confidently striding into his third musical decade, luke solomons influence stretches far and wide across a scene that has been embedded in his dna since the early 90s. now harnessing that wealth of experience and unmatched passion for music, solomon presents his next undertaking, positioning himself as the dj/shop assistant/curator you always dreamt about

balearica brings the quality yet again with another stunning selection of unearthed eclectic gems. first up is one of the the all-time balearic/cosmic classics, the highly sought-after *i love you dancer* from french disco group voyage, a wonderfully funky floor-filling paean to fancy dancers and sweet romancers - total killer! followed by the dreamy instrumental version of italian crooner vasco rossis *una splendida giornata*, a beautiful sweeping slo-mo chugger. another instrumental opens the b-side, this time fonda raes in-demand dub of *heobah* with its relentless tripped-out synth groove. and lastly we have michael cretus little-known cosmic delight *flying to heaven*, a glorious slice of laid-back pop paradise hidden away on the b-side of a super-rare 1978 italian 12 inch. essential collection for lovers of the balearic sound.

weve complied two blackman and maurice joshua productions for the fourth house of trax 12inch. its a bit of a dirty one... to say the least. althought more polictically incorrect then a dutch politician, these humourous trax will set fire to the speakers for the right reasons too. the little known blackman had a 1993 release with >beat that bitch with a bat<, a song which later got popularized by johnny dangerous. the original 12inch got pressed up in small quantities and is available for the first time in 17 years. on the flip theres both the vocal and instrumental version of maurice joshuas (with hot hula hands) >i got a big dick<, which originally came out in 1988, as the a-side of his more known >this is acid<. both tracks are pretty rare these days and will still go down a storm on the dancefloor.

limited edition on black 180 gram vinyl, including cd-version of the album and poster.
following the release of their collaborative ep, chasing honeybees, in february, uk producer stumbleine (aka peter cooper) and welsh vocalist/songwriter violet skies deliver their first full-length album, dissolver. in dissolver, the duo continues to explore the fusion of stumbleines electronic beats and dreamy, shoegaze guitars with violet skies soulful pop / rnb vocals.

having started the year in strong fashion, fighting *the clone wars* on his own rekids imprint in january before following that with the rødhåd-remixed *repeat myself* on work them, matt edwards aka radio slave continues his 2014 ascension with his nonplus+ debut *dont stop no sleep*. another pared-down techno workout, *dont stop no sleep* is a classic radio slave roller imbued with the tougher edge of his earlier techno productions such as grindhouse and screaming hands, retaining the hallmarks of his most influential work whilst updating it with his now trademark energetic house style.

tip! thee afterdark, a 6 piece ensemble that hails from los angeles, presents their self titled debut ep

eddie c is back with excellent sleezy disco house on endless flight! want to please on a1 is funky disco sampled house stuff. its all around dj tool. first chair on a2 is slow mo cosmic house. its for the fan of daniele baldelli to theo parrish. help me on b1 is typical eddie cs beatdown house and help you on b2 is like dub version. all tracks are simple but well done. its rare these days!

transition lab recordings is proud to present his second release of the talented member of transition lab family alfredo caforio with an amazing truncate version. in this ep alfredo mixes perfectly the deep atmospheres with straight grooves and decisive percussions that make this record a complete experience and show us the whole interesting musical background of the artist. david flores aka truncate doesnt need presentation. he chooses to retouch the original 1week obviously he never fails, his remix is simply,incisive, a combo of few and clear elements that go straight to kill the dancefloor.)

comprised of eight tracks, periscope blues is the culmination of a mission gone wrong. music for the stranded, the lost, those backed into a corner with nowhere to go, or maybe a reflection of sad individuals panicking on a tropical vacation gone awry. somber yet very tense drifting off radar machine electronics that feel like a blistering sun beating down on decaying beach remains as time crawls on. that or the equivalent to working the grill summers at jones beach and stealing from the register just to get a little more…
pressing on grey coloured vinyl.

auf seiner ersten monkeytown ep fusioniert der aufstrebende, britische elektronikproduzent und dj alex banks techno mit dem electro/indie songwriting von bands wie animal collective. elizabeth bernholz von gazelle twin steuert melancholische vocals bei, phon.o einen exzellenten remix. der bonustrack phosphorus erinnert an die grossen crystal castles auf einer polnischen warehouse-party.

the legendary tony rohr graces phobiq with his presence and offers two tracks alongside his new partner-in-crime layton giordani. the ep starts out with the sparse arrangement of -careless suggestions-, driven by a locomotive bassline and grinding rhythm section. moody stabs reinforce the bleak vibe, and the vocals coming at us from otherworldly black holes only add to the mood. label boss sasha carassi steps up for the remix in his trademarked stomping style, making use of hypnotic elements and the busy claps from the original. industrial-sounding hi-hat action drives his interpretation all the way home, after an apocalyptic breakdown, of course. on -reggae shiz- things are more stripped-down with bare drums holding everything together, as the rest of the arsenal slowly builds around menacing chords and a rocksteady groove. behind the spotlight, liquid bass comes together with quirky percussion to complete this almost-10-minute-long opus. dema maintains a sublime, shadowy mood in his version but opts for busier hats and heavier usage of chords.

suburb return to our shores here at thema with a new clutch of tracks drenched in their trademark swirling soul and assured groove. embracing earnest vocals and a hand-played ethic in their music, thema038 cements the fact that these two are rising in the ranks of adventurous deep house producers.

vocal driven electronica, pop sensibilities and a touch of melancholia is a tried and tested recipe of silence music cuisine.

deluxe 2x12 inch mini album in black matt mailer box with 4 x high quality prints by photographer silvia grav. record store day exclusive product.

emotional especial gathers pace with an eighth release from richard sen, a man whose cultured touch has had a hand in various strands of the uk underground for the past two decades. graffiti artist, graphic designer, music curator, dj and producer are all vocations richard sen has done at one point or another. here he goes solo with the ghost train ep, a dark and brooding release of old school meets new school house jack that takes its cues from 80s new york, italian house and the nascent uk acid house that sen himself documented with aplomb on a 2012 compilation for strut. naggingly familiar samples and a low slung box jam groove drive the spectral title cut forward, whilst sens mastery of delay is shown with aplomb on the dub version that closes out the record. nestled in between is the highlight however in *meteor shower* where discoid basslines merge with psychedelically charged keys and hollowed out steppers percussion.

wenn wir etwas benennen müßten, das sich unsere fans immer wieder wünschen, dann wäre dies wohl eine vinyl-version von the fields legendärem ersten album from here we go sublime: ursprünglich 2007 veröffentlicht, war das gefeierte albumdebüt des projekts, welches alsbald zu den beliebtesten in unserem künstlerkatalog zählen würde, als reguläre cd-edition samt begleitendem 12 inch sampler erhältlich - doch noch nie als vollständiges vinyl-release. kameraschwenk zum record store day 2014 und der perfekten gelegenheit, dieses verblüffende meisterwerk endlich auf verdiente art und weise zu präsentieren. die doppel-lp erscheint im klappcover, inklusive cd-version des albums.

talk about saving the best until last. if you thought that the first two parts of awanto 3s opel mantra trilogy were good, just wait until you hear part 3. it delivers a brilliantly breathless conclusion to what could well be one of the strongest debut albums of 2014. by now, you should know the script. amsterdam producer steven van hulle has previously shown glimpses of his musical talents, either with sporadic solo productions (see his superb 2010 debut on rush hour, for five), or alongside friends from the dutch scene (san proper, young marco and tom trago, in particular). opel mantra, a debut album split across three 12 inch singles (a cd version will follow later in the year), is his big reveal – our first chance to wallow in his unique and thrilling fusions of deep house, detroit techno and a multitude of vivid global influences.

special triple pack for all you highway lovers out there - contains three classic releases:
- hwr003: scsi-9 - tierra del fuego (gui boratto, pascal feos mixes)
- hwr004: pr. moriarti - mystic smile (tigerskin, robert babicz remixes)
- hwr007: wols - bushmans oversized vibe (guti remix)

composed of established producers dj die, joker, futureboogies christophe, and drummer desi rodgers, sure things musical credentials are immediately apparent. their debut release holding you tight drops this summer on defected records, backed up with remixes from the hugely respected rob mello

last summer, you could barely escape the wide-eyed charms of *late train*, the epic second single from paul murphy and quinn lukes all-star balearic rock outfit. following its release on claremont 56 last may, the song became the soundtrack to sweltering afternoons by the mediterranean and lazy boat parties in the adriatic. 10 months on, the blissfully baggy original is given a new lease of life thanks to a swathe of new remixes.

after having phenomenal success from her album *home*, quantize recordings proudly presents the 45 version of the title track which has been leaving worldwide audience enthralled since debuting on the recent album. originally from the broadway music *the wiz*, *home* has been totally recreated & reproduced for tracys quantize album debut, and is available now on limited edition 7 inch vinyl. the aa side is a remake of the starpoint classic from 1982 *bring your sweet loving back*, capturing perfectly tracys classic r&b roots & styling.

grey marbled 7 inch vinyl, limited to 1000 copies only, featuring the vocal and instrumental version of this monkees cover song by django django.

ever since digitalism played boiler room at 2013s !melt festival the internet has been asking what this track might be. there have even been bootlegs made from the audio, but the version we release on vinyl was the one that lit up dancefloors from i love techno in belgium to genban in tokyo, output in new york and razzmatazz in barcelona.

limited edition pressing on clear 10 inch vinyl with download code included.

latest iib release features the north easts version of csn last waltz. a double header, the first track just hold on is a collaboration between last waltz & smoove. heartfelt vocals over a pastoral rolling chugger, deep bassline folky guitar strumming making this a favourite at iib hq. on the remix ess o ess raise the tempo a little bring out the electric guitars and increasing the chug to almost krautrock levels. on the flip side last waltz give us tribute. a deep atmospheric acid affair. mellow electric keys and percussion lull you into a false sense of security before the heavy kick and acid bassline drop with dark cello notes. machete savane take on the remix. replacing acid for guitar and adding some machine groove this slowly builds and builds into a top bubbler.

we welcome mister adrian back to pole group after his release on warm up not so long ago. 1975 is his new sonic adventure: three versions of the track plus a remix by reeko four cuts on the digital version and three on the black plastic slices.

hand stamped and numbered, strictly limited to 320 copies. osiris music uks thirty seventh release *open water versions* sees the label taking an innovative, almost open-source approach to what could be a more conventional remix project, with four artists contributing their own unique perspectives to one anonymous track. the eps opening salvo comes courtesy of killawatt, who brings a dense combination of driving force and technical intricacy whilst ipman imbues his version with urgent percussion and sense of cavernous tension. the second half of the release sees the debut of osiris music label owner simon shreeves mønic project, the pummelling, cinematic sounds of which providing apt counterpoint to the staggered, churning techno of metrists version which rounds up the ep. early support from laurent garnier, eomac, bas mooy and paul mac.

exzellente remix-ep zum aktuellen daniel bortz debütalbum -patchwork memories- mit bearbeitungen von acid pauli & nu, den tuff city kids gerd janson & phillip lauer, bostro pesopeo von permanent vacation sowie einer eigenen daniel bortz club version.

early in 2013, los angeles-based live act pharaohs dropped their debut on esp institute, island time, along with tornado wallaces esp debut thinking allowed the idea being a simultaneous release followed by the artists remixing each other. well, here we have the 4th corner of the puzzle, a perfect set of jams for the tail end of summer. on side a, pharaohs themselves revisit ahumbo, inviting the neighborhood boys over for fatty then proceeding to bang the drum, while the flip side gives us the tornado wallace take on if it ever feels right, a beast of a track that nibbles but never really bites, a classy tension-builder, perfect for transitioning into.

um den record store day 2014 zu feiern, präsentiert bbe zwei vorher unreleaste juwelen, geremixt von glasgows antwort auf walter gibbons, al kent. *when did you stop* von the js wurde sträflicherweise übersehen nach dem eigetnlichen release 1977 - mit ausnahme einiger dancefloors im norden englands. gleichzeitig war sandy barbers *i think i ll do some stepping on my own* ein großer hit, der allerdings keinen großartigen kommerziellen erfolg verbuchen konnte.

visibility is a trap is the new ep by dalhous, comprised of four originals together with a masterfully understated regis remix of *he was human and belonged with humans*. the ep heralds the arrival of the edinburgh-based projects sophomore album, will to be well, due out on blackest ever black in early summer 2014.

ltd 2014 re issue
originally released as an ultra-limited 12 inch on philomena which are now fetching upwards of £200 on discogs glasgow underground is re-issuing the classic dixon edit of romanthonys the wanderer. much in the spirit of the original/prescription underground >cd #9 version< which michael mayer puts in his all time great dance records dixon delivers a sun-kissed, bass-heavy groove that is pure panorama bar house music at its very best. this will be a limited hand spray-painted release.

announcing the forthcoming album ambient mixes.. …until the collaboration abum between sonic boom & sinner dc entitled maps get released, here are 2 colourfully mind-altering club version by the one & only pete kember, more usually known as sonic boom, founding member of alternative neo-psychedelia rock band spacemen 3 - a main influence for the like of my bloody valentine or slowdive & producer of the like mgmt and panda bear.

volume 6 der about berlin serie auf limitiertem 4-fach 140 gramm vinyl, inklusive download-gutschein.

mint forza is once again so much pleased to present you its latest release. it is a reincarnation of a 2008 melancholic masterpiece from a russian guy sozonov. in this exact release we show you 2 different ways of view from 2 different but nevertheless interesting producers! the first one is a remix from one of a maitres of an electronic scene - joy kitikonti. full of an expression, dynamic - thats what it is. and to fulfill the picture with colors there comes more emotional version from the mint frame of mind. just turn it on!

raw electro horror disco by the flamboyant chief of giallo! two vocal tracks, one club version of the title track and a more slow paced instrumental track to serve everybodys needs. limited supplies!

produziert wurde das album in berlin von nackt (apparat), co-produziert haben ben lauber und ein electro-pionier der zweiten generation: t.raumschmiere. *out of chaos* enthält zwölf moderne electro-chansons zwischen bar und tanzfläche. herausgekommen ist ein großes album, auf dem dieter meier an der bar seines lebens über den fluss der zeit sinniert. mal klingen seine lieder wie electro-akustische yello-songs (lazy night, paradise game, jimmy) mal wie ein zärtlicher verflossenen-blues aus dem tiefen ozean (loveblind, annabelle), mal gibt es postpunkige unverschämtheiten (fat fly, baffoon), oder eine ode an einen befreundeten künstler, der sich als nachtportier durchschlagen muss, wird zum besten gegeben (night porter). immer klingt *out of chaos* nach einer magischem sound-alchemie aus chanson, electro und dub. im mai startet die tournee zum album!
die vinyl-lp erscheint inklusive cd-version des albums.

sam veröffentlichen ihr erstes richtiges album! nach ihrem mixtape zweinullzwÖlf, touren mit rap-superstar cro durch deutschland, Österreich und die schweiz und der wir-ep, sind die zwei brüder zurück dorthin gegangen, wo alles angefangen hat: vorort-idylle und two turntables and a mic, afrika im herz und die schwäbische alb im blick. straight outta ochsenhausen. sam wurde der clash der kulturen quasi in die wiege gelegt. die vinyl lp erscheint im klappcover, inklusive cd-version des albums.

first time out on swedish brandy productions we present evan iffs just around the corner ep.

after the success of erol alkans debut illumination ep, phantasy is proud to present the first remix 12inch. man make musics u - delivers a psychedelic freakbeat version of check out your mind, while chicago producer and recent l.i.e.s. signing beau wanzer offers a mesmerizingly propulsive, mechanical rework of bang.

no needs to introduce house legend chez damier, outstanding guest for this special release. after a fruitful collaboration with siler & dima on balance, they decided to continue the adventure working on a new and more developed project. french connection is the meeting of chez damier and his new disciples siler & dima and the talented new comer thomas zander, orchestrated by chez damiers willingness to transmit and share his unique experience. the idea is also to create a musical bridge between popcorn records and balance us, chez damiers record label. starting from a mutual musical basis in order to create an original and a club version each, popcorn records presents the fruit of this second collaboration before a special vinyl dedicated to remixes, to come on balance

red-hot limited reissue of the juggy murray jones super rare double-header from 1976. released on juggys own jupiter records, side a features the extremely hard-to-find long 12 inch version of *inside america* - jones blistering disco tribute to americana which was huge at mancusos loft parties and levans paradise garage as well as hitting big across the us and also finding a spiritual home with the soulboys of the uk. flip over for the more relaxed but equally floor-friendly vibe of *disco extraordinaire*. essential disco rarity - dont sleep!

san francisco threepiece live band pillowtalk are surprising dance music treasures. manipulating pop melodies, classic r&b, soul and boogie into the loose rhythms of house music and performing live on stages in nightclub settings across the world, they have bridged an impossible gulf between worlds and created new expectations for electronic producers and live musicians alike.

teenaged nezha is the debut 12 inch from recondite duo handsome head, on hound scales and divvorces fifth wall records. the ep consists of two walloping 150 to 155 bpm originals, accompanied by two pulsating henning baer remixes and a cantankerous, machine-like version from hound scales.

limited edition of 400 copies with postcard.