something from nothing is a four tracker that fuses techno sensibility with house swagger, a voice calling to detroits second wave while a hand beckons the shadowy waters of house. hearts of darkness are immersed in late nights and smoke-filled basements, with past form seeing them play fabric and bugged out! an unhealthy loyalty to vintage hardware and long forgotten code means their music is analogue, not for fashion, but because it feels right. on the a,sequential circus is purest machine funk as a driving bass bubbles into self-oscillation. next, just on for the ride bounces to a millennial deep house swing. flip it for a dense future dub workout in charlie don t surf, then hotshot closes with a pad soaked vibe for the discerning warm up. a melting pot ep with all the right ingredients. something from nothing opens the door to hearts of darkness. step inside

hicago, 1991. the house jam records go from strength to strength, having already released a slew of influential and classic records from 1987 onwards, the duo of larry thompson and rick lenoir are making their impression felt on the dance music scene not only in their own city, but on a worldwide scale. enter tikkle, another undercover pseudonym used by the pair for their own special brand of deep house tracks. -outer limits- was the first release using this name and is an essential ep of midwestern machine grooves. the tracks have that rough, basement vibe with a healthy dose of deep, melodic qualities thrown in, the track -outer limits- for example, has a sophisticated almost jazz like vibe that wouldn t sound out of place on an early ur release! the second track on the ep -in the beginning...- is a driving cut based around mach s legendary -on & on- (often cited as one of the -first- house tracks!) with thompson and lenoir adding some dope keys, strings and extra drum machines all with that trademark lnr swing. -holding on- is a stripped back, percussion led, heads down kinda jam... the kind of track to make dance-floors sweat, solid stuff indeed! the whole ep has been reissued as it was originally released in 1991, with all original house jam label artwork intact. for this special 2016 pressing rick lenoir dug in his vault of reel to reel tapes and excavated a long lost tikkle track that has never been released..... until now - -my mood (rick s cosmic mix edit)- is the closing track of the ep and is a fresh, 24 year old acid track with ocean deep pads - what a discovery, and one that will undoubtedly excite house heads! this track is exclusive to this repress! all audio has been lifted from rick lenoir s private collection of reel to reel tapes from his basement and remastered accordingly. this reissue has been realised with the full involvement of thompson & lenoir and is 100% legit

powerful techno with a unique flair, staying aggressively interesting and surprising. on this delft release, physical therapy continues a stellar string of punishing releases on work them, uttu, liberation technologies, and his own allergy season imprint. hot!

its the music of the space that extends between oceans and mountain slopes. its the music of the space that is much bigger and much more adventurous than the four walls of a club look like. its the latest record on acker, and it orbits around a song from il civetto. the band from berlin is a wonderfully multicultural bunch. their sound is reminiscent of gypsy, folk or swing, but at the same time it doesnt really fit any of these labels. liberté ana is a perfect example. monolink turns this track into a groovy downbeat tune that vibrates much higher than its low bpm count - the perfect soundtrack for laid-back afternoons or afterhours. pophop does what he does best: party. however, between the catchy bassline and the tight percussions of his remix theres still a lot of space for the soul of liberté ana. umami goes even further and creates an ecstatic banger that has everything it takes to be played during the prime time on the dance floor.

repress !!absolutely flawless boogie sounds on nycs sam records from 1982, greg henderson s -dreamin- was licensed from the tiny rain records label and no doubt gained some invaluable exposure to the early 80s post disco club scene that was in full swing at that time. breezy, soulful, sweet and most importantly of all funky, dreamin is an absolute pleasure to the ears. greg henderson only released a handful of records during his career (including the incredible henderson & whitfield - dancing to the beat) and was also involved in the production of some other classic boogie rarities (masterforce -dont fight the feeling, rome jeffries good love).dreamin has always been a sought after record, often fetching collectors prices of £100 - £200 a time. a sublime cut for all lovers of disco, boogie, funk and modern soul. now made available again, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

only vinyl. dedicated to my family, my supporters and all the music lovers. the second chapter come again from lapucci (mattia lapucci). this time are delivered to destination jazzy melody mixed to break beat drums construction, swing kick drums coupled to experimental pads and atmospheric spacey sounds, punch dance straight rhythm combined with deep and acid bass line to define another time one complete ep.

nervous records celebrates 25 year anniversary with limited collectors edition double pack vinyl release.
some of the most renowned producers in the history of house are represented in this double pack, including kenny dope, louie vega, todd terry, kerri chandler, mood ii swing, wayne gardiner and joe t. vannelli.

some things just get better with age. house grooves vol. 1 mark a part in history, where a young move d felt ignited by the classic house music sounds of the day. strict rhythms and nu grooves forged masterful networks with bleeps and clonks, pianos helped synthesizing dopamine and the phuture was wide open. house grooves vol.1 embodies that special time and place with a bunch of vintage tracks saved from the abyss. respectfully edited and dusted with gloves, it features move ds sought-after magic moment i gave my love, a collaboration with mannheims house hero see-base, the bass line swing of babyphonk and a breakbeat-led remix by shan & gerd janson that tries to sound like it could have happened back them. the bottom line is: the past can make the future feel at home.

based out of san francisco, extra classic is a unique live band formed with a keen appreciation of vintage reggae & vintage sounds. the aesthetic, and certainly the skilled method of their production, is an ode to the art of that classic style as referenced to the term coined by the cool ruler himself. recording in their own studio, nopal recording, the band employs a taster’s choice of analog equipment and is devotedly tracked, spliced and mixed in-house direct to tape. however, as the group’s name itself implies, there is a dose of something extra and new in this swirling mixture of space echo, heavy phase, and emotive, psychedelic california-soul.
built upon the rock of an early-era dancehall swing, their first single in conjunction with brooklyn-based imprint names you can trust entitled in this life, is a perfect slice of lover’s rock gone sideways, a decidedly left-coast piece of roots and bliss driven by adrianne delanda’s lovely lead vocals and the steady, dusty echoes of the locked in players. presented in the traditional format with a version as per nyct fashion, the dub mix incorporates a soothing dose of synare beams and underwater instrumental dreams.

the dba dubs series returns with a fresh tropical house roller from samrai backed by a remix from michigan resident james t. cotton. khadi brings together samrai s tough drums and ethereal sun-kissed fx with a helping of keys from an anonymous local collaborator. on the flip jtc, the artist behind dabrye, sound murderer and a host of other cult catalogues reinvents khadi as a detroit house stepper. manchester resident via the midlands, samrai makes up 50% of the swing ting production unit. he s released with distinguished labels such as keysound, niche & bump and uttu as well as collaborating with ruf dug, murlo, brackles & hyperdub s okzharp. his dj sets take in x-amount of styles, always system-friendly with an emphasis on the soulful side of things.

flumos mainstay ekkohaus returns, this time bringing a full-bodied package for the dance floor. suitably, far fetcher acts as a warm welcome, inviting the listener inside its richly deep analogue soundscapes, reminiscent of deeper sides of classic house rhythms that have come from the usa. its pace provides a perfect way to start off the ep while the synth-vocal creates a soulful depth. things get darker and more aggressive with musketeers, a dub-heavy rhythm that drives one to involuntary movement due to its relentless repetition and & subtle swing. the amalgamation of the synth along with the pulsating sub invigorates one to move and bounce along with these elements. fantasy provides the penultimate party vibe. it s funkiness transcends & the melodies drive the vocals to the extent of ecstasy. rounding off the ep 64 bars features vocals by arthur russel, the synth inflicted break progressions capture the vibe of ekkohaus live sets with its haunting chants hinting towards techno and while its warmth never escapes.

after his last ep b.a.b.e on drumpoet community look like aka luca duran is back with a new release on akoya circles. the solid and versatile four-tracker spring and you again shows his capacity to produce tracks that are inspired by the old detroit and chicago house music combined with modern elements. opener spring & you is oriented by the early detroit sample process and reminds us of the beauty and simplicity of this area. a2 arms akimbo the most disco oriented track on this 12inch is a timeless swing weapon. on the b side nothing to fear a heavy disco-house tune that certainly demands a shaking hip. followed by b2 white stairs a late night stomper. unsurprisingly the releases of the young colombian - swiss producer look like are receiving support from heavyweight diggers like laurent garnier, ben ufo, dvs1& dam swindle.

wah wah 45s are proud to present the hugely anticipated new album from arguably the uk s finest dub and reggae outfit, resonators. after a four year hiatus mostly spent tirelessly performing headline shows and festivals across the uk and europe, as well as recording a plethora of new music this almost peerless brighton-based collective are ready to unleash their new material to an eager public in the shape of their third album, imaginary people.

yoruba records is proud to present this new album by label veterans nomumbah. hailing from sao paulo, this three piece consists of andré torquato, ale reis and rafael moraes. with this release, nomumbah show a great deal of maturity, a mark often only surpassed with the release of a sophomore album. the track ‘words’ will strike a familiar chord with listeners, its clever use of maya angelou’s reading of her timeless ‘still i rise’ fits perfectly over the top of a deep bass and bongo driven groove. ‘meinhaus’ is another beautifully crafted track, one that seemingly pays tribute to chicago’s earliest fathers of deep house while still keeping a certain swing that will set it apart on dance floors today. ‘precious’, a definite future favourite, features a cutting lead synth that adds warmth to the track and is accompanied by crystal clear hi-hat bursts and a simple, yet captivating, vocal. this album’s title track, ‘amanha’, edges on tech house with stripped down percussion, a simple rolling bass line and a pulsing lead synth, perfect for setting a more chilled-out vibe. a deep and at times techy release, djs will find all 10 tracks well suited for the late night into early morning hours. featuring rhythmic, chunky bass lines, ambient keys and radiant backing vocals this soon-to-be yoruba classic is a must have for your kit bag in 2016

pampa is ecstatic to welcome berlins mike denhert for his label debut. known for an uncompromising, heads-down approach to moving dance floors, whether as a producer, a dj, or in his live incarnation, mike has provided 2 original tracks that are as distinct as they are relentless, possessed of a cerebral quality that belies their tough and stripped back aesthetic. how close to be is a stuttering march of half heard and half imagined discourse, broken by bright synthesis which disappears before it can fully form, with the disorientating sonics held in check only by the rigidity of rhythm running throughout the tracks length. its both surprising and linear. dark and uplifting. me too is also a creature of opposing ideologies. warped moving jazz plays with static motorik patterns, automation curls around repetition, and textures change position throughout. bright keys warp, and swing ebbs in and flows out, all to an eventually breathless but ultimately compelling sum of these parts

„after impressing with releases like high times and the hustle ep, young berlin talent vincent vedat returns with what might be his best release to date. mixing equal parts sleaze and sensuality, the porn-themed 69 packs in six delicious dalliances into one tidy package. the title track kicks off in heady fashion, heavy on the atmospheric layers, trademark vedat replayed samples and throbbing kick drums. moody porn goes for that heavily swung, wonky / woozy house sound. gmym gets more energetic with infectious percussion, rough tape sounds and soulful vocal cuts. unisex channels classic us garage swing and bump in a wonderfully deep way with gorgeous chords and no need for a bassline. dreamy porn steps things up a notch again with hazy vocal samples, detuned bass warbles and sweet synths. sweet agony pits heavily distorted electric piano chords against a dulcet vocal refrain, a truly beautiful juxtaposition.“

unblock label boss tuccillo strikes again with another solid release with the ep black talk. this is the 5th release on this respected vinyl only imprint that has previously showcased talent such as tomoki tamura and djebali but this time, comes from tuccillo himself with his unmistakable signature sound. headlining track -black talk- has a great rolling baseline with plenty of swing with some subtle vocal snippets thrown in here and there. -ride on- has a tougher edge with some old school flavours driven by a rhythmic snare with lots of energy perfect for the height of club dj set shopwork offers a more percussive sound over an infectious warm chunky groove, again with some cool short reggae influenced vocal snippets. a timeless release that can stay in the box.

skalen ep consists of sleek, functional but no-nonsense techno variations from snitch. leading with >skalen< - a deadly, serrated tool fashioned to carve up the hardest of dance floors and takes you through the tunnel without a torch.>kromag< displays a bit more of the swing that this producer does so well adding darker atmosphere to a killer effective techno banger. the ep rounds up with a terrific laiva remix of kromag. laiva was discovered in the eastern town of kuhmo and made an appearance on wavereform before with a killer t16 record. he makes it all about dub-scuffed kicks here and pulsating bleeps throughout his version of ruthlessly straightforward, point-blank attack for the 48-hour-party people.

welcome to the rocksteady sound from jamaica. towards the end of 1965 some say due to the extreme heatwave that was hitting the island the people that followed the sound system dances demanded a slower beat so they could still move and groove to the all night musical night affairs. so the jerky ska swing was slowed down to a steady beat that also allowed the songs cut at this time to shine throgh. so sit back and enjoy the tunes that rocked this islands between 1966-1968 the rocksteady sound that hit that town..

nice price deal !!! what! what! welcomes marc de vole. again the label delivers finest swing influnced minimal techhouse to have fun in the club. incl monkey safari remix

the second of two zentrum spinoffs is with us! as with the first, it comes loaded with four remixes. octo octa, vito & druzzi, cooper saver and turbotito, and lemonade all handed in top-notch reimaginings of tracks off jacques renault s debut lp, which came out just under a year ago, and they all somehow manage to be unique unto themselves while also sublimely bleeding into one another. octo octas rendering of mi casa samba serves as a propulsive beginning thats as dark and druggy as it is sharp and focused. vito & druzzis take on faith runs in a similar vein, but in a more stripped-back, drawn-out, and patient sort of way, it is nearly ten minutes long, so this is perhaps not a surprise. the b s remixes are brighter, sunnier, though that s not to say they re not bold. cooper saver and turbotito s redo of words has a certain funky swing to it that, paired with spacey synths and balearic bells and whistles, makes it ideal daytime disco fodder. the lemonade boys close the ep with their vibey take on faith. pads for days, a plump bass, and a focus on the original s sax make you wonder if the song itself somehow got stoned from a couple extra giant bong rips. a fitting way to end both the 12inch and the summer.

on july 8th bodytonic music return with their third release of 2016, following on from the recent manzana kicks & ocho (featuring contributions from the likes of mr fingers and metro area s darshan jesrani) with the long awaited return of adultrock, back with a 3 track ep of moroder esque,melodic, hazy dancefloor cuts. the title track, push and pull, features his vocal debut over arpeggios, crisp rhythms and a rolling, rumbling bassline. rounding out the ep is the peaktime monster ok, followed by the mechanical swing of naoko. so far its getting support from the likes of severino, anthony naples, nialler9 & more

the table has been set and guests have arrived: it’s time for fresh meat’s when bad people cook good food vol. 4. this limited edition vinyl sampler features three tracks from the full length digital album. the record leads with derrick carter, dubbing out alexander east’s “jest 4 me” into a signature boompty romp. on a2, audio soul project takes a swing at remixing chris udoh’s “ready for you-, shuffling and strengthening the groove that supports the invigorated vocal. the entire b-side belongs to david duriez who marries acid motifs to the tidy, bustling frame of san france disco’s “bringing back sweat to the dancefloor” for even sweatier times. this three track ep is mastered by lawrie at curve pusher, london - who’s been busy lately putting his magic touch on music for artists like damian lazarus, jamie jones, and wolf + lamb. each copy of the vinyl sampler for when bad people cook good food vol. 4 comes with a download code for the full 16 track digital album. this latest fresh meat is a veritable feast of sleek and buoyant house music that can enjoyed over several sittings or in one cohesive (and delightfully gluttonous) meal.

jonas saalbach & samuel fach present their -vital signs- as the third vinyl release by auditive. this track literally drags you into a beautiful outstanding soundscape. driving on one hand and deep on the other hand, -vital signs- definitely invites to swing a leg. a so called -banger- comes from the british producer and dj third son, with a top-notch hypnotic and straight remix. to round up this wonderful ep, mira & chris schwarzwalder enchant you with their very individual interpretation of the original and put some extra magic on top.

spanish musician alex font delivers the third release from his acme imprint this may with two groove led cuts set for a limited release of 200 copies on vinyl. since his first release in 2008, alex font has been etching his name into the worlds of house and minimal, building up an impressive back catalogue of releases on labels including oblack and nite grooves. his imprint acme s debut release 001 garnered support from dyed soundorom, ricardo villalobos, seth troxler, san proper and sascha dive amongst many, and font returns to deliver the third instalment in the labels catalogue. la buena onda kicks off the release with a series of punchy kicks, organic percussion licks and general funkiness before easing into a classic house groove reinforced by its compelling lead line and charming vocals. second offering sincopa y contratiempo switches things up with a minimal arrangement of shuffling hats, glitchy pops and clicks, a distinctly off-kilter swing and delicate nuances throughout its near 12 minute journey.

after their first (very) successful album, cassius decided not to rely on their natural ability to make us dance to their groovy basslines, and came back with a daring project: integrate some mostly african-american influenced singings in their compositions to give electronic music a new dimension.don’t worry,the catchy-rythmic sound of cassius is still here. you might recognise the voice of ghostfacekillah, one of wu tang clan’s members that delivers a punchy performance on the upbeat tempo track “thrilla-, as well as steve edwards, the house music singer who sang with swedish producer axwell, and who’s also known for having lent his voice to bob sinclar on the famous “world, hold on-. we’re releasing the album once more, so that you can get back into the fabulous swing of cassius.

bar musica is a brand new label that promises to inject plenty of charm and originality into the underground house and techno world. the first release kicked up quite a storm from label owner bartolomeo, and the second release features a trio of great originals by j paraguai, with a remix from long time electronic talent bruno pronsato. rumba is up first and is a full fat, corrugated house track with tribal percussion, punchy drums that swing down low and afro vocals. it is a dynamite groove with roughshod tin pot hits that are carefully treated and bring a lovably wild side to the track. thesoundsays founder and berlin based new yorker bruno pronsato has been on the fringes of the underground for more than a decade with inventive eps and lps on labels like hello? repeat and bosconi. his remix is stripped back to a forceful and rubbery techno groove. blistered synths rip up the middle and spooky voices, trippy effects and manic loops all make it a freaky late night or after-hours tune that will send floors wild. ble is then another j paraguai, and this one is again unhinged and urgent, with intense synths exploding above shuffling, tightly knotted minimal drums and sweeping pads. it’s pure wtf music for brave djs and dancers and is a truly original production. then last original atles is rugged and impactful in the way in combines house and techno into new ideas. it is stripped back to little chopped loops that bury deep in your brain and have you in a trance in no time. as such, it rounds out a fine ep and keeps this exciting new label going off in great style.

jimpster s much loved eel pie island track first graced the coveted 10 years of systematic compilation from last year. now, after widespread love, label boss marc romboy has commissioned a set of remixes to give the track an extra lease of life for the coming summer months. the originals, locomotive esque, slow-mo jam is taken on first by keinemusik main-man and cocoon favourite adam port. the german brings techno and minimal sensibilities to the fore but with extra tempo and swing. a mid tempo beat drives the track as atmospheric flourishes and nuanced samples create a lighter and breezier feel. an added vocal adds a hazy dose of ethereal pleasure, as adam creates another slice of musical magic. fresh from his objektivity release, hyenah offers a version of eel pie island that brings a chiming, plonking vibe, wood block percussion and bongos, all fluctuating in a sea of tribal beats, deep house and delicious sub bass. another triumph for systematic.

house/techno legend orlando voorn is next up on californias roundabout sounds label. this vinyl only release contains 3 tracks, each with it s distinct flavor and time/place on the dancefloor. you may know by now the quality to expect from roundabout sounds. and this ep keeps the bar raised high. this is the 15th installment of roundabout sounds thats run by joe babylon marougi, co-founder of plug research back in 1994.

the very first release on romanthony s cult black male label from 1991 now legitimately repressed, remastered and ready to do damage on the dancefloor once again! all the mixes present showcase romanthony s heavily gospel tinged, prince leanings to full extent, covering styles from new jack swing to deep house! this one is super rare, copies scarcely show up for sale and when they do they are usually over the £100 mark! now is the chance to obtain an early rarity from the amazing catalogue of one of house music s true originals!

summer, sunshine, feeling good - for their long desired debut album mollono.bass & ava asante take this great essence of life to compose a unique kind of electronic music. by combining the catchiness of their solid grooves with a touching violin and a breathtaking voice they create a magical journey that will make you feel like birds flying high. while some tracks are bursting with euphoria, others swing along with dubby easiness - and all of them will touch your soul deep inside.

loved by the robsoul community for his beats from the streets series, the san jose resident first appeared on the label back in 2012 with a trio of tracks that made up vol.1. two more collections followed and firmly established arturo as one of the labels most exciting talents.a label boss himself, arturo is seen as having helped define what is known as the silicon valley sound. his own blend of beat-laden house infused with elements of soul, funk and disco has seen him become a favourite the of sneak, farina and weeks.arturo rolls out fabels of funk and frolics on the storytelling ep, lead by the low-slung swing and diva sounds of ‘another day’. the pummeling kick drum of ‘deep inside of you’ jumps up and slaps us round the face, followed by the bumping title track with its deep chime and floating flute melody. the final tale in this story is the guitar-licked, bass-slapped wonder of ‘delight’

kaleid, 4 trax of wonky, late-nite-swing, the first ep of new house stuff by nail on his own 89:ghost label. step away from the drip-tray. props to bones. 300 copies on no-frills black vinyl.

invite’s choice records continues on the path chosen with a 3-track vinyl release which showcases some new and well-established names. hertz collision has the honour of being chosen to be the only artist showcasing a track on the a-side. this eerie, melodic track sets quite a special mood for the ep to start with. the b-side is opened by wrong assessment with a track that’s focussed on the low-end. this synth-driven track fits well in the mood set on the a-side, but continues with a heavier drive. the droning kick draws you in and makes you want to go dance the day away in smoke-filled rooms. savas pascalidis finishes the ep off with a banger true to his own style that relies on the drummachine for’s swing. this oldschool, loopy techno banger closes another outstanding ep by invite’s choice records.

our french friend steven wobblejay strikes back! after the sublime shake your tingsz ep (qe 45), steve presents again some dope deep raw tunes. lots of old school flava with a new school twist! his partnership with pablo valentino as creative swing alliance (wolf music, faces, tsuba a.o.) has been a great base for developping his own style. another great talent is past, present and future quintessentials artist mat chiavaroli, who’s delivering a rugged and freestylish remix. hang out - the way we love it!

25 years ago the pacha ibiza vibe was brought to belgium by patrick soks, who has been hosting the paradise parties at café danvers since then. derrick may, derrick carter, stacey pullen, todd terry, pete tong, dimitri, marcello, doc martin, laurent garnier, sven väth, bob sinclar, luciano... they all played their first belgian dj set at this legendary belgian party. enjoy this anniversary release full of seminal tracks... music is the answer!

gravity graffiti is reborn from the unknown space with this explosive split ep. two jazz-influenced gems by marcello napoletano and richeart through the roots of rhythm! on the a side the third chapter of ra toths saga, after mathematics and berceuse heroique, with a diabolic trance dance. flip side for a killing-edge banger by the emerging producer richeart, a new definition of acid jazz. let the spirit move you! supported by jamal moss, funkineven, soichi terada, raybone jones, john swing and robert crash.

james duncan - producer of a flawless string of ep s for labels such as real soon and his own le systeme imprint, horns man for metro area, morgan geist and lem springsteen (mood ii swing) and currently on trumpet duties for sal principato (liquid liquid) - invites us to join him on a whistle stop tour through some of the subway stations in his neighbourhood for the first in a series of “brooklyn beats”.

2016 repress, without artwork cover
take daniel lesemans signature swing and loose arrangements, add a touch of junktions knack for jazzy chords and sampling, and you get fouk.

second release for patrick gibin aka twice and his ‘collective blends’ project which includes musicians from his home town verona - italy : for this release the collective invited special guest clara hill on vocals. the raw hypnotic moog bassline together with the brazilian influenced hi-hats and rhythms of the title track “time goes by” build a solid atmospheric groove elevated by clara hills’ vocals, that give the track that unique soulful swing. on the flip, volcov’s spaced out dub version of “time goes by” is as deep as it gets and the third track, phanareega, keeps the energy high with its combination of live acoustic/electronic drums, sharp bassline and anthem strings.

second release of hideto omura.

piston recordings enters into its 9th year in 2016, but this year the big milestone is its 200th release, and to celebrate we have notched up 4 top quality tracks and pressed them onto glorious vinyl for your collection, your turntables will thank you for this one. the a-side features label boss rogerio matins with his tantalisingly deep and groovy all that i need alongside lurob with his wonderfully musical slice waking up to the pacific ocean. on the flip we have tracks from accatone with his deep n funky swing that and a pumping floorfiller from carlo caldareri with wrong. we know how to party over here, come and join us, you will not be disappointed.

special 4x12 inch techno pack for all you still music lovers out there - contains 4 classic releases from the still music stable:
- lk recordings lkr-07: akira ishihara - crisis management
- protect02: cannon project - panorama
- hell bangers records hbr02: jane ephex - when i core around
- goodfellas records fellas011: michael burkat - members only

2019 repress !! mcde is back with a double 12 inch set, featuring 6 vinyl exclusive tracks. a compilation of tracks previously released on cd, new collaborations and a fresh remix

repress 2016 - vinyl only release, eklo 031 comes from label head seuil, bringing some swing-time beats with chocolate gangsta ep. a three-track package, the a side consists of two 909 swingy cuts, paying tribute to the 2000 s micro house sound.on the b side, a long and trippy house flavour for the late nights. tainted with weird vocals to twist your mind.

5 tracks from king street sounds vast catalogue from bonafide house legends: blaze! following on the series from mood ii swing, kerri chandler, mateo & matos we now turn to new jersey s deep house pioneers blaze aka josh milan and kevin hedge.

vinyl only double 12 inch with deluxe printed art sleeve.
the second record by laurine frost with a remixes by concealed sound treatment from martinez and a blind swing by nervmusics denis kaznacheev.

groovy / hypnotic three track vinyl
machine drums and swing addictiveness, this is the style that reflects the new label from the hood, started by fabe.
based on the roots of our hometown, salty nuts soldiers on to refresh mannheims musical success influence from back in the days...
get your hands on it - get the groove.