permanent vacation are delighted to bring you the second chapter of the first space oddities saga compiled by alexis le-tan (music journalist and member of the tigersushi bass system) and jess (formerly of the famed french house duo jess & crabbe and now drummer for punk band 10lec6). the pair met in 2001 through a mutual love of no-wave and leftfield disco. in 2003 jess came upon a big collection of library music, which he bought for next to nothing. whilst he was ciphering through it and finding the most interesting extracts, alexis was digging in all things cosmic, where along the way he also started to pick up many bits and pieces of obscure mood musics. in 2007, they put together some of their best space disco treasures giving birth to the highly acclaimed space oddities project released last july. as the first episode of space oddities was reaching to an end and following the amazing feedback they received, the parisian duo started working on the next volume in the heat of 2008’s sunny days. a new direction was chosen: more organic, guitar lead and psychedelic than the previous one, still focusing on the dancefloor and their love for freaky synths and fierce beats.

the second single taken from the remute-album grand glam is the ultimate summer-house-bomb! sling it! will make you swing, sing and of course sling. the remix by icelandinc electronic music legends gusgus is for sure a huge anthem for this years ibiza-season and delivers the fattest bassdrum of 2009. nuff said. as a bonus we have the extended mix of the grand glam -album-tune slime fast , which transforms slowly, but surely, to a horny disco-orgy. sling it!

at warp we believe clark is a primary torch bearer amongst a new generation of artists who continue the vision that warp was built on, making innovative and boundary pushing electronic music that is difficult to replicate. with every release this belief strengthens.

observation document #01 is the first part of a 2 ep series with giorgio gigli on prologue. the concept of this ep shows a wide range of electronic music designed between techno, atmospheric minimal music and abstract house. every track has his own characteristics but all together they show us how electronic music must be designed at the moment. raveline magazine: record of the month

argentinean producer rudolf returns on mean records under his perro magnetico guise to deliver yet another beautifully crafted release of sophisticated electronic dance music that lies somewhere between house and techno.

basti grub is a specialist for xtraordinary and outstanding productions.. loving music from his early childhood on and he seems to have a different approach to electronic dance music. these 2 tunes here are wonderful rhythm driven latino techno tracks with spanish guitars and wonderful auto tune vocals,... sommertag is the perfect open air tech house tune and hihihihahaaa could be the next number one in the brazilian baile pop charts even though it perfectely works on any european dancefloor too.... additionally we have a tech housey dancefloor tool rework by dj emerson

dj & producer tovar from mexico has been a musician since 1987, but it was in 1998 when he started producing electronic music.

mobach makes a deep, soulful, warm and groovy hybrid between house, electro, dub and jazzy electronics. one of the deepest pieces of vinyl you ll hear this year. mobach already featured on the electronic generation album on sd and with this debut 12 he drops a future classic. title-track metrobots is as funky as it is soulful and warm. the beautiful sounds and voices keep building to an emotional climax on top of a deephouse groove with a slight jackin twist to it, which simply keeps you going. submersion dub is a funky combination of house, electro and breaks: deep and dubby. alternate moods is the most jazzy track that featured until now on the ever forward thriving sd records. it s loose and lovely. excellent!

moony (real name monica bragato) is a musician from venice italy moony was first noticed singing in the venetian club scene and was asked to provide vocals for a number of songs by dj and producer cristiano spiller. the first single was positive, in 1998, sampled from the physical, song of olivia newton-john, and the second single with spiller was batucada (1999). her first collaboration was point of view as part of the group db boulevard. that song became popular across the european dance music scene and earned db boulevard the distinction of being the first italian music group to be nominated in the mtv europe music awards. remixes come from germanys uber producer / remixer jerome disma ae who takes it deep & electronic àalready stirring a storm in ibiza and all over the rest of europe, i dont know why is surely hks clubbiest monster so far in 2009! huge!

the journey of a chillian sound influenced by a particular romanian flavor. this sounds wild! therefore, the material to follow will be focused on interesting work. pier bucci together with monochrome including the romanian artists livio & roby allying this time their third beloved partner george g, together they come out in a beautiful ep called, santiago de bucharest. what kind of connections can be found in these two culture background in the context of their own music expression? since last years south america represented a big influence in electronic music, with the latin vibes and soul! extremely obvious is that rumanian artists identify naturaly with latin influences as their common origins helped them easily to experience this into one and solid sound. despite of the latin common element which connect the artists, their soul and spirit it is expressed unique but different in their own particular way.

disco fizz is the second album by italian disco group azoto. many say that azoto pioneered the whole italo sound, with incredibly ahead of their time productions going right back too 1977. disco fizz may contain one of the most covered disco tracks of all time san salvador, which has reared its head under countless of remixes and pop cover versions, however if you dig a little deeper this album is packed full of incredible and timeless italo disco. anytime or place literally jumps out the speakers to get you moving, while >exalt exalt< showcases their take on the darker side of electronic disco.

after seeing the banging >red hot< - her first released production - become the all-favorite track on airdrops extraction us compilation, it is a natural step for connie to slip once again into her constar outfit, and release this time her first record, the sunset tribe ep. here, constar does what she does best, take her clan on a ride through different skylines, from the shores of bali in indonesia to the chinese inland mountains. indeed, in sunset tribe the careful listener will hear parts of a kecak ceremony - pronounced keh-chahk , also known as the ramayana monkey chant - a form of balinese musical drama, that roots in a traditional trance-inducing exorcism dance. a piece usually performed by a circle of hundreds of men percussively chanting cak while throwing up their arms, depicting a battle between the monkey vanara and the evil king ravana...
phoenixxx strikes the cord! using elements and melodies of traditional chinese instruments, the pipa, guzheng and erhu, constar takes our journey even further east. allying a bumpy and light-hearted groove to the depth and gravity of the instruments used, constar also offers an exploration into her balanced mind and soul. bringing the witchcraft even further, who better than the craziest wizard-duo electronic music has ever come across, voodeux! celebrating the release of their debut album on mothership, voodeux - aka tanner ross and james watts - create their very own blend of magic potion that no spirit - good or bad - could resist. simply spellbinding and savage, voodeux know the cerebrums fluids inside out, and will work them through their supernatural enchantments!

an electronic evergreen, first released in 1993 on bonzai records, put into an up-to-date shape by denice the menace & big world and remixed by no one else than dabruck & klein!

repressing/ last copies! renowned electronic music producer / dj dani koenig is from zurich, switzerland. his influences range from jazz, blues, disco and all sorts of electronic music. the first big track >disco 3000< was released on zurich based label bacteria records, 1997. since then he has gone on to release many records including the stand out >break 4 love<, >whats my name< and >stairs<. now, you ve got the chance to buy his great release again! only a few pieces we have. it was a small lost backstock we found. a catchy house tune - the track was released on kosmo records too. dont wait!

plastik is a new label for electronic experimental music / minimal music. the records are shrinked very noticeably in plastik and limited to vinyl and only 300 copies! early support comes from the likes of cess (cocoon/rocketsauce), dj koze, jens zimmermann (snork), j³rgen von krebs (monkeys club), daze maxim (hello?repeat), lars sommerfeld (fumakilla/ two faces) and bengreen (mikatronic).

per martinsen aka mental overdrive shouldnt need any introduction being the granddad of the norwegian electronic music scene and all... hidden away in a little snowcave near the polar circle hes currently preparing the bits that eventually will become his debut album for full pupp.weve heard some bits and though wed like to keep them all under the lid for a little while longer, heres a little sneak peek of what hes done and hopefully preparing you off his unique take on modern dance music taking in elements of new wave, new beat, detroit and dubstep on the way. per unleashed this on us at one of the full pupp nights in oslo and recently we saw how it took the roof off at fabric... for the b-side we paired per up with the equally detroit-loving blackbelt andersen which gives us a hi-speed samba techno work out with a unhealthy deep bass.

some notorious electronic music talents have started their careers as percussionists. and so did yaya, but his tale is different to all the rest. his new release for desolat takes a unique, upbeat approach to 4/4 beats: combining heartfelt benin influences - samples from dialogue and traditional ballads - with the stretched-out tension and release of balearic and the bubbling pops and stutters of tech house, plus the occasional kickback to a commodore64 high score melody. raised in turin, italy, rhythm was his lifeblood for yassin legali, also known as yaya, from an early age. his father was the lead vocalist and percussionist for mbamina, a band consisting of musicians from benin, zaire, italy and cameroon. mbamina released eight albums, collaborated with artists like manu dibango and salif keita, were sponsored by paco rabanne and played all over africa, including a show for the presidents of senegal and france. their final show was with james brown in paris in 1985 - the year yaya was born. well-versed in his fathers legacy, yaya grew up playing drums and djembe, and at the age of 15, began performing as a percussionist in turin clubs. just one year later, he was already djing, playing funk, soul, afrobeat, house and garage. manu dibango and fela kuti found a spot in his crate next to records by masters at work and dimitri from paris: contrasts of rhythm and structure that pervade his music to this very day.

psiko, the frenchcore master, goes ballistic on this massive psychik genocide 3 tracker. support on >versus< comes from radiation sound system member gobus.

two shortstories of electronic suspense, deep and hypnotizing. eavesdropper leads you through the dark with a firm hand.

hot on the heels of the recent sold out fine art sampler 2 (with the amazing henrik schwarz mix) fa is back with another strong package. here a special collection of remixes from rodriguez jr who delivered a deep house mix of pedro calis original track. an exciting electronic techno funk mix from orlando voorn for jens loden and middle eastern exotica mix from panoptikum on the sublime sheharzads yalla yalla track. another winner and highly recommended! comes with a voucher to download all of the included tracks for free...

next up from the very eclectic rong music is a remix ep from west indian girl.west indian girl is a rock band from los angeles. the bands name comes from a type of lsd that was popular in the early 60s. the initials are also a reference to james and tens previous band, wig scotty coats and wes the mes have fifty years of djing and remixing experience between them but their first release togetheruas wes coatsuis just coming out this month as the first california release on the newly merged dfa and rong music. patterns form hail from texas formed by sammy ragland & chris ornelas in 2000 making a cross between shoegaze trip hop & electronic moving to la in 2004 and forming a full band and have been playing live across the us ever since.

mike humphries with another fresh release for the techno fans. the latest gem in an ever growing series features the growing stars concrete dj z and k.e.n.y.u. big beats and great sounds make sure this will get loads of plays and will find its way to many dj s recordbags. another great diverse record compiled for just one goal: dance till you drop!!

the sunshine coast?s resident electronic maverick, milanese is back on with his heavy-as-fuck 2nd album on the mighty planet mu, and a snapshot of the continued evolution of his unique, fresh angle on streetwise uk bass music.
having pioneered the heavy, dark and twisted experimental dubstep sound with his previous releases on warp, combat, mg77, arcola, seed and planet mu, this new lp sees a shift towards collaboration. with strong vocal artists like ben sharpa (pioneer unit, cape town) and rqm (al haca, vienna), who deliver interesting lyrics in a unique style, melded perfectly with milanese?s own fat swerving basslines, solid drums full of attitude and odd, mangled samples.
melting dubstep?s earth shaking frequencies with hip hop & grime vocals and hard edged timbaland influenced drums and percussion, the result defies categorization: neither dubstep, grime, hip hop nor idm - you could call it a mashup of all these, but it?s more accurate to say it sounds like streetwise bass music for the year 3000. incredibly strange beats and sounds but keeping the funk, fury and bounce 100% on lockdown.
challenging, menacing and forward thinking like his previous releases 1up on warp (2004) and extend on planet mu (2006), its also 31 year old steve milanese?s most dancefloor record yet.

through basic channel and rhythm and sound — his collaborations with mark ernestus — moritz von oswald first of all conjured from thin air, then comprehensively mapped out the grounds of a deep exchange between real deal jamaican dub and classic, detroit style techno. the duos accomplishment and influence are immense. the repercussions of their work within electronic dance music have been incalculable...

after setting 2007 alight with his award winning debut solo album a mind of its own karizma returns with the highly anticipated sequel: a mind of its own version 2.0 the upgrade! karizma continues to defy categorization as he moves between his customarily ferocious club bangers through downtempo burners, atmospheric soundtracks and even smoothed out soul with featured vocalists monique bingham, fruity and djinji brown on rap duty. karizmas trademark fusion of raw electronic grooves transcend through the house, broken, dubstep and so called funky house scenes, his raw style influencing beatmakers across the genres. karizma has been putting in the work in 2008 tearing up dancefloors the world over from on a mind of its own v2.0 the upgrade karizma has raised the bar once again as he continues to find new ways to rock clubs, cars and headphones worldwide.

canadas #1 discofunk label returns with a vengeance. their first international signing, funktransplant, is one of the top live electronic funk bands in the netherlands - and this ep demonstrates why. luc superdeluxxx and mo. tea throw out the template for modern dancefloor house and inject loads of live instrumentation and real disco feel.

roberto de carlo comes up with a combination of funk, soul, and gospel with electronic elements, remaining powerful and fresh. this revamped cover version performed by colin corvez and with incredible keyboard played by one of worlds most talented musicans in house music - simon grey. de carlo brings back to the club this d-train classic, who were and are one of the most exemplary post-disco/pre-house groups. next to roberto de carlos and diego auguannos classic versions this package includes remixes by san francisco based and salted music boss miguel migs who delivers a fantastic dub for peak time madness.

second installment by berlin based mri who successfully cultivated since 2002 some serious dance terrains. this release carries two outstanding and rare remixes as well as one original track. by taking techno deep into the mine shafts of dub, chain reactions / basic channel artist fluxion created an eerie, full-circle remix of the latter. you can hear that a man is at work who knows his gear well and is good in what he is doing. the production is brilliant, the selection of sounds superb, set-ups are constructed with caution, superimpositions are finely layered, propagations and ripenings are get going in a well-considered manner. dreadnaught bassline, steady hi-hats and lo-fi clips – a must for basic channel fans ! on the flip, young talented producer u.e.s. delivers the meanest blend of modern techno style and reduced shaped subs that just creams it on every system. and as well as both guys together does mri with original track rough. the „el castillo“ ep separates the styles over two sides and with „rough“ functioning as a wicked minimal techno track with shifted groove hinging on a grinding bassline - drives the track into abyssal techno territory. fans of basic channel and modern electronic music enthusiasts will be all over this beauty.

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release

sentenced to a life among humanoids, the massacre, jensen, lowtek, gabba front berlin and ebe company have teamed up to stick up their fists to the human filth and unleash a statement that will shatter your bones for weeks to come! 5 tracks of industrial hardcore to raging death metal speedcore.

after three long years spent in their clandestine research facility, vienna s prime electro scientists once again emerge: binary systems is the title of their lastest transmission, a five track mini-album to be released this june on trust. generated on microthol s formidable array of vintage analogue gear, binary systems sonic spectrum ranges from classic, hard-hitting techno bass to sähko-esque sine-wave assaults and fragile detroit-style electro.

early support by : adam beyer, d julz, kenny larkin, christian smith, anja schneider, josh wink, tiefschwarz, robert dietz, secret cinema, okain...
quartz music return with yet another roaring ep. this time from belgiums hermanez.
opening track hocus focus is a full spectrum. opening with its tribal drums, the addition of cascading techy sounds and then its techno stomp. the brutalness is appeased by the wonderful deep synths that fuse everything together.
next up is the more stripped, minimal sounds of served . a colder, more moody electronic feel to this one, it pops along, locked into a vicious groove. white noise builds create the drama throughout.
finally don t try this at home continues with the heavy tribal tide. rolling drums, a plethora of toms, and a bag full of spooky sounds and efx, make a strong set building track.

kirk needs no introduction, as a long serving electronic music devotee, a quick glance at kirks discography shows the scale this extraordinary talent has contributed to electronic music over the years. it is therefore with huge excitement that abstract forms brings you jitter world. featuring three tracks of deep techno business, jitter is a full on, peaktime dance floor mover with extra drive, that will undoubtedly appeal to the djs as well as the deep techno lovers amongst us, whilst back in my head and traject lay focus more toward the deeper end of the techno spectrum. its kirks groove on the dance floor and his deeper experimental electronics that make this ep fit perfectly within the abstract forms ethos.

when he isnt busy touring and recording with various artists as a session drummer (most recently with one beyonce knowles) guillaume jambel aka giom djs and produces deep house music. with only a handful of releases and remixes under his belt on labels such as amenti music, black cherry, tango, eight tracks and aroma its obvious that he is eager not too to spread himself too thinly. this makes us even more privileged to get him onto ornate music. and he certainly doesnt disappoint on blue matter ep which kicks of with bring down the walls a deep house disco builder promoting us to... you guessed it bring down the walls. with a metro area style bass line, warm keys and popping percussion this is bound to make you do exactly thatàin fact it should probably come with a public health warning. i know you were right, probably not something we say very often but here giom says it like he means with a tough kick drum, sweet seductive female vocal, bubbling bassline and a whole heap of other good stuff thrown into the mixer. this phat slab of deep house will brighten up the cloudiest of days, have a listen im sure you ll agree. hailing from brighton c soul are magnus asberg (head honcho of on the house records) and jimmy day. they have appeared on labels such as diy discs, suspect package and have also collaborated with house music legend robert owens on german label plastic city. for c souls on the house remix of i know you were right they strip it right down to the bone and produce a haunting, electronic house music rework. you know we were right!

the second of three 12inch samplers from the gavin russoms latest cd. this features extended versions of the album tracks domination and anthem. inspired by equal parts euro disco, wonky early electronic body music... and a fascination with the outer reaches of global psychedelic rock.

this summer beni will continue to reign the dancefloor supreme with a new monster slab of black plastic, maximus featuring vocals from the mighty sam sparro. who put the fun in acid-funk you ask? the answer is: beni did. a low-slung exercise in dark and dirty arpeggiated sleaze, maximus marries a sparse bubble-groove that creeps up behind you and licks your ear with a very purple vocal performance by sparro to devastating effect. the resulting track is something akin to kiss-era prince and friends dirty dancing at a toga party while ancient rome burns down around them. on the flipside beni and nicky night time give maximus a night-time re-dub rubdown, taking the track away from the creepy funk freak and towards a straighter slammer jammer, favouring blatant dancefloor manipulation over the subtle and the sexy. also featured (and included on the next kitsune maison 7 installment) is fringe element, which encapsulates the feeling of surfing on a shooting star like never before, with beni sitting proudly at the controls. an electronic orchestra of descending basslines, vocoder snippets, bleeps and acid squeaks, fringe element caps off another compelling chapter in benis lifelong voyage through dance. after the cover of his first ep my love sees you made by geneviÞve gauckler, his new 12 is illustrated by french artist andre.

harada worked studiowise for a lot of well-known artists in the scene whilst he releases his own sound on labels like micro.fon, trapez, audio therapy uk, hope uk, freakwaves, greatstuff and many more renowned record companies in germany or across the border. for his third release on blufin he teamed up with jerl (mbf, get digital), delivering some beautiful summer sounds. phunklariques edit of sunday bells underlines his status as key artist of the electronic musicscene one more time, using his sense for shuffles and drumming he created a perfect choice for club sets.

hot on the heels of phonica records inaugural release comes a new 12inch on the label from jc freaks, with a very special remix from the revenge. jc freaks is the duo of anthea nzekwu and werner niedermeier. like hector, who helmed phonica 001 with ben bryant, anthea is phonica through-and-through, working behind the counter at the london store. an award-winning dj, she produces with werner as jc freaks and has already released two acclaimed 12inchs on mojuba offshoot wandering. dub praise is a sultry, funked-up assault on the dancefloor, incredibly direct and immediate but full of subtle modulations and dub chords. theres a jacking, almost boompty feel to the track, but the blissed-out vocal snippets, rich synth-tones and burbling acid licks give it a timeless, rolling quality beyond that. this is seriously addictive stuff. on the flip theres a remix from the revenge, aka graeme clark. phonica have been huge fans of clarks releases on labels like jiscomusic and instruments of rapture over the years, both solo and as part of 6th borough project. here he reimagines dub praise as a deep disco track which is all spaced-out percussion, breezy keys and low-slung bass but has real character and intensity to it. so it is that the eponymous label run out of londons best electronic music store continues its march on the worlds dancefloors and dj-boxes - with a 12 inch of hypnotic house class that fizzes with ideas and, more than anything, groove

barem, damian schwartz, jorge savoretti & guti are the men behind la merengue downtempo orchestra, a groundbreaking project in which salsa classics are sampled and reinterpreted by these gurus of electronic dance music in a warm & deep housey key. supported by: shinedoe, anja schneider, kabale und liebe, lauhaus, mathias kaden, italoboyz, dj hell, par grindvik, oxia

with electric rescue, the french dj d jedi, who is known all over paris, becomes a part of the cocoon family. he is connected with the development of techno in france already since the beginning of the nineties. despite being busy as a producer for commercials and soundtracks, he always finds some time to release exciting electronic music on imprints such as f comm, communique, elp media and paul nazcas label scandium, where he has released his debut album >el.ue< three years ago. with the two tracks on >the darkest star<, electric rescue succeeds in the daring feat of transforming the energy of rave tracks from the early nineties into the present time without producing an anachronistic impression. besides a tectonically shaking bass drum, the title track relies on the power of sound, a superlative of raw club energy with a twist of irony, which can set a surprising climax with a steadily rising noise level, even after almost ten minutes. >the devils dance< is grafting a comparably brute state-of-emergency techno in a somehow restrained way, rhythm-wise, but is no less effective with its distinctive acid sound effects. and who said that modern techno cant use the tradition of belgian rave-signal-floor-burners?

dj support: dj hell, dj deep, brothers vibe, jerome sydenham, sasse, riva starr, laurent garnier, gel abril, axel o boman, siopis, ricardo esposito... born and raised in sweden, marco gegenheimer grew up with a big range of musical styles from reggae to soul, funk latin, pop and flamenco. he teached himself to play guitar and drums and started to play in rock and indie bands before arriving at electronic music. today gegenheimer lives in barcelona and is very active as dj and producer. his current style is influenced by his rich musical past as well as detroit and chicago, which can be clearly heard on his first perplex. kalakuta is an epic floating techno track, classic and modern at the same time, with outstanding mixing and sound design which will send all lovers of quality and emotional techno music on a journey into time and space. kuti goes into the same direction, with massive chord stabs above one of the coolest basslines you might have heard in quite a while, shortly breaking down with melancholic pads in the middle only to bring the groove back with even more force some seconds later.

dave dk needs no introduction, since his debut moodmusic album “lights and colours” he s been busy travelling the world preaching his trademark electronic deep house sound and remixing florian kruse, tigerskin and seva k for labels baalsaal, global underground and dirt crew among other things. for the new moodmusic release dave packs 2 tracks from the album in new edits as well some major remix biz from ada (areal, irr) and russ gabriel (mobilee, ferox) remixing cinema paraiso was ada s choice, the epic floating, almost balearic feel to it fitted perfectly the fine hand of ada and her perfect production values. starting with a rough 303 bassline, building an intense but deep affair buidling into a hypnotic frenzy of old school acid and modern electronics ! from the feedback from the few selected djs who got their hands on this gem, ada s remix is allready in groove mag top-10 ! the b-side coimbra, a rocking house belter with neat sample editing and the dave dk bassline juggling between the low end and the ultra low sub. russ keeps much of the original intact, deepening the groove with his funk injected beats and some lush detroit influenced chord action like we know and love from him. as a bonus we include the original mix for those vinyl lovers out there !

already played by karotte & shinedoe
16 billion drum kicks is the new major sino outing introducing brazil’s top electronic music producer, renato cohen. it delivers here a cleverly produced fusion of tribal-esque grooves, samba jazz and funk amalgamated onto its firm foundation of its dancefloor techno roots. with the help of legendary guest artists such as 70’s brazilian samba rock marku ribas, sao paolo’s samba virtuoso bocato and techno hero technasia, amongst others, renato conveys a combination of sonic subtleties and frenetic nuances that takes the listener through a myriad of emotions. a first fresh album sure to build on you, it is both a gem to listen in a relaxed state of mind as well when engaged in lightning pace.

man of the moment joris voorn deliver his interpretation of wigald bonings kobra dance transforming the original up tempo jazz song into an exhilarating quincy jones meets nuphonic 2.0 disco tune. sheer bliss heavenly disco-dance. ooooo aahhh aaahhh! the original is taken from wigald bonings album jet set jazz. the original and the whole album by this famous german tv entertainer was co produced by christian prommer and roberto di gioia (marsmobil). on the flip side you ll find scandinavians dream team ost & kjex abducting the kobra dance to a very nice funky noisy eerie clickety clack electronic atmosphere. last but not least a top dub version of the joris voorn interpretation should please the floors all over.

dub records is an independent house music label based between munich & rijeka, focused on funky minimal house music from all over the world. in the year 2009, after many years of djing, playing and producing music on croatian electronic music scene - daniel & lukka from dubsupliers decided to start a record label called dubrecords with a simple, but yet a challenging goal - to unite the croatian dj s & producers with the worldwide pool of house music. because of their long presence at the music scene, some well known friends and artists will support the label with their remixes and releases. names like trick & kubic, robert babicz, oliver moldan, markus lange, stephan hinz and def disko will surely make the releases on this label more essential and professional. dubrecords 01 has already big support by many dj s worldwide. 4 different tracks made of well know artists will surprise the dancefloor. dark, melodic,funky minimal house to techno. between them trick & kubic from greatstuff with a masterpiece again. supported by dubfire, eelke kleijen, florian meindl and abe duque.

incl markus fix rmx !! big with johnny d, gregor tresher, raresh and many others !! gedankensport introduces martin reisinger aka matiss with his very first release. the in passau born artist played piano and drums in his early and later youth and explored electronic music in the 90ies, when the attention on the movement exploded. furthermore he operated on the housesyndicate platform and organized events throughout germany and its native languaged neighbours for what he engaged more than 300 class-a-artists like hawtin, väth and other. now he comes around on gedankensport with two fresh tracks and one remix by markus fix from frankfurt!.

supported by: gabriel ananda, kolombo, lars sommerfeld, carl cox, dole & kom, jennifer, patrick zigon, sei a, andrew grant à
laudert has a passion for music and classic funk and soul roots. it is also entered in the electronic music scene in berlin in 1998. he originally released aus der hüfte on boxer records in 2003. it was for many clubbers a dancefloor anthem, a classic burner, so beautiful. we do a reissue of this track in a 2009 version with 2 new remixes, beautiful and effective. and i.d., the greek artist ever seen on mobilee among others. and another of echonomist, our protected petros who deliver a wonderful adaptation. a must have! a bomb! do not miss it for anything in the world!

after setting 2007 alight with his award winning debut solo album a mind of its own karizma returns with the highly anticipated sequel: a mind of its own- version 2.0 the upgrade ! this is the first single to be taken from the album, and contains two of the hottest club bangers from the new selection. necessary madness has karizmas trademark power drum programming and raw bassline as the track builds from sparse elements into a killer throbbing groove that will destroy any dancefloor. on the flip-side, drumz nightmare has karizma once again pushing the boundaries of dance music with an atmospheric, electronic, percussive soundscape, using sparse elements to create an eerie mood while providing reasons to move your body. on a mind of its own v2.0 the upgrade karizma has raised the bar once again as he continues to find new ways to rock clubs, cars and headphones worldwide. this 12 inch reminds us why karizma is considered one of the most creative and influential producers currently working in dance music.

played and supported by: italoboyz, pete tong, martinez, sety, misstress barbara, coyu... third release for the label which has been revolutionizing the italian electronic and underground dance scene: after the winter floorfiller no rulez ep signed by skyboy and edo pietrogrande (just to name a few dubfire, loco dice, 2000 and one, sis, raresh...have literally gone mad for without by skyboy), 7 oz records comes out with a killer summer dancefloor hit: donde estas y donde vas, produced by edo pietrogrande, friend and veteran of the label. big remix, expertly produced by david keno (keno records, kindisch)!!!