intimate music for big rooms and banging sound systems from this new duo, brought to you by li&#7749,ga &#346,har&#299,ra, a sub-label of lisbon’s helena imprint dedicated to emerging talents from around the globe.
lucid dreams already appeared on lobster theremin’s rinsefm takeover, showcasing a gritty and cavernous aesthetic. warm zone is faster and sharper, hats and claps slicing through a dense mid-range until the track suddenly opens out halfway through. feelings (original) is a melodic beatdown for open landscape and clear skies, one for morning, noon or night. bringing the release home is non other than route 8, who delivers a stripped back, dubby and super infectious rework of feelings thats gonna have everyone hugging on the dance floor.

modern obscure music kick off their new sub label, altre with a super limited 7” from continent & cont ext. proper experimental electronics that take the listener on a journey through the stars and beyond. comes packaged in highly collectable fold out sleeve, complete with printed postcards.

opening cut acido setting the tone perfectly via murky broken rhythms and glitched out bass hits before the latter stages introduce a squelching 303 lead which tails out the rest of the record.what follows and takes a more robust approach rhythmically with a weighty kick drum, shuffling congas and choppy hats lying at the forefront while spiralling bass hits and vocal chops meander around them. opening the flip is nasty(or nylo if there is no way to fix name) which draws on an earth shattering sub bass lead, sparse percussive shots and a subtly bubbling synth stabs.lastly the package is closed with nylo(or koi if there is no way to fix name), an intricately programmed energy fuelled workout featuring reversed bass swells, jazz tinged rhodes melodies and crunchy distorted drums.

after debuting their label with the return of headhunter, the trusik team returns with their second vinyl release from the ever-illusive ruffcut faculty member tremble. tremble has quietly made his presence known with reggae influenced tunes that are simultaneously roughly hewn, yet meticulous detailed in sound design. for trsk002, tremble gives us “too much terror”, which with all the daily attacks on civilians across the nations of the world, seems prescient. what starts out as sound system inspired roller slowly morphs into a technoid fusion of dread sub weight and dub techno chord flourishes. on the flipside, tremble simmers the tempo down to the 130ish range with “bwoy”. dancehall indebted sub detonations output cut vicious shapes while filtered rasta portents gradually build into a technoid climax. two killer sides for the concerning djs! for trsk002, trusik has incorporated artist ben ladieu’s immaculate pen and ink drawing into the overall aesthetic of the release. ladieu’s work is often dense, multi-layered and full of little hidden details that draw comparisons to 80’s diy punk flyers and zeke clough’s contributions to seminal dubstep label skull disco and woe to the septic heart.

exceptional, cinematic, sub heavy ambient drone / ambient techno ep - highly recommended!

‘temporary insanity remixes’ is a 12” featuring the redefinitions of the two original productions of detroit veteran terrence dixon, turned upside down by three of the most groundbreaking electronic music artists as voiski, pangaea and cosmin trg, appearing alongside label head simone gatto. out022 operates as a modern take of old school sounds, an hybrid union of all melodic techno sub forms – these remixes keep the mental locked groove material of dixon’s tracks, adding emotionally irradiating patterns and each producer’s typical paths.

driving percussions driven, sub heavy droning, irresistible techno ep

junes delivers another trio of distinctive, whacked-out shufflers to galdoors. first up its trails, stomping through glimmering, trippy textures with an emphatic groove. shift state brings dubby delays and heavyweight bells that bounce back and forth over another potent rhythm to heady effect. precipice makes use of a more menacing combo: clipped congas and swinging highs gang up with a bullish sub bass, before the icy pads grab hold

ltd 2016 repress... you aint got no kind of feeling inside. i got something that will surely set your stuff on fire you refuse to put anything before your pride what i got will knock all your pride aside you may have caught pride in recent jackmaster and spencer sets over the past few months, but were letting it out in the wild now. the simplicity of the elements is the strength here - the creeping discord of the piano, the slow sub rolls, the sheer power of the vocal - baked together with sharp drum boxes, space echoes and advs years of production wisdom. the celestial mr fingers inspired tones of first time provide the flip

following his 2013 debut lp, fictitious nostalgia, beastie respond joins forces with alia fresco, silkie and circle vision to present his new ep, back to the future. as with most of his output in recent years, the danish producers indisputable enchantment of 80s aesthetics and purple nostalgia beams through the entire record, elevated by alia fresco’s soothing vocals on the glamorous title track. intergalactic soap box derby’s hectic synth work and sharp turns generate an unpredictable space race for the head nodders, while joy ryder sees beastie respond carefully mesh classic d n b programming with neonlight melodies. silkie rounds off the ep with a signature sub treatment of back to the future, navigating on a tempo not previously released by the acclaimed uk producer.

after inaugurating the ‘opera’ sub-series of his outis music label with the sublime omonimo double lp this april, dino sabatini has invited some choice allies to help define the vocabulary and expand the vision of the new imprint. the aforementioned album, which wove together sabatini’s atmospheric conjuring skill with the piano flourishes of antonello salis, already exhibits the labels commitment to dismantling the either-or logic of contemporary genres by successfully merging a variety of supposedly irreconcilable styles, talents, and worldviews (e.g. both mythological and the technological perspectives). the follow-up ep, concentrica, draws on the material from omonimo and delivers it into the hands of additional remixers in order to continue the outis opera voyage.

this is feline, suara s vinyl only sub-label. a place where coyu pays tribute to the black gold releasing underground local talent. house or techno, techno and house, always raw, always pure. visually is the feline elegance, reflected in the beauty of the motion and the plasticity of its own forms, like a cheetah floating in the savannah. counterpoint to suara, feline goes deeper searching for the purity of the graphic concept and the honesty of the message. our second release see s kresy & skygaze present four techno tracks that are set to ignite dancefloors worldwide over the coming summer months.. vinyl only release..

this is an album of deeply emotional music. it s not all heartfelt niceties and eye-welling moods though. rhythmic theory did after all come to light (or should that be dark) in the gloomy alleyways of uk soundsystem music begat from dubstep and all that other stuff. -creeper- is on hand to affirm that this is a record still steeped in true, stern moodiness, where a stalking sub line, some metallic percussion and an icy drone can still strike fear more than a thousand angry wobble basslines. it s worth noting how much attention has been given to shorter vignettes. as well as the aforementioned, cryptically titled -interlude-, -work of fiction- and -end (of forever)- both give insights into the places rhythmic theory cares to roam beyond the structure of a long form track. these are places where melancholic or downright ambiguous dispositions interplay with each other, from the synthetic to the earthly, the malevolent to the tender. in the end, even at its most monochromatic, nothing is black and white on rhythmic theory s debut album, and that s just fine with us.

brill vinyl compilation with excellent detroit / deep house tracks

meshing together brass blasts with bumping house beats and techno dirge, 14 drops is an inspiring experiment in joining together the organic and the synthetic. it s easy to imagine -14 drops uniting a crowd with numinosity: its spiralling dance rhythms, thick swabs of sub, guitar twangs, and warped vocals congealing into something that s completely its own

debut 12” for ruutu poiss and follow up release for the label after last year’s double hitter from ajukaja & andrevski. support from benji b, call super and james blake plus heavy club rotation from secret sundaze james and gilles... two extraterrestrial cuts for the dancefloor - heroic bubbler * kiiged with its ethereal pads and sub bass emotes and propels in equal measure, while * noad* on the b-side broods in altogether heavier weather.

2016 ltd black vinyl repress, pressure traxx presents silver series - its new vinyl-only sub-label

a1 nubian mindz - deep in raves: well known for his versatile and rich production, colin delivers once more. with a quite suitable name - deep in raves is just that. a deep plunge into dark and rave-like atmosphere. after a short intro layered with an ominous voice, massive bassline takes over and drives the track through the darkest curves. enriched with short percussions and a synth stab this is quite a stomper best experienced on a good club soundsystem, preferably in the dark. a2 volster - nebula: almost obsessed with audio purity, volster manages to combine new and modern sounds with old-school genre roots. nebula is all about complexity. although it is based on an electro foundations, it s so much more. space filled with an oscillatory synth motion perplexed with smooth pads that gives the impression of an interstellar properties. no detail is left unengaged, from the 808 that keeps everything in motion to the subtle amount of panning. this is a beautifully crafted story by a producer who is slowly but steadily growing into one of the best croatian artists. b1 lucretio - dracula: the most famed beard of cadoneghe/italy has pulled another magic gem from his music source. widely known for his relentless tendency to push the analogue spectrum to it s extreme, lucretio surprises once more with his ability to blend simple pieces into an effective sub storm with almost comic like features. dracula is not your conventional tune and it s pretty obvious why as soon as you put the needle on. broke down rhythm is heavily fueled by polished but enormous sub background with sparse and ¥in your face¥ shots. seemingly random notes take a gloomy and powerful form during the break and soon the lurky atmosphere comes into picture. this is truly brilliance in it s full simplicity. if only bram stoker could hear this, he would probably be both stunned and amused! b2 james booth - jxst do it: one of our goals on vakum is to be on a lookout for a new and promising talents. berlin based james booth surely fits the bill. jxst do it is a seriously crafted track with rich rhythmic section wrapped in a steady build up. after the initial break-beat intro sliced in short chunks, subtle 303 bassline takes over and the rhythmic game begins. booth delivers a perfectly timed cuts accompanied by a diverse palette of percussions. this is a perfect piece for those build up moments in the club..

the last sound carrier was based around the notion of intrepid intergalactic explorers trying to get to earth, this time we’re taken 10.000 leagues below the surface to trawl the deep sea. all the way down there, we experience increased pressure, sub-zero temperatures, darkness and previously undiscovered new worlds. up first we have ‘lactarius indigo mission’, which has a distinct urgency and ‘in-your-face’ bitch slap percussion. the bassline writhes under a variety of squelchy, bleepy effects, which add a layer of depth and the whole thing feels quite electro. after that *from the space to the sea* continues the electro vibes with more punchy beats, a rugged b-line and heavyweight kicks. carriers use of quirky details give this track a unique character and contagious energy.on the other side we are treated to another strange carrier creation, the laidback kepler 22b. named after the first known planet to orbit a sun within what’s known as a habitable zone, kepler 22b could well support life. the track is serene and full of optimism, a fitting soundtrack for a distant earth-like planet. minimal workout * diver level 1000* closes the ep with its unusual arrangement and simple yet deadly programming. another addition to the impressive sound carrier catalogue and perhaps its most leftfield so far

szary und sascha sind sich einig, dass moderat schrittweise das produzieren von tracks gegen ein traditionelleres komponieren von songs eingetauscht hat — ein prozess, der sich vor allem auf iii vollzieht. »stell dir vor, du sitzt im kino und siehst einen film mit einem unglaublichen soundtrack«, beschreibt szary die idee hinter moderat. das gilt für die band im allgemeinen, aber besonders für iii, wo dynamische sounds und bildhafte texte einen tiefgründigen emotionalen sog erzeugen. das trio modernisiert die songwriting-tradition mit einer faszinierenden palette aus können und hingebungsvoller perfektion, geprägt durch ihre »erfahrung mit sounds aus fast 25 jahren sub- und clubkultur«. auf dieser gemeinsamen basis steht iii für pop im modernsten sinne — ein erfolg, den die musiker gemeinsam erreicht haben. »ich glaube, unsere musik ist reifer geworden«, merkt gernot bescheiden an. wir sagen: auf moderat iii hört man eine band auf dem höhepunkt ihres schaffens.

szary und sascha sind sich einig, dass moderat schrittweise das produzieren von tracks gegen ein traditionelleres komponieren von songs eingetauscht hat ein prozess, der sich vor allem auf iii vollzieht. stell dir vor, du sitzt im kino und siehst einen film mit einem unglaublichen soundtrack, beschreibt szary die idee hinter moderat. das gilt für die band im allgemeinen, aber besonders für iii, wo dynamische sounds und bildhafte texte einen tiefgründigen emotionalen sog erzeugen. das trio modernisiert die songwriting-tradition mit einer faszinierenden palette aus können und hingebungsvoller perfektion, geprägt durch ihre erfahrung mit sounds aus fast 25 jahren sub- und clubkultur

we ve got the 200th! seven years ago coyu started suara as a sub-label of his main project. the baby grew up until today, becoming a big community with the best electronic music producers of the moment and thousands of supporters around the world. for this anniversary, the big cat teamed up with sezer uysal for an special and unique tune. cygnus is the right production for melodic, sophisticated sets or deeper moments and works amazingly well as a closing track. lets enjoy this two hundred release from the kitty family!

2018 repress! common labour is back with another slamming compilation release. the four tracked 12” includes top notch offerings from an all-finnish producer guard. limited and vinyl only as per usual. a1 mirage man, born roope karhunen, has fingers in many pies. producing, performing and steering two record labels, this man does it all. fusion of noisy and raw rhythm section, sub bass and dub stabs in this track make a mean combo. a2 common labour head honcho potholes is back again with a funky tool. tabarnac is a mixture of live drumming and 303 licks in a skilfully produced manner. dreamy yet refreshing. b1 roberto spins silk with his old school rendition of the future - a fusion of deep house, latin, old school electro. surprisingly functional and unique combination which will challenge the audience to bust a few breakdance moves on the dance floor. b2 another ace from tuomas salmela’s sleeve. the trippy and balearic composition of -feroxified- takes the listener on a soothing journey that guarantees euphoric sensations. sterling track for most occasions.

the second album from evil blizzard, continuing the journey down into the nether regions of sub-frequency sound. pressed on 140g red vinyl.

timeless techno with soul, funk and energy on this new sub club label, nautilus rising! with 28 years of nurturing local dj talent and delivering quality music week in and week out to glasgows most clued up people, the sub club is proud to present to you their brand new record label, nautilus rising. fair to say its been a long time breaking the surface! for this inaugural nautilus rising ep, the sub club sticks with that tried and trusted subbie approach. nr001 presents 4 new tracks from 4 scottish producers. all quality tracks on this first release

324 records is very proud to announce its sub-label 324 exclusiv for vinyl releases only. for this first one, one of our great uk artist tony loi made us a bomb called lagt, as it was not enough, we combined it with a strong and powerful remix from the talented & groovy: jessica diaz. last but not least, the wax also includes motiv, a working & efficient track coming directly from spain produced with love by alejandro fernandez. keep the spin going!

shed liefert mit -dark planet- pure techno-power, die mit geradlinigem 4/4 beat und zerhackten vocals jeden dancefloor in den trance-zustand versetzt. seine freunde von modeselektor wiederum ersetzen den 4/4 takt mit dröhnenden broken beats und big breaks und eskalieren den track zu sub-bass-geladenem wahnsinn.

capital bass continues to gather russian names under one roof and expand stylistic variations. next big thing is a three-track ep from ponty mython (alex). this is the second ep by sir ponty mython on capital bass. it has been two years since his bulletproof jesus ep in 2013. during these two years ponty mython has been working with such iconic house imprints as arma, quintessentials, dirt crew and others. his new adverbs ep is a quite eclectic thing. side a is a filtered house banger gracefully - a result of sampling games with moscow house star lay-far (local talk, in-beat-ween). side b - afterwards tune is a real one-loop thriller, dirty and raw, with african samples and invisible sub bass line. on b side you can also find a psychedelic version of afterwards by saint petersburg techno artist nocow (roots united, fauxpas musik). (roots united, fauxpas musik)

one-take ambient instrumental travels, composed in strict committee by the trio of kevin blagg, william suran, and dante carfagna. recorded spontaneously in rural arkansas, bulging sub-woofers lope through fissures of skeletal banjo and pitched down pedal steel, while delicately arranged basins of synth and guitar reverberate, providing a steady stream of granular epiphanies. utterly faded, yet still possessing crystalline clarity, these twelve songs continually attain summits rarely reached within the span of four-minute transmissions.

figures creator len faki steps in to the spotlight once again with his brand new >street dub< ep. constantly striving for excellence in sound design and deadly arrangements, fakis wonderfully precise and well honed strand of club techno continues to shine on figures 70th release - a classic example of lens tireless approach to production. packaged together in three different versions, >street dub< stylishly treads the borders between classic dub techno and modern club weaponry. with just a handful of perfectly balanced elements, perching atop a weighty kick and rolling sub bass, both >street dub< and >street dub version< are sure to satisfy purist techno fans and newcomers to the genre alike. as a bonus, an >ambience< mix is included, stripping away all the percussion and letting the beautiful subtleties of fakis production bubble to the surface.

circle vision and new world audio team up to co-release cvnwa001 - a new 4-track vinyl featuring rdg, squarewave, gaze ill and k man.
cvnwa001 marks the first vinyl output from iconic new world audio in over two years, and follows the apocalyptic, nuclear sound design from piezo and clearlight on cv003.
the two labels claim one side each on the forthcoming vinyl, with circle vision introducing classic sub workouts by rdg and gaze ill, and squarewave absorbing the flip through deep, melodic chants.

the first vinyl release on abandoned audio, the new sub-label from 31337 records, ezekiel honig‘s ‘a film of string & wood‘ continues his form of refracted, geographically oriented, electroacoustics. sitting in a background of field recordings and incidental real-world objects, textured piano and horns act as cement for chunky, yet subdued rhythms that fall over themselves and snap back into place. warm, looming tonal progressions remain incredibly intimate and focused while retaining an expansiveness of space, a perfect metaphor for honig’s music on the whole – personal and specific while intersecting with something more universal. throughout its five tracks, ‘a film of string & wood‘ stretches and pulls its melodies, weaving them through each blocky snare, each bassy kick drum phrase, with a heart and mind that hearkens to a different time, memory-tinged with a nostalgia for a moment that is yet to pass. pressed on sturdy 180 gram vinyl and featuring artwork/design by ezekiel honig.

der klang records is a disordine sub-label. this album will be available in a couple of months.vinyl only - limited to 200 copies on black vinyl and 75 numbered red vinyl. active on late 70s / early 80s teknospray were formed by andrea costa, mauro tavella (who later formed monuments), andrea lesmo, alberto ramella (who later formed carmody) and lucio lesmo they recorded few demos and an album which they never released until today as *god in land* is now reissued on disordines sub label der klang for the 1st time.

beautifully crafted deep house album by the austrian producer duo bitz & redstar, including the summer hits >flamingo< and >look at me<. an album perfectly suited for open airs, all kinds of beach settings, after hours and any of that lovely sunshine madness. first music is a sub label of leap records.

rrose returns to eaux with three new spellbinding techno tracks. *levitate* starts patiently with cosmic difference tones and sub bass bursts leading to the sudden drop of hammering, polyrhythmic drums, while *vellum* is a syncopated, percussion-heavy ride through frequency modulated peaks and belly-churning valleys. on side b, *signs* takes us on an extended journey made up of resonant kicks and inner-ear arpeggios that fold in on themselves until they finally become invisible.

• limited four tracker from this new london based artist
• hand stamped white label from the blueprint sub-label
straight off the back of the recent bpltd006 from ruskin & broom, we present another hand stamped white label release courtesy of london based progression.

rotating frames is the new ep for pole group by our very own duo exium. four tracks of modern and obscure techno, fuelled by heavy sub-bass action.

the inertia sub-arm of dutch label delsin is back. after a series of 4 eps back in 2012, followed by a mix compilation by delta funktionen, inertia-5 introduces discrete circuit with a fierce three track ep that follows up previous releases on dvs1s mistress recordings.

nologo is back with 2 essential, tried and tested underground club tracks. orlando b serves up side a with dark world, an epic, slow burning, dark-house journey. dark world begins completely stripped back before the main hook, an eerie hypnotic vocal is introduced. funky percussive elements creep in which drive the piece forward and a deep minor pad heightens the tension setting the tone for the rest of the track. the energy builds gradually with the addition of a 303 bass line peaking just before the end, taking the listener on a dark hypnotic trip. on the flip, is none other than house & techno legend mr g who uses the dark world vocal but takes it somewhere new providing his own unique and distinctive flavour. mr gs rum remix is a dark and twisted peak-time banger, the high energy from the off set perfectly complementing the slower vibe of the original. plenty of sub and twisted synth action keeps the momentum high and the dark stab he uses punctuates the vocal nicely giving it a raw edge. dark world is an essential addition to the record bag for darker dancefloors. dj deep: i love this, your remix is super funky and dark at the same time!!! dope! tom (panorama bar): ufff nice and dark.....another mr g gem. to be served with the rum rush...

‘psych , the long-awaited freaks album released in 2014 gets a re-release in 2015 with some brand new remixes. freaks, a musical partnership between luke solomon and justin harris that s spanned twenty years and includes the music for freaks label, four albums, and an avalanche of singles on the likes of playhouse and hot creations to crosstown rebels, news and international deejay gigolos. the album was released to rave reviews and featured a much awaited gathering of material from the late 00s onwards, including collaborations with robert owens, stella attar and diz washington. this 12- includes interpretations from dave aju, jamie 3:26 and freaks. for over a decade, san francisco innovator and a vital part of circus company, dave aju has been producing and performing his unique brand of electronic dance music, a consistently fresh and expressive sound. his remix of situations makes no exception, a strong piece of jacking house music with bubbling sub bass, strong raw percussive beats, and an effective use of diz vocals and the flute sound. on the b side misfits is reworked by chicago s master jamie 3:26 who turns the tune into an acid house monster and by freaks themselves who extend their original version for dance floor action. a strong package…and more to come !

okain is a french dj and producer who s grown up in paris. he has previously released on labels such as tsuba, bpitch control, quartz, viva and upon you which, has gained him recognition across the board. he has toured around the world at clubs such as fabric, rex club, row 14, watergate and more helping him to become one of the most charted artists on resident advisor. a new name to join the ever-expanding truesoul roster is okain . his first ep on truesoul majestically crosses the paths between house and techno. using deep underlying sub bass rhythms throughout his tracks, okain creates grooves that maintain an extremely funky feel throughout this ep.

for their second vinyl release, talahachi have gathered together another group of kindred spirits. opening proceedings is marvis dee s inside outside , introducing a new project for jacking house tracks by the man also known as sub-aquatic techno and electro maestro jeremiah r. sharing side a is one half of the deep space orchestra in the guise of haku with a high-tech incantation to the sun. on the flip side, vancouver s esb gives a slightly mellower pace to hands of the city . finally, cliff lothar, egyptian eyeliner & orgue electronique form an unholy trinity as the flexible fellas with a live jam session, pervocative .

out-of-print since 1994, this early release from the large music camp (on sub label swing street) has reached cult classic status and forced many a collector to seek out the few remaining rare copies available. much has been said recently about the production team of black ice, this release showcases the reasons why they are so highly praised and have been re-discovered as major influences in the chicago house sound. five tracks here that all feature raw and textured rhythms mixed perfectly with splashes of melody and soul.

dan farserelli releases the runnings thoughts ep, his first solo outing on the fuse london imprint. running thoughts kicks things off with a sub-aquatic joy ride of deep and twisted beats, shards of static sound puncturing through to lend the track an otherworldly feel. another day toughens things up with a booming kick and more focused dance-floor sensibility whilst the eps vinyl only track lost inside injects a sense of melancholia with its eerie pad imbuing the groove with a trippy edge

eye teeth, the new techno sub-label of interdimensional transmissions, launches with an ep from israel vines. the label say: we started this sublabel as way of exploring pure and experimental techno in an entirely contemporary context (where it often uses historical lenses and a wider musical context). this is techno from detroit and america, not detroit techno. we would like to see american techno evolve, and this new imprint is an attempt to be a catalyst in that arena.

now into its second year, shipwrecs sub label deep sound channel turns to newcomer von grall and berlin based do not resist the beat label boss milton bradley for a new four track ep. von grall goes first following on from a couple of releases in 2014 on annulled and planet rhythm records as well as on a va 12inch with bas mooy and developer.

herman primes debut 12inch, maajo is a beautiful ode to spring and new birth. maajo pays homage to nigerian music, with its borrowed vocals from juju styles king sunny ade. the track has a house foundation, which shows in its fat kick drums and sub bass groove, while the hypnotic rhodes melody harkens to early minimal electronic pioneers such as manuel göttsching.

shipping earliest monday , march 2nd. home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep released upfront on vinyl-only terms and produced exclusively on analogue equipment. franck roger is back this time in solo with 3 fresh tracks made in is home invasion laboratory, this time going back to some proper raw stuff on the a side, going back to his new jersay roots on vib’ray shun that will remind us some of the old bno traxx made back in the days from the deep, what we used to call the french touch but in the underground scene for those who reminds that era… immersion is a deep kind of aquatic hypnotic track with a little ‘clin d’oeil’ for the old prescription records wich has been one of francks all time influencing label…on the b side we keep exploring a more abstract side of franck wich will remind us his work on earthrumental records ..sub division of real tone rds.. a modern approach of his dubby influences.

opening the release is title track trudge , a hypnotic mood-driven composition with an ever-blooming feel throughout its nine-minute duration. traumer employs dusty percussive sounds and a weighty kick drum to create the bumpy groove, while warbling bass licks, menacing synth hooks and processed vocals are layered up to create an intricate progressive feel. following is underlying which takes a different route, this time going into deeper realms with floaty pad lines, jangling rhythms and rumbling sub tones, while classic dub techno stabs are thrown into the mix to create a gritty and understated composition.