limited to 200 copies big with: luke eargoggle, 240 interceptor, klorex55, klen(clone,frustrated funk) ,kan3da, egyptian eyeliner was born with one foot in gothenburg and one eye in egyptegypt. jet so, this 12inch straight from the land of house.

after the exquisite floris lucy ep that was shown love by numerous artists and was single of the month in the house pages of mixmag and awarded 4/5 on ra we present another young gun with a promising future. nyras >configure 8 ep<

we keep the good-times rolling along on the kolour mothership with the debut ep of deep-disco don debonair. we have been taking notes on this guy since we heard his first tune and ever-since, he just seems to move from strength to strength with each tune that is released. needless to say, when the opportunity arose for us to debut his first full-on solo ep, it was the epitome of a no-brainer for us. debonair shows us all facets of his musical capability with a melting pot of music ranging from the traditional debonair deep-disco sound to slo-mo beat-down business, deep-fused funk, with a dash of beautiful baleric sprinkles for good measure.

synonymous with detroit, techno, and tresor, scan 7 have remained protagonists of the berlin-detroit axis since it was first forged in the sweaty obsidian of the clubs original wertheim vault home. now, over 20 years later, the masked techno collective pay tribute to the triptychs matted histories on >the resistance ep<.

alftavatn is thomallas second ep release on berlin-based techno-label krakatau records. the tracks captivate instantly and still surprise with imaginative variety, sudden shifts and dazzling timbre. 23 year-old thomalla was featured as a co-musician on bodi bills european ›what‹-tour in 2011/12 and recently started playing live-shows on his own. his tracks unite artistic and dancefloor-compatible appeal, which he was also able to show during last years visit of the red bull music academy in madrid. the alftavatn ep articulates his forward-looking interpretation of electronic music, embedded in references of his own eclectic education. techno without thought control

again it is true. domesticity is none of a comemians foremost virtues. modesty? also not. take alejandro paz: left santiago, went to spain, went to scotland, came to cologne. was a stranger, showed his facets (listen to his ladrones mix on comeme radio) and was heartily embraced.

kht 002 comes from affie yusuf, a longtime legendary producer from london, who has released tons of tracks solo and in groups on labels such as ferox, force inc and many more. meeting affie yusuf for the first time via internet was like meeting an old friend. a sympathy for the devil was our common sense and after hearing some of his unreleased music it was obvious we needed to get closer. for his first release on killekill he has sent us so many good tracks it was not easy for us to compile the first release. but here we go now with the >i m free ep<, a 12 inch full of house as we like it. raw as shit and full of fun, funk and energy!

the ep kicks off with empire of dust, an epic and brooding electro beast with powerful, mechanoid drumwork and majestic synth vistas that manages to be euphoric yet dark and grounded at the same time. it was this track whose intent later gave rise to the shape and form of the other 3 tracks on the empires ep.

oscar barila & maiki are back after their fantastic debut album parallel minds on plastic city. the spanish/italian duo has become a clear reference of the underground scene, always delivering quality house releases on top labels such as kling klong, stranjur, beatwax, acker dub. for their debut ep on musicistheanswer ( mita) they have gone one step beyond and have decided to collaborate with the fantastic singers lisa kay and natz. all them four have formed the perfect combination of underground superheroes that the boring electronic scene was waiting for. a fantastic 3-track ep in a style that fluctuates between house and disco.

featuring new recordings by developer and new upcoming artists nx1 & adriana lopez. a strong functional techno release focusing on driving hypnotic rhythms and funked out harder edge dub techno. this release was made for abandoned warehouse and sweat filled dirty club floors.

the deepest techno act from amsterdam with their deepest works so far.in three haunting and hypnotic analog techno jams spaventi & g-string show us the beauty of darkness. not sure which spirit possesed them that night but it was a nasty one! with their sparse 909 percussion and eerie synths they deliver techno how it once was intended: funky yet moody, seductive yet alienating. the bio rhythm continues.

having first come to prominence in 1999 when he was signed to ltj bukem s good looking label, makoto has steadily, consistently carved out his own groove in the world of drum and bass, with his trademark expansive jazz and soul-inflected workouts garnering critical praise from all corners. having worked with a veritable who s who of the scene, with releases on zinc s bingo beats, fabio s creative source and numerous collaborations with dj marky, makoto now releases his first ep on apollo records.

with the sunny seasons of spring and summer at our doorstep, foliage records brings you an uplifting new release whose name you may have already heard. for the love of you is here! d moov (aka doruk ozlen and mark walker) was featured in the nature of house ep and now returns as a single, ready to stir your hearts and minds. this latest release is a soulful house cover landed in the foliage repertoire with remixes by some of todays most renowned producers in dance music.

trevino aka marcus intalex has been wowing all and sundry with his tight detroit / chicago / whoknoswhere take on uk bass music. his early tracks like >chip< on martyns 3024 and >derelict< on naked lunch, showed tough, melodic, techno and electro were back on the menu, but filtered thru the mind and ears of a man who was been releasing fresh uk music since 1994. appleblim was amongst the first to hear and start playing trevino’s new cuts, and has seen him go from strength to strength.
eearly dj / radio support already from: martyn, loefah, 2562, scuba, mary anne hobbs, oneman, rob booth, rob da bank, ben ufo, pearson sound, axel boman, distal, objekt, synkro ...

three speaker-smashing bombs suited for sweaty dancefloors and cars equipped with booming systems

once again rollerboys have put together an epic disco compilation. this time they have invited mark e & prins thomas, in addition to the home team bogdan irkuek a.k.a. bulgari & ultracity. the ep contains 4 brilliant tracks, ranging from slow epic to chicago house

das remix-paket zu gunne s dritten album - bugs - für den sonnenauf- und den sonnenuntergang. für vorher, nachher und zwischendrin. gunne hat eingeladen zur neumischung seiner tracks und genauso variabel wie schon das album gibt s was auf die mütze auf dem ersten vinyl mit seinem perctrax-lieb...

at the end of 2006, erol alkan was at a crossroads. he’d been voted dj of the year by mixmag. he’dmade landmark, expectation-defying remixes for bands he loved: a crunching “glam racket” reworking of ‘do you want to’ for franz ferdinand, a wonderfully wistful reinterpretation of hop chip’s ‘boy from school’, a psychedelic take on scissor sisters’ ‘i don’t feel like dancing’ and a genre-defining reworking of justice’s ‘waters of nazereth’.

vinyl only!. professor inc gets around in paris and it was natural for rue de plaisance to welcome his project very detroit oriented. label manager, producer & executive producer of amour, wbttu & reve, all vinyl labels where he releases under various nicknames & anonymously presenting his influences. varoslav welcomes 4 of his tracks: natural evolution magnifies tweaks & complex grooves, sfx like haute couture. the machines speaks and even lyrics embrasses the concept with computer generated voice. telegraphe stalingrad is a collaboration with the young producer modstand living near telegraphs subway station. professor inc used the sound sources he plays usually with the horses and live gigs to make a complete new track, very tracky & dj tool, usa style & strong beat. detroit baby once again, an absolute delight of complex puzzle and chess. >heavy drum, bass duty, this is detroit< says derrick thompson from detroit and label owner of soiree records where he reads a text written by inc himself. pmax, expartner of inc in their band phuko plays the keys while the other arranges them. very catchy & state of the art of the genre when it is digitally produced. hoes this is where it ends and it is for the best. as detroiters in late 80s got influenced by the house sound of chicago parties and created techno, the frontier was little, thats what the professor is bringing here on the today style. this b face remines ds classic key pads for sure.

wrong is quentin dupieux’s new movie, the director most known under his musical alias, mr oizo. during summer 2011, while he was wrapping the movie, he started as usual to compose its score.

limited to 250 copies !!! on august 4th 2011, the sony music warehouse in enfield, north london was attacked during riots and looting that affected many areas of the capitol over the course of a week. the warehouse burned down completely, taking with it millions of cds and vinyl stored by the distributor pias including the back catalogue of freerange. the blow was devastating for many labels, with the logistics of manufacture and minimal insurance payouts meaning that recreating the entirety of their old stock was completely impossible and many releases have been lost forever as a result.

the music of portable is truly unique. habitually perlons in-house singer and also the man that is bodycode, alan abrahams is capable of evoking the spirits of traditional deep house songs - yes, you read right: songs - without getting lost in nostalgia, manufacturing boring carbon copies or a longing for a past that never was. his first visit to ramonas little outlet is all that: haunting, melancholic yet optimistic, as deep as it is driving and most of all mesmerising. >a process< features all his great sound signature moves, comes with an acappella for brave djs and a serious flutramental on top of it all for the faint at heart. creation might be a painful process, but surely a rewarding one for portable. ramona is in love.

ssaliva (aka cupp cave) has been very active lately with releases on vlek & ramp as cupp cave, the previous ssaliva out on vlek earlier this year, a rbma participation & lots of live gigs all over europe. this is ssalivas second ep on vlek. as its little brother it is a perfect display of how he mastered the magic of wows and flutters. 8 tracks of a vibe thats been dubbed by xlr8r as soaked in codeine and smoked to the gills. the sleeve was made on a full analog letterpress with an original artwork by dimitri runkkari (responsible for the critically acclaimed first ssalivas cover). bright pink vinyl, limited edition.

recent songs is the sixth studio album by leonard cohen, released in 1979. it was a return to cohens acoustic folk music after the phil spector experimentation of death of a ladies man, (movlp476) but now with many jazz and oriental influences.
pressing on 180 gram audiophile vinyl.

nice price deal !!! a uk dance music legend and pioneer, wookie returns with his first new material in 6 years with >2 us<. first making a dent with big club tracks such as >scrappy< and >storm<, his crowning achievement was top 10 hit >battle<, brand new label space + time snapped up >2 us< to be its first release as soon as they heard it. radio support has come from: annie mac, skream & benga, rob da bank, toddla t, nick grimshaw & friction.
the legend is back! – annie mac
set to be one of the tunes of the summer – mistajam
a massive influence on us both – skream & benga

over the past few years we have seen a surge of artists, music and labels coming out of romania and, whilst not seen as a traditional hotbed of house music, this new wave of movers and shakers are working together to create their own lasting musical legacy. the latest in the busy line of producers is 22 year old bacau born, marcman. behind the decks at 14 and studying his art from 18 the young man with a love for angry kicks and heavy baselines has already graced the likes of quanticman, plant 74 and esperanza with his music. now hes set to join the bass culture family as he presents his debut release for the label the in trecere ep. >i was actually sent some marcman tracks about a year ago by franco cinelli< says bass culture label chief djulz. i instantly loved his beats and groove and i played them immediately on the circoloco terrace. i got in touch and asked him to work on an ep for bass culture. i specifically wanted it for this summer because his beats are exactly what i love to play in ibiza. marcmans 4 track >in trecere< ep sees him sandwiching the deep dubby sounds of rutina and the percussive guitar licked dansand, with the chicagoesque numbers levier and in trecere.

schwindelig from kollektiv turmstrasse was definitely the most successful track from their album rebellion der träumer... on the 12 inch vinyl remix ep vol.3 youll find three fresh remixes

hailing from an era still ripe with optimism, nate tinsleys sole ep on music station, under the moniker nathaniel x project, is one of the dopest 12 inches of the 1990s. embodying the now fading dreams of a whole generation of club children, the veritable political program was everything deep house strove to be: aspirational, socially-involved, visceral dance music with raw sincerity and unashamed soul.

a dj since 93. a producer since 98. a true student of the music/culture. amir founded vanguard sound in february 2006. after making his presence felt in the chicago club scene via a meteoric rise culminating a dj watch feature in chicagos 5 magazine, he completely disappeared and went beneath the underground to focus solely on advancing his production skills. soon after linking up with g. marcell and hakim murphy he began to release gritty tracks that have been charted and played by underground djs world wide. his fourth release was the sleeper classic >experience ep< a 4 tracker with amir on side a, and g. marcell on side b. encouraged by the feedback, amir then submitted tracks to new york citys plan b recordings. the rest is history as they say. recording under the name amir alexander and the pseudonym guerrilla soul! this cat strives to bring a raw and gritty modern spin on classic detroit, chicago, and new york underground sounds.

it was his birthday a few days ago and to celebrate jaydan has decided to give us all a present, and its a whopper. showcasing the talent of the latest addition to his stable renegade, on the a its the co-lab, master and padwan together give us >dead people<. on the flip renegade steps up solo with >late night flex<.

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement. along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars. their 1965 debut mr. tambourine man hit the flower generation like a bombshell. >one of the greatest debuts in the history of rock<, it melds their lyrical prowess with their compelling guitar riffs, and was the blueprint for their future sound. a classic, now back on 180 grams audiophile vinyl!

manic street preachers originally gained a loyal following and cult status with their combination of androgynous glam punk imagery, outspoken invective and songs about alienation, boredom and despair. the bands later albums retained a leftist politicization and intellectual lyrical style, while adopting a broader alternative rock sound, especially after the mysterious disappearance of lyricist and rhythm guitarist richey edwards in 1995. >everything must go< is the manics fourth album and was released in 1996, now back on 180 gram audiophile vinyl.

limitiertes doppel-vinyl, weiß & blau marmoriert, inklusive cd-version des albums.
nachdem der albumtrack >henrietta< bereits seit ende mai im internet kursiert und im radio rotiert, erscheint nun das neue werk der brooklyner electro-pop-psychedeliker. und das neue album bleibt nicht hinter den erwartungen zurück! >fragrant world< betreibt genre-mashing mit einem breiten spektrum an quellen. psychedelic pop, indie dance, r n b, digi-funk, exotische synth-experimente, gespenstisch surrende, rückwärts laufende orgeln, ueberschwaengliche baesse. >i wanted to make a record that was legitimately, to use a bad word, funky<, erzählte chris keating zuletzt dem under the radar-magazin.und selbst in den dunkelsten momenten dieser musik behält er recht.mit >fragrant world< liefern uns yeasayer ein fantastisches follow-up zu >odd blood<!

focus on cosmic club !!! for this 12th release, we give you the opportunity to grab 4 fantastic trax done by one of todays hottest producer: june. tasmpikos fronas has been signed this year on argys label these days & delivered one of the most astonishing first album weve heard for a while called cytheria. he has already been remixed by dj sprinkles. he sent us his brand new tracks & we felt it was so good that we decided to release them straight ! his sound is firmly rooted in proto-house and acid. a whirlwind of crystalline electronics , sunshine-bright melodies and playful synthesizer riffs (with a dash of original chi-town jack thrown in),it comes on like a particularly cosmic jam session between plone, daniel wang, claro intellecto and larry heard. on the moon. on this evidence, fronas is clearly one to watch. and to add to the magic, we got an amazing remix done by the great & super talented italian producer: simoncino. this is surely going to be one of the biggest releases this year, stay tuned!

in 2011 it got a little quiet around the co-productions of fraenzen texas and ruede hagelstein aka the cheapers. but since the beginning of the new year the lights dont go out in their studio doing beats and sound. next to releases on areal records and bar25 the uy063 was born. title of the name giving a-side goes back on a quote from paris hilton who wants to tell with >amazeballs< how super cool she finds things. anyway the two artists made it real with their concise bassline which will make the people reliably squeak more than hobby djane hilton. on the b-side things turn a bit more severe: egyptian summer quotes with samples the arabic spring in africa and produces a revolutionary ground mood which has never been heard before. on b2 however there are the cheaperesque absurdities on the microfon like we know them. depositing skillfully their own vocals in the belly of a hungry electro monster.

a long time coming, the first ep from the mysterious duo bernadott finally reaches us. the golem first heard those tracks last summer and noticed his body was moving beyond his control! he therefore decided he should immediately enroll these beat-smiths before the competition took notice. introducing bernadott, the roof of love ep showcases the talent of two underground producers hailing from paris and stockholm, two diggers of the highest order, immersed in musique concrete, italo, free jazz, punk, chicago house and such, two djs devoted to tension, hips & shoulders. with upcoming releases on high profile labels, the golem proudly takes them to the forefront first, unleashing their highly original and leftfield take on the dancefloor. on side a, bernadott turns a white funk forgotten gem, expands it before turning it into a gherkin-esque acid burner with unexpected nods to juke, subtly returning to its post punk roots before you even notice. the golem also wanted to have a nice tune to share with his girlfriend, and he got his wish with side b, another post punk affair autistically turned into a dubby madchester piano choon, a quasi absurd but groovy breezy love song

martin brodins third single from the forthcoming album which is due for this summer. second one for you who forgot was strings attack, with remixes from headman and ilya santana.

played and supported by lucy, chris liebing, speedy j, dvs1, pfirter, bas mooy and more. sonntag morgen was born from the idea of two young italian dj / producers,tracy and mtd. with this label they want to express a musical style witch is not very popular in italy, based primarily on techno / dub but with influences from dark and spooky sounds combined with melodic and defined rhythms, creating a new refined underground beat.after 19 releases in digital format, they have been shown to produce very high quality.this is the first release on vinyl (their great love.) each of the two labels owners shows a track and a tool. the sound is..solid, dark and dynamic. definitely is a big release of contemporary techno.

inspired by the teachings of the earons (thats .22, .18, .33, .69 and .28 to the uninitiated, see www.earons.net for more background), a splinter group was formed earlier this year, with the express mission to bring back the message and connect it to a whole new audience. >land of hunger< is given a 2012 reconstruction from the cosmologist, a sturdy rework performed by the mysteriously concealed outfit, who identify themselves only as .40, and .44. whilst they are heavily influenced by earons beliefs on positive energy, which they seek to share, .40 + .44 are quick to point out they have no links with the earlier incarnation from 28 years ago, but felt a compelling force to unearth it once more. the universe knows when the time is right, and frankly the original broadcast was just too good to not want to fashion a 2012 edit, so a new chapter begins ...

6 unreleased lost house tracks from the jackin era. anonymous tracks from an old white label that was never officially released.

inspired by artists such as mr g, baby ford, ricardo villalobos, derrick carter & rhythm & sound, anthea has created a sound somewhere lodged between house and techno, that is deep, warm and bassline fueled.
and if the original was note dope enough this package comes complete with two heavy weight remixes from two in demand high flyers: dan ghenacia & subb-an.

we call it hard records is a digital and physical audio label.the label was found by andreas florin and toni drogemeyer (userkiller). in september 2009 they had the idea to create a new label. both are well known as producers and djs. machienecode aka dean rodell vs current value,patrick dsp,a-brothers,kuniaki takenaka,vegim and brad lee are just a view artists of the label. the concept of we call it hard records is not only to release audio. they are going to start a party series at the tresor in berlin germany. we call it hard is allready supported by dave clarke. woddy mc bride, dj murphy ,sven wittekind ,glenn wilson ,dave the drummer , a-brothers, submerge, the anxious, 88uw, mad max, space djs, patrick dsp, david christoph, dj mita and more

if >dream tennis< was any indication, heatsick has struck a nerve with his singles that stretch preset washes of polyphony through sunset-hued landscapes of disco and house. equipped with only a casio keyboard, he has played alongside everyone from omar souleyman to dj harvey, daniel wang and legowelt, and has demonstrated his ability not only to extend his keyboard to its limits, but to transcend its musical territory, opening up a diverse range of styles, genres and gestures to his dance-addled mimicries and musings.

while his debut album by your sides release was announced for september the 17th, breakbot introduces the fruity one out of two featuring the faithful vocal performer, irfane, embellished with remixes from dj sneak, oliver and get a room! the french tv show, le grand journal, selected this track as the sound signature for the cannes festival. the vinyl includes also program, a tiny biscuit sound, unveiled online on the occasion of his first live performance at the coachella festival. breakbots shiny funky pop will rock 2012s summer, waiting for the album and next live shows in festivals (calvi, dour, les vieilles charues, we love green).
code for mp3 download of the full release included.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by,kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by, kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

2012 sees detroit label, kms records, celebrating its 25th anniversary. founded in 1987, by kevin maurice saunderson, his first release was triangle of love produced by, kreem, (just one of his many guises), little did saunderson know, at that time, that two and a half decades later, he would still be releasing music on his kms label.

a new musical life-sign by our beloved stereociti from tokyo.after gracing us with his fabulous debut kawasaki, some fresh sonic pieces are about to rock your world! the opener dialog is a ten minute epic journey of finest deep house and is showing that stereociti is constantly improving his sound and taking it to the next level! the b-side brings us jellyfish a poetic house jam with some dark driving moods, which was recently released as a part of the japanese exclusive mix-cd called never trust a dj mixed by stereociti himself! the last track mosaic is a fantastic contemporary turn on jacking chicago house, so get your dancing shoes ready! available as limited 12inch with the unique mojuba sleeve-design.

hailing from cheshire, submerse is an esteemed producer/dj with a distinct and recognisable sound that traverses beat music, ambient, 2-step and autonomic whilst being punctuated by a myriad of unique and personal influences. the past year has seen him at his most prolific, releasing tracks & remixes with r&s sister label apollo records, med school and many more. submerse was featured by pioneer japan and was also named band of the week in the guardian newspaper (2012).
amidst a plenitude of productions, submerse has also seen support emerge from influential media titans such as dj mag, xlr8r, big up, bbc radio 1 and bbc radio 1xtra.