das 3lp-package im klappcover, mit großartigen fotos und ausführlichen liner notes von dave hendley, ist in limitierter auflage für kurze zeit wieder erhältlich! mit dieser veröffentlichung von 36 essentiellen aufnahmen hatte vp records bereits im jahr 2004 der jamaikanischen institution ein würdiges denkmal gesetzt, war doch channel one für fast 10 jahre (1974 - 1984) die absolute nr.1 unter den studios der insel und hatte mit seinen produktionen einfluss auf die musikhistorie, die der von studio one und treasure isle der 60er jahre in nichts nachstehen. hier finden sich originale von den großen künstlern wie barrington levy, delroy wilson, dillinger, clint eastwood, the mighty diamonds, john holt, yellowman und vielen mehr, sowie die aufnahmen der allerersten 12-inch maxi-single, die in jamaika erschien, die extended versions von the jays & ranking trevor - truly deejay mix (coverversion des marcia griffiths klassiker) und queen majesty, die reggae-version des curtis mayfield songs.

this one goes out to all you lovers out there, with their love of good house and techno brimming over with each release, every day is valentins day at pets hq. so when black loops sent them 4 the lovers the label cats (and dogs) knew it would be a perfect fit for a debut.

what is amateur space jazz? one could call it a lo-fi minimal wavish version of cosmic space jazz and anything closely related to it...from spiritual soul, g-funk, ethiopian jazz to ambient and everything in between...no knowledge of musical theory is required...played with a d.i.y punk approach on crappy digital synthesizers - preferably with dubious renditions of real instruments. warmed up to the right temperature with some offbeat effectsbox. multitracking is a technique widely used...to create a one person band with all its members oneselfs multidimensional copies in time........comes with a 24 page graphic novel written and drawn by danny wolfers himself and a nightwind amateur space jazz gummy domed sticker.......lets enter world of amateur space jazz!!!

heavy, heavy, heavyweight boogie here from the legendary salsoul catalogue! the man - leroy burgess - with his frequent collaborator red greg carmichael turned in this insane 2 sider in 1981 ( dancing into the stars on the b-side!), both cuts just ooze that synthed out disco soul that burgess is known for, super deep and with flawless production. extended jams on both sides, tracks that go on and on in the best possible way! simply put, this one s is an essential! leroy s influence on house and garage music should not be understated and it s records like this one that prove this over and over again! record s like this still get spin in the clubs, they still have people losing it on the dance-floor! timeless dance music from one of the most legendary artists and labels in the game. this record is all about having fun, partying & losing yourself in the music, an essential classic that has stood the test of time for the last 30+ years & is now available again, legitimately remastered & repressed for 2017 in conjunction with salsoul records, nyc. you need this one!

scone cash players is a super human supergroup featuring adam scone (sugarman 3), tommy tnt (menahan street band, budos band), eric kalb (john scofeld, deep banana blackout), homer steinweiss (sharon jones & the dapkings, amy winehouse, the arcs). together they deliver a tasty dose of hammond funk/soul/boogaloo.

this collective of los angeles based musicians and friends come together for their debut 7” vinyl 45. featuring two heat filled instrumental tracks dubbed “eclectic soul,” the bombillias take you on a spacious new atmospheric ride drawing on inspirations from soul jazz, eastern colors, and organ funk.

deluxe, will sessions’ debut lp of original material, contains tracks previously available as limited press 7- records, freshly remastered for a full length album. the album contains guest appearances from detroit legends allan barnes (blackbyrds) and amp fiddler (parliament/funkadelic), as well as florida’s own king of funk rickey calloway, and relative new-comer coko (funk night records). the album is a collection of singles reminiscent of classic funk and soul with deep breaks, tight rhythm section, blazing horns, and raw vocal performances.

fourth floor was a major us player in supporting the london garage scene in the late nineties. responsible for very early releases from todd terry (known as masters at work at the time) the imprint also released seminal classics from fallout, the morning after and arnold jarvis, take some time out both of which made the cut for this double 12inch release. included on this 8-track package are some contemporary edits from luke solomon of rhythm faktor dream on (organ grinder mix) and love root funky emotions (another mix), plus outstanding records from royal orchestra, m.o.d.e., bamboo and the break boys. 4 to the floor presents fourth floor records is part of the 4 to the floor series. lovingly selected and compiled by luke solomon, the 4 to the floor series also delves into the movin records, sub-urban, faya combo, soulfuric and slip n slide catalogues, digging for those lightbulb moments of musical discovery. fulfilling his role as your friendly record shop assistant, lukes 4 to the floor series comes correct with brand new vinyl lp collections and digital albums from these now legendary house labels, plus official label merch to accompany all of the releases, for that full rack-raiding experience.

nebraska comes to razor-n-tape reserve with a 3-tracker of soul-laden sampley goodness primed for the floor. the title track drills deep to the depths of primal funk for an extended disco-house workout that stretches over the full a side. on flip we have a pair of slow-burners, with instant pressure juxtaposing modern r&b vocal flavor over a hypnotic rhythm track, and then keep on keeping on takes us back to the classic soul side with its gritty and gospel-infused groove.

new fina output

one day back in end of the eighties, a pair of friends began sharing a deep love for music, the music we have been supporting, playing and now, able to put it out for your listening pleasure: ‘mind merge lp’ is a beautiful quintessence of detroit electro, funk and techno, partially blending with contemporary electronic contaminations and we believe it’ll be as timeless as many of their records before.

mit spannung erwartetes debütalbum des kanadischen wahl-new yorker dj/produzenten jacques greene, der nach releases auf uno, 3024, night slugs und luckyme und remixes für tinashe, radiohead(!) und shlohmo, nun ein modernes, von unterschiedlichen 1990 er styles inspiriertes werk aus hiphop, r&b, house und techno vorlegt. “feel infinite” enthält den soul-techno-smash “you can’t deny” aus 2016, den euphorischen nachfolger “afterglow”, sowie ein vocalfeature des us-singer/songwriters how to dress well.
das doppelvinyl erscheint inklusive downloadcode und poster.

in 1978, famed latin jazz percussionist willie bobo released a promo-only 12” single featuring a “special disco version” of “always there”, a cut from his most recent album hell of an act to follow. pressed in extremely limited quantities and never available commercially, this 12” quickly became a highly sought-after rarity for djs and collectors. now, this lost treasure is back in print while supplies last, complete with an exclusive a new multitrack edit of “always there” from dj / crate-digger extraordinaire kon (bbe / soul clap) on the b-side. released in partnership with the bobo family, this official pressing revisits a dancefloor-ready masterpiece.

clutchy and fatty....high desert crunch meets city life punch for this collaborative project in sound. instrumental elements of soul, jazz, hip-hop, rock and more resonate throughout the record. just what any clutchy hopkins or fat albert einstein fan would ask for, track after track of laced up loveliness. these two gents pair banging rhythms with lush melodies and top them off with their signiture low brow high fi sound. guaranteed for some straight nasty. acoustic and electric instrumentation set the tone and in their individual stlyes, clutchy and fatty navigate your journey through psych folk caverns of cactus dust and marine layer funk with bloodshot rust. it is distinctive, original and fresh, paying homage to the past, present and future. visionary folk funk.

an incredible, funked-out live show and production team with their own modern take on boogie, philly soul, and ny disco. xlr8r the possé are a new face to many people. the five piece run by andrew elston and ross ferraro is comprised of veterans from all over australia’s music scene. after a year of knuckling down in the studio and a string of sold out shows they’ve boiled down their favourite influences into an in-credible, raw, funked out live show and production team. watch out for the posse’s debut ep, our thing, featuring contributions from andrew elston (phy-sique/toni toni lee/catcall), ross ferraro & jarrol renaud (the goods), michael di francesco (touch sensitive/van she) and nz jazz keys prodigy andrew bruce.

danilo braca (danyb) arrived in brooklyn from his native rome in 2011 playing around town, running sound at the output events & slowly allowing these edits - informed by many years working the floors across europe - to evolve on and off the dancefloors of new york city busted vol. 2 continues the journey with a fine foot-stompin slap bass jam, followed by a foot-workin & vibe heavy jazz funker. the b side gives us some top drawer psychedelic soul and another awesome cosmic cut that wraps up a package of the finest obscure floor-shakers around one hell of a 12- ladies & gentlemen !

imagine being dropped into a spiralling warehouse of acid and sub-base pressure with only four tracks to lead you into the light. the he-men compress three hours into a key change driver, stabbing and bubbling as you reach the surface gulping for air, bathing in the strings, dripping in acid-wash. before you know it you’ve been whisked away to the halcyon days of yore, creeping around castle corridors. leeds native djpc then kidnaps your soul for a spin in acid mundae (24 master) bombarding you with high hats, rolling baseline and old school pads and synths that take you to the dark underbelly of house music and beyond the black rainbow. the shadow of dawl’s electro powered hand then commands you with telepath, breaks and bleeps morse code that compel you to dance. the menacing sample, “i know what you’re thinking,” crawls around your skull until it finally shakes you loose from his imperious grip. dawl isn’t finished yet. his apache spirit breaks loose in freestylin’, a controlled dash of a tune that scratches all over your body, hauling you to his hip hop roots before dumping you, used and abused back on the dance floor waiting for an uber to teleport you to the darkest after party you can find

another year, and another birthday has come for steyoyoke. this year marks our 5th anniversary, and as such we would like to present our 5th anniversary compilation, filled with unique remixes and new faces on the steyoyoke map.

jahr für jahr versorgt das label mobilee die techno- und house-gemeinde mit einer weiteren ausgabe der “back to back”-reihe. mittlerweile ist man bei der elften kompilation angekommen. was die zusammenstellung immer so besonders macht: jedes mal übernimmt ein anderer nachwuchs-dj/produzent aus dem berliner labelstall die verantwortung, und 2017 ist anja schneiders protegé kevin over an der reihe.

much interest domestically and abroad has been generated over the years about an indie soul label in san diego, ca called musette records, whose short life span (1965-1968) only produced less than 20 singles, and no full albums. more than 40 years later, musette would achieve the collectible status among record buyers of northern soul, who recognize and appreciate the r&b grooves that pulsated on these now extremely rare singles.
the vinyl release includes a download code.

luv n’haight is proud to re-issue sweet maya’s self-titled album. a midwest jazz-funk classic with elements of folk, jazz, soul, funk and rock combining to create a heady blend reminiscent of ‘70s work by french band cortex and songwriting maestro terry callier.
the vinyl lp includes a download code.

there’s not a lot to tell about the project glow in the dark by a certain harry miller. only perhaps we can state that with these eight tracks at hand harry miller accomplished probably the most enchanting album of the still quite young year. just when we wanted to dismiss the short-dated genre of chillwave wistfully, “future bliss” comes along with a bewitching sound hailing from an optimistic but cranky future. already the opening track “step one” with its vocal samples and its spoken word intro is futuristic soul full of affirmation of life pillowed on a synth bedding smoothed to the max up to its edges. but also the following seven tracks spread infectious positive vibes all around. the magic of glow in the dark’s tracks is energized mostly by miller’s delicate way of treating his various samples, a wary manner one usually only shows when picking up a guitar. and unlike sample based music feeding from hiphop his tracks are completely free from any sort of nostalgia, because all of his songs are designed for the future through and through. “future bliss” is one hell of a joy ride, from the first note to the last tone. the neon funk of “1987”, the broken beat of “7 billion = 1”, the synth pop of “the last dance” and in general, all of the eight tracks could be little, but great hymns on their own. but only in its entirety they sparkle this fathomless ingeniousness hidden in glow in the dark. in the end it seems to be wiser that one has as little background information as possible to be able to lose oneself fully in this “future bliss”.

bereits im letzten jahr veröffentlichte parlophone records mit »five years (1969–1973)« und »who can i be now? (1974–1976)« zwei boxen, die david bowies studio- und livealben aus den besagten jahren versammeln. fünf dieser longplayer erscheinen nun auch einzeln, und zwar als cd und lp. mit dabei ist unter anderem die 2016 gemasterte version von »young americans«, gepresst auf 180 gramm vinyl.
»young americans« ist das neunte studioalbum von david bowie. es erschien ursprünglich bereits 1975. was die musik auf »young americans« angeht, so verließ bowie sein gewohntes rock-terrain und arbeitete stattdessen mit verschiedenen soul- und funkmusikern sowie mit beatles-legende john lennon zusammen.
das album landete auf platz zwei der uk-charts. in den usa erreichte es platz neun. zu den erfolgreichsten singles gehörten der titeltrack »young americans« sowie der song »fame«, der es in den usa bis auf platz eins schaffte.

nice price deal !!! a gorgeous slice of soulful house with top notch remixes to suit all tastes dj support grant nelson, cj macintosh, richard earnshaw, jask, robert owens, dj rork & more...

beflügelt vom großen erfolg der ersten zusammenstellung hat es sich der dj, jazz-maestro, obsessive plattensammler und if-labelchef jean-claude thompson nicht nehmen lassen, zu einer zweiten reise in tiefe jazzlandschaften einzutauchen. sein dreifach-vinyl ist gedacht für alte hasen und junge dancefloor-hüpfer, arrivierte auskenner und neugierige novizen. denn: kaum jemanden dürften die obskuren, seelenvollen und natürlich längst nicht mehr regulär erhältlichen stücke bekannt sein, die thompson aus welchen plattenkisten auch immer ans tageslicht geholt hat. dabei sind es gar nicht einmal sonderlich viele, zeichnen sich die meisten der insgesamt neun tracks doch durch eine laufzeit von zehn bis zwölf minuten aus, “latin black funk” von sparrow währt sogar 20 minuten. der spirit lebt!

zweieinhalb jahre nach rhondas debütalbum -raw love- erscheint am 27.01.2017 der nachfolger -wire- auf pias germany. das quintett hat seine mischung aus groovigen beats, lässigem soul mit sixties-vibe und perlenden melodien verfeinert, die punk-wurzeln aber keinesfalls vergessen. so klingt -wire- dann auch teils cineastisch und deutlich düsterer als der vorgänger, was nicht zuletzt an der beteiligung des deutschen filmorchesters babelsberg bei einigen songs liegt! die zusammenarbeit begann im november letzten jahres, als rhonda ein angebot bekam, mit dem filmorchester ein konzert in potsdam zu spielen, welches prompt ausverkauft war! schon dort probierte man einige der neuen songs aus, und es wurde allen klar, diese stücke sollten genau in dieser besetzung für das neue album eingespielt werden.
die vinyl-lp erscheint inklusive album-cd.

bruno “patchworks” hovart started playing as a bassist and guitarist for various bands, he started producing in the mid-nineties and has kept on mixing today’s technologies with the raw spirits of house, electronic, disco, funk, soul, reggae & jazz music’s golden years since then.

baba stiltz-on-studio barnhus is an ongoing series of records that both define our label and constitute a sort of independent, freewheeling sidetrack to its narrative. from the tempo-bending noise-house of his 2013 label debut our girls to this new is everything ep, his eighth original studio barnhus release, our buddy baba has never not amazed us with his unpredictable methods, rigorous work ethic and life-changing trax. on this particular record: icy techno soul, actual rnb, the real future funk! an opportune start to 17 for us and baba, who’s looking forward to a year filled with a variety of record releases, collaborations, dj nights and live shows.

since their inception in 2013, east london duo payfone have been breathing warm-blooded soul into their unique machine-fuelled groove. drawing the dots between the white isle and nu yorica - by way of london s narcotic nightlife - the pair conjure a rhythmic throb and soulful devotion all of their own. together, phil passera and chieka ononye buzz along the fault lines of classic r&b, cosmic disco and acid house, injecting their sound with 21st century syncopation. adhering to a strict no samples rule, their manifesto demands that everything be 100 percent original. it s a formula that s worked well so far: the pair have been widely tipped across the blogosphere and are currently linked to celebrated us imprint golf channel recordings. following three sold-out releases for the label, they return with another pair of discreet bangers, justified and we are chains. the tracks turn up the heat on their previous releases, again offering the vocals of performance powerhouse louis howard jones whose lyrics spark with a political punch.

axpin debuts with its ep „gilgamesh“, including three deep house tracks and a first floor remix of mastermind christian burkhardt (cocoon, oslo, cbsessions). it smoothly combines multifarious arrangements and arousing melodies with a forward pushing club sound. suitable for the dance floor as well as the afterparty at home, this ep transports the listener to a faraway world of subtle grooves, pushing drums and mesmerizing sound design. „gilgamesh“ is a track based on the story about the journey of an ancient emperor, searching for enlightenment in the highlands of mesopotamia. so it comes as no surprise that a driving beat breaks through the laid back percussions and hypnotizing atmospheres. wandering through this track side by side with mysterious pads and exotic sounds, a lost but defying melody accompanies the listener on his steps. „catiba“ is a track with a multilayered arrangement, that doesn’t necessarily reveal its complexity on the first look. different rhythmic moods provide the structure for two melodic lines, competing at first but working perfectly together after a thrilling break, melting your soul. they’re supported by a pervading deep bass groove that will make your body vibrate.&#8232,,christian burkhardt summarizes both tracks’ features and unifies them in an impulsive club remix that floats every second and climaxes in a thrilling break. dry but playful, perfectly fitting for the dance floor without losing the warmth and lightness of the original. „kryon“ is the ep’s third and most expressive track. starting with lost parts of a melody, rather an echo in the vast distance, the track continuously increases its tension, extending the rhythms until the arrangement blasts out a stunning break that, contrary to all expectations, is a calm and compassionate moment with a transient theme. the clear production provides a place in the mix to each sound, a deep moog bass rumbles in the basement while the stimulating percussion coats

akbal music has now been turning out essential dance music for a whole ten years and to celebrate this milestone the label puts out a vinyl only release from a fine selection of contemporary artists. vinyl only treat starts from long time german talent sascha dive, the deep vibes boss’s ‘lab#4’ is a quick and prickly number that sucks you into a shady groove underpinned with real bass menace. next up is superlounge with uluwatu dub. the track starts swiftly with clever percussions and a lush pad quickly to progress with several drums rhythms into the bass that will keep the listeners tuned into its groove. romanian mano andrei appears with a sleek and stripped back tune that is full of electronic soul and infectiously bumpy drums and hypnotic vibes. finally minimal master eastenderz and catchrecordings associate doubtingthomas is next with his vinyl only offering, going for a much more intricate, synthetic, richly designed deep house tune that is soft, succulent and truly sublime. this is a fulsome package that packs plenty of punch and showcases exactly the sort of quality dance music that akbal music has been, and will always be, about.

the dj and producer from cantabria comes back into the picture with this ‘seconds of light’, which is released on his own seven villas music. boli&#769,,var goes deeper and deeper into velvet soul deep-house, with a dreamy touch which is especially present in the track which names the ep. therefore, it counts on a soft groove and an inherent club vibe which makes it perfect for summer sophisticated sets, or even for listening on one’s ‘me’ time. simo&#769,,n garci&#769,,a’s remix of ‘seconds of light’ darkens up the original, giving it an extra push of strong kick in order to take it to the late hours and the vibrating underground dancefloor. ‘all clear’ is under el txef_a’s approach, a modular, cosmic and disco kraut-rock space trip, with an acid reminiscence. illustrated escapisim whch does not forget about the dancefloor. ‘leaves without shadows’ was a track which was originally included in bolivar’s last compilation ‘the obscure figure’, also released in seven villas. pablo enjoys this time the collaboration of upercent from valencia, and also includes a remix by berlin’s duo youandme. deep but rhythmic, almost martial tech-house, which is as well danceable and in constant emotional progression. through his new ‘seconds of light ep’, pablo boli&#769,,var makes us involved in his sound imaginary, which is always wide, varied and gets given qualities which are linked to his music bet: quiality, good taste and international scope.

originally founded by kisk back in 2009 apparel music set out to offer something truly singular in focusing their musical output predominately on jazz whilst venturing into its integration across the landscape of electronic music at the time.with a zealous release schedule, they racked up a healthy collection of eps between 2010-2015 from artists such as delano smith, scsi-9, sarp yilmaz and the label owner himself amongst many others. now after a year-long hiatus, the label makes a return with a slick 4-track va that fans both old and new will relish. strictly limited to a pressing of 200 on 180 grams of wax, their re-launch brings with it a jazz-suffused 4-track record featuring voyeur, ivano tetelepta & eugeÌne latumeten, kisk and kerem akdag. voyeurs swinging for theo kicks things off with organic, brushed drums and a walking bass line set off to a tight, swaying rhythm. glassy rhodes keys bleed into the mix ahead of piano stabs and 909 hats that propel progress when combined with a thickened low-end. ivano tetelepta & eugeine latumeten follow up with je suis reconnaissant a bass-heavy groove that lays soulful vocal samples over filtered piano chords and loose-limbed hat patterns. kisks just u then drives a crackly drum loop through distant, flexing synth tones. arresting vocal samples then take the foreground in a rich, smokey mix before istanbuls kerem akdags closes up the package. akin to the styles of producers such as henry wu and max graef, akdags friend melds playful drum patterns with thick chord stabs and smooth vocal lines that wrap up a stellar return for apparel music.

here it is! future beat alliance s legendary hidden emotion album! originally pressed back in 1997, but just some few white label promos were made and it was never given a full proper release. this is a real timeless uk underground treasure featuring 9 absolutely stunning productions, all filled with warm emotions from the beginning to end

friend and supporter of the bass cadet team, jenifa mayanja steps up for the new chapter of the orbits series. she offers three very personal tracks, carefully crafted, evolving in their own space-time, showcasing a crossbound vision of deepness and soulfulness. partner in life, dj jus-ed is also here on the remix duty. this release definitely wraps up a family affair about good vibes !

with this record, new york trax furthers its mission of presenting to the world the upcoming talents hailing from the new york scene. new york trax 03 is the first release of the talented manhattan-based producer alex alben. the a side has irin and chimera, two very mean prime time techno bombs. kamikiri rounds up the ep with its relentless tribal beat and arpeggio that will cheer up even the darkest souls. only on vinyl!

brooklyn nyc - 1990. former berklee college of music student ed -the red- goltsman has already been locked away in the studio for the previous 5 years producing and playing on numerous underground soul and hip hop records. his deep love of music and his involvement with these projects eventually led to him setting up his own venture. inspired by encounters with nycs dance music underground these sounds and experiences helped shaped his idea and sound into what would become one of the most popular, cult dance music labels that emerged from the city during those fertile years - bottom line records.

adam port and jimpster have had a special kind of ‘virtual’ relationship the last few years with a mutual respect for each others productions and output of their respective labels. keinemusik, which adam runs alongside rampa, &me and reznik, has grown into one of the most consistent and hottest out there right now with every release creating a big splash and bringing magic to so many dancefloors around the world. adam recently remixed jimpster’s eel pie island to devastating effect bringing his own deep, late night atmospherics to the original and creating one of 2016’s underground hits in the process. so now we’re very pleased to welcome adam port (alongside legendary uk artists stereo mc’s) for a full release on freerange in the form of changes. opening the release we have adam’s own remix which sets the tone with a subtle and gently building groove providing the perfect backdrop for the stereo mc’s esoteric vocal. this lesson in restraint shows why adam’s productions work so well on big systems, letting all the focus shine firmly on the vocal creating an intense atmosphere with not a single huge breakdown in sight! next up we have the original of changes which takes a more electro approach with a simple bassline and crisp hats and once again allowing the vocal space to take centre stage for a deep and memorable track with a message. finally we have a remix from our own jimpster opts to push in a completely different direction. shuffling up the groove and laying down a repeating rhodes riff we’re treated to an altogether more soulful and less stark version making the perfect compliment to the the package. this one makes us think of his remix of osunlade’s momma’s groove which is no bad thing we feel! enjoy!

autofacs gonna be a new one to you, but the names behind it—juan maclean and marcus lambkin, a.k.a. shit robot—most certainly are not. the dfa house, disco, and techno veterans have long been friends, sharing bills around the world, vocalists on records, engineers on mixing boards. for a while now, they ve also been collaborating in the studio, and it s with tremendous honor that we get to be the label that presents the world with the fruits of their labors. souls on ice is a snarled, fierce, aggressive four-tracker, all of it recorded live, which gives it a distinct loopiness and patience. the ep starts off on a bumpin techno tip and slowly drifts towards a spacier, groovier house sound. charged and punchy, its the kind of dance floor kick in the pants only wizards like juan and marcus can deliver. key selling points. debut release by autofac, a production duo comprised of dfa veterans juan maclean and shit robot. full international press and dj promo campaign.

venezuela 70 - this is the first ever compilation of its kind to take a look at the groundbreaking experiment al rockmusic created in venezuela in the 70s, a stunning blend of usa & uk rock, european electronics, funk, jazz amd latin rhythms. feat. vytas brenner, pablo schneider, angel rada, miguel agel fuster and more. incl. 24 page booklet with extended text and artist bios ect

with their dj guy release creeping onto all the right radars, organic analogue continue their mission to represent the most vital movements within the world of fuzzy machine funk. this time they ve turned their attention to mnlth, also known as rephlex recording artist dave monolith (also responsible for the excellent photodementia series). laser 80 is packed full of soul stirring electro styles, from the haunting lilt of -q express- to the upbeat piano rave splashes on -ziberterai-. this is truly advanced stuff for anyone who loves a bit of braindance.

betty harrisÕ the lost queen of new orleans soul features all of her classic deep soul, sister funk and northern soul songs recorded in new orleans in the 1960s - all written, produced and arranged by the legendary allen toussaint, and featuring the cream of new orleans musicians and the incredible meters.

nice price deal !!! the two soulpoint eps by louis guilliaume are creating a stir amongst techno, house and electro djs worldwide. these 8 stunning tracks are now available in a very limited doublepack edition with handstamped sleeve. pressed on mint green and solid white vinyl. only 200 copies worldwide

after the big success on digital moblack records catalogue goes on wax with a collector s edition - moblack sampler vol. 1
dj support:
black coffee, osunlade, boddhi satva, zepherin saint, ndinga gaba, pablo fierro, sunlightsquare, djeff afrozila, dj spen, manoo, atjazz,

nice price deal !!! gioele giacopelli, also known under the jwl moniker, is an italian producer and dj who had his music released by many international record labels such as plus plus, soul shift music, sexonwax and fortezza records. the uk based label pathway traxx released his disco cuts ep on vinyl, which held the number 1 spot in multiple charts and its track called again n again was supported by famous artists such as ben ufo. since 2016, jwl is signed under soundscapes records/escape series, where he collaborates with tuscan musician and producer inno (giovanni ferretti). giovanni ferretti participated as a multi-instrumentalist with a band called sycamore age on the album of the same name, released on santeria/audioglobe records in march 2012. the album was distributed by rough trade in german speaking countries, france and belenux, where it has been selling well. in december 2013, fortezza records released hard dreamers ep which included tracks by giovanni ferretti and jwl. at that time, jwl was involved in various multimedia and electroacoustic projects within and outside of his musical studies. soon, inno and jwl will release a 4-track ep escape series 003 on vinyl.

books returns to xvi with three outstanding jazz infused cuts, custom built for the dance and pressed to wax for our third vinyl offering. feel it in my bones” sees the north london based producer channeling ancient voodoo magic, crafting a smokey, vintage, heavily percussive show stopper. accompanied by the mysterious zodiac on vocals, whose falsetto notes (when mixed with a saxophone solo in the light of the full moon) raise a relentlessly soulful and driving floor-filler from it’s resting place deep beneath the ground. “dana’s groove” begins to summon spiritual visitors from dance floors throughout history for one last ghostly get down, before culminating in the soaring “memphis” bringing the vinyl to a uplifting yet haunting close.

from hudd trax and dessous through to one and karat, parisian producer andrade has graced many a fine label in his time. he lands on politics of dancing in fine fettle, jumping to the task with a-side cut -the bridge- like he s got something to prove. the beat is irrefutable, while the soulful chords and samples rubbed into the joints make it all the sweeter. -control- on the b-side is an airy affair that floats on plush layers of melody without losing its low-end impact. by way of variation, the remixes from dan ghenacia and art alfie simmer andrade s originals down into measured, tool-like constructions.

another off-the-books mission to the outerzona ! consistent best-sellers, these little collections of secret weapons have made many friends out there on the floor no.6 delves once again into the ammo cupboard, but reassembles this devastating array of weaponry into altogether more potent smart-bombs from a wigged-out jazz-rock monster to familiar & timeless symphonic disco licks, to a hidden mid-seventies soul rewire once again, outerzona refresh the parts other edits cannot reach ! these are never around for long, so you know what to do

jerome derradji is proud to reactivate past due records - the boogie funk division of still music to release this fantastic archive – that many consider to be the holy grail - of chicago funk, boogie and soul.
“star time” will be released in a limited 500 copies 4 lp box set, faithfully reproducing the vision of lad productions, inc.
it features each and every larry dixon’s releases from 1971 to 1987, including the ultra rare “i’am so in love” lp recorded live at the copherbox club in 1980 and the ultra rare boogie funk “can’t price love” lp, each carefully re-mastered from the original tapes and a lot more!
many unreleased songs (some mixed by jerome derradji) are also featured. each format includes a unique booklet with the story of larry dixon and his friends, written by jacob arnold, along with numerous pictures and documents previously never published. artwork is by al kent from million dollar disco.