maceo plex new label ellum audio goes from strength to strength. after ellums debut single release by maceo plex >high & sexy<, eric has licensed one of his favourite tracks for a re-release. bazar >hard to find< originally came out in 2004 and is by none other than dj gregory. this re-release couldnt come at a better time, it sounds so current its unbelievable. here it comes with two new excellent remixes by maceo plex and danny daze

nazareths second 74 album >rampant< finds the group tempering the four-on-the-floor hard rock attack they developed on >loud and proud< by working a surprising and effective southern rock edge into the songs. the end result is an album that sounds like a early ac/dc meets lynyrd skynyrd at their hardest rocking. this gatefold sleeved, 180 grams audiophile edition of the album contains the b-side to the >love hurts< 7 inch single as a bonus. rock on!

released in 1973, pronounced >l&#277,,,,,,,h- nérd skin- nérd< is the debut album of legendary pioneers of southern rock lynyrd skynyrd. they brought together all the best elements of southern culture – blues, country, garage rock, southern poetry – and created a gumbo of southern sounds and flavors as none had done before. there are few debut albums that sounds as raw and determined as pronounced does, and this is largely due to the hard, lean edge that lynyrd skynyrd bring to the music. the album features the songs >i aint the one<, >gimme three steps< and >free bird<, their famous rock anthem. music on vinyl is proud to present this album, which marks the birth of a great band that spawned an entire genre.
180 grams audiophile vinyl in gatefold sleeve.

komisch welcomes another new artist to its fold for its last release of 2011.p.god aka paolo dioguardi hails from naples in italy. still in his 20s, he makes music that belies his youth and neptune iv sounds like the work of a veteran producer. lead track approaching an ocean planet sees grainy, dense beats and hypntoic bleeps take the lead, but hovering above the arrangement, tethered to the reverberated, doubled up claps, are ghostly, eerie chords. the title track adopts a similar approach, with bursts of metallic percussion underscoring spacey pads as p.god drops a droning, tunneling rhythm track. finally, geometric shadows on iced surfaces sees the young producer opt for a deeper approach. this time the chords envelop a purring groove, but the same sense of understated menace is still audible thanks to the austere hats and bleak subsonic bass. capturing jeff millss estoeric side and the hypnotic magic of sleeparchive, neptune iv is a real techno journey!

as 2011 unfolds, ld very much retains his own sound drawing from his roots: drum pan sounds of jamaica resonating throughout, flashes of soca drums, subtle tribal nuances, and the ghost of jungle reverberating in the warm, pulsating sub bass. it seems now is very much the time for ld to make the transition from behind the scenes and into the limelight.

the second part of the >diorama< remixes offers again some of the finest producers around.
starting with kollektiv turmstrasse! what kicks off as a chez damier groove makes the transition into a loose dub monster. collecting traces of the original sound and dispersing them with magic movements we see why kollektiv turmstrasse are a top act. shifting the attention from the front to the far back from the obvious to the abstract... turmstrasse create that parallel groove on top of the groove which seems to tighten up with every minute. fine particles of sounds are sprayed onto the relentless groove and make it a real crowd pleaser.

the debut release from your mamas friend has already been making waves and with the dance press lavishing praise, backed by an impressive weight of dj support, marcin czubala s fresh new imprint has already made the brightest of starts. having taken the lead on 001, marcin now passes the baton to a duo that are currently taking the world of house music by storm, polish duo viadrina. konrad slazyk and mateusz kazula are the fresh-faced pair hailing from the banks of the river odra. having made a crushing impact with their debut release, the >better ep< earlier this year on pets recordings, viadrina have been working away tirelessly in the studio refining and polishing their sounds and skills. an endearing innocence can be heard in their music and their versatile, warm and uplifting style is immediately attractive to the ear. matching that aural lure with an impressive and mature use of bass has seen them create some of the smoothest and dare we say it, sexiest tracks of the year to date. making them a perfect addition to the your mamas friend roster. with a splash of r&b, a good slice of garage, 4/4 kick and a sprinkling of lullaby, title track >shining< is the most perfect of winter warmers. the cosy vibes continue on >luna<, with its beautiful vocal wrapped in the protective warmth of its bulbous bassline.

after the huge succes of its tenth release (davide squillace & guti), hideout is back with with the third slice of the deconstruction revisited series. this time, crocodile tears, which appeared on davide squillaces tutti frutti ep (ho003) got offered three amazing relectures. it all starts with mr robert dietz (cadenza, cecille ...), who delivers a super modern and energetic relecture, where intelligent synthetic percussions mess around with weird noises and processed effects. after two minutes a monophonic synths starts its battle with vocals from squillaces original to end up on a more minimal groove. gflame aka portugese techno start cisco ferreiras (the advent) relecture directly sets the tone: a nasty bassline with a crazy synth stab flies over a soft but very heavy techno beat, to evolve to an elegant tech house track (no bongos involved). finally sis, the man behind cocolino imprint, reinterpretation starts with a long intro with the kick dropping after more than 3 minutes. the melancholic feeling of the track builds into a very subtile beat with reverbered elements all over. the percussion layers and delicate melodic synths add some organic flavour to the music so the 14 minutes remix is never boring and takes you to a nice journey thru sounds. you can tell somebody was in love when making such a beautiful song. another must have from hideout!

after his succes on mps005, argentinean producer tacito is back for some action on micropunto.another 12inch full of dubby flavours typical of tacitos production, plus an exclusive remix by giorgio gigli (zooloft, prologue) which rounds this release perfectly.this record starts with lession, a dub techno mover that opens nicely this ep with reverberating stabs and percussive loops throughout.leaks brings us to a more mellow and melancolic mood with a break in the middle with nice freezing stabs and mellifluous pads that hypnotize us throughout the track.giorgio giglis remix dont fail to surprise us. with his refined productions he takes the main track and does a stripped down, dubbier version with melodic pads, that gives this track, giorgios special moody imprint.the third track, las flores de fidel, is on a more funky tip with nice percussive sounds while the digital exlusive track hard to sleep, closes this ep elegantly with a mesmerizing composition full of narcotic sounds.

supported by loco dice, ame, reboot, dj koze, dubfire, matt john, richie hawtin, seth troxler, tim green, andre galluzzi, raresh, osunlade, magda, m.a.n.d.y., nekes, stacey pullen, gel abril, franco cinelli, claude vonstroke, gaetano parisio, matt star, ilario alicante, butane, meat, sven tasnadi, hugo, steve lawler, marco resmann, mihalis safras, cosmic dj, franksen, giovanni damico, metrica

following their last 12 inch from nightwave, svetlana industries remain in their eastern european heartland with a long awaited ep from 1000names, the bulgarian production duo who made their debut alongside rustie on the now legendary >beatnicks< ep back in 2007. the >machine city< ep follows 2010s album and ep for black acre, as well as mixing for mary anne hobbs on radio 1 and recommendations in pitchfork. the ep marks a development from 1000names, taking giant steps on from their base in the beats scene towards a new sound, taking influence from giorgio moroder and analogue synth disco to imagine a future both optimistic and dystopian. it is like john carpenter meets hip hop and it is as good as that sounds.

dies ist rollende, funky, sexy und wunderschöne sonnenuntergangs-musik! oldschool rap in einer schwül-modernen boogie art, bearbeitet und angereichert mit joashs himmlischen disco streichern. seine musik mischt dancefloor sounds und jazz-rhythmen mit orchestralen arrangements. das ergebnis ist eine tiefe und schöne klanglandschaft voller strings, komplexer drum-patterns und atmosphärischer elektronik.

weighty 2 track 12inch from this ruthless producer! all city hook it up, yet again! ruckazoid is one of the most innovative and forward-looking artists in the global hip hop and beats world of the last decade. happy to exist outside of the mainstream - or indeed any scene – his career has been a forward march of jaw droppingly incredible releases. this here is a two track ep of incredible analogue sounds and melodies.

nrk music keeps driving forwards, always with a relatively wide palette of deep house and techno sounds, and nrk171 sees label boss, nick harris, deliver another ep of solid house material.

patrn066 is an excellent blend of funky and raw techno. this 4 track counting ep covers all the sides of the pattern sounds. with disco influenced loops combined with steady banging drums. iago de la vega delivers some excellent productions on this one. also his track with raul mezcolanza (b1) contains that true sampled techno vibe. one for the collection.

rude audio are a south london based collective of vocalists, musicians, producers and engineers. their debut album >that dirty echo< sees the group exploring new sounds that transcend electronic and dance genres.

the original track features on the compilation balance mixed by deetron coming in november. spanish producer simon garcia has already impressed with his ability to move effortlessly from techier sounds to the deeper reaches of house music. a talent that has brought him the opportunity of releasing his work on labels such quartz music, composite, supplement facts, nrk and now, perspectiv. >tears in vain< was an instant favourite with perspectiv boss ripperton. throughly road-tested, it was snapped up for the label and is brought to you today backed by a stunning remix from his fellow countryman, deetron. simons original is deep yet progressively driving. matching rising jets and beautiful vocal with a background of wild horns and handclaps. deetron continues to tread the heavenly path that so few can walk, turning in yet another masterful piece. staying true to the original, he adds elegant and classic touches. most pointedly the synth-bathed break, rasping hats and warm oldschool baseline.

dc shows with his full 12 inch debut an outstanding spectrum of his talent.
side a contains deep and heavy bass sounds paired with an itching synthline. to say it in a few words, turn your speakers on and get ready to freak out. >vertical output< is definitely the uptempo cracker on this record!
side b comes with some different styles. >yorktown recreation< and >chocolate milk< are pure delight! microkorg extravaganza up to the sky, confused funk chords backed by insane jazz lines. these two bangers are arranged in the typical dorian concept manner and give a pretty good insight of his sound universe.

uk meets us meets de sounds from ghostleigh. for his 11th release, we see the man delve deeper into us house territory, both tracks feature the same rich analogue production that instantly jumps out of the speakers. this will instantly appeal to fans of joy orbison and deadboy as it will fans of maw, workshop etc.

for our second release, i am very glad to welcome on board myk derill! myk comes from berlin, germany. he already has several releases under his belt. he creates a very dark techno, without any concessions, influenced by the current sounds of the techno underground i love.

witness the second coming of this mysterious italian producer with shocks ii, totally abandoning the conventions of dance music with three more astonishing tracks comprised of heavily layered sounds, tape loops, loose percussion and meandering guitars. in his post-modern approach, shocks orchestrates a melding of sounds musical and non, beautiful in their a-tonal harmony, obliterating any linkage to original context and leading us on a road to nowhere.

a very high quality production for wonder wet records. on the second release, we reset, the dj/producers duo from the capital, well known for their overwhelming live sets, makes its debut.
the productions of we reset are the fruit of their love for live music. folco and alessandro are two roman producers born to recreate in studio the atmosphere of the dance floor through hot and melodious sounds often created with the use of anologic synthesisers built with their own hands. nothing more and nothing less than two best friends who love to making music and spending intense and rewarding days doing it!

deep series is back! the third deep series features a fascinating symbiosis of two individuals: ekkohaus and santos resiak. the two of them started to work on this project in 2009 and are now finally ready to share it with the rest of the world. during that time, ekkohaus made a splash with a whole array of top releases e.g. 2020 vision, circus company and cargo edition. santos resiak was also having a blast – e.g. after his last release at mothership. the three tracks on the new deep series fuse together the artists still unbroken enthusiasm for deep sounds in one melodic common denominator. >thanx but no< is a homage to the saxophone (btw: played live by robert wuerz). heavy with groovy loops the track creates a free floating ambience reminiscent of a jazz club in new orleans or a night club on an early morning in berlin.
supported by: agnes, dan drastic, dj terry, frank roger, huxley, julietta, kate simko, laurent garnier, miss jools, mr.g, mr. statik, nekes, onur ozer, osunlade, p.toile, m.a.n.d.y, raresh, ray okpara, reboot ...

release number four on upcoming swedish label local talk brings more of that local talk talent, this time we are presenting an ep by swedish producer andreas saag. andreas is no newcomer to the scene, with releases on freerange, a room with a view, rebirth, deepermotions, artizan and tokyo dawn records out and remixes for laurent garnier, joy orbison, portformat and danny howells, he has become a favourite among many djs and producers. his debut for local talk, back to life ep, contains two stunning house jams that aims straight for the dancefloors. the main track is a piano and strings driven house monster that almost sounds like an updated version of >strings of life< but with a deep/tech feel. should be big in the main rooms! on the second track mr saag delivers a house cut that sounds like its straight out of south africa with a raw tech/afro feel. its dark, deep, percussive and 100% house!

instra:mentals ever-evolving imprint is preparing to drop one of the more esoteric dance singles of the year in double hearts >salsa<, a glooped out swirl of an electro-house joint that jams on a particularly twisted variety of wavelengths. what strikes initially is the oscillating breakdown, but once inside the blender we are subjected to beady, drizzled percussion and six different shades of fire. a true hybrid, jd twitch and neil landstrumm’s new doubleheart project sounds very next level, indeed.

the final of four in the inertia series with four new exclusive techno tracks. the final hurrah for ann aimees inertia compilation sees four modern techno heavyweights add their exclusive sounds to the fold. recent album stars skudge are as economical yet efficient as youd expect with their booming >pollution<, before conforce designs yet more lush sounds with his deep technoid cut >when it appeared<. restless romainian cosmin trg confounds expectationst again with his rusty, rolling cut >plaisir interdit< before fachwerk co-founder sascha rydell gets a little spaced out on his kinetic and melancholic effort, >rainy days<. stand out on its own, but peerless when paired with the other three parts, inertia 4 ends a special project indeed.

over the last few years we have all seen an emergence of new methods of spreading and accessing music. some might say this is normal market evolution, we say we keep enjoying music as we always have, on vinyl that is!we love vinyl. we love its sound, we love its shape & we love the feel of it in our hands… our goal is to offer a medium, paying particular attention to the recording process, which will not only conserve the cherished ritual of music listening, but will also deliver a properly put-together abundance of well made, richly defined ear snacks, from genres of all sorts both old and new. vinyl kills mp3 is a vision, a message & a statement. our mission is to preserve all that is music on vinyl. ,label headquarters are in berlin, the leading capital for electronic music worldwide. weare currently ,accepting submissions for artists worldwide. distribution is organized together with syncrophone.! ,parisian youngster john jastszebskis new track la toureille is a deep techno wonder reminiscent of the vitriolic sounds of berlin techno. the trenchant beat and the syncopated percussion convey a heavy yet ,addictive atmosphere. sounding timeless already, this pure, icy tune is definitely dance floor-bound. b-side funky dreamer is a violent and sharp composition by french dj john jastszebski. as a young but experimented artist, jastszebski skillfully maintains tension and elation throughout the raw, hypnotic track. it is as straightforward as spontaneous, and leaves the listener wanting nothing but more!

despite the post-industrial label often affixed to factory floor, there is a greater complexity of sound within the bands music that defies such facile descriptions. yes, there are rigid, fixed beats, and other sounds from the manufacturing plant, as suggested by the trios moniker. but there is also an underlying danceability that belies the seeming austerity of the sound, a hint at warmth that cuts through the permafrozen exterior. that curious balance has paid endless dividends thus far: they have been remixed by producer gavin russom, liars angus andrew and no ages dean allen, remixed and released by optimo, remixed and collaborated live with throbbing gristle legend chris carter, and remixed and produced (!) by joy division and new orders stephen morris. its been a whirlwind few years in terms of musical accolades, and factory floors dfa debut is a glimpse into why.

the ow040 is just around the corner and we are looking forward to this anniversary. on the occasion of this jubilee we have a spezial gift for you. a new artist is entering the ostwind team. we are happy and proud to welcome alex q. after his fantastic releases on musik gewinnt freunde, cliff, mina records, amuse gueule and his own label kleinstadtfelling alex he made a name for himself. the range of his sounds inludes harmonic, deep as well as dubby techhouse and detroitish house. this is reflected on his ostwind ep like a summer rain. this young talented guy from eisenhuettenstadt shows that he could find something good in this cold and rainy summer. the result is a beautiful record that makes us breath calm and deeply and we reminisce about best moments of the summer. we will keep the sun shining in our hearts. the honour of the remix on this anniversary vinyl belongs to marcus schmidt vs. double c. two friends of alex who present us a a wonderful dub house track. thanks to alex and his friends for this unique release. we wish them good luck and all the best fort he future!

tunesmith lakaband is back with another pop confection on her imprint, this time pairing up with the artful producer behind raiders of the lost arp, mario pierro. with a unique appeal, neural affinity gathers raw electro sounds and declamatorily chanted lyrics about extrasensory perception. on the flip side, raiders of the lost arp takes the wheel to deliver an elegant remix and dub, some impeccable and slick dance floor gems. like thought transmission, charisma travels well over the ether. ice cool.

radioactive orchestra is an attempt to interpret gamma radiation, which has its origin in the nuclei of atoms, and translate it into sounds and music. gamma radiation consists of photons and is, in essence, the same kind of radiation as light and radio waves - electromagnetic radiation - but with a very high energy level. in collaboration with nuclear physicists bo cederwall and torbjörn bäck, music producer axel boman and media artist kristofer hagbard have created musical algorithms based on the scientists models of how radiation is emitted from various isotopes. the resulting output of melodies and sounds have been arranged into the following musical experiments. limited to 200 copies!

diynamic is back to release its 053 ep. this time its a classic 4 tracker showcasing some of the finest young talents in house music. after their hit single ‘deep in the three’ on 2diy4, adriatique and thyladomid are back making their debut on mother label diynamic. ‘the l way’ is combining a emotive vocal line with warm pads and a driving bass, for a fresh yet deep sound. „touch me“ from italians newcomer hunter_game is a very deep and sexy track with nice vocals and very smooth hypnotic sounds. on b1 the two romanians ntfo make their second appearance on diynamic. ‘feelings’ is a housejam of highest calibre. with chunky bass stabs, funky-muted guitar sounds and a crispy hookline this song is made to make you shake. ‘smiling faces’ by london-duo app shines with its laid-back groove and its trippy vocals. the breakdown unfolds into a new wide dimension before coming back with a strong groove. quality time is guaranteed.

unclear 002 comes from francisco allendes, already well known in the underground scene, thanks to releases on cadenza, viva music..the ep is composed by children of forever and duendes gremlins y esquimales, alongside with a remix by elia perrone, the label founder. a journey between latin atmospheres, afro-old school sounds and ambient landscapes.

the man with the sexy basslines. the man with the cool hooks. the man with the fat drums. the man who sleeps in his studio. the man who sounds like kc or alikes. the man who breathes house music. the man who is house music. alex agore!!!!

something - a raw & pure monster of a track is not wasting any time for shifting layers or building up loads of unnecessary things. once the needle scratches the surface of the record > something< immediately unfolds its strength and power. thus, the suddenly emerging voice sample that sounds kind of scary easily creates an atmosphere like being morphed into a party of ghosts and dungeons going nuts while listening to this ultraphat hypnotic techno-tune from berlin. this track guarantees the full amount of peak time pleasure and sweaty walls inside the top clubs around the globe within the next months. for the flip-side freakshows 24th release delivers a very special remix version which does not need to hide behind the original. techno music veteran literon is contributing his creativity and production skills that he has been developing since he entered the scene almost 2 decades ago

after their tremendously popular > famous ep< from earlier this year - which with the erlend oye-sampled > raindrops< featured one of the secret weapons of this rainy summers festival season - colognes most lovely hotspurs are back with a bang! >gravity< perfectly captures the raw energy of their live sets. highly infective staccato basslines and a thrilling storytelling characterize this class a stomper. the flipside tracks operate on a deeper level. >total dly< sounds like an homage to fellow colonian the modernist with its jumpy yet elegant chord patterns while the lullaby-ish - fiction- is the perfect end-of-the-night track complete with a tender vocoder chorus and all. what sets coma apart from most of their competition out there is their capability of creating emotive, highly recognizable music that is as much pop as it is techno. which obviously makes them as kompakt as can be.

while dominik eulberg utilized the broader canvas of the album format to develop complex sophisticated compositions, rich of melodies and of intricate details, it was time to boil it down to a bit of a club formula. stephan bodzin, a favourite producer of eulberg, has chosen the clubbiest track of the album >teddy tausendtod< and transformed it into a after hour monster. installing a feeling of electricity with sounds of the original that hover on a layer of huge bass and powerful arrhythmic kicks... it has resulted into a hypnotic anthem.

g.h. is gary howell, longtime associate of modern love as one half of pendle coven and sometime contributor to the hate project. the ground ep features howells first material produced outside of pendle coven and takes on a much darker, more stripped down aesthetic - making use of location recordings amassed over the last decade. the title track extends over 7 minutes from a solitary bass pulse into a slow, three dimensional industrial reduction heaving with uncomfortable bass weight and a sense of nervous expectation. its like the bare, skeletal noise framework for darkest junglist hardcore stripped of its percussion - all bar a bass drum and intense shards of noise. albedo has more of a swing to it, dominated by a growling bassline and the metallic clunk of disjointed percussion at odds with the squashed funk lurking somewhere at its core. the template is extended on earth, a brilliantly discordant club variant that sounds like an r&b mastertrack exploded into 100 constituent parts and put together not entirely in the right order. it builds and collapses into itself, a stylistic oddity that at one and the same time brings to mind boards of canadas re- working of colonel abrams - trapped and the extreme frequency vortex of the raster noton lab

anders trentemoller has become one of the most respected names in cutting edge electronic music in the last few years. his rise to notoriety was sparked by his early, techy releases for poker flat and audiomatique and has since gone on to stellar highs with his own personal take on the genre, spanning, pop, rock, indie and classical. his debut album >the last resort< was released in 2006 to much international acclaim, and the producer also began to become an in-demand remixer in the house and techno world. as the decade wore on his sound continued to progress, opening up his studio to more live instrumentation, and a looser, rock-meets electronic vibe with his stunning >into the great wide yonder< lp. now this special double cd and double vinyl release celebrates some of the producer s favourite remixes he completed for other artists, and also some of his personal picks where other musicians have reworked his music.

friske is proud to announce the debut of his own imprint, melee. melee aims to provide a resurgence of raw drum & bass with a no compromise approach to quality and trends. with its debut, melee 001 features four producers and their unique sounds of authentic attitude, grinding surges and grimey basslines that have made them staples in the drum & bass scene.
illicit has been featured in loxys recent metalheadz podcast aswell as on the shogun audio show on ministry of sound radio, and the ep has received massive support from loxy, ink, hive, trace, a-sides, outrage, spirit, flight on rinse fm, raiden, btk, dj chef on kool fm, dylan, bkey, gremlinz, nymfo, fd, script, foreign concept and many more.

dope new release on kinda soul recordings by mathematics artist takeshi kouzuki. 3 tracks on this new 12inch blending smooth acidic otherworldy sounds with classic chicago influenced bouncy beats

another grandios 12 inch from the untz untz records guys with a top notch remix package. this time its a hometown affair with all artist being from bergen, norway. so what is this then? is it house? is it prog? is it (dear we say it) almost trance? honestly we are not sure, but we know that it is balancing that magical thin red line somewhere in-between there and that it sounds powerful.

a welcome return to dmx krew, simply one of the uks finest producers ! sounds like analord turned up to 11 ! ed dmx reminds us all hes still number one when it comes to beautiful, esoteric electronic music. still aimed squarely at the dancefloor, ed provides us with a really strong and, as always, diverse package with something for everyone...

the 250 rec continues on his journey only vinyl productions. the series continues with this new artist showing two tracks. >sugga gal riddim< is a dub session with tropical sounds and atmospheres that recall moments are often forgotten. a beautiful atmosphere that can bring a smile and calm in a stressful life now. the version of stefano testa makes it closer to the classic dancefloor and parties ... perfect for those moments where the sun rises, the moments when you think about life and how everyday life is beautiful in itself, times you feel alive. >dirty< is the hit! a crescendo of rhythm and atmosphere that will blow every dancefloor. smile and no desire to stop for any reason. sounds dirty and syncopated. another powerful 250 recs vinyl!

four obscure italo, funk and electronic tracks directly from the marcellos 7 inch collection. zombi and in the land of zombi are two killer dub disco tracks released in the south of italy in 1979. enigma are from germany, but released on the super disco italian label out, the track sounds like a space soundtrack with arpeggios and chorus from the grave. why o is a 100% italian afro disco track produced by the maestro paolo ormi.

living it out – perhaps the most unabashedly danceable song on janine planningtorock rostrons dfa debut album w – comes on (that is to say, seduces) in just the right ways. the song is all addictive disco, with synthesized string skitterings and rostrons voice purring out (she sounds like a futuristic eartha kitt here) a perfect melody that somehow gets even better at the chorus. its pure pleasure upsurge from beat-driven start to pizzicatto end, the kind of song that lets you know that, amidst rostrons many musical idiosyncracies, included is the ability to write a song that simply drags you out onto the dancefloor.

after the success of their debut 12inch – the visions ep featuring james johnston, yse, tone control and basic soul unit – with support coming from the full house spectrum (including alex agore, brawther, danny tenaglia, deetron, ethyl, groove armada, red rackem and many more), its only natural city fly follow up their 1st release with a new ep to further showcase the deeper house sounds synonymous with their ethos. wanting to expand their vision yet stay true to their roots, for their 2nd release city fly are proud to present the ‘csa ep’ by creative swing alliance aka pablo valentino & steven wobblejay. not content in running faces records – featuring releases from simbad and danilo plessows motor city drum ensemble/inverse cinematics aliases – and releasing 12s under his creative swing alliance, kid swing and hipster wonkaz pseudonyms, pablo also co-runs the already iconic and buy-on-sight mcde imprint with danilo plessow and is an influential component in the label gaining notoriety and cult status with its raw cuts series – ubiquitous in many a djs set regardless of genre. steven has released records on compost records, soultronik & jazzmin under his moniker steppah huntah and played double bass for the japanese jazz band sleepwalker.

this is 2nd edition of remix single. the remixer of a side is our friend artist/dj in new york thomas bullock aka welcome strangers/rub n tug. thomas stripped down the much guitar sound and added trippy sounds, the result is like kraut rock version of original song. b side is instrument version of kuniyuki remix which is released on mule musiq 59. this vershion is more dj tool.