on ultra satans second 7inch release on hoga nord rekords, the band is developing a new genre and concept: �freedom rock�, which is also the title on one of the tracks. �freedom rock� is a step beyond world music which would be the wrong label when ultra satan sounds too spaced out and out of this world.
on the second track �anti clock�, ultra satan hit strikes against the hysterical swedish mortgage market, how safety destroys creativity and also against the worthless tokens of appreciation you receive from our corrupt and ultra capitalistic society.
ultra satan is like a space being, living alone in an enormously big and empty space station, orbiting our planet. with mathematical precision this genius creates music that effects us earthlings on a transcendental plane and shakes the foundation we lead or lives upon.

limited edition of 2000 numbered copies on pink and yellow 180 gram vinyl, housed in a gatefold sleeve. groove armada�s fifth studio album �soundboy rock� is an unpredictable mix of breakbeats, trip hop and electro-driven songs. the diversity and continuity of their previous work lovebox is combined with some exciting heaviness. they offer so much diversity that every musical fan will get it�s taste of their great production skills. mc stush shares her vocals on the hooked single �get down�. the eighties pop and new wave comes together on the glorious �song 4 mutya (out of control)�. the productions sounds perfect and the vocals turn out well.
the electronic music duo andy cato and tom findlay took their first step in the music scene when they were working together in the music club groove armada. later on they released a couple of big hits, including �my friend� and �superstylin��.

harlem s legendary disco label queen constance has long been a cult favourite among fans of underground dance music for decades. one of many labels operating under the equally legendary p&p family of imprints queen constance was operated by one peter brown, a truly colossal figure in nyc s music scene, it s catalogue still fascinates music lovers to this day. covering a wide range of styles including gospel, early rap and disco the label s output continually finds it way into the playlists of respected dj s and selectors across the globe. licky & the dream lovers massive afro-disco groove african rock is the next in a fully licensed series of queen constance rarities to be repressed. licky seems to be yet another studio group put together by peter brown in order to explore different sounds and styles. this raucous piece of uptempo, blazing disco really does the business in the dance, a truly immense club record, which is not surprising considering brown is at the helm. ridiculous funk on this one. across 2 sides we are treated to 2 slightly different versions of the cut, both equally as good, you could literally put the needle on the record, let it spin and watch it do damage. this one is an essential, a truly sought after record that commands extremely high prices on the used market when it shows up, but rarity aside, it is an absolute bomb and deserves to be in any self-respecting disco jocks bag of tricks. this is a 100% legit reissue, made in conjunction with above board distribution and the demon music group, lovingly remastered with love by optimum mastering, bristol uk.

one track brain returns to his own label introducing a new kid on the block ogenn. she devides her time between design, art direction and of course her big passion music.impressed by her excellent taste and vision, otb asked her to make an ep together. foundations of this ep too stoned to be a rock were laid during their visit to berlin this winter and lives in the free zone between house and techno.

repress - ein hip hop klassiker von pete rock aus dem jahre 2002 - endlich wieder auf vinyl erhältlich. gatefold

it is not the honor that you take with you, but the heritage you leave behind. we don�t have every day a rework of a classic techno milestone on a label that tries to push the boundaries of the future, but this time is the time. thomas schumacher represents one of those artists that was there since the very beginning, and he is the proof of how an artist can evolve in many ways during the years, but always been devoted to techno, and the meaning of it. �when i rock� was played all over the world for decades but now gets a brand new rework by label boss emmanuel, and the creator itself thomas schumacher. the record has a b/w sleeve cover design by caitlin schumacher on 12�.

marvellous music from ronnie nasralla, one of the founding fathers of the jamaican music business. includes vital vocals from the blues busters and the maytals, eccentric chinese rock steady from stephen chang and one of the first deejay records, �ska-ing west�, from the legendary sir lord comic. incomparable!

coming in strong with an update on another classic track, glitterbox recordings presents krystal davis so smooth featuring remixes from kon and yam who? alongside the original and an instrumental. one of the last in a rare breed of dedicated crate-diggers, kons vast knowledge of the heavily swung rhythms of classic disco make him a reverent remixer for this mid-tempo krystal davis disco hit, originally released in 1985 on new york label urban rock records inc. his version amps up the pace, tailoring the record for any discerning contemporary disco set. midnight riot records head yam who? goes blissed out with the synths for an irresistible mix that�s smoother than smooth.

almighty fundamental 80s sound system killer dubplate! music mania and indica dubs is proud to present their first joint-release in their mania dub series. produced in 1988 by the disciples, almighty dub is one of the most distinctiveinstrumental dubs produced in that era. the disciples were formed in 1986 by brothers russ and lol. they were given the name by jah shaka, after producing exclusively for him

triple 180 gram vinyl plus dvd in triple gatefold sleeve. contains the whole of �sticky fingers� performed live in concert for the first time.

30th anniversary edition - remastered audio on red coloured vinyl with download code included.

the backroom club was packed with the hottest kids from the street. the movers and shakers wore their finest clothes to get down to the boassanova rock whilst the gangsters and players watched on from behind luxurious red curtains. in the murky shadows some exchanged more than just pleasantaries in the form of parcels and goods. they were devilish figures who existed only by night, when the streets were no longer safe for the do gooders to walk. this was a rough and ready town. cyrk is set to release a new ep on the infamous rawax record label. a charming assortment of well crafted house and some sophisticated electro cuts for the club. rounded up by a fantastci remix from claude young!

ghent based pianotrio steiger have earned their place in the ever growing peloton of young belgian jazz innovators. as a result, they won the young jazztalent price at the 2017 gent jazz festival. with their luscious and rigid grooves in minimalistic framing, they cose themselves between schntzl and de beren gieren, likewise minded young beljazzbands that don�t take it so closely with traditions. they play jazz with a rock�n�roll attitude. sdban ultra is very pleased to present a sampler of their debut album �and above all� on a limited 10� vinyl for record store day 2018. this release marks their introduction on sdban ultra, their sophomore album is expected next fall. �and above all� houses both jazz and modern compositions, avant-garde and experimental electronics. steiger takes inspiration from jazz and refers to the traditions but equally pulls those apart, for example in the chaotic miniature bachfag and in the intimate inverse/reverse . with berlin revisited the band clearly chooses electronic instrumentation. it is reminiscent of the electronic jazz of the noughties: bands like triosk, sofa surfers and flanger did not so much work towards jazz but used the genre as a stepping stone to dive into the cosmos. steiger are launching themselves into infinity on this track with a pounding beat, shrill cymbals, overdriven keys and an unwieldy bass.

classic 80s lovers rock style album.

a compilation of classic elvis presley songs on 180 gram vinyl.

unique soul jazz records� record store day seven-inch box set which brings together a stunning five-single/ ten track selection of mind-blowingly groovy selection of african, latin, jazz and funk music from the congo. absolutely killer and essential tracks (mostly unknown) from the masters of the vibrant congo scene in the 1960s � featuring the groups franco & ok jazz, rock-a-mambo, african jazz, african fiesta and more. roots african meets dizzy gillespie, james brown, ray barretto & more. the bomb! this unique box-set edition is only available as a one-off pressing especially for record store day 2018.

the king sporty reissue series continues with the lesser known, but no less worthy, rock attack. this first time release of the song under the king sporty name having previously only been released as by the vocalist in the ex tras, johnny griffin brings in to focus the breadth of music, numerous alias and versions used by noel williams on his konduko label.

dj support: jfb, dj food, renegades of jazz, basement freaks, utah saints, qdup, nutritious, kid kenobi, doc scott, featurecast, mat the alien, marc hype, dj love, dj format

privately pressed to lp in 1978 under the name j. jasmine and made especially for the ann arbor film festival, with artistic collaboration from the festival�s founder and once group artist, george manupelli, my new music is the debut album by jacqueline humbert and david rosenboom. featuring a cast of mills college personalities like david behrman and sam ashley on backup vocal duties, this song cycle is at every turn boundary-pushing and gender-busting, yet still hilarious, sweet, and genuine, all delivered in a post-genre, art-song, cabaret musical style that happens to boast some serious avant-garde chops, courtesy of rosenboom. if it weren�t so spot on, you�d swear it was a guilty pleasure. as j. jasmine writes, my new music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person�s fantasies can contribute to another person�s freedom. get lost in j. jasmine�s world for a little long while, and be free.

needs is a not-for-profit record label & collective lovingly curated by bobby pleasure. we believe in people. the concept of the label is to use music as a medium to spread love, unity and the idea of giving back. promoting harmony and togetherness rather than isolation and estrangement, each release and accompanying event will act as a support stream to various issues within society such as mental health, homelessness and equality. for the second release we have tracks from tilman, jonny rock, lucky charmz & pletnev. four artists from different countries of the world who all have the needs factor, and have very kindly donated their music to the dancefloor. all profits from this release will be donated to the homelessness charity crisis. everybody has needs.

sid le rock, dave pad and anatoly ylotana are back to ylotana music with their new remixes for sex of insects.

a familiar and reliable musical force, jonny cut his teeth behind the counter at phonica & blackmarket records during the 00s and has has proven his tastes time and time again with his disco hamam and hamam house imprints and releases on labels like cocktail damore and oye edits. this three-tracker rides middle eastern waves, reflecting mystical vibrations to take you through time and space. jonny delivers reworks of radio morocco, an italo tainted work out that rumbles and punches, housey mousey, an exquisitely eery acid house jam from 88 and yab yum, a wild and percussive trip. all three are sure to roar like thunder on the dance floor!

ltd disco classic

now the new ep takes the whole adventure even a step further and features two vocal songs featuring julie runa from copenhagen based band roxy jules: µeighty fourã is a killer krautrock / post punk tune with intermittent screaming synths, while µplaying in the nightã is a more darkwave-meets-surf rock via a laboratory of electronics and noisy guitar layers - thrilling stuff.

most welcome to a world of handdrums and synthezisers. spacious present is the second release by mount analogue on sunken rock. a four track ep both suited for the livingroom and the evening at the club, wrapped up in a screenprinted cover for your delight.

fresh off the back of his glitterbox remix of camelphat & elderbrooks hit cola, mousse t. drops his first original release on the glitterbox label, showing off the depth of his production skills in this sparkling genre-binding track rock the mic. mousse t. enlists the help of artist taz, the man who became the first uk rapper to sign to hip hop mecca def jam, also earning a prestigious ivor novello award nomination for his writing skills. rock the mic reunites mousse with american song writer inaya day, best known for her unforgettable vocals on the german producer�s biggest record, horny. the catchy hook and toe-tapping groove of intertwine perfectly over smooth strings to make this an irresistible record. the killer collaboration combines hip hop with disco, giving us the best of both worlds. rock the mic lives up to the hype, delivering six minutes of bliss alongside a percussive remix courtesy of kon. kons accapella and instrumental versions round off this full rocking package

jonny rock remixes of rocking lebanese band mashrou leila track djin bassline to shake your bones to. it s an epic trip.

mehr von den rock-legenden karat und city sowie maschine von den puhdys, unterstützt von matthias reim. das doppel-vinyl erscheint im klappcover.

classic rock anthems vereint die größten rocksongs der 70er und 80er jahre auf einem album. mit dabei sind hits wie �eye of the tiger� (survivor), �the final countdown� (europe), �don�t stop believin� (journey), bat out of hell (meat loaf) und viele weitere mehr. die zusammenstellung macht diese platte zum ultimativen rock-sampler auf vinyl.

the pieces were created as structured improvisations using a monophonic synth (primarily) along with a yamaha dx7 (borrowed from a friend) and possibly a guitar. recording was made on an older otari mx5050 1/2 8 track. mixing was done on a tascam m-50 console and a revox a77 1/4 machine. i recall the project happened in two bursts: i did half of it in september 85, then i finished up and edited the album together in december 85. i dont really recall making copies for anyone. i think i played it for a dozen people and that was it. just forgot about it. i remember jeff ament from pearl jam (green river back then) came by while i had it playing on my home stereo. he asked what it was and said he liked it. surprised me a little. with regard to overall aesthetic: i like the sound of machinery, but i enjoy the fragility of human error and human instinct. i like to put things into motion then climb aboard and drive. i can�t play an instrument (in the classical sense) for the life of me, so i�ve always just played things that are mostly choice rather than a convolution of style and technique. i guess you call that the brian eno school of rock.

damon eliza palermo returns to lovers rock with cathedral, an ep of inky, shadowy atmospheres. opening with the stunning title track, palermo summons a hi-def miasma of gongs and synths, searching and incantatory. congquin rumbles through a tar pit of groaning static and radio interference, while karangahape road floats through 5+ minutes of undulating sighs. finally cathedral gets reworked for the dance floor with an extended, exuberant techno meltdown.

label head honchos sleep d are back with another production out of the jackal studios, located in melbourne, australia. red rock (iv mix) kicks off the release, a mid-tempo mover originally performed live at inner varnika 2017, re-imagined in the studio taking you back to the alien-like surrounds of rural victorian landscape bookaar. bunyip beat reinforces the mood, forcing your mind to explore the flow of the odd-ball rhythm. flip it over and you have almost 8 minutes of hypnotic aural madness on sandman, a real late night outdoor atmospheric finish on this diverse release.

long overdue reissue (500 copies initial press) with rock city pioneer billy jones.. here s what he had to say about his crew. in the early 80s billy jones was the lead guitarist for an outstanding group of touring musicians who called themselves the incredible rock city band. they performed on military installations all over the united states for the u.s. dept. of mwr for more than ten years during the 80s and 90s. i m sure that there are many veterans out there who remember seeing this band at nco and officer s clubs back in the day. the incredible rock city band members: justice jay little, drums/vocal karl drac lane, bass/vocal/keyboards/guitar morris mo, moore, percussion/vocal/synthesizer jerry herd. mini-moog/trumpet/keyboards/vocal james whimpy cross, sax/vocal/keyboards jerrold lewis, vocal/keyboards/bass billy jones, guitar/vocal

before run dmc�s collaboration with aerosmith -walk this way- (1986) smashed the hit charts and proved to the mainstream that rock and hip hop are mere sides of the same coin, the seminal hip hop group already introduced both styles to each other on their second album king of rock (1985).
this groundbreaking record was the first hip hop album to go platinum. as its title implies, the dynamic trio claim their supremacy by combining heavy 808 beats and massive guitar riff samples, proving they were the baddest group on the block, period. their sound influenced late eighties hip hop on the whole, most notoriously by their label mates the beastie boys. king of rock s influence is phenomenal. not only did it introduce rock fans to a new music, its fresh sounds also made all hip hop that came before it sound dated. this 1985 record is a trailblazing album to the umpteenth degree!
pressing on 180 gram audiophile vinyl.

we have always loved pure essence so delighted to be able to revisit the lp track and 45 as a 7- with third rock (less rare but imho better track) on the a side from a brand new master done by myself. untouchable disco funk of the highest order, ltd to 500 as are all the now-again vault release, no repress.

double vinyl in gatefold sleeve with download code included.

revival is an as-of-yet totally undiscovered electric jazz rock recording from 1977 composed by visual artist and multi instrumentalist herbert bodzin. it features brilliant soulful fusion with echoed fender rhodes, phased flute, and electric bass and guitar. most tracks are overdubbed with synthesizers. fellow musicians are hans kämper (of legendary krautrock group annexus quam), bernd szemeitzke, peter johannesdotter and bernd schöttner. unreleased instrumental versions taken from the rare protest album niedersächsische schlachteplatte.

million brazilians formed in portland, oregon in 2006. founding members grant corum and suzanne stone have been central to the band since its inception, while a rotating line-up backs them depending on the latest vision for the sound. tip! the band carry out their own interpretation of a genre bending ethos that has evolved throughout the american underground. drifting between boundless compositions, focused energetic improvisations and experimental collaborations that embrace a weird sort of transcendence. their next installment red rose and obsidian was recorded in maine and engineered by big blood�s caleb mulkerin. both he and the band deliver a powerful yet fragile and personal release. the mythical and evocative recordings are inspired by maine s rugged coastlines, mournful ripples of sound wash up on the shore, whilst a lonesome, at times harrowing saxophone drifts through the rolling mountains, providing unsettling melodic interludes. electronic treatments veil organic sounds, a fleeting whistle meets spontaneously with spacey flutes, mutated rock rhythms are topped off with the soaring vocals of suzanne stone who leads the listeners into the magical world of the million brazilians.