this debut album, mysterious intrigue, truly marks kubas place in the electronic dance world. 9 cuts representing the realm of the deep & the divine. with perfect production for open air festivals, warehouse parties, or big club floors, you are guaranteed to move your feet & feel the bass.

tronic continues its roll out of summer bombs with the >origin / freed< two-tracker from dosem, an artist who has previously made a name for himself with sterling output for technasia sub-label sino. >origin< is the first of the two tracks and it opens proceedings with an epic, synth heavy vibe. filtered, impeccably programmed drums gently unfurl into a persistently padding groove that kicks on a big system. as the track opens up to drop, metallic synth chords shimmer out of the groove and deliver a massive punch. the intensity grows continually throughout and the melodies are pushed to their maximum, making this an unashamed anthem. the flipsides >freed<, while more heads down than its counterpart, is certainly no shrinking violet. driving drums are topped with long, building vocal screams and rising synths create a feverish atmosphere that, added to a pulsing and brutish bassline, goes off.

it has been in the pipeline for a while, but its finally here. the debut release from nijmegens underground house & techno collective eshu. they have been working and shaping their sound for over a year and gained quite the following on soundcloud for their relentless output. its deep, its slow, its really dirty and its to put your finger on.
two tracks will be released on wolfskuil ltd as a taster of whats to come. >naturally divine< is 14 minute electronic monstertrip with curious offbeat rhythms and detailed & mindblowing sounddesign. it builds tension without ever releasing into climax, making time fly by and 14 minutes seem way to short. >monrovia< on the flip is a nice contrast, but again this techno groover stands out through its unique choice of sounds, synths and layers.

triangles angle is produced by hugo & sammy and it is inspired by the magical dimension of their city, turin. atmospheric and groovy, this release is thought to disseminate the philosophy that lies behind goodvibe records, explore electronic music and make people dance

torontonian electronic quartet, azari and iii drop their second single >manic<. this perfectly sculpted piece of minimal-house-pop, taken from their highly anticipated forth-coming debut album pounds funk-induced beats and has remixes from dj sneak, tiger & woods, finger prince and christian aids. come summer this track will be filling warehouses, basements and clubs the world over

orange transparent vinyl as limited collectors edition!
played by dave clarke, mike humphries, alex bau, perc, gary beck, audio injection, bcr boys, logotech, a-brothers, d. carbone, chris liebing and various others!

25-year-old tim green from the south of england is well-known to the attentive observer of the electronic dance music scene: besides releases on get physical, trapez and four:twenty recordings, he also gained a lot of attention with his contributions to the third cocoon 10 inch vinyl (lone rider) and the cocoon compilation i (exercise). on his debut ep, green presents the whole stylistic bandwidth that modern floorfillers can have. for almost ten minutes, >lemon< oscillates between a full frontal percussion assault, fragmented deep house vocals and detroit-influenced harmonies, consequently setting the signs to >summer<. the first track on the flipside, >jimmy rave up<, is a dark and pushing runner that impressively proves greens wealth of variants once again. the trio is completed by >dodjo<, a track that forms a more than pleasing intersection between tropic calypso sounds and machine-like strictness - an unforgettable track that will echo long after the year 2011, promised!

the first release on insist music presents some of the rising stars of the israelian electronic music scene: lonya koval in collaboration with audio junkies. the main track >face lift< is a piece of uplifting tech house using a sequencer line that is growing and growing until the end. the same track is reworked by patrick kunkel and dirk redmer - keeping the flow of the original and introducing some more house elements to the original. >fetish< also comes in two versions: the audio junkies mix, which is part of the vinyl, makes use of a hypnotic melody which makes the sun shine everywhere even in the darkest clubs. the lonya mix of the same track focuses even more on detroit style melancholic elements

the premier minister of russian electronic underground is back, with next and most wanted vinyl for mako - opposition ep.
>opposition< is powerful back to back production featured by well known mako artist marseille, who bring more techno sounds in the track. >underground bass< absolutely dark and massive tune, which allow to think about things more wide. the sunny pressure of >trust me< makes every party more atractive. and >u r crazy< the only thing you will think about ... mako is very proud to introduce 4 peaktime weapons that are ready to shoot!

wonderful remastered reissue of the hugely indemand biljuma records 12 inch release of billy frazier & friends disco funk masterpiece billy who? originally released in back in 1980, this killer track with its awesome phat disco b-line, sexy vocals and gorgeous strings sounds amazing on a big system which made it a huge hit on the underground scene and a staple at legendary clubs like the paradise garage, the loft and chicagos warehouse. an absolute classic and a must have for any collection.to get peoples bodies moving

the future of hidden recordings is vibrantly on display with the young producers m.a.d.a. & plankton, who are already a hot property these days with crucial releases on tanz factory, naked lunch, phobiq, sleaze, eminor and more. it seems only natural that the duo would eventually cross paths with the high flying new york city based hidden recordings, a label soaring on the success of its previous two releases - 013hrwolkenreise and 012hrthe great lawn. the union here is a blast of refined techno in the form of antiz. the ep is as dark as midnight and heavy as a load of bricks with a musical character that is memorable and distinct. hidden once again shows its commitment to releasing quality dance floor music with a hard-hitting original and a hand-picked collection of remixes from other well-respected new techno stars including: sasha carassi, alejandro trebor, felix bernhardt, mike wall, michael schwarz, and hidden founders deepak sharma & dieter krause. hidden recordings once more delivers a massive release, this time to celebrate the next generation of producers forthcoming on the label.

bristol based sound artist works with electronic hardware recorded to cassette. although known for his release on punch drunk, this is a recording of his 1st gig, 45mins of totally fried & directionless pulses, bleeps, and atmospheres. screen print sleeve.

for its latest transmission, t-bet records continues its trend of pairing up different acts for cross polinations of electronic sounds, showing the true diversity that can be unearthed within a seemingly simple 4/4 beat. this time around, florence-based trio the clover teams up with newcomer miris. the clover comprises electronic musicians antonio pecori and stefano meucci and live bass player andrea giachetti, offering a loose but polished, three- dimensional techfunk sound. the trip with us ep is their first effort for t-bet after several releases for marcel knopfs clap your hands label as well as tenax recordings, which is how they first encountered stefano miris, from his past work as the head audio engineer at club tenax.

we have been waiting a long time for the bmg debut album. in the beginning of august the wait will finally be rewarded: >master of the universe< will be available both as vinyl and digital version on abstract records. who expects the typical album exploring the whole bandwidth of electronic music, will be deliberately disappointed. all eight tracks are definitely made for the dancefloor with familiar bmg relentlessness. stomping basslines, smashing snares, gloomy vocals and the typical synths make this album one of a kind. in addition you will get the wistfully expected bmg hymn in a wicked live version. bmg at its very best

this double a sided release finds us in a mellow mood as we couple joshua moses >pretty girl< with sharon bengamins >mr guy<.
>mr guy< is a lovely slice of lovers rock and somewhat overlooked when released in 1980 but it has become a firm favourite with us here at bristol archive. >pretty girl< finds roots singer joshua moses showing his softer side, it was something of a hit on the original release and makes a natural pairing with sharons tune.
both tracks were originally released as singles on bristol label shoc-wave records some thirty years ago and were given their first digital release with their well deserved inclusion on >the bristol reggae explosion 1978 ¹ 1983<. >mr guy< also made it onto the limited vinyl version of the album, but running time constraints meant there was no room for >pretty girl< something we a very pleased to rectify with this vinyl release.

after receiving such a warm reception from those around the world who appreciate timeless electronic sounds, it was only fitting that patrice scotts >analog dreams< would eventually rise again, refreshed, in the form of a remix project. knowing the mixes had to be special while maintaining the authenticity of the original, patrice tapped two of the worlds finest electronic craftsmen for the honor, both hailing from germany - xdb and johannes volk. these talented artists bring forth just enough vibe from the original mix and offer their own unique interpretations, which are sure to delight those with a tasteful ear.

raised in haifa, israel, now located in amsterdam, this duo of sonic explorers have had acclaimed releases on a host of cult labels like psychostasia, underground quality, philpot & many more chelm is burning is the first in a four part ep & dvd series, an imaginary soundtrack to paul wegeners 1920 german silent film classic >the golem: how he came into the world< based on the centuries old clay monster which haunts jewish folklore. grounded in jazz, the duo soon began experimenting with electronic music, fusing influences as disparate as ornette coleman, can, mr fingers & cabaret voltaire into what can best be described as music from the future, gazing deeply into the past.

as a member of chairlift, the band he co-founded in 2006 and exited in 2010, aaron pfenning pulled double (and triple) duty – playing multiple instruments, writing songs, producing, and contributing vocals for the band s major label debut. that comfort with musical multitasking – and a cache of songs he d written that didnt fit his main project – made a new solo effort seem like the natural and logical next step to take. pfenning assumed the name rewards (a moniker hes actually used since 2003), spent the better part of last year touring with we are scientists, brandon flowers and warpaint, and released three broodingly romantic singles (>i used to<, >what a loser< and the achingly beautiful >two cardinals<) that made a host of listeners take sudden notice

new signing to the mathematics label, san laurentino brings this ep after his great release on the electric minds imprint. >magnetic steps< is a slow electronic journey while the title track flies farther into space. >the olympians< and >lazy angels< on the flip continue the cosmic feel. nice

repress! really nice 45 from the same people behind the maxmillion dunbar project. on the a side theres a stripped down cut with electronic bassline (boogie vision), the flip goes warm and deep, also with big, synthie bassline and a tweaked out synth hook. if you are into dam funk for example, then check this out for sure!

good for saturday nights as well as sunday mornings, maxi jazz, rollo and sister bliss are the holy trinity at the centre of the u.k. electronic dance collective faithless. catapulted into fame by their 1996 banger >insomnia<, the group went on to play almost every stage, club and festival known to man. twice. >outrospective< was their third and most successful album, where maxi jazzs trendy vicar approach and sister bliss & rollos innate sense of what makes music work reach their climax. it is more upbeat in tempo and emotion and has an intuitive production that emphasizes their e-flavoured spirituality to a tee. featuring dido and their biggest selling hit >we come one<.

after two re-releases of conrad schnitzler classics, (zug & ballet statique) now m=minimal releases a completely new work from the pioneer of electronic music. conrad schnitzler is a sound explorer. for many years, he has been on expeditions, journeys through his collection of electronic synthesizers almost every day. sounds he liked has been conserved on tape and stored in his sound library. the result is a huge library of audio files, he calls them >solen<. >borngräber & struever< have got the chance to examine that library and started to con-struct new pieces out of the hidden gems. these are not remixes but new compositions. none of the sound combinations were thought or heard before. the 8 tracks form an album independent of any trend and therefore it becomes a real acoustic environment for everyone. the album was produced at studio.wannsee. to give the album more authenticity, the complete audio processing was done using analog equipment. they not only used many classics among the finest synthesizers and outboard equipment, but also custom built tube gear. the icing on the cake are the tubes used from the 60s, which bought christian borngräber on a trip through the atacama desert in a small radio repair business in the city of calama. thanks to the desert climate even the packaging of the tubes looked as new

supported by tornado wallace (delusions of grandeur), pete herbert (reverso 68/dance disorder)... when jay shepheard launched retrofit in early 2010, deep house with a splash of disco was on the menu. six releases later and the quality of music hasnt faltered once. jays own work has always been the main focus on all five releases but for retrofit 6, rudys midnight machine, (who is in fact robin lee of faze action) takes to the stage alongside an appearance from shepheard (as ee_ef_ex) on remixing duties. >ecstatic love glow< kicks off the ep, diving head first into the disco and synth heavy realm that we expect from retrofit (and, for that matter, from mr lee), whose house outputs with faze action as far back as 97 speak for themselves. the intro of tip tapping hats and congas leads into a penetrating bass guitar, a riff that goes on to be cleverly mirrored by keyboards and later, by what sounds like a scratchy lakland guitar. wooden hats, sirens and a plethora of cosmic elements boogie their way around until the tracks dominant synth parades in and takes over the arrangement, striking a dramatic and smug pose at the close of each stab. the second track of >east side good living< sticks with its predecessors groove, cosmic sirens, electronic whistles and metallic drum taps yet again highlighting rudys modern disco sound

there are few artists who manage to successfully develop a signature style that not separates them from the rest. aybee is one of those rare few that has managed to conquer a range of styles within his work from soul, techno, house and hip-hop under his many monikers. this time we see the us artist team up with miles sagnia for two cuts each on the eternal radiance ep on sagnias atmospheric existence imprint. taking over the a-side, aybee serves up >a glance< which oozes with classic us house charm. acoustic piano chords and are layered on top of a chugging bassline and electronic melody, tightly produced and melting in its warmth. >isis< gets heavier with a more underground vibe of crashing echoes and tinny drum arrangements. on the flip, sagnias >journey 2 forever< fuses multi-tracked choral chants, the impeccable sound of the hammond and a rapid techy groove. his visual foci reprise of >journey 2 forever< ditches the chants, instead opting for a sensual male vocal

once upon a time there was a girl called matilda, she loved to sing and dance and play music. one day she was making her way through the big dark treptow wood when she came across a magic electronic harp standing in a shaft of sunlight by the lake. she sat down to play and it sounded like summer... exone boss exercise one provides a tougher extended remix that retains the deep flatness of the original, while deadbeat keeps the full harp arrangement with his own frenetic bass arrangement

played and supported by: adam x, ben klock, samuli kemppi, dvs1, edit-select, norman nodge, oliver ho, perc, shifted, cio d or, max_m, lucy and more... m_rec ltd continues to ascend as one of the the most interesting labels in the techno scene. today s release sees giorgio gigli (prologue music, zooloft, electric deluxe, elettronica romana, etc.) sign two original tracks and a remix of one of the most important artists of the past few years: terence fixmer (electric deluxe, prologue music, etc.). together, their approach creates something special and unique. in its original track giorgio gigli delivers the best of its hypnotic and psychedelic techno. a great atmosphere, where the ambient pads meet the dark bass sound which made giorgio one of the most significant artists in the new techno scene. the side closes with an ambient session, a drone of pure electronic,dark synth, making the idea of the state of mind of his own individual unconscious.terence fixmers version is decidedly more rough, stripped of certain atmospheres, highlighting a more hypnotic and repetitive attitude. this rough sounds have for many years marked terence fixmer as an icon of the techno world. this is a great release of modern techno!

seoul community is a german based vinyl only label founded by ben anders and john lagora. the passion is to release house & techno music with heart and soul. sascha lebemann is nowadays an inherent part of frankfurts club scene. with the label waldliebe musik he placed collective productions in cases of well known artists and on ibiza global radio or ibiza sonica. finally out now sascha lebemanns track >nachts im club< on seoul community. the self written and performed text appeals the crowd and tells of playful night in the club and the atmosphere of the collective celebration. saschas sound dont know any limits - this would mean restriction for him. in his dj-set, which he performs since 6 years with vinyl and meanwhile also with cd he presents nearly every way of electronic music - thats what makes him - and fanciers or friends of past events knows that his sound reaches from an upbuilding warm up till the achievement of the total

plastic rules is a fresh label that will offer underground quality techno music in the nightclub scene, selecting the best and hot artist at the moment. plastic style will go from melodic techno to minimal house untill electro influences searching to create a unique style that will give a cool impulse to the electronic platform.felix bernhardt is an impulsive, minimal producer who creates slippery, undetermined and sizzling sounds, which have been released to date on german labels such as hardshower, kaufe musik and afulab - with credits and plays by some of the biggest name djs such as dj hell, laurent garnier, and george morel amongst others. remixes by don ruijgrok & audiomatiques!

out hear audio is back with another far out offering for the modern dancefloor. the second release for the label this year following the killer yambee! – chemical love/natural off

>the bay< is the electro quartets third single from the latest release >the english riviera<, following the release of both >she wants< and >the look<. the third studio release from the electronic stars >the english riviera< was released last april, and has since received a mass of critical acclaim from all corners of the industry. popular websites such as nme gave the latest release a rating of 9/10, with drowned in sound offering the same rating. now, fresh back from their recently sold out uk tour, the band are preparing to release the third single from the critically acclaimed album in >the bay<. defined as being one of the highlights taken from a fantastic album, >the bay< would be well placed as a future summer dancefloor classic.

dj t.s pleasure principle album immerses itself, wholly and rapturously, into electronic musics legacy of authentic soul, helping to usher in a renaissance of groove-heavy house. following the success of the albums singles burning and sense, dj t. turns to the sultry vocal track >city life< to launch into summer anthem mode. dj t.s unconcealed dancefloor curiosity brings his body music instincts to the fore, with the classic sounding house number >city life<, shadowy quirks disarm and charm, while cari goldens uniquely programmed vocals add broad brushstrokes of texture and atmosphere. >city life< recalls the 1980s warehouse era, and finds cari crooning, siren-like >the citys in my veins…<, mixing a rough-round-the edges vocal treatment with hands-in-the-air chord stabs. the >dj t.s rework< spreads the arrangement wider, and dj t. draws even more groove from the original with his dub version. a deep bass swing drives the track, and increases its intensifying atmosphere

achtung, warning, balushi is out with two new techno bombs for the summer. on the a side let me be myself is a deep aquatic adventure with a huge basline chugging along. there are some deep dark underwater effects and vocal snippets which develop into a deep stabby groove that hypnotizes anyone listening to the track. there is then a break with a beautiful vocal derived from the snippets that refreshes the listener and takes them into another dimension before bringing them back into the heavy hipnotic groove. on the aa side we have the path one hell of a tecno crossover designed to electrify and rock summer crowds all globally...with a funky meaty bassline that rolls on and perfectly complements both rasta vocals and crazy electronic synths and squelches the path is a fat groove to look out for on the hottest dancefloors...

feelharmonic proudly presents boris hotton with his ep >arctica<. inspired by the notion of a natural and stress-free existence, >arctica (part 1)< is a spacey and subtle groover, while >arctica (part 2)< takes an even more chilled and near-ambient approach. on the remix tip manchesters finest, the irrepressible moodymanc, flips the script and pushes the tempo turning >arctica (part 1)< into a nine-minute epic.

the bearfunk bandwagon just keeps rolling! not content with providing some of the best moments in leftfield dance we again head back to italy so clap rules can show us their >golden hands<.
clap rules is the new pseudonym of fabrizio mammarella, andrea gabriele and max leggieri: who in their own words >make experiments with dance music<. after well received ep’s for labels like tiny sticks & dissident and remixes for dfa artist michoacan, new yorks in flagranti and french electronic music pioneer etienne de crecy. they have caught the attention of djs and music lovers from many different scenes. with a deep love for vintage equipment and recording techniques they mix this up with a fresh modern approach to concoct electronic music with no boundaries, which in itself is what bearfunk is all about, so this marriage was made in heaven.

charles widmore and daniel rajkovic seem to get along pretty well, musically. their tendency to the more reduced and slightly darker side of electronic music led to a fertile cooperation that culminated in an imposing 12 inch on rrygular. the three tracks ride wonderfully unagitated and alarmingly progressive along the labels typical minimal techno road...

massive emotional house tracks, very disco and electrofied

spezial 2x12inch pack ... argentina electrónico meets elektronik germany. lebensfreude records berlin meets depto rec. cordoba. 15 producers from germany and argentina. 7 tracks made by seven couples of one argentinian and one german producer. one electronic music across continents ? or not?,) up to you to decide. enjoy! (and play if you like).

a true master of the deeper arts, phonique has, since his first steps into the world of production back in the early 2000s, become synonymous with and eulogised for his beautifully cultured productions. labels such as simple, buzzin fly, souvenir and of course systematic have all played host to his music, but it s his work for steve bugs dessous imprint for which he is most renowned. first up is phoniques solo production, >2 my jungle< which sees him step into jacking tech-house territory. lovely open hi-hats are paired with the punch of the kick drum. a trumpet riff enters the fray, backed by the grooving throb of the bassline. its vocal samples are twisted and filtered throughout as phonique creates a wonderfully trippy summer anthem. on the flip he teams up with desolat badboy, guti. still riding high on the wave of support for his fantastic debut album >patio de juegos<, the argentinian producer phonique show just how much fun they can have in their electronic playground. beautifully deep and with a lush rhodes melody, >divertimento< entices us with its sultry summer vibes. a polar opposite, yet complete match to the a-side

moody melodic synth patterns, stripped back electronic percussion and haunting hypnotic vocals. may i present the latest masterpiece from reuben tobias: portraits ep. a finely balanced deep underground pop release that will no doubt hold the attention of such names as troxler and jamie jones. the structure, complex enough to hold interest but simple enough to maintain elegance, takes you on a journey through the mind of reuben tobias as you listen attentively to every word of the self expressive lyrics. the b side lead, marran, shares very much the similar characteristics as portraits. minus the lyrics, marran uses subtly layered electronic synths and the comforting sound of young children playing outside to suck you down into a place of complete concentration. your focus becomes stuck in fascination for the sounds guiding you through the duration of the track right to the last second. a brilliant ep. not one for the clubs but certainly one for the collection.

excellent groovin electronic house music

fina has been soaking up the sunshine over the past few weeks procrastinating over the best time to release its next summer cut. with global warming rubbing everyone up the right way, we feel now is as good a time as any to drop fina 004. originally from south africa, esa mervin granger may now be more glasgow concrete towers than table top mountain but his grooves are pure house pedigree. from his releases under his mervin granger moniker to exclusive remixes for ooft! the cape town cat was a natural choice for a very >summer< shuffling three track jaunt.title track veloore is immediately recognisable from its soft analogue piano chords, amalgamated with a dreamy filtered vocal and a bass line which nods to the acidic side of deep house. on the remix is erefaan pearce, a fellow south african who pins soul to every production he lays his hands on. reworking vocals and bass lines into an infectious frenzy that is almost impossible to resist, erefaan draws that sunshine feeling from every angle. think las salinas and you are nearly there. completing the ep on the flipside is galaxy, a deep vocal number paying homage to all the lazy dogs. cosmic deep house aimed purely at the terrace. fina records 004: we present… esa

berkane sol present the vinyl debut of erra. erra comes bursting through your speakers with a riot of tuff drums and sweet melody – its like the sound of someone who has rinsed their console so much that its gone way beyond high scores and into a full on system meltdown. >stax< starts out with a dreamy intro which leads into the rudest of wake up calls – a proper peak-time jackin synth stab married to a smartly evolved bassline, all driven by concussive garage flavoured rhythms. >jookup< on the flip again demonstrates erras irresistible talent for blending blissful keys with hectic dancefloor moments, this time really bringing the sickly grime synths to the front, with some cute but disembodied vocals punctuating the action. the 12 inch follows up erras popular l2s digital release >cake music<, and neatly shows off this young producers rapid development. these tracks have been getting love from people such as: al tourettes (applepips), mary anne hobbs, brackles (rinse fm), n type (wheel and deal), dj flight (1 xtra), spamchop (wigflex), 2562 (tectonic), shortstuff (ramp), cardopusher (hyperdub), martyn (3024), martin kemp (blunted robots), elgato (hessle audio), selector dub u (hotflush), skipple (sub fm), west norwood cassette library (teal), king thing (fortified) ...

special extended vinyl edition plus cd release ltd to 1000 copies! the cocoon compilation k, being the longplay flagship in the cocoon catalogue, adequately starts the second decade of the label with a musical imperative. but dont worry: even if the letter k has sometimes been misused as an indicator for the degree of hardness of some sonic noise in the past of the tech-house scene, >k< is definitely the deepest survey of contemporary electronic dance music that has ever seen the light of day on cocoon recordings!! please note: the full-length versions of all tracks are only available in the 6-vinyl edition !!!

support by richie hawtin, m.a.n.d.y., andreas henneberg, kombinat100 and many more. featuring deep atmospheres and altogether slightly more electronic rhythms, the second part of the catchpenny & cosmos series rounds this double release off by an even greater variety of sound. just like its name implies, the dark tower hotel is a wondrous and mysterious place. upon intricate double bass chords and trippy synthesizer riffs, female singing from times long gone mixes elegantly into the hypnotic arrangement like a melodic leitmotif. in his remix, mollono.bass lives up to the last four letters of his name and delivers a rolling groove. the jaeger gains experience with acid, at least during the second part of this title which distinguishes itself by a minimal character and enigmatic wind instrument sounds. last but not least there is morgiana , a laid-back song that does not aim the dance floor. its catchy gypsy vibe, created by lots of classical instruments, reflects the remarkable compositional talent of be svendsen in a very entertaining way.

for cadenzas latest output, the imprint serve up something a little different from usual with a versus ep from two astonishingly contrasting yet equally prominent artists within electronic music. no remixes or reinterpretations are to be seen but instead, a meeting of minds between mirko loko and stacey pullen with deux elements. titled in fitting reflection of the combination of swiss born mirko loko and detroit innovator stacey pullen, this two track cut is as its name projects in all musical and conceptual aspects. whilst mirko loko is by no means new to cadenza after releasing his highly praised seventynine album on the label in 2009, stacey pullen is a fresh cadenza artist that the label couldnt be more excited to have aboard…this is >deux elements< the eps first piece is >formulaic mode<, a twisted combination of chaotic clicks merged with underlying melodies and a serene ambience of calm.

morning caffeine is the debut release by poker flats martin landsky on mobilee that we have all been waiting for! as a poker flat artist with huge success to his name for various remixes, he boasts a discography that reads like a guide through electronic musics hottest sounds. always refusing to be pigeonhold, landsky continuously embraces different paths and once again hes brought something new to the table. title track morning caffeine (main mix) kick starts the ep with both a dark and uplifting mood as a slightly twisted loop continues to build throughout the track, never really culminating but carrying on inescapably, whilst in contrast the organ dub version offers a much lighter and bouncier atmosphere. aint nobodys is the pleasant surprise of the ep, once again demonstrating landkys musical diversity and serving up really special warm dreamy vibes

after releasing his heavens ep, chicago skyway is back on mos deep with another epic release, ranging from melodic deepness to wild-jackin dance floor-madness. check! the lager ep kicks off with bad driver, a raw and solid chicago-banger with an irresistible driving bass-line, rattling beats and atmospheric strings. for lager nord on the flipside chicago skyway teams up with his compadre dcook, delivering an emotional and dreamy classical detroit techno influenced track. lager is reworked by steven tang, another rising star in chicagos contemporary electronic-music scene, known for his obsolete technology imprint and his verged sessions on aestatic audio. stevens obsolete technology remix focuses on lush orchestrated strings and deep synths flowing over a massive foundation of thumping beats

nuria ghia has entered the world of production solidly. after creating her own label bluecube, the beautiful catalan girl is welcome in our beloved globox. nuria loves electronic music, her experience in the booth amounts to 11 years, having played in the most important clubs in spain.

played and supported by chris liebing, norman nodge, samuel l session, paco osuna, angel molina, audio injection etc pp ...the view can be admired from the terrace of a last floor of a building(attic) is unique for its charm. see everything from above to the horizon .. and you can see many scenarios that do not get to see. you can explore sounds and noises. in this context arises the attic session vol.1. a release that continues to confirm the attic music as a label of techno and electronic most interesting in the european scene. four episodes for four different interpretations at different times.