man power returned to his northern home for one last waltz. this is their joint offering for the esp institute. on side a, man power welcomes us with tistish, stepping slightly out of his comfort zone and employing a boxy breakbeat to create a dose movement. this contrasts his signature fatty bassline and together they establish a ground on which to stack layers of atonal square and sawtooth waves. about halfway through he introduces a massively seductive string lead and for the remainder of the ride this palette of sounds coalesce in dark orchestral beauty. on side b, man power’s cohorts last waltz deliver nee shitteru, a true stomper of a track complete with in-your-face toms and off-time percussion patterns, an intense driving acid line, and aggressive shamanic chanting. throw in some crash cymbals, sci-fi sound effects and a smattering of gamelan and it amounts to an overwhelmingly chaotic and psychedelic trip. these two songs will have you speaking in tongues.

the first release on man powers me me me saw fact mag travel to mexico to get inside the head of the geordieman in mexico. next up for the label is a comeback record from last waltz, the trio with which man power first ever released, featuring three new, original tracks, and a remix from the first ever recorded collaboration of tel aviv’s red axes (im a cliche) & naduve (disco halal).

latest iib release features the north easts version of csn last waltz. a double header, the first track just hold on is a collaboration between last waltz & smoove. heartfelt vocals over a pastoral rolling chugger, deep bassline folky guitar strumming making this a favourite at iib hq. on the remix ess o ess raise the tempo a little bring out the electric guitars and increasing the chug to almost krautrock levels. on the flip side last waltz give us tribute. a deep atmospheric acid affair. mellow electric keys and percussion lull you into a false sense of security before the heavy kick and acid bassline drop with dark cello notes. machete savane take on the remix. replacing acid for guitar and adding some machine groove this slowly builds and builds into a top bubbler.

after appearances in the last 12 months across world unknown, lets play house, endless flight and futureboogie, geordie trouble starters last waltz add tusk wax to their canon of labels with the first of two releases. the usual hand stamped, individually numbered, weighty 180g vinyl factors are present and correct yet there is still room for the concluding chapter in the sleeve. the thrusting, lusting glamour things isnt shy, pairing motorboat arpeggios with satisfyingly weighty drums, whilst the detuned tipping the gulf tumbles along with a certain lopsided glee. an accompanying jamie blanco remix ramps up the originals lead synths with decidedly epic cosmic results, whilst beholden (part 1) sees last waltz play with the work of foals in calming, cosmiche fashion.

180g pressing , 12 inch vinyl records, single press, hand stamped, no digital. first part of a double bagger from last waltz

as if futureboogie would leave you without a fix for long, the bristol imprint is back with another new signing for their tenth release, djs and musical magicians last waltz. their debut release trinket is a thrilling cosmic ride featuring a remix from london party dynamos bad passion.

for world unknown 6 weve headed up north for a newcastle double header. on side w emile strunz delivers some stunning midtempo body music sleaze. on side u the last waltz guys get all subsonic and spacey with lovebites. as youd expect both tracks are pure wu and guaranteed to demolish all proper dancefloors.

last waltz are geoff leopard, el.dee & mick rolfe, they are 3 djs / musicians / producers who have all been heavily involved in the north east uk underground musical scene for many years. after 2 years of working and playing together at dada, as well as well as a host of the uks more interesting and discerning parties, the trio are finally ready to release their own music into the wild. this release is their debut release. vriginal version on a side is bluesy barealica track and cottam version on b side is more clubby slow house remix.

progressive rock / electronic. white coloured vinyl lp limited to 250 copies

comes with full picture sleeve

90th birthday of james ! limited blue double vinyl !

ara-u & radioactive man collaborating

last known trajectory proudly presents the second album from visonia. opal s sunflowers continues the new- wave/cold wave theme combined with inimitable romanticism. limited pressing artwork by pavel javor

madlibs been busy these last couple years. and while his recorded output always spans the gamut, he often returns to recurrent themes, spread across the genres that serve as home base Ð or bases, as it were.

gamesound track on 3 lp!

definitive collection of nancy sinatra’s rare singles, demos and previously unreleased songs. classic black double vinyl in gatefold sleeve with 24-page booklet included.

first time on vinyl

the original series soundtrack on vinyl lp in gatefold sleeve.

the new album from dutch pianist, keyboard player and composer joep beving on double vinyl, housed in a gatefold sleeve.

ltd.2lp/180 gr vinyl

new album

experimental atmospheric soundscapes

limited reissue on silver couloured vinyl.

played by young marco & soul clap and amongst others

fruit merchant is back. this time offering up some fresh talent in the form of ‘native cruise’. with one previous release under his belt this year on yam 004 va, this marks stoke on trent’s finest first full length foray onto wax.
fruit merchant is super proud to offer up native cruise ~ calypso spring ep.

schauspieler und musikliebhaber martin freeman (the hobbit, sherlock, the office) wurde in seiner teenagerzeit in den 80er jahren durch musik von bands wie brand new heavies und dem james taylor quartet geprägt. “jazz on the corner” bündelt die beinahe obsessive liebe von eddie piller, mitgründer des einflussreichen londoner labels acid jazz, und martin freeman zu jazz. cd1 ist von freeman kompiliert, cd2 von piller. auf vinyl sind die tracks durchmischt und über die 4 seiten verteilt. das doppel-vinyl erscheint im klappcover.

nice price deal !!!

first album by slow lifes own ethereal logic (s.moreira and indi zone). a sonic trip filled with space out harmonies, cinematic passages and subtled beats, curated and simmered

strictly limited, hand stamped, individually numbered, no digital.

i-boat captain returns to iib with a real gem of a tune. major spam is a chugging nu kraut dub disco bomb. driving drums and relentless bassline wrapped up in swirling synths and delayed vocals. almunia beef up the tempo and the kick, adding their trademark guitar melodies. tiedye turn major spam into an big piano balearic house monster ready for some hands in the air moments. finally on the remix our friends up north last waltz create a beautiful lush disco synth chug out. the extra track on the b side poly punk is a slo mo acid treat. squelching 303 underneath a delayed picked guitar and a soaring pad. balearic acid dub style.

as with their first various artist compilation ep, lets play house has chosen to grab tracks from a handful of artists both new and old to the label and party.

lost paradise delivers a modern execution of our post-disco dance music culture, maintaining references to the past and looking for the oasis on the horizon. lost paradise #2 features two originals from space coast, aka sleazy mcqueen and jorge collazo. *vibe a.m.* is deep and dreamy with live flute and piano, emotive melodies and groovy bass. social disco club and last waltz turn in two completely different mixes, both fit for the late or early hours of the night. *cant get enough sunshine* is a melodic and cerebral ode to mid-nineties new york house but with a twist.
support from q-burns abstract message, b.g. baarregaard, sleazybeats recordings, atnarko, sleazy mcqueen…, ...

wipeout soundtrack walk into 2023

new album