taken from fab samperis forthcoming debut album power bossa on agogo records comes this 12 inch featuring a brand new song - which you may know as a version of a marvin gaye track - and a package full of soulful funky beats & breaks remixes by some of the most wanted producers of this sound around.

legendary new york dj danny krivit follows up his recent >edits by mr. k< release on strut with a new third 12 inch from the album featuring loud pressings of two of the exclusive edits featured on the album, milton hamiltons >we have all the time< and a new stereo, full length edit of philadelphia international all-stars social commentary classic, >lets clean up the ghetto<.
limited to 1000 units worldwide, code for free digital download included.

with no rest for the wicked, label exclusive artist ladzinski is back for 2011 with a solo ep jammed pack full of up front house tracks.just like that is boes most dance floor focused ep in a while with jacking 808 drum rhythms, soaring pads and plenty of hands in the air moments. all night is a true groove-a-thon that hardly lets the beat go during its nine-minute length. its a more conventional sound pushing towards tech house territory but the classic 808 drums and bouncy syncopated chords give it a fresh breath of chicago deepness..

early support by dj sneak, claude vonstroke, solomun, matt star, m.a.n.d.y., hugo, karotte…. arms & legs is a new berlin based label run by daniel steinberg and nils ohrmann. the debut release comes from steinberg himself. the day by day ep shows the full range of his various styles: funky house, disco influenced techhouse and a touch of minimal techno- whatever you want: you got it

for is 3rd release on musique risquee, after the well acclaimed dirty lipreading single and is first full lenght foe destroyer, stephen beaupre is back with a really solid record. thats all there is to say. gl’amour as the distinctive signature of stephen beaupré, his subtle use of vocals, strings colored with warm echos layered on a big and chunky drum beat. you can easilly acknowledge is natural sens of storytelling unfold in a brillant way. on the flipside, when you have it, would be an excellent way to summarise stephen electrifying live sets: funky, melodic hypnotic and sexy. we are very proud of this last one, hope you enjoy as much as we do.

part eight in the instruments of rapture series sees the anticipated release of the soul renegades deep n slow, fireside-funk jam, >darlin< (which is only a year overdue). the title track is reinforced by the uptempo, ballroom blazer >y all wont let me< with full fat remixes by the mighty faze action and the lincoln lecturer aka craig bratley.

black coloured vinyl edition of deadmau5s recent album. 11 track with full electrohouse madness. big bang ...

this is the third 12-inch for panacustica, delivering a deep, atmospheric ambient track by cosmic metal mother: >zen locomotive<. as soon as the needle drops onto the vinyl, a train sound emulated by a moog transports us through a gentle melody consisting of moods and textures created by uneven loops of sustained sounds, suggestive of a scenery from a train window in full speed, where color shades melt as well as time and space exactly like the music, an intense trippy and esoteric journey.

markus suckut is an emerging talent in the world of deep, purist techno. having already released on labels like stroboscopic artifacts and lineal, suckut is quickly honing his skills and turning out some seriously impressive club tools. shine opens the ep as an understated track stretching over 10 minutes, however to experience this on a full club system, perhaps when suckut plays at the figure label night in berghain in april, youll quickly.. >symbiosis< is a paranoid jack track - 2011 style. rigid, reduced and yet alive with endless automation and a very unique sound design. on a more dubbed tip, >you< shows suckuts deeper edge in a controlled and well rounded atmospheric tool for the early hours

a full length lp by ruins, an italian electro-wave duo. ruins formed in mestre in 1978 with the intention of experimenting with electronic devices and mixed media. they mainly created music out of self-expression without any intention of joining the mainstream. interested in multimedia, they had a strong visual aesthetic apparent via their album art, videos and projections. its where italo meets minimal wave. the -fire- videos are a must-see in order to grasp the full effect of the song, check out the first version here and rare second version here. the lp entitled -the art dance- features a collection of songs recorded between 1980-1984, some previously released, others never released before pressed on 180 gram vinyl and housed in a lovely hand-numbered glossy gatefold jacket lined with the bands history and photos, and accompanied by a lyrics insert sheet. tip!

get ready for brazilian hard techno! while carnaval is full in progress, in the carnaval capitol of the world rio, somewhere deep hidden in the dark parts of the city you will hear the hard pounding beats coming at you through the walls and foundations. once you found where the sound is coming from you will be blasted away by the monsterous bass kicks brazilian percussion and rave noise from marcio m., malke, alex tb and barbers. this is techno and they are proud of it!

>the face of the planet< is the opening track and first single of the subs freshly squeezed full album decontrol that will be released on lektroluv end of march. the subs give you an anthem. a hymn. some people will recognize this track from the notorious subs live shows, but be prepared for a new version that sounds fresh like a happy polar bear. optimistic yet melancholic. old but new. punchy and sexy. the new subs have arrived!
accompanied by banging remixes by style of eye, tai & gtronic this makes an amazing package.
plays by crookers, steve aoki, dr. lektroluv, don rimini, proxy, nt89, hey today, dj manaia, mixhell etc ...

supported by luciano, timo maas, pig & dan, anthony collins, woody, dustin zahn. rifraf is rafael gimelstein, recently relocated from sydney to berlin, born in lithuania, raised in israel, flowered in sydney. classically trained violinist, deep as fu*k party organiser and creator of sydneys earthdance festival, rifraf is now full time producer making his distinctive sound in electronic music world. philosophy started as a casual recording of his granny klara telling stories about her time in a concentration camp in germany, and singing the yiddish song tumbalalaika and ended as a very intelligent moving sound collage. the whole peace is a trip, which feeds you constantly with changing noises and visions. although philosophy is transferring a lot of aural information, it is never telling to much and still works perfectly on the dance floor. its just an intoxicating musical tale which drives you on a wild journey. with the both remixes, one of alexkid with his deep as fu*k remix and phillip baders off runner the release get its pretentious dance floor alternatives. fifteen seconds close this fine ep, which rafael did in coop with the young israeli producer omer from tel aviv.

deep house imprint ornate reaches its landmark 10th release with yse (pronounced *easy* in case you were wondering), a man who in his own words >enjoys nicely syncopated rhythms, heavy melodies, outgoing quirkiness and a quality glass full of cheap brandy and coke - hold the ice<, all of which - bar the cheap brandy and coke - are in full effect on this frankly awesome drawn at dawn ep.

debut release for stareaway, a new project of german >inventor of pop ambient< markus guentner with singer heiko badje, the man behind saudade-driven pop band la grande illusion. following several releases and highly successful and critically acclaimed albums guentner solely released since 2001 for kompakt and ware, guentner and badje contributed their first co-operation >baghira< on kompakts pop ambient 2006 compilation. markus guentners track >regensburg<, considered to be one of the best tracks kompakt ever released, was selected by sven väth to finish his mix of the second season and remixed by wolfgang voigt. for the start of the new hamburg based label couldnt care more they release two melancholic pop ambient tracks, the title track additionally remixed by osunlade, the acclaimed producer, dj and label owner of yoruba records. the both aerial and profound ambient soundscape of >learn how to love me< is waiting patiently, increasing softly while heiko badjes voice shivers with emotions of entreaty and wanting. it is followed by the sublime deepness of >unwise< in which badjes lyrics about love and temptation appear into a vision of pop as atmospheric intensity and disappear into somewhere else. on the b-side the yoruba soul suite reworks the original totally. osunlade is looking for a different kind of deepness, transforming ambient into an epic, floating journey of house music full of light and groove

dj ageishi is like the sensei of japanese djs: a true legend and active since 1973, he can scoop from an incredible musical wealth of experiences yet has his ear to whats happening in the now. this mixture of knowledge and curiosity for the new also characterizes his debut on internasjonal with colleague dj akin, who left his mark outside of japan with a remix for brennan greens >900lb man<. rattling drum breaks from the funk end of disco are the backbone for a soprano sax lick slightly remiscent of coltranes >a love supreme< that floats on top of noise distortet sheets of synth before the >rain parade< makes a total turn ending with a comforting lullaby like rhodes melody. prins thomas boils it all down to a simmering slow dub remake, while mark e lets all the single ingredients patiently lets every ingredient from the original develop its full-bodied flavour before kicking up the heat.

minibar is proud to welcome glucks first solo ep silence-friction. gluck is best known for being 1/2 of minibars super-boy-band ultrakurt and for his sparse solo productions under the monicker spasm. david gluck now returns on his own for a funk-packed house ep, far from all things minimal but still in the purest minibar tradition, in full compliance with official ultrakurt regulations: nonsense as a state of mind, moronic loops for breakfast and cheap bleeps à gogo. get your copy while theyre still legal

played by pascal feos, monoloc, bcr boys, tommy four seven, perc, damon wild, pfirter and various others …
kai randy michel is back and ready to blow your mind with his full-length album >groove on surface<! limited to 300 copies worldwide.

berghain resident norman nodge offers up his first full ep for ostgut ton with three contemplative tracks. expanding and contracting with countless subtleties and enriched with bold artistic license. >the happenstance< is an enthused explorations into the many musical zones existing outside of techno. a warm and fresh embodiment of 80s wave electronica - like a classic carpenter score - only a few elements are needed for his narrative to shine. the impression of distant melodies exist in purposefully excluded moments of rest, where nodge uses restrain rather than release to interact with our very perception of the music. a fuller club cut, >body to body< floats into spacious, acidic zones. with the impression of sinking into a disorientating, resonating industrial space, this snaking and hypnotic exercise takes us in a very different yet equally rewarding direction to its sweeter a-side cousin. an ornate exercise in reduction and challenging timing, >breakdown< is a slow and measured display of nodges unique synthesised visions. this short exploration piece is a brave and gritty suggestion of whats to come next from this talented producer

you last saw and.id in mobilees hi five anniversary compilation stroking the dancefloor with the beautiful >isalos<, and now hes back with a brand new solo release, full of energy and that special and.id flavour with a psychedelic twist! >psychedelic love< is a strong three track ep, served with his revered signature trumpet sounds and melodies, layered over tightly programmed swinging beats - bringing his completely unique live act out from the clubs and on to wax. for those of you that are well acquainted with and.ids productions, you may also notice a slight change in his sound in this release, with an enjoyable harder and more raw feel creeping in. combine this with eery samples, and trumpet builds, you have an amazing collection of tracks that are going to shake the floor! also watch out for and.ids guest release on 2020 vision !

its been a while, but what can we say, you want the best? you got the best. but you gots to wait, you gots to be patient. so as winter seeps away and the frost melts we at duff disco are getting ready for these sidewalk, hot summer nights, radio bout to blow, small talk under the lights, feel the heat wild and sweet, duff disco returns with his peerless edit series clocking in at a number 5, yeah, a fist full of dollars, the five knuckle shuffle of releases. sticking to the slo and sexy formula >catch me out< and >you wish< are two sultry jams signalling that spring is approaching and all the ladies will begin removing the layers and making the days instantly seem brighter.

... around this time, takkyu founded an indie label, >platik<.in 2006, he formed a unit >ink< with hiroshi kawanabe of tokyo no.1 soul set, and released the original full album >c-46< from ki/oon records under inks name. the units second album, >ink punk phunk< was released in august 2007 also from ki/oon records and mueller records sublabel neon. japans matador of techno comes with a new mini - album .takkyus releases havent been available for quite a long time. from now on mueller records will release the music of this outstanding artist. takkyu has been on the scene since the early days. funky techno , clubtools , techno. one of japans best selling techno records now available also

jackoff records is back with two excellent trax from berlins local hero oliver deutschmann. deutschmann is a regular figure behind the decks at panorama bar and also runs two labels, vidab and falkplatz, which have been making waves in the techno scene for some time now. for jackoff records, deutschmann has produced some of his most sexy house music to date but never forgetting his signature groove that no dance floor can resist. adding to the great package our friend, detroit s very own patrice scott, delivers a swirling remix full of emotion in true sistrum style. enjoy!

matthew styles remixes one of fofs biggest releases of 2010. never straying far from the source material, matthew wraps things up in his usual tight production style, employing a live bass sound and elements of the original melody to give things a tripppier edge than the originals straight up dance floor leanings.
on the flip and walking that fine line between house and techno, blm turns in a very fine and contemporary remix of drake and griifiths >the devils eyes<. dystopian in its outlook, the remix drives along with a simple but full bassline with plenty of dancefloor power.

after the excellent received >deep, raw and real< part 1 and 2 (with the likes of motor city drum ensemble, stl and anton zap) its now time for more - part 3 and 4 are coming! we invited again some hot producers for some deep, raw and real tunes and the result is a fine mixture of contemporary global house music. part 3 features lukatron, the new project by the classic man luke solomon (as already heard on his full ep, quintessentials 17) and japanese wizard radiq, whos in peoples mind since his philpot release. the flipside offers the mighty cottam, famous for his self titled >cottam< releases plus up and coming deymare from finland. watch out for him and his releases on quintessentials, kindasoul and others.

roland appel is the well loved and respected producer and dj, based in southern germany. quickly recognised for his work for sonar kollektiv or compost, we are proud to announce his debut for poker flat recordings. the beautifully original and stand-out >fleurs du mal< is a classically themed masterpiece in the making. warm, phasing synth energies build before introducing cosmic choirs and bell melodies that blurs the boundaries between mysterious cult soundtrack and club bomb! the deep searchin >black leather< shows yet more techno promise with a brooding, textural synth at the centre of a full-on exploration into dark, tactile and satisfyingly underground territories. a true slow-burner, and a post tech-house killer in its own right, this detailed and accomplished cut forms the ideal futuristic backdrop to take us into 2011

lost obscurity from the master kerri chandler gets a full reissuing from nycs slow to speak imprint. continuing in the series of classic house re-illuminations, >core 1994 – stratosphere e.p.< unearths one of chandlers most ingenious and flooring moments from early in the new jersey legends rise to underground sainthood.

following on from the brilliant darknet 01 comes darknet 02 a limitededition yellow vinyl release full to the brim of absolute dance-floordestroyers. already supported by sasha carassi and many many more

planet rhythm is in the zone, slammer after slammer. always on top in charts and aint no dj without some of the planet rhythm tune in his bag. the next hit is by focus and analogmode labelboss spiros kaloumenos. and its another slaaaaaaamer!! big beats, basslines and full of energy. another one that is rocking the clubs all over the place.

with full releases just confirmed in the states and australia, the hype over his huge remix of classic ebtg track >missing< has only just started – yet dutch supremo fedde le grand cant seem to stop himself, exploding out of the stables with massive club banger >autosave<.

new kanada enters 11 with a an alpha ep from tolga fidan. haunting, percussive and emotional - tolga trots his mystical funk down the old thrace streets, and emerges with an ep full of personal darkness. >berg< is a mesmerizing monster of a cut, bristling with surprises. tolgas own vocal plays masterfully with dusty rave samples and woodblock jazz. watch this jack the shit out of the advanced dancefloor. >old< is a golden working tool, made for the mix. pounding drums and crashing chords. ottoman mathemetics gone wild.

crazy vinyl case, full metal

crazy vinyl trolley case, full metal

first full e.p. from infrasonics man jamie grind sees him weld the juke/footwork style to garage vocal edits, team up with hackman to produce a classy house bumper and throw a charging u.r. meets 2step end of set epic into the bag. comes in lush yellow vinyl, and is wrapped in original sleeve art from www.drewmillward.com

there are few artists making seriously great music while not taking themselves too seriously: that difficult feat is one rarely attempted and even less often successfully carried out. benoit & sergio have seemingly effortlessly managed to pull off that contradictory trick, producing songs that sometimes seem like musical open letters: editorials narrated in the voices of unidentified, yet totally recognizable colorful characters, read aloud against a backdrop of beautifully lush, warm and sensuous electronic pop music. the unexpected juxtaposition of such pristine production and playful lyricism — first exhibited on 2009s highly praised <i>what ive lost</i> ep, which included the brilliantly sardonic single >full grown man< – exemplifies why benoit & sergio are one of the most unique and interesting outfits in dance music. its good news, then, that the washington, d.c./berlin-based outfits eagerly expected dfa debut maintains both the charm and expert craftsmanship of its predecessors. single >boy trouble< (the titular counterpoint to >full grown man<) launches the ep with all manner of reasons to take to the dancefloor: an exigent beat, a beckoning synthline, a bassline of understated funk. sergio lethargically sings about girls, making note of both their ups and the downsides, without the hindrance of subtlety. >i love girls/with legs like a ferrari< he states before noting (bemoaning?) the fact that >you need poetry to turn these girls on.< its a song for the best part of the night, full of compulsive rhythms and a climax that builds on sparkly synths. the accompanying remix from visionquest — the detroit-bred, berlin-based label led by producers seth troxler, ryan crosson, lee curtiss and shaun reeves — amps things up, making the beat a more prominent, driving and club banging force. the flipside features >full grown man< and >what ive lost<, which reveal themselves to be worth more than a few revisits.

jorge ciccioli is not a newbie anymore. he remixed kleinschmager audios >audio3< for rrygular, last year. and consistently in early 2011 he delivers his first techno-stomper. although with full focus on the dancefloor, >jawa< doesnt need any stereotype offbeat emphasis but throws around percussins in semiquavers. on the flip side there is no time for you to relax! the hypnotic winter solstice remix by tim xavier really knocks your socks off!

big with: laurent garnier, matthias tanzmann, c-rock, silicone soul, tiefschwarz, karotte, joel mull, audiofly, kiki, mandy, robag wruhme, marc romboy, catz n dogz, connaisseurs first cover art collectors series. limited full covers with papercuts by the deceased rural teacher erich proksch who passed away in 2003.!

supported by: radio slave, robert dietz, lauhaus, alex celler, matt tolfrey, slam, anthea, konrad black, anthony collins,.. air london presents the debut solo release from adam shelton. already releasing music with subb-an (either as subb-an & shelton or under their sas guise), air trax marks the first full release for adam in his own right, and its one hell of an introduction. both tracks here have been made for the late night hours as adam shelton really gets into his gritty groove with this speaker-busting double hitter. >crazy talk< starts off with a hypnotic rolling drumbeat and a fixating, echoing vocal that builds until the driving bassline kicks in and leaves you hooked. on the flip >do not attempt< is another killer cut with clipped broken beats and crisp hi-hats. a shady vocal, uttered throughout, is swathed in siren cries and more brooding bassline

meth has been working hard from his base in the south of the uk and has been creating a monster to unleash for offkey music. his initial solo releases for offkey brought much attention and dance floor destruction. quickly people realised that meth was a force not to be underestimated. this is first full length project and offkey are very happy to be releasing it. meth has gathered a stellar cast for the treatment ep û and that cast extends to 2shy, manifest & zo. let us get treated!

brooklyn duo creep are set to release their debut single, days, on tuesday, february 14th 2010 through young turks. featuring guest vocals by the xxs romy madley-croft, >days< is a ghostly blend of romys ethereal voice and creeps sinister beats, blending tones of goth, shoegaze and r&b to create darkly prophetic and orchestral soundscapes. check out the stream for >days< on pitchfork where it premiered. remixes on the 12 inch come from deadboy and azari & iii. deadboy turns >days< in to 2-step, dancefloor melancholia with azari & iii turning in a 6 minute chicago house indebted mix. creep are producers/ djs lauren flax and lauren dillard. lauren flax is an internationally renowned house dj and producer. up next, creep will release the single you, featuring nyc twins and r&b duo nina sky, as well as a collaboration with planning to rock. a full length is planned for 2011... stay tuned!

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

after a blazing 2010 dumb unit begins the new year with its full flame burning. do your math, created and calculated by dumb unit mad man cesare vs disorder is a return to force for both the label and the artist. written as a schizophrenic ode to his two monikers: queen atom and cesare vs disorder. do you math exemplifies everything that we have come to love from dumb unit and its artists. solid forward moving bass lines, tight syncopated percussion and a general darkness that gives everything its characteristic du shine !

contempt music production brings the next 12inch record to the headbangers with 4 unbelievable stomping hardtechno tracks. everybody of you know the brazilian combo >pet duo<, and now they are on cmp! two wonderful tracks full of pure energy will make the partypeople go crazy in the club! labelhead orman brings you his >cmp anthem< on this vinyl and show you one of the most beautiful melodys composed by himself! all in all this record is full of hard techno beats and 1 melody song

the spanish duo exium has been working non stop for almost ten years, both on stage and in the studio. after releasing more than 50 releasesin several labels from around the map, this year they will release their first full lenght album under the nheoma records flag. a mature work that explores the darkest corners of electronic music creation, seriously and scientifically.

after the real thing ep, arthur pochon a.k.a art bleek is coming back on sharivari with four deep and funky tracks. from alright and its straight and dynamic bassline, to the broken style beats of deep hop, full of percussions and jazzy grooves, and closing the ep with the wild and hypnotising hi-hats of traces & dust, the immigrant ep proves that the parisian producer is still one of the ambassadors of the french deep techno scene.

this is a special 100th release from synewave records. damon wilds classic from 1993 with new & special remixes from marcel dettmann, 88uw, & echoplex. this release will be released in different packs and will include other remixes by orlando voorn, pacou, dave ellesmere, mark morris, ascion, staffan linzatti, terrence fixmer and others to date. already having full support from key djs such as adam beyer, joseph caprioti, gary beck, richie hawtin, slam, perc, chris liebing, and others.

2nd part with full of prime time madness... incl pan-pot remix

nice price deal !!! on this first release matt follows on from his bingo, jerona fruits and shadybrain releases with his latest offering >threatz<, featuring cuts from jehst and diversion tactics dj jazz t. caned by bailey on his 1xtra show, this is hard hitting drum and bass at its best, full of aggressive funk, tough beats and old skool 97 flavour. on the aa is >embryonic<, a rolling slice of tech drum and bass with an infectious groove that keeps proceedings dark but full of funk, making this a solid release that bodes well for a label concerned with quality not quantity.

for more than 5 years cargo edition has been standing for the deeper house productions of moon harbour/cargo edition’s roster of artists. so far acts like ekkohaus, michael melchner and markus schatz have been setting the tone. now this platform is offered to artists who haven’t yet appeared on the label. the warehouse release is the first of a series of various artists eps. we invited artists like steven cock from dresden, ralph sliwinski as well as the italian acts mass prod & marco daquino and minimono to contribute tracks to warehouse vol.1. the sound of the first ep is all about consistent house music that does not need any cheap rave tricks. old school house music is quoted with skills and style and translated to the modern dance floor. warehouse vol.1 is the perfect start into the fifth year of cargo edition. luciano (cadenza): cargo edition is a great label, probably one of the most quality dance music.. full support!