaccompanied snare drum and voice to evoke the nocturnal soundscape of the amazon rainforest. unorthodox techniques and materials (marbles, chopsticks, a plastic jar lid) transform the snare into a resonant field of sensual textures.

2017 reissue , love what you feel returns with a new release by chicago native and half of africans with mainframes (mathematics recordings/creme organization), noleian reusse! the tracks on this record mostly eschew an easy four-on-the-floor rhythm in favor of raw, jacking beats. using an all-hardware set-up, noleian banged out all new tunes especially for this five track ep. the machine funk runs wild from the jumpoff, sometimes exotic, sometimes abstract, and sometimes banging, but never typical. the cuts on this record are versatile enough to fit into both techno and house sets, and there is even a dubstep-esque track that will have crossover appeal!

nice price deal !!! the project shahrokh soundofk was formed in 2006 by shahrokh dini (stricktly rhythm) and andreas köhler (harthouse, f-communication). here comes 3 brand new tracks, deeply inspired by the chicago house sound of the 80s, are taking you back to the days of frankie knuckles, marshall jefferson, finger inc

we’re delighted to report that black grape are back on the road, and with new album pop voodoo that really does rock the fuck out of the discotheque. it’s a rewind to over twenty years ago and the glory days.
shaun’s word play has never been deployed to such devastating effect, and he scores a bullseye whether he hits the obvious targets (trump), and the more obscure ones… well, find out for yourself. the world is in a bit of a state right now, and bullshit reigns more than ever, and perversely disguised as candour. we need manc street sass, intelligence and wit more than ever right now. this new pop voodoo album has that in spades.
180 gram vinyl in gatefold sleeve with download code included.

soundtrack zu aktuellen netflix-serie “black mirror”. die musik stammt von clint mansell, früher sänger der band pop will eat itself, heute gefragter komponist von film-scores. zu seinen erfolgreichen werken gehören die film-musiken zu “black swan”, “moon”, “ghost in the shell” und “the fountain”. “black mirror” gehört zu den ungewöhnlichsten serien im moment: “wenn technik eine droge ist - und es fühlt sich wie eine droge an, was genau sind dann die nebenwirkungen? dieser bereich - zwischen vergnügen und unbehagen - ist der schauplatz meiner neuen drama-serie black mirror”, sagt serien-schöpfer charlie brooker. der score ist entsprechend düster, elektronisch, atmosphärisch.

for the 10th installment of his black aroma eps, patrick gibin aka twice leaves the edit duties to 3 masters of the scene: red greg, specter and luca trevisi aka ltj xperience deliver 5 special edits for this limited release on blend it! records.

moby is a true electronic music pioneer. he redefned rave on singles like 1990s ôgo,ö then slowed down to explore its aftermath on the multiplatinum play lp. decades later, the man is still fring off pointed, personal salvos and dance music curveballs from his la studioùand, in a most ftting partnership, heÆs enlisted foolÆs gold to remix his iconic catalog on the diverse new black lacquer ep. treasure fingers, madeaux, high klassifed, and fg co-founder nick catchdubs each put their own spin on moby hits like ônatural bluesö and ôporcelain,ö bouncing from industrial experiments and futuristic techno workouts to late-night house and zooted club bass. black lacquer isnÆt the moby youÆve heard before, but a surprising collection that keeps his trailblazing spirit alive. sleeve by wax studios.

sciahri is back on black opal and this is time for some real deal, proper techno! forget that cartoon shit...100% solid ep from beginning to end. a dj could reach for any track on here and have the dance-floor munching out of the palm of their hand.

compiling some of the rarest and most desieable nahid akhtar 7inch appearances - some for the first time since their original release.

north harbour grooves returns with an ep by black caviar, full of classy sample house tracks to tear the club apart.

jesterfunk’s debut album, originally released in 1994, now back on double 12 inch vinyl, housed in a gatfeold sleeve.

nice price deal !!! mysterious echelon with a groundbreaking dubby 4 tracker on the mysterious 3rd wave label. limited pressing with very special cut and engraving. unique split color with 180g. vinyl only.

intimate and laid back, this newly released contemporary hip-hop gem features visceral beats and cunning lyrics that enlighten and inspire. new songs and new arrangements of earlier songs from his recent eps, taking listeners on a journey through the past, present and future. the past is always present in the future cements substantial’s musical legacy as one of maryland’s proudest and most prolific sons.
tpiapitf includes production from dc producer, oddisee, seattle producer and 1/2 of bop alloy, marcus d, mello music group producer, gensu dean, label mates the other guys & jsoul, algorythm of the stuyvesants and good compny drummer, jon laine. substantial’s fourth solo album also features guest appearances by qn5 music’s tonedeff, fellow nujabes collaborators cise starr of cyne and uyama hiroto, grammy nominated singer/ songwriter wayna and more.

für diesen soundtrack wurde der komponist nicholas britell sowohl bei den oscar-verleihungen als auch bei den golden globes nominiert. und mit der verleihung des oscars für den besten film, wurde der film auch dieses jahr in den deutschen kinos gezeigt. der film erzählt in drei kapiteln die geschichte eines jungen, homosexuellen, afroamerikanischen mannes.
zwar beauftragte regisseur barry jenks nicholas britell mit der produktion eines orchestralen scores, forderte ihn aber gleichzeitig dazu auf die produktions-technik des chopped & screwed (wie im hip hop oft genutzt) auf passagen anzuwenden, so dass ein ungewöhnliches soundbild entstand.
pressung auf blauem 180 gramm vinyl.

in the late 80s, 808 state was at the forefront of england’s still developing electronic music scene. don solaris, the group’s first widely available album in more than four years, is something of a return for the group.
first pressing of 750 limited numbered copies on 180 gram gold vinyl.

white label with hand-stamped. in a world over easy-come-easy-go overnight success stories, artists like kiwi are a rare find. steadily refining his skills as a dj and producer since the mid 00’s, whilst amassing a back-catalogue with labels such as optimo, disco halal and futureboogie, his trajectory encompasses an eclectic range of influences, making him something of a sonic wild card. with shards of disco, techno and fuzzy electronica always present, it’s seems fully logical that he can count the likes of erol alkan, andrew weatherall and dj harvey as fans. now, making his debut on moda black, kiwi delivers a surreal trip that balances raw energy with e-moment goosebumps, perfectly backed up by remixes from cult favourites lord of the isles and willie burns