strictly limited edition white vinyl
nils frahms late night tales sind eine hypnotische reise durch moderne und klassische komposition, experimentelle elektronik, jazz, dub-techno, filmmusik und soul, gleichsam verstörend wie betörend.

endlec is a project already appeared on label as mord, authentic pew and panel trax. he came on the old and youngs family with a powerful ep composed by three tracks that cross 90s rave sound and new dark techno. dirty vocal samples and acid lines are the elements that describe the release. in few words... this is techno!

mad max: fury road’s epic score is written by tom holkenborg, aka junkie xl, a grammy nominated and multi-platinum producer, musician, and composer. junkie xls versatility puts him on the cutting edge of contemporary music, as well as in the vanguard of exciting new film composers.
the 180 gram audiophile double vinyl is housed in a gatefold sleeve and comes with a 4-page insert.

gentlemans dub club have been rocking the uk and europe since forming in leeds in 2006. theyve built a reputation for one of the most energetic live shows to emerge from the uk bass music scene, seeing the gents antics astound crowds from goa to glastonbury, bestival, v fest, and more, as well as at the biggest bass music festival in the world, croatias outlook festival. partnering with easy star records, gdc is unleashing their second full length album - the big smoke - and expanding their devoted following to north america, europe, australia, and anywhere else they can. the record features 11 tracks including guest appearances by uk reggae singer natty and tenor sax star josh arcoleo.

freaky new blawan 4 track vinyl... killer release, limited 2015 repress.

early support from surgeon & rodhad. two worlds feels like something of a voyage sonically to say the least. elysian synth-soundscapes & glitched-up drum loops combined.

the black dog returns with a viral antidote: an album of de-programming material called nether/neither.

dave clarkes protege rocks it big time with his crushing debut on the public stand.

3 techhouse tracks

a made up sound returns to clone basement series with the third volume in his archive sequence, a strong and varied 4-tracker due out mid june. opener cheater vip is probably the most floor-ready offering here, from there on the ep gradually takes a more narrative turn, from the slower paced gravel stomp and soundtrack strings of funkstation to the emotive, off-kilter diptych us and them on the b-side.

official re-edtion by phil week & didier allyne with sir kai alce. released in late night essentials in 2003 dirty south dirt is fro theo parrish fans incredible patterns. dont miss it.

eyetones second release features three club tracks fully equipped and tailor-made for today s dancefloor by one of the most talented yet elusive producers of the house scene.

2nd paul johnson classic release on the mighty chiwax label... incl the music in me (originally released on green velvets relief records label)

perc trax unleashes the first of three vinyl eps showcasing the new tracks from the label’s tenth anniversary ‘slowly exploding’ compilation, mixing up label regulars with established names making their perc trax debuts. forward strategy group begin proceedings with the grinding broken beat rhythm of ‘dragons tooth’ before happa opens his perc trax account with a percussive assault that is amongst the most aggressive tracks on these three eps. martyn hare, another perc trax debutant, delivers the awakenings festival slaying ‘the new normal’ to kick off the b-side and us producers mick finesse and pinion team up for the first time on the b2 with the industrial amen groover that is ‘dead boyfriend alley’...

r&s are proud to introduce hugely talented new signing alma construct, aka 19 year old josh thompson to the world for his debut self-titled ep. from the throbbing bounce of balearic opener *on the edge, surrounded with the shores of assudrey* to the menacing hum and snarl of *deer drink from the river* it is clear that alma construct music is wildly ambitious and expressive.

chaval records reaches its tenth reference. a milestone for a modest record label as madrilians. but victor always leads in terms of vitality and optimism. like this special release coming out of the factory chaval records that for this special edition has two international incentives such as mark flash and eddie >flashin< fowlkes.two flashes of arrivals optimism detroit punished

breakbeat paradise recordings is proud to present tom showtime with his brand new 4-track vinyl release, the butter zone ep. as it has done so many times before bbp is bringing ghetto funk and funky breaks back to its roots by putting the funk in focus and letting the rest speak for itself. never before has it been done as well as this with tom showtime getting on board and tailor-making this 4-track ep of banging feel good jams around our genres beloved 105 bpm, aka the butter zone.
tom showtime is no newbie to the field having dropped laid-back funk bombs on lables like groove penguin, booty fruit, riddim fruit, tru-funk as well as an artist ep on the ghetto funk label. this time he really means business as he takes us on a deep dive into his crates of samples and treats us with some flawless ghetto boogie jams. the ep even comes with a scratchapella cut - so djs dont forget to pick up your doubles...

on the mean streets of chicagos infamous southside, a music pioneer was born… dj slugo, born thomas kendricks, is most famous for his influential and fundamental position as the original king of ghetto house. with 20+ years in the game, over 20 albums in his pocket and over 50 cds on the street, began a journey that lead him to become one of the original creators of a style of music commonly known as ghetto house, more recently regarded as juke.

house music with 90s spirit like robin s

hand stamped sleeve!3rd outing for this new project from a well established uk artist! a darker take on the new uk techno/bass sound.

deadbeat. tikiman. infinity. dub. a quadrangle of such obvious statement and perfect musical inference may very well never have been uttered for those of the wholly weeded out persuasion. indeed, when the great book of dub music is written the names scott monteith and paul st hilaire will undoubtedly figure highly in its chapters devoted to recent years. monteith, the last great prodigal son of the doctrine handed down from the blue mount of lord scratch and king tubby, st hilaire the undisputed voice of a generation, those fanatical warrior monks, followers of the most holy house of ernestus and von oswald incarnate.

nice price deal !!! to celebrate reaching this milestone, phonica records have invited some of their favourite artists to produce a track for an eclectic yet cohesive compilation, which will hopefully go some way towards sonically unfolding the ten years of phonica. split across three cds or lps.

unlängst eine kultfigur in seiner heimatstadt helsinki, in der er teilzeit als tramfahrer arbeitet, stellt jaakko eino kalevis erstveröffentlichung eine verlockende einführung in das werk eines charismatischen künstlers dar, dessen psychedelischer pop gepaart mit elementen aus funk, space-disco und folk extrem faszinierend daherkommt. der autodidaktische multi-instrumentalist spielt alle instrumente ein, singt und produziert sein ganzes material komplett eigenständig. als vorgeschmack auf sein debütalbum, welches nächstes jahr erscheinen wird, veröffentlicht domino ende november die vier tracks starke dream zone ep , welche uns einen tiefen einblick in jaakkos magisches universum verschafft.

we call it hard ltd vol.2 with more pounding techno

it is simply impossible to put a label on the sound of be svendsen. well, at least one thing can be said: his stylistic open-mindedness is just perfect for open air scenarios! seriously fun loving – that is the way in which the danish producer performs his signature sound juggling.

good experimental techno from william bennett !!

our sixth release sees the italian techno artist dario tronchin a.k.a. chevel making his debut on vae victis.

mechanized rumblings from the one of the pioneering cities of the industrial revolution. iii rivers takes the militant work ethic of the cotton trade and transports it to a nuclear based factory-line based on humankinds next proposed landing bay. when the inevitable apocalypse does occur, it’ll be these vibrations soundtracking the construction of our new civilization.

deadly poison is the fourth installment of st petersburg-based producer sanys on discerning downfall theory series. retaining to the a/b format and treading a heady, analogue-hued line with releases thus far on predecessors control freak / event horizon, forward thinking logic and daily situation which supported a stunning rework from chicago-based, detroit-born producer alex israel, deadly poison continues to march on in gritty, idiosyncratic fashion only this time fractioning off and multiplying into four distinct, yet symbiotic floor workouts. on the a-side hired guns kicks off with no-holds barred, full-on weighty bass weaponry before grab them back in reins things in, just a little: a dystopic soundtrack full of clanging machines rung through with the filmy dread of a waning humanity. on the b-side concern continues in plain rude as distorted vocals are twisted into evil barks and plied with itchy hats to warning chimes and a bounding bassline in this weird and wonky builder. down and dirty then concludes—as the title suggests—in deep, raw analogue terrain. having already caught the attention of people like blawan, rivet and brendon moeller, deadly poison consolidates sanys skills as a one to watch maker of provocative, sensitive and fiercely independent dance music.

zum 50. jahrestag der unabhängigkeit jamaikas startete das label kingston sounds die compilationserie *listen up!*, die sich mit diversen stilen jamaikanischer musik beschäftigt. dancehall entwickelte sich zu beginn der 1980er-jahre auf der karibikinsel. der reggae-beat verlangsamte sich und rückte zu gunsten des sängers oder deejays in den hintergrund, später digitalisierten sich die beats zusehends. *listen up - dancehall* stellt einige der klassiker der frühen dancehall-Ära vor, u. a. von cornell campbell, don carlos, johnny clarke und dennis brown. listen up and enjoy!

debut album by the blues-rock duo the black keys on black vinyl.

neuauflage des albumklassikers von 1980, aufgenommen im channel one studio und abgemischt in king tubbys studio von scientist. der produzent henry junjo lawes engagierte folgende musiker: bass: errol flabba holt, drums: santa davis, sly dunbar, style scott, guitar: sowell, bingy bunny, melodica: jimmy becker, organ/piano: ansel collins, steely, gladstone anderson, percussion: bongo herman, sky juice, sticky thompson, saxophone: headley bennett, trombone: val bennett, trumpet: bobby ellis

3rd saste box set! gathering sounds from the experimental frontiers and outer edges of electronic music, stellate 3 collects together, kangding ray, nsi, xhin and reformed factions visions. the polished tracks are layered to the -nth degree, filled with minute details and whispered asides. these productions use an array of analogue machines and the most cunning digital means to vividly render disquieting questions.

mr eclectic electric, mr internationalist (69 countries to date), part time fat freddys drop collaborator / remixer and dj (electric freddy), the john coltrane of electronic music, grammy nominated (2002), multi award winning dj and producer, daddy vad returns with his 6th solo album entitled >dont be scared<.

t.c. matic were a belgian rock band formed in the early 80s by arno hintjens and jean marie aerts (who would go on to produce albums by urban dance squad and absynthe minded). they played a mix of new wave, blues, funk, hard rock, avant garde and even some french chansons. their eclectic mix and experimental approach to music would have a great impact on belgian bands such as deus and zita swoon. their eponymous album t.c. matic from 1981 has their biggest hit >o la la la< on it, a song that can still rock the dance floors today.
it is a good thing music on vinyl is making this album available on audiophile 180 gram vinyl again!

dirty hardcore heaven....

brill groovin techhouse monster, vinyl only release

kitsunes latest project, kitsune america, brings you americas new wave!

nice price deal !!! vibrations are fast gaining a reputation as britains finest exponent of vintage-leaning, analogue jack music, and this ep from the mysterious last floor hotel is another winner to add to their list of fine releases.

1974s >tattoo< (movlp 456) shows a man that is comfortable with his backing band, loose and impassioned despite a heavy tour schedule, this fourth studio album provided many live-favourites, and many of the songs became concert staples.
remastered audio on 180 grams audiophile vinyl with printed innersleeve.

played and supported by dvs1,norman nodge,lucy,marcel dettmann,chris liebing,alan fitzpatrick,par grindvik,tommy four seven,inigo kennedy,samuel l session,samuli kemppi,truncate,kevin gorman,jonas kopp,max m,dadub,dustin zahn,bas mooy and more. the evolution and sound research, continue to be the lifestyle of fabrizio lapiana,the labels owner. his introspective journeys,continue with this new vinyl. here are two tracks that show that he is close to the discovery of himself.

james nice label von ltm recordings hat sich hier auf wiederveršffentlichungen einiger stźcke von factory artists wie zb.lawie the durutti column und a certain ratio konzentriert. mit dabei das offen gestimmte instrumental ãmadeleineÒ von durutti column.von a certain ratio, einer der factory-bands schlechthin, gibt es das white-funk-zu-breakdance-zeiten-stźck ãwild partyÒ sowie einen sich źber fast zehn minuten erstreckenden mix von ãknife slits waterÒ

ultraphat 4 track vinyl, with raw analog sounding power house. hi quality decks tipp

michael forshaw, subhead, kanji kinetic and fedka the irritant welcome you to the horrordome. this is bloody ... bloody genius on transparent green vinyl!

rude boys are synonymous with jamaican dancehall culture from the present day going back to the very early days of sir coxsone dodd and duke reids first sound-clashes in kingston. studio one rude boy features artists and songs about rude boys and rude boy culture from all periods of studio ones history. the album features ska, rocksteady, djs, roots and dub the album features classic tracks from jamaicas finest singers and groups such as the wailers, john holt, the wailing souls, dennis brown alongside super-rare tracks from artists such as mr foundation, dudley sibbley and the soul brothers all recorded under clement sir coxsone dodds supervision at the legendary recording studio and record label. musical backing comes from the legendary in-house bands û the skatalites, the sound dimension, soul vendors and soul defenders û who provide the classic studio one rhythms so influential in the history of reggae