straight from germany, this talented producer delivered some of the best deep house music around. entitled >the first floor ep<, it starts with >show me< which is one of those eminently soulful house tracks with a sparse approach to production, all the elements sounding so crisp and distinct in the mix but judged perfectly. whilst >rooted< is a louche head nodder supreme. on the flip side, with >got that< hes creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >defense< showcases hes excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. and to last,>trouble< is all brisk, upright percussive layers splayed over swooping disco filtration. nicks approaching house from various angles and tempos and naturally theres plenty of deft usage of samples, such an ep just demonstrate how on top of their game skylax / wax classic is right now - big tip!

martin brodins second single from the forthcoming album which is due for june 2012. it follows the successful badabing which featured diskjokke as remixer. strings attack is all about the strings for disco. ok,now you may think he gone all cheesy here, but that’s totally wrong.it still have the funkyness and groove it needs to be a full-fledged disco anthem in our ears. and we invited two of the most prolific producers out there to make this a rock solid release. switzerlands finest, headman (robi insinna), who we all know from his own relish label and releases on gomma. he turn the original to an uber-cool bass-laden track and makes it a bit more in-your-face to speak, while the original is a bit more freestyle. second out is spanish born ilya santana with his funky mellow take. its a perfect remix for those beach parties we all love.

makam – what ya doing: the hague based producer makam definitely didnt see jack play, simply because hes waaaay to young to be bragging about the history of house music. nevertheless mister guy blanken delivers a stunning anthem in the best of warehouse and music box traditions. keep those 909 rim shots coming please, but make way for the irresistible breakdown. makam – what ya doing (funkineven) more 909 sweetness comes from london based steven julien aka eglo-related vintage fetishist funkineven. while treating the original with respect, he adds some analogue acid dirt to it. in an everything but subtle way, that is. peak time stuff!

do machines have soul?? jose rico and urtzi bring us the 7th downbeat release, paying homage to science fiction and exploring the relation between human beings and machines. the result is a solid exercise of researching with hardware, which brings all the label influences.jose rico is the responsible of flight to andrómeda and hiperspace, two obsessive, mechanical but full-of-feeling tracks.moreover, urtzi introduces himself with ouroboros and terra luminae, two synthetic tracks with influences from chicago sound. four dance music tracks which go straight to the heart and brain.

following his release on peter van hoesens time to express late last year, sp-x drops his third ep for komisch. fans of >signal path experiments< and >field lines never end< will not be disappointed as the brussels - based producer serves up three more slices of uncompromising warehouse techno. lead track <the escape< has all the sp-x hallmarks - rock hard beats, thundering claps and a swinging groove that underpins eerie riffs and clanking metallic drums >stalker< reveals a more musical slant to sp-xs sound. it starts off with unsettling riffs, but soon the rolling drum-led arrangement changes tact and provides the backdrop for a growling chord climax. there is a similar concession on >attack pattern< bruising doubled-up drums and that unmistakably snappy sp-x percussion combine with subtle snare rolls to create a peak time arrangement. but once again an insistent chord sequence gives it the edge over functional techno. make sure to hunt this killer release down

keeping up their ethos of dancefloor >edits with the love left in< hmd bounce back on a1 with monster from their 3rd compilation. never before released as a 12 inch and much in demand from djs who have heard it in hmd sets, its a whole horse meat disco original track laid out underneath the original vocal acapella. playable peak time or at the end of the night its as deep as disco gets! on b1 a majestic and imperial take on a classic one more time the hmders push the way too short original track and lengthen it into a luscious, euphoric anthem. hmd take all responsibility for end of the night spontaneous dancefloor hug-ins. on b2 the boys have taken the squelchy synths of a real underground track and turned up the intensity that they felt seem to disapated in the original. keeping the vocals pretty much as they are including all the whoops and yelps that make the track so exciting hmd have stayed true to the original but have just given it the horse meat touch. a bit of added percusion and a whole lotta love.

premiesku, a project from romanian duo livio & roby in collaboration with their pal george g, pays tribute to analogue sources and vintage devices - for them its all about touching knobs and faders, modulating oscillators, building their own consoles, interacting with their gear and taking time to experiment. not for nostalgia, but for the love of organic grooves, spiritedness of sounds and a serious portion of soul in their music.

after their first hello on the 6 years hive compilation adriatique is back on hive audio with a full ep. the swiss- based duo recently released some remarkable pieces of music in the last months with amzing feedbacks and chart-postitions. the aint nobody ep shows a few typical adriatique sounds but has a darker touch. the original a-side is filled with some old school housebeats paired with heavy synth work, deep vocals & a rolling bassline which makes this track work for every time of the night or morning. atapys remix of aint nobody goes into the same direction but delivers his very own interpretation. he put on the atapy stamp through his characteristic synthmelodies. then we have another original track from adriatique. mind games is a heavy dance floor track with lots of content. pretty much electronic with melodies and spoken vocals which really put mind games on the map. overall all tracks are made for the club and will achieve their goal. dancing not only with the body but also with the soul.

ilario alicante might well be best known for his previous releases on big room labels cocoon and cecille but preconceptions can be misleading. here on sudden drop we plough a deeper furrow, not ones for hands up in the air shenanigans we prefer to get our heads down on the dancefloor for some serious introspection, which is why this 3 tracker from the italian born ilario finds its way onto our label. echotechno is indeed a main room slice of stomping techno but with that oh so important moody vibe that we crave here at sd,rouge dub on the flip delves deeper with an exceedingly trippy soundscape whilst untitled drop rounds things off with a spritely techno groove.

from gui borattos latest album iii comes >this is not the end<, an indie minded track that convincingly demonstrates guis impressive skill set when it comes to emotional narratives embedded in a distinctively monumental context. like his timeless >beautiful life< and last years album highlight >destination: education< (already remixed to perfection by terranova and tale of us), >this is not the end< features the beautiful vocals of luciana villanova, who seems to know exactly what makes gui tick - which doesnt come as a surprise, as they are married – and possesses this rarest of all gifts, an unique voice that seems to address each listener personally. in his own 2012 mix featured here, gui doesnt so much concentrate on the originals tearjerking qualities (which were already fully formed), but streamlines the arrangement for ease of use on the floor of your choice, making the track even more refined and addictive. those of you looking for a slighty more adventurous approach will find their satisfaction with michael mayers rework on the flipside, where the source materials hypnotic qualities are brought to the fore, resulting in a masterful slice of catchy prime time psychedelica. with both mixes turning out to be instant classics, we can definitely confirm that this is not the end.

36 hours in. the lights are flickering and the sweat is pouring out of you like the thoughts that you re trying to write down, to get down the words, to put down the message, to translate all the ideas that keep appearing in your head. ideas like uninvited guests that keep showing up and refusing to leave. somewhere though, there s a truth in there. you know it because you saw it. you know it because you felt it. because when you knew that even though there were ten million reasons why you should go to bed now, why you should go to bed straight away. that you should put these silly things down and stop trying to create and just get some sleep already. that you should stop trying to wrestle the ideas in your subconscious down to the ground so you can actually capture and express them to others. but you persist.

with >dazed<, senking continues his exploration of the abysses of sound to create dark and gloomy atmospheres. the slow beats of the two tracks are accompanied by tender, harmonic melodies, but broken by nervous, unsteady tones which seem to be a warning against hidden dangers. the first track >the dance hall walk< also features a vocal sample by micheal cramm - a text which reflects the nervousness and excitement in anticipation of some thrilling things to come. like >tweek<, senkings last ep, >dazed< is not only concerned with the depths of sound, but also with the depths of the human psyche, where there is no escape other than music itself.

fly away is their debut release for leng and, at 16 minutes, is as long as it is mesmerising with it s lazy afro quality. full of analog instruments, guitar, bass, synths and percussive sounds create a dirty but unique window into the unusual minds of the mushrooms and has set the standard for their future releases.

disc 3 of 4 with more edits and overdubs by joaquin joe claussell.

ben sun kicks off the ep with some glorious grass roots house vibes. after releases on wolf music and under the shade melbournes francis inferno orchestra s make their debut for vr with classy, lo-slung but urgent take on deep house. legendary australian dj hmc joins in with some p-funk flavoured starr trax and last tyson ballard with some warm, spacious sunday-vibe piece of house music that is my house . touched by the magic that is linkwood for the mixdown, it s an infectious piece that draws a fitting end to a superb ep. another great release on this cool label.

here is the 10 inch vinyl only release from plan bs very own dakini9. she delivers two ultra-deep, emotional tracks filled with hypnotic synths & warm bass tones without overdoing it, but giving you much more to digest throughout multiple listens. a must have for any fan of her work or of the plan b recordings massive catalog.

as is generally known, the night is not limited to the time dimension but has also a spatial dimension. the darker the night, the more artificial is the light and the more the even apparently well known places become unreal. patrick pulsinger resorts to such dusk-to-dawn places by using his three excellent tracks of his new release >nocturnalcat<. or to tell it better: he makes us streying.

number eleven on uncanny valley focuses on the soundscapes of cvbox who debuted on the fourth compilation, uncanny valley 4, in 2011. releasing his first solo record, hes finally able to express his very specific idea of sound somewhere in between meditative ambient and compelling techno on the analog amputations ep. past the eclipse is shaped by echoing choirs at first and mutates then into a serious detroit funk killer for self forgotten techno dancefloors. counterflow starts to roll with menacing drones but quickly surprises with its optimistic atmosphere and an irresistibly catchy synth flute. the flipside starts off forcefully with the oldschool techno stomper droid swift 836. after that orience floats in a sea of pads without losing the funk of the cvboxes. the cover artwork was created by visual artist paul barsch from dresden.

after the warmly received part one of golden age thinking it is now time for part 2. this one is all about a banging club track on the a side theme a relentless pounding groove and 2 deeper cuts the chugging flatlining and the tranquil these feelings on the flip. we dont believe too much in describing them to you further than this but we hope you will agree they are quite special.

second in a series of releases based on capturing the energy and culture of uk pirate radio but going way beyond that as the project unwinds. limited press. the eagle-eyed amongst you may have spotted which celebrated producer is behind this excellent, killer two-tracker - he has had releases out on planet e, hot flush and phonica too!

philpot finally presents reboot joy confession’,s album debut! after two fantastic 12inches for us in the last two years we decided it was time to collect all these fine tracks they presented to us, but weren t really 12inch single material.now, beautifully skit-connected, it all makes for one outstanding album, flawlessly fusing boombap, latin, jazz, psychedelica and raw house aesthetics and so much more!so, take some time out, make yourselves comfortable and let them put a spell on you!

after broom has remixed tracks by gennaro le fosse and johannes heil for cocoon recordings, it was now unquestionably time for a musical exclamation mark under his own name. and so, the rave mix of sq18 is setting a hedonistic imperative for the club year 2012 right from the beginning, quite naturally interspersing a mentasm rave signal after about three minutes within its driving detroit dub techno, but never conveys the sense of nostalgic mustiness

we release here on vinyl the top tunes from microtrauma for all the fans who were bugging us and were disappointed that they could not get the tracks on record. so now here find a good selection of the strongest tunes by microtrauma based on the feedback of the fans and the feedback in the clubs. the tracks come from the first three releases now for the first time on vinyl. for what is missing we apologize but promise to have the next microtrauma release on vinyl!

for uzuri 018 we return to one of our home grown artists – jitterbug. time has flown since his last release for us in 2010, but we have been quite eager to get some new material out from him for a while – and, based on feedback we have had, plenty of other people are keen to hear more from him too. both his raw winter and beaten trax eps were pretty popular releases for us and his dj appearances always create a stir, so we are pleased to bring you this, the arcane theory ep. the track sequencing on this record is pretty aggressive – front-loaded with the confrontational rise of the machines. a track that really lives up to its title, sounding like the production line at cyberdyne systems… all stomp and evil synths, like a bad mood e-dancer. fallout couldnt be further from that – relaxed and making no attempt at all to get in your face. itll win you over, though. just a nice, deep groove and a lovely, phased beat. could play it for hours… the whole of the flip is devoted to nomads, a chiming, acidic wander. nearly eleven minutes in length. the kicks never at the fore on this one – most of the action occurs at the mid and high frequencies – a resonant 303, lots of hi hats and, later, synths which expand on the eastern-flavour of the track title

catwash records proudly welcomes italian underground new talent domy and gives him the chance to release a massive ep resulting in a deep but techno, soulful and sophisticated piece of modern dance music

part 2/3! deep house – uh killer?! dear gorge just like we know him. hardly anyone puts so much energy into a yet so low key appearing track and this is what we love him for. gorge was a history witness for our biggest light installation and the most oppulent feast, as is his right. certified ass-shaking tune with a joyous organ going hand in hand with a female vocal. there is no more to say about this track as it speaks for itself. reminiscing igors 10 minute intro in combat gear at the treibgut deluxe. some push did jonas put into this few minute collaboration track with mz sunday luv. it has to be loud, it has to run – it has to take its place on this compilation. homebased in frankfurt jonas was so fond of hannover at a time that he almost moved north. but we could not afford the hotel room for such a long time. deep house making you get rid of your jacket and shake your hips together. get yourself a drink at the bar and head for the dancefloor. nicely smooth this track is driving you into the night. the only night we actually had champagne and still could all make it to the train to hamburg in the morning.

part 3/3! close your eyes and let go. born in hannover daso enchanted us with this track. it is constantly building up until sunrise. this is how we got to know daso when he was playing his first gig at a treibgut getting our guests up and going. in hannover this night is known as the topless-party-animals-night. not many are as familiar with the treibgut sound as mario aureo proving with this tune. a year ago it was all hands up at treibgut but know we set it free to be passionately celebrated at other parties. leave the orchestra in rehearsals – until they have finished we keep on celebrating to the deep bassline for the plane has just landed. moritz approached this tune verytooly. we just remember him setting up stage for the party, ordering pizza and watching football. frieder, our youngest member, never looses the concept of time and spaces but this track has so much atmosphere in it that you can imagine which cloud he is on. the track comes in easy-going leaving you floating to the end

finally the remixes of the celebrated jonsson/alter mod album is here – featuring no less than minilogue, donato dozzy and dorisburg (half of swedish duo genius of time). my god, that took some time. but no harm is done. all remixes has some kind uplifting and sunny trance mode to them, so as it turns out, this is actually the prefect spring release.minilogue starts out with the track kyrka 2.0 and ads both speed and length. donato takes on the track acapellan and does everything right. keeping the beautiful vocals of the original, donato adds bass line and new drums. the ep closes with another swedish contribution. alexander berg aka dorisburg from duo genius of time reworks djup house, and does it well. a solid bass line keeps us grounded to the dance floor while dreamy melodies and harmonies gently lift our serotonin levels. enjoy! before leaving you to the music we would like to thank minilogue, donato dozzy, dorisburg and last but not least, henrik jonsson and joel alter

180gr vinyl!! bjak and dubbyman team up to become twin beats on the latters deep explorer imprint. this is the pairs first collaborative release, but their studio chemistry is there for all to see as the first few bars of >do it properly< ease out through your speakers. its floaty, jazz-flecked house bathed in pools of gently rippling bass tones, and things are given a sophisticated edge by the adroit vocals of brian cullen. this shares the a-side with the slightly more upbeat >water walk with me<, with cullen matching marvin belton in the modern day soulful crooner stakes. flip over for a remix of the title track from - gulp - larry heard, with the chicagoan legend turning in a typically sumptuous slice of machine soul that naturally hogs the vast majority of the b-side, before an excellent ep is rounded off by a beatless outro

gogo music is ten years old, and now is celebrating its 50th release. this time it is a great collaboration between ralf gum and robert owens. ralf gums mix is a deep track that start with percussive groove. deep, fat bassline under elettro synths perfect for dancefloor. the remix is under dj spinnas knowledge with same ingredients but more deep and hypnotic. useless to comment robert owens voice. always useful instrumental and beat versions. a package to have ... for sure in top 10.

first on only availanble via decks.de !!
vierzehnnullvier is a potsdam / berlin based label that will start with a release by an artist called unholded. the first vinyl is supplemented with a remix work by the incredible and well known artist bruno pronsato. nothing more to say but ... vinyl first!

great oldschool sounding scattering techno release from the hydraulix camp.the artist is unknown but the beats on this piece of black gold are phenomenal.garantueed to set venues on fire.the a+b side are both 2 energetic slams.

this is a welcome return from sheffield-based producer grievous angel who has been known for his slew of edits and live remixes - whether it be grime, dancehall, house or uk funky. having done this for keysound label-mates dusk & blackdown as well as random re-works of productions from artists like wiley (check 2009s ice rick refix under the alias of bubblez), grievous angel has got an eye for recycling existing ideas but is no slouch when it comes to his original productions either.

for another record store day release, british singer-songwriter victoria christina hesketh (little boots) teamed up with historic chicago house label trax to release the 12 inch for >every night i say a prayer<. she wrote this one with hercules & love affairs andy butler and it is better than anything on his groups sophomore dud blue songs. (it is also better than pretty much everything on little boots own spotty debut, 2009s hands.) the housey original version of >every night< incorporates a sort of cleaned-up old-school chicago aesthetic (dig the claps), but tensnakes posh freestyle rerub is the vinyls real winner. you can never go wrong with clinking 808s and pretty female vocals. fact.

heralding from a rock n roll and jazz background vaal is not aware of the strict rules that define & guard electronic music. therefore vaal is not afraid to break them. sourcing tracks and samples became an obsession: from this was born a compulsion to write, experiment & develop original music that could be equally human, equally electronic. vaal exists in the dark of the city: the secretive curtained room that you can never quite peer into, the dark pulsating dancefloors of the underground. vaal has nothing to offer but blood, toil, tears & sweat. vaal is electronic, & vaal is a baastard.

lost sounds are the archives of a forgotten history. the raucously raw, vodoun-inspired rhythms of cotonou have confirmed benin as a mecca of 70s afro sounds and revived the story of its people, but the unopened vaults housing the countrys catacombs of musical riches are endless. with this as our compass, analog africa charters its fifth expedition to benin, traveling far north to delve deeper into the obscured repertoires and tales of the bariba and dendi people.

so, who is this mysterious afefe iku? after absolutely destroying the dancefloors all year long with his infamous bootleg of radioheads >everything in its right place<, which he smartly put out in extremely limited amounts of vinyl around the same time his mentor, osunlade, featured his cover of that very same song on bbes >exit music: songs with radio heads<. in all honesty afefe remains a mystery even to us. so, let us start by saying who afefe isnt. unfortunately, for those who thought he was osunlade, you are mistaken, but dont feel ashamed, because afefe creates at osunlades studio in santorini, which makes sense to pinpoint him as osunlade.

the fact that they are the hottest band in the buzzing spanish independent music scene in itself may not be enough to stop the presses, nor are all the comparisions to the black keys or the band citing motorhead as their main influence. its hard to break into the crowded new band scene, but let us give you a piece of advice before deciding who should stop the presses - just sit and listen to the album first.
a text like this usually tries to say how great the group is and how new and fresh their songs are. in this case, we are going to try to save time and space, and just talk about the right ons.

techno and house build a strange symbiosis for darlyn vlys, without resulting in typical techhouse. when listening to the two tracks gus and heisenberg you just cant decide between groovy ass shaker and driving techno and you shouldnt! the often surprising development of the tracks combined with sophisticated transitions on the shaky but somehow secure foundation, make this special sound of the frenchman so interesting. the gus remix by affkt! comes as a crème double topping!

at last - the essential >application of language< ep tracks mastered properly ! features a new and completely unreleased version of >keep planning< previously thought lost. other tracks unavailable on vinyl for many years. comes in a twice hand-stamped printed downwards jacket . thought lost for many years we present a new revision of the brilliant application of language tracks taken from the original >lino11< 12 inch. but with the added bonus of a completely unheard and brutal take on >keep planning< from 1996... properly mastered for the first time by our very own techno luvvy matt colton - this is truly linear, hypnotic, low-fi machine funk. back in the early days of downwards only the surgeon titles were mastered properly as o connor didn t think his own productions were worth it (having been transferred direct from tape)... features the brand new downwards printed jacket and two hand stamps

the time has come that berlin based techno producer and dj frank muller launch his new label mad musician. these days it requires some kind of madness to devote your live to music. but we are not mad entirely, we are the geeks, the gear nerds, the outcasted studio freaks who just heard about daylight. following a string of eps and remixes as his alter ego beroshima, the launch of his new label as frank muller was long overdue to focus on the new platform. it continues to break the stylistic frame defined by the market and yet manages to surpass the expectations set by these skilfully crafted productions. mad musician defy genre boundaries and incorporate a wide range of sonic colours. merging detroit influenced berlin techno with any kind of genre. exploring the electronic galaxy to invite other true musicians to join the mission and to cooperate, remix and to release the stuff we like. the first invited mad musician is none less than lord kirk degiorgio who recently released some awesome stuff on rush hour and planet e.are u mad enough?

in no other year was the end of the world as fashionable as it is in 2012. but while roland emmerich has to dig knee-deep in trash and throw millions out the window for special effects gimmickry in order to bring drama to the screen, it only takes sierra sam a freshly made studio in our comforting berlin-based upon you refuge. a newcomer to our crew, this belgian producer and label owner of toys for boys has already established his own decade-plus career, and his experience shines through clearly on uy059. the title track welcome to the blackout holds up not just on great production, but also from the mystical vocals that paris the black fu offered for this release. thats why weve included the a cappella as a digital bonus, for the more adventurous djs out there. for the flip side, sierra sam picked his english cohort inxec - already known for his numerous releases on labels such as cocoon, cityfox, contexterrior and currently crosstown rebels - for a fresh remix. closing track chambers seals the deal on this singing, ringing hit plastic disc that no survival kit should be without.

berlin based daniel dexter is part of the new breed of producers showing us why theres still mileage in the good old house groove. his cultured, expressive productions have the mark of a true talent and mr. dexter has only just begun. the acid-revival lives on.storm is a heavy, late night tale of sax, e-piano and stomping synth basslines. growing from a filtered intro, its song like structure drives us into true reckless abandon - perfect for the darker moments of the night, but still oozy with funk and soul. the thick, percussive opening bars of there will be jazz lead to a focus on one of dexters chosen weapons - more jazzy saxophone samples and synthesized strings lift us into a musical crescendo of tension, yet theres a laid back, new york vibe to the track, which will no doubt get plenty of plays this summer. the mysterious murder is a darker affair, shrouded in rave-era stabs and a real pushing vibe. its clear that daniel is a dextrous (no pun intended) producer with plenty of tricks up his sleeve

joshua iz, the seminal deep house producer of iz & diz fame drops the debut release for dream in audio. the figure is an ode to his chicago roots but with a san francisco influence. b/w what u like a melodic deep house cut reminiscent of sf circa 1998. get this!

tabernacle is more than a release, we just feeling it as a religious idolatry, and religion is music or better club music. if the club we mind is belonging to past or future it doesn’t matter, what we know is that it seems not belonging to present cause present seems not to exist anymore: we are all enmeshed in an immediate availabilty of what has been, we are all trapped in a geography of eternal availabilty”.
well this compilation, built of three eps, will be just enough available: on vinyl. yes friends there will be some huge singles extacted from the whole work but the origin of the idea with different artists, friends, styles, attitudes, moods will be on vinyl only… so start to fill the cart of your fav portal, remove the dust from your turntable and enjoy this timeless clubby sound.
ep1 is out now, featuring billy bogus vs soneek mx, mushrooms project, soupaczar, space ranger, loudtone.

continuing on from the massive kon 12 inch released on basic fingers we welcome back our good friend kok. on the a side koko delivers a real uplifting feel-good disco/boogie scorcher that will make you wish for those hot summer parties. stay with me by norman connors is perhaps not his most known track but we will guarantee this bad boy will be the prime time number for many djs as koko really takes this track to another level. soulfulness at its very best! on the b-side burning up by imagination has, since its release almost 30 years ago ripped up dancefloors all over with its piano chord hook and a steady bassline. this mix is an updated version with lots more production details and plenty of koko flavour. its already been tried and tested in the basic finger kitchen with an exceptional result.

the detroit threads team is at the center of a community of vinyl enthusiasts that take pride in their individual approach to sound. this community struggles to keep their vision alive though the warmth of the medium that holds a special place in the heart, vinyl. as the electronic sound evolves new faces and styles emerge to challenge the establishment. detroit threads hears those voices and works to give them a platform. hou531 and .kite were chosen to represent detrot threads, because they are the yin and yang of the detroit dubstep movement. hou531 has a rambunchous method of creating grinding dubstep that is a release from a lifetime of detroit pressure. where as, .kite uses ethereal synth ambience sprinkled lightly with drum and bass to create an environment that is both sad and beautiful. these artists are under the radar, but by no means are they irrelevant.

first available only via decks.de
groover platz finally comes out with his second release on vinyl, with artist andrea belluzzi. release inspired by the city that is a symbol in europe for the electronic music: berlin. the release is a bomb consisting of 3 tracks done to rock the dance floor and be played in every moment of the evening, in fact: >following the way< is straight, strong, made to stand in the center of attention ... 9 minutes of pure evilness. >chord force< is different, in fact, unlike the first song >chord force< follows a more melodic idea but still hard and decided. >rising with the sun< is the bastard daughter (in a good way), because is more close/dark with a good march, groove and a melody made to fly with your mind. definitly a track to close the night and leave behind what has been…

every vinyl incl unique download code ... alec troniq tells himself off – with two fluffy and cheery smilemakers on base of light but raving rhythms.in rueffel hes piping, drumming berserk and doing echoism.a sweet remix is delivered by stereo express from atmosphere / burlesque,well-known for their bombs shadoorack and la vie en rose. on b1 alec crashes a russian wedding, kidnaps ljudmila and entrains her to his own spring meadows.the groover on b2 is remixed by a guy named bunched – cutting, stomping and constantly stepping forward. as a bonus theres a digital only behende version of the title track: more rave, less gadgets with a free download code enclosed to the vinyl