zooloft records is approaching to the era of future tech-noir and this release is the result of an internal process of thoughts and ideas behind them. it tells the story of a sad wanderer who is trying to find the path to personal truth. outside, a desolate scenario of modern architectures of cold glass, standing to the edge of horizon. a wonderland of mirrors and empty landscapes: the triumph of solitude. the a side starts with a complex and claustrophobic dark-techno driver which sets a point of no-return. an obsessive pattern of sub-frequencies collides with breaths from the beyond. sound paranoia. the highest frequencies create phrenetic and compulsive rhythms to make the dynamics imploding. the heroes of modern-age industrial techno, orphx, make the path to truth harder. they trace an obscure reinterpretation of the a side with a percussive alarm that marks the time, while dense and anxious atmospheres are followed by syncopated beats and distorted high-frequencies. the breaths from the beyond are now closer than ever. the ep gets closed by an evocative, thoughtful and beatless composition. the perfect soundtrack for those who are wandering and wondering

in september 1985 four of the greatest musicians of the 20th century returned to the studio in memphis where it all began: carl perkins, jerry lee lewis, roy orbison and johnny cash went back to sam phillips sun records studio to record an ode to elvis presley & the city they all loved.
it was their goal to reassert the vitality of their art outside the often stifling definitions of the music industry and to reassert the vitality of memphis as a music-making centre of great potential.
>memphis rock & roll homecoming<, with its mix of jazz, blues, country, gospel, rock n roll and soul, is now a proud part of the legendary citys legacy!
re-issue on 180 grams audiophile vinyl.

big with: butch, mathias kaden, reboot, tiefschwarz, matthias tanzmann, monika kruse, karotte, gregor tresher, davide squillace, riva starr, joris voorn, sascha dive, adam port, jef k, tim green, pirupa, lauhaus.

soundway continue their journey into colombia with this limited edition 45 featuring two bolts of colombian dancefloor thunder. both songs were originally released on the legendary discos tropical label and are re-issued here for the first time out of south america.!side a features a version of the party standard ‘tequila’ by orquesta tropicana. blaring horns, hand claps and shouts for tequila combine for a latin dancefloor classic. side b is a version of the legendary fania salsa track ‘lluvia con nieve’ that was originally released in 1964 on the new york label. sonora tropical re-recorded the track for discos tropical and has remained unavailable outside of colombia until now.

young marco is a gentleman from amsterdam. this is his first offering for the esp institute. it makes us smile and we are sure you will smile too. with his head in the clouds, marco blends soaring melodies that harmonize beautifully over loop-de-loops of bass lines and bleeps. his warm analogue aesthetic invites us to his daydream, a place of innocence where we can do no wrong, dancing eyes-closed as the sun rises somewhere outside. this is pure feel good dance music, no gimmicks, no pretense, just right.

much anticipated new shifted release on sighas label. awesome production package features a twice hand-stamped folded poster in poly bag.the third release on sighas our circula sound imprint finally drops in the shape of three outstanding tracks from shifted.the ep sees a continuation of the sound forged on his recent mote-evolver and avian outings hypnotic and textural,leaningheavily on his influences outside electronic music. shifted has provided an ep that proves a perfect fit for the slowly growing ocs catalogue and demonstrates why hes one of the most talked about new techno artists of the last few years.

as its getting cold outside, this music makes me warm inside! the nights are getting longer, stars are shining bright-it is time for the season of real deepness again. smallpeople come along with another joint in splendid house music to welcome wintertime. dionne and julius steinhoff had an enormous success with their meadows ep together with christopher rau on smallville in last years autumn. that smallpeople issue has been celebrated by all the deep house buddies such as fred p, jus ed, dj koze and lawrence, mcde, xdb, rndm, etc- and it was included on some great compilations, like the timeless mix by lawrence on cocoon or gilles smith 10 years of secret sundaze cd

weighty 2 track 12inch from this ruthless producer! all city hook it up, yet again! ruckazoid is one of the most innovative and forward-looking artists in the global hip hop and beats world of the last decade. happy to exist outside of the mainstream - or indeed any scene – his career has been a forward march of jaw droppingly incredible releases. this here is a two track ep of incredible analogue sounds and melodies.

limited backstock action !!!

limited edition 10 inch release !! <br< in the dead of winter, i visited nico in his apartment in providence, rhode island. he had just finished composing >dont break my love<, the a-side of his new ep and his first song since space is only noise. he seemed solemn, but i didnt ask why. the next night, i witnessed a rare occurrence: nico dj-ed a small party. we danced all night in a brick-walled loft as snow fell outside...

from 0-1 is very proud to issue its 12th overall release- >catharsis: the remixes< a 12 inch vinyl mini-comp due out fall of 2011. this record is a follow up to 2010s >catharsis: an outpouring from the pacific side of earth<.

ultra limited! limited to 500 copies worldwide - reverse board sleeve features gold metallic pantone logo and lettering front and back, pantone matched labels, plastic inners.
darkestral was set up as an imagined cinematically orientated sound space allowing producers creative room to make music of a more visual nature, within or outside of their percieved genre. continuing this theme, transportation aad was dreamt up to bring together drkstrs (label owner) short film script ideas with boddikas exemplary talent at interpretation and production so that over the course of the studio sessions, the script could come to life in audio form. the refers in part to a vessel (transportation) descended from the darkestral mothership and to the recording path process, (aad) analogue analogue digital.

don ruijgrok is the winner of the dutch vinylized competition! a contest for new producerstalent in holland. he wins studio time in a professional studio and a 12 inch release! his tracks are getting plays from richie hawtin, sasha carassi, slam, axel karakasis, piatto, electric rescue, secret cinema, d.a.v.e. the drummer, tom hades and alex under, and many more.
the mans & robbertsen tracks are their first tracks on vinyl after many digital releases which were heavily supported by djs like sven vath, claude von stroke, slam, nick warren, john selway, dave seaman, dj sneak, cristian varela, hertz, jay kaufman and many many more.

g.h. is gary howell, longtime associate of modern love as one half of pendle coven and sometime contributor to the hate project. the ground ep features howells first material produced outside of pendle coven and takes on a much darker, more stripped down aesthetic - making use of location recordings amassed over the last decade. the title track extends over 7 minutes from a solitary bass pulse into a slow, three dimensional industrial reduction heaving with uncomfortable bass weight and a sense of nervous expectation. its like the bare, skeletal noise framework for darkest junglist hardcore stripped of its percussion - all bar a bass drum and intense shards of noise. albedo has more of a swing to it, dominated by a growling bassline and the metallic clunk of disjointed percussion at odds with the squashed funk lurking somewhere at its core. the template is extended on earth, a brilliantly discordant club variant that sounds like an r&b mastertrack exploded into 100 constituent parts and put together not entirely in the right order. it builds and collapses into itself, a stylistic oddity that at one and the same time brings to mind boards of canadas re- working of colonel abrams - trapped and the extreme frequency vortex of the raster noton lab

emanating from japan, and discovered by erid d (of rub n tug fame), these re-edit masterclasses would never have gotten outside of their native market. luckily a helping hand from one of nycs most hyped party throwers has guaranteed a wider audience!
all the combis so far have sold out in a matter of days and are now exchanging hands for silly money. this release has another glorious duo of obscure but super high quality dancefloor friendly edits.

- large 40mm drivers for extended bass reproduction - closed back design for best isolation from noise outside the headphone - 3.5mm stereo plug (okay for ipods, walkman and other personal music players) - weight, only 147g

- large 40mm drivers for extended bass reproduction - closed back design for best isolation from noise outside the headphone - 3.5mm stereo plug (okay for ipods, walkman and other personal music players) - weight, only 147g

- large 40mm drivers for extended bass reproduction - closed back design for best isolation from noise outside the headphone - 3.5mm stereo plug (okay for ipods, walkman and other personal music players) - weight, only 147g

- large 40mm drivers for extended bass reproduction - closed back design for best isolation from noise outside the headphone - 3.5mm stereo plug (okay for ipods, walkman and other personal music players) - weight, only 147g

- large 40mm drivers for extended bass reproduction - closed back design for best isolation from noise outside the headphone - 3.5mm stereo plug (okay for ipods, walkman and other personal music players) - weight, only 147g

- large 40mm drivers for extended bass reproduction - closed back design for best isolation from noise outside the headphone - 3.5mm stereo plug (okay for ipods, walkman and other personal music players) - weight, only 147g

- large 40mm drivers for extended bass reproduction - closed back design for best isolation from noise outside the headphone - 3.5mm stereo plug (okay for ipods, walkman and other personal music players) - weight, only 147g

large 40mm drivers for extended bass reproduction - closed back design for best isolation from noise outside the headphone - 3.5mm stereo plug (okay for ipods, walkman and other personal music players) - weight, only 147g

- large 40mm drivers for extended bass reproduction - closed back design for best isolation from noise outside the headphone - 3.5mm stereo plug (okay for ipods, walkman and other personal music players) - weight, only 147g

large 40mm drivers for extended bass reproduction - closed back design for best isolation from noise outside the headphone - 3.5mm stereo plug (okay for ipods, walkman and other personal music players) - weight, only 147g

- large 40mm drivers for extended bass reproduction - closed back design for best isolation from noise outside the headphone - 3.5mm stereo plug (okay for ipods, walkman and other personal music players) - weight, only 147g

mannequin releases on 45 rotations-per-minute seven inch single a nearly forgotten collaboration dredged and now seeing the light of day.
played entirely live in one ago and using only vintage analogue synthesizers and sequencers, martial canterel and tobias bernstrup four-hands / two voices put our minds in another dimension, in an hypotetical night-time outside, where shadows and confusion are leading the way, creating simply a milestone for all the minimal electronics music lovers.

joe seven returns for another single on dbridges excellent exit records. this one arriving as if from nowhere, whoever clicks the soundclip link first is likely one of the first outside the secretive exit camp to hear the audio.

new year deal - purveyors of maximal minimalism in bass music, crushington explore the mid-tempo soundworld of dubstep. inspired to step outside of their box by a face-melting new years eve performance from skream and benga, for the last two years, crushington have sonically sculpted their own, well-received take on dubstep. lacking a developed knowledge of the genre, their unaffected explorations into different tempos and grooves have caught ears everywhere, leading to dj support from n-type, jakes, emalkay, distance, seven, truth, bulletproof, datsick, excision, hatcha and headhunter. along the way, they have collaborated with, or remixed for black sun empire, spl, truth, optimus gryme and bulletproof. with high profile support and collaborations boiling over left right and centre and several boutique vinyl releases to their credit, dj bookings across new zealand and australia have come quickly and to lauded receptions. old school producers and djs from the era of vinyl and by ear engineering, their sonic fidelity has seen their crushington tunes described by the likes of antiserum as the perfect studio mixdown reference. to put it in simpler terms, crushingtons subwoofer rupturing arrangements are fast becoming a standard setter with in the international dubstep community, where things go next from here though, only time will tell.

>mr. saxobeat< is a single by romanian recording artist alexandra stan, released in 2011. the song was a success in romania, remaining at number one on the romanian top 100 for eight consecutive weeks, being the longest-running #1 in romania in the 2010s. the song is stans third single from her upcoming debut album. the song has became her most successful single to date and her first to chart outside of romania. >mr. saxobeat< is an up-tempo eurodance song with house elements. the song contains a love message, where stan speaks of a man she is attracted to and the way he makes her move. it has charted in many countries across europe including a number-one status for many weeks in the italian singles chart, in denmark and in slovakia and within the top ten in other sixteen counties. this includes a peak of number-three in the united kingdom, the highest charting record by a romanian artist in the uk. outside europe, the song peaked at number twenty-five in the canadian hot 100, at number-thirteen inside the us latin pop songs and right on the top of the us hot dance airplay chart, being the third romanian act to do so, after inna and edward maya. it is also a current hit in latin america. so far the most popular remixes are not available on vinyl anywhere, so for your playing pleasure we bring you 5 hot remixes along with the original version for you to spin! be the first to grab a copy!

the zenker brothers grew up in munich, but in 1996 they moved to the countryside and their first adress outside of the bavarian capital was berg 10. shortly after that they got their first dog inti, he smelled like hell, but he was the loveliest dog you can imagine. although it was an intense change and not that easy at the beginning to move from a big city to a village with 5 houses, it was a really important experience for the brothers. and there was so much to discover: the beautiful mountains, lakes and forests, the local football team, the heavy bavarian accent and simply the different mentality on the countryside. all things they would never want to miss, but it was just a question of time to go back to the city. we are proud to present the first record from dario & marco. enjoy!

gerald mitchel of los hermanos fame comes with his own label handled from his hometown detroit! g.m.i. gerald mitchel international. pure detroit techno in the best tradition of the motor city. title track baby ohh is a uplifting track that radiates detroit techno funk combined with slightly housier vibes. funktropolis and resurrection 2011 are essential tracks for everyone who loves that los hermanos knights of the jaguar sound. soulful techno as you seldom here from producers from outside the d. future classis and an essential detroit techno release!

the highly anticipated squeaky lobster ep has been worth every second of the wait. in terms of sample / synth selection, song structure and sound quality, no expense has been spared. hi-fi synthetic drums intertwine with lo-fi sampled kicks & snares whilst heavy stretched out synth bass lines are topped with bollywood-esque string samples, 80s guitar bridges & plenty of other orchestral mayhem. the lush, thick melodic layers mount up into a frequently spine-tingling whole whilst the rhythm section, although outside the box, does by no means neglect the headnod factor. the incredible feat here is that although no 8 bars are quite the same as the next, a sense of unity is preserved within each genre-defying track, making it the stuff of epic journeys. you may start your listening experience in front of your turntable, staring at the record spinning, but you will end up somewhere quite different, squeaky lobster has made sure of that. as man from phone number 770021 would say: >this is $50.000. good luck.<

moody melodic synth patterns, stripped back electronic percussion and haunting hypnotic vocals. may i present the latest masterpiece from reuben tobias: portraits ep. a finely balanced deep underground pop release that will no doubt hold the attention of such names as troxler and jamie jones. the structure, complex enough to hold interest but simple enough to maintain elegance, takes you on a journey through the mind of reuben tobias as you listen attentively to every word of the self expressive lyrics. the b side lead, marran, shares very much the similar characteristics as portraits. minus the lyrics, marran uses subtly layered electronic synths and the comforting sound of young children playing outside to suck you down into a place of complete concentration. your focus becomes stuck in fascination for the sounds guiding you through the duration of the track right to the last second. a brilliant ep. not one for the clubs but certainly one for the collection.

brillant moving beats from myown on anton zap label

backchat titled ep is filled with three tracks, all spiked with steady beats, funk, deep melodic chords and an overall glamour house feel. this is not only very well produced electronic music, its also a journey through deepness and a modern take on the soulful side of the electronic music which exceeds the genre by far with a rich, colourful palette of surprising, individual sounds, butter-smooth chords, some of the most raunchiest bassline that you ll ever hear outside of drum n bass, cleverly constructed beat patterns that yet never fail to jack and swing and an understanding of dub that goes far beyond the random use of echo and effects. on vinyl – as we like our little record-shop around the corner.

for its sixth release, klasse recordings looks outside its immediate family and teams up with berlin based duo turmspringer for a stunningly cool ep. well known for turning out many underground parties in berlin and abroad, turmspringer (tim brueggemann and robert galic) take their knowledge of the dancefloor and translate it into an ep that is aimed squarely in between the eyes of the nightclub. supported by dj sneak, monika kruse, ruede hagelstein, ellen allien, osunlade

its an exciting time for idle hands, as the fledgling label mutates into a many headed musical beast. after the bristol record shop rooted records sold its last chunk of wax late last year, idle boss chris farrell has carried the torch and opened the idle hands store on stokes croft in bristol city centre. just as the shop highlights idle hands dedication to its hometown, this latest release on the label marks the first time the music has come from outside the city limits. szare will probably not be a name familiar to many, having covertly established himself on the lauded horizontal ground label, basking in the stamped white label anonymity of deep, troublesome 4/4. now with this release and his syndrom z label, the producer steps just a little into the light to expose his unique abstractions on swung techno. >volya< ploughs a sparse and percussive furrow, while >action five< boasts a wistful, dreamlike melodic bent to leave you with two distinctly different, but equally enthralling cuts.

the first of two eps, this one featuring the original plus shy fx remix. skream literally doesnt rest. quite clearly the south london dj and producer loves what he does, and what he does involves constantly challenging the ever changing musical landscape before him. the last 18 months has seen skream release two highly anticipated albums – his second solo album >outside the box< released on tempa in august last year and magnetic mans debut album, which sees him partnered alongside fellow dubstep pioneers benga and artwork.
strong radio support from radio 1 (daytime and specialist) and 1xtra (shy fx remix placed on a-list on april 8), confirmed plays of the music video on mtv dance, nme tv, the box and channel aka, and dj support from benji b, laurent garnier, brackles, ez, ramadanman/pearson sound, annie mac, zane lowe, dj hype + more

reissue - cass mccombs, singer-songwriter born in northern california in 1977 and currently residing somewhere in that state, is set to release wit’s end, his fifth-and-a-half album and third on domino, on april 11th. the result of two years recording in various homes and studios in california, new york, new jersey and chicago, wit’s end was produced by cass with ariel rechtshaid, with whom he also created catacombs.sounds that conjure the colors purple and black, this is his darkest record to date. it seems he is going deeper into the mania of a man buried alive inside his self-made catacombs, banging the stone walls, crying to be let out, and enjoying the quiet away from the outside world. however, he is not a man afraid of his own shadow, for in this environment of complete darkness, no shadows can be cast. this is a world of total feeling. here, words become a catalyst away from the slavery of arbitrary thought and toward feeling.

the second of two eps, this one featuring seiji and zed bias remixes. skream literally doesnt rest. quite clearly the south london dj and producer loves what he does, and what he does involves constantly challenging the ever changing musical landscape before him. the last 18 months has seen skream release two highly anticipated albums – his second solo album >outside the box< released on tempa in august last year and magnetic mans debut album, which sees him partnered alongside fellow dubstep pioneers benga and artwork.
strong radio support from radio 1 (daytime and specialist) and 1xtra (shy fx remix placed on a-list on april 8), confirmed plays of the music video on mtv dance, nme tv, the box and channel aka, and dj support from benji b, laurent garnier, brackles, ez, ramadanman/pearson sound, annie mac, zane lowe, dj hype + more

steady rocking it with music to make you smile, that is a suitable description of wunderbars next new guest, oliver schories. with a string of big releases on labels including parquet, ostwind and musik gewinnt freunde, he is stopping by to >catch a breath<. the original will unfreeze your minds and hearts with his sun-warmed and soulful trademark. the ep is filled with a solid remix pack of surprises, started with a folklorish bonfire-romantic from zusammenklang by switching the theme in ambient. finally we are equally excited to welcome eadward to our label family with a housey retouch of the title track, which will likely be heard in clubs. the wunderbar imprint thinks outside the box when it comes to dealing out the house goods.

nice price deal !!! the critically acclaimed debut lp includes bonus instrumentals and the unreleased track workin feat. oddisee.

i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it

the unstoppable fachwerk techno train continues... on the a-side sascha delivers a proper berlin machine-technoo track, undercooled, intense, heavy... the way it should be! on the b-side a surprisingly relaxed techno excursion with dubby hints of detroit techno. makes us remember the sun is actually shining outside all the dark techno basements we spend half our youth in. strong release!

rush hour recordings proudly presents a series of limited edition releases. previously limited released records and previously unreleased music make up this series. they come hand numbered with silkscreen printed sleeve artwork, which gives each release an unique feel. only 150 of each release. one time press only.
this electronic disco funk bomb was only ever released in japan, as part of a label compilation. at the time of release, some years back, we only had a handful in the store to sell outside japan. this time round we have a 150 to spare.

who better to provide our first release from an artist based outside the uk than starkey? having worked with a who s who of grime including trim and p money as well as playing an instrumental part in pushing the sound overseas, no hats no hoods are proud to have starkey at the helm of our 15th vinyl release.always keen to focus on emerging as well as established artists starkey teams up with up and coming mcs merky ace and kozzie on >pc<, whilst delivering a high octane lesson in fluro-grime with the instrumental >peacekeeper< on the flip.

sampler 1 of 2 from in flagrantis new album. predictably jacked to the brim full of their signature no-gristle, no-glory aesthetic. succeeding 2006s wronger than anyone else and 2009s brash & vulgar, in flagrantis sasa crnobrnja and alex gloor have left behind their vintage porn-chic sensibilities and instead turn to yesterdays trashed goods for inspiration. >flea markets and recycling parts of our production are really at the center of this album,< said the now london-based crnobrnja. >i like things to be old and run-down,< added alex gloor, who still resides in basel. >so i let myself be inspired by one of my favorite places to spend time: 1970s- 80s new york city.< among four killer tracks, >prelude to chaos< reminisces the days where the finest of 69-cent wines glistened in the gutters outside the arcade.

this album is a first for nina simone. it features nina accompanying herself at the keyboeard. there is no instance of overdubbing the organ and some others dubbing her voice and of clapping and tambourines, but in this album everything is done solely by nina simone with no outside help.