debut album of lou that describes her way to adult life while struggling to retain the excitement and naivety that describe her. each track, one (at least) of the intense sentimental situations that she had to face during the last 2 years

welcome to a new reality. things have turned around for humanity. in a bad way. now the clones are the ones in power and searching for the last hideouts of human survivors in order to exterminate them for good. with the exception of only a few, musically talented specimens, whom the clones want to keep alive so they can produce and play music for their listening pleasure. lets see how this is going to end. this is chapter 10 out of 12. not much time left for the grand final.

3 brand new tracks plus all the hits on vinyl lp, housed in a gatefold sleeve.

giorgio moroder & raney shockne’s original soundtrack for the tv series “queen of the south” on silver double vinyl, housed in a gatefold sleeve.

double vinyl with download code and booklet.

carrot green from rio de janeiro is a very nice guy. actually you can hear that in his music – he’s providing beautiful world styles combined with classic electronic elements in a very different way since years. the kin sharuba ep contains an acid driven original tune and another one called orientação espacial which is more relaxed. remix delivery successfully made by dengue dengue dengue from lima and comemé’s christian s.

next slamming disco! everyone has to deal with night cravings, but the way you handle them makes all the difference. beam me up (cyclist & the patchouli brothers) invites you all to indulge your senses with three tracks that all reveal the same quiet intent and zeal for detail rich, full of texture and luscious.

wrwtfww records is immensely happy to announce the reissue of impossible-to-find cult album lady maid by japanese outfit normal brain.

die orangen (aka dreems & kris baha) are back on malka tuti with the 2nd installment of their saft series, containing fresh music, remixes, reworks and more... saft 2 presents 2 tracks, one on each side.

heavy heavy lp from ghana!

without fullcover, an essential 2 x 12- overview of some of the legendary frankie knuckles trax classics.
what else needs to be said? one of the godfathers of our scene, a true classic himself, frankie behind the wheels or behind the boards was simply top shelf all the way down the line. a real original whose influence and touch can still be felt today.

nice price deal !!! limited repress! ukrainian artist anton melikhov known as rayo has brought an original vision of techno and minimal music to propaganda records. his long way as an artist and experience of being resident dj of moscows best club arma17 since 2009 naturally came out through his production. side a contains minimalistic >mayachnya< produced by rayo and yuri usachev - it is as close to >one take record< as possible. also heavy, broken and not ordinary >lezo< made for listeners who are looking for a powerful party. our friend deadbeat found interesting to make a remix on >lezo< which suits very well for side b. as usual we print 180 gr inside-out black wax in a gatefold sleeve.

apollonia music unveils its latest release, which comes straight out of dan ghenacia s lab. the fresh new ep is amusingly titled the egg after his son, who was born just a few months ago, and sees dan bringing together three productions with different styles and flavours, each with an egg-related track name. it s been a while since monsieur ghenacia appeared on apollonia s label, but this ep is definitely worth the wait... on side a it s o&#776,,,, la coque (boiled egg), aptly-titled with its aquatic low end percolating and bubbling away. quirky effects keep things interesting throughout, adding depth and movement... then we get a killer riff which lifts the vibes higher. once that disappears a mysterious set of chimes arises from the deep adding a mystical feel to the track before it continues on with its bubbly groove. flip the record over and side b kicks off with mykonos huevos , which boasts hard-hitting percussion and a sublime b-line designed to get those hips moving with a sensual rhythm. the insistent, dramatic atmosphere is relentless and this is one of those cuts that will captivate the dance floor when it s dropped. lastly, we have sunny side up which rounds off the ep nicely, bringing that sunday after hours vibe you ll find at dan s party godeep. this one has a heady vibe with a hypnotic main riff and secondary piano riff that complements it perfectly. the beats are crisp, the low end warm and soothing which, combined with progressively trippy atmospherics, envelopes you and transports you to a better place, way beyond the stars. ... and there it is, a thoroughly eggscelent ep from dan ghenacia, courtesy of apollonia music

phil collins’ 1990 live album back on double vinyl, housed in a gatefold sleeve.

the cardigans’ 2nd album from 1995 back on 180 gram vinyl, housed in a gatefold sleeve.

support for my life at 45 part 1 came from huey morgan and craig charles on bbc 6music the second instalment of dr rubbefunk s my life at 45 series. canvas cathedral on the a-side is a jazzy all-instrumental affair that will have you head-nodding like nobody s business. over uptempo hip-hop flavoured beats reminiscent of early 90s golden era hip hop, chopped and looped riffs from sax man ben castle give way to rolling melodies and rapid fire solos. on the flip, unstoppable gospel powerhouse izo fitzroy is here, flexing her soulful tones over one of the most elastic basslines ever pressed on wax. underpinned by signature laidback drums that groove like a classic rhythm section of yesteryear, tasteful guitars and chiming electric piano weave their way between izo s lyrics and, bingo! that s a little blahzay right there! always keen to give the djs a bonus, the good doctor even squeezes some canvas beats onto the 7- for good measure.

i really felt that uku led me to this music and what to play it happened straight when i got back home from his funeral. maryn. lta fusion featured on this album was one of their last co-writes. maryn took what foundation her son played, and finished the song with him here.

pressing on audiophile 180 gram vinyl.

matéria exótica, exotic matter in english, in physics, is described as special because it can bend spacetime in a way that time slows down. this is the energy the label wants people to have with its music. for the first record, el_txef_a delivers a 2 track side full of emotion and -martian- sounds as he often calls it. a basque producer who stands for a specific and complex sound signature, in his discography we find releases on labels like “permanent vacation”, “mule electronic” or “hypercolour”,he has as well released two long play albums “slow dancing in a burning room ( 2012 )” and “we walked home together ( 2014 )” aitor etxebarria is the man behind this mystic artist from bilbao “el_txef_a” american born, berlin based snad, who has labels like smallville or minibar in his repertoire was the chosen one to remix the main track, blue boat, and give it a dancefloor touch-

fleetwood mac’s 1997 live album for the first time on vinyl.

180gm black vinyl repress in gatefold sleeve *
re-issued three years to the day of original release, technimatics soulful drum & bass album desire paths.

ltd 2019 repress - debut album from blawan, possibly one of the finest techno records you ll hear this year ... physically and mentally draining in the best way possible, wet will always dry is maybe the most complete statement from blawan to date, and as such should be ignored at your peril. this becomes evident from the album-opening “klade,” a dizzying, tumbling flight of pure energy over overlapping fields of electrified menace. this sets the stage for “careless,” which retains the hazardous, crackling atmosphere but dials back the intensity just enough to make room for a new feature, blawan’s eerie and disembodied vocals.

a collection of maxine brown’s finest wand recordings.

the 2008 christmas album from the great aretha franklin available on vinyl for the first time.

6 sides of vinyl containing 21 extended 12 inch mixes of essential disco anthems.
housed in a gatefold sleeve with original artwork & pressed on 3x 180g heavyweight black vinyl.
the jacksons / earth, wind & fire / the three degrees / village people / odyssey / patrick juvet / ottawan / eruption / boney m. / tina charles / anita ward / herbie hancock / melba moore

incl 80s hits sussudio, dont lose my number & one more night ! remastered reissue on 180 gram audiophile vinyl.

the 1978 blondie classic back on 180 gram vinyl

jammin unit is not only my brother but one of the most prolific producer of electronic music since the early days of techno. he is one half of legendary electronic super group air liquide and made his way into history books with tracks like -if the was no gravity- and -revelation- lately featured on nina kraviz - fabric 91 mix.

three years incubation, visionquest compadre antonio thagma returns to follow up his evergreen ‘leather soul’ ep. taking off where his molten constructions left us in 2015, it’s another kinetic experience where the groove is full, and only, focus… and the one and only ricardo villalobos is on hand for a genuinely beautiful remix. ‘sferikum’ instantly locks you in: upbeat with a subtle strut and a maze of psychedelic textures, this one is all about the rolling subs that underpin every element, bringing everything together with fluid motion. it’s backed by the broken electroid charm of ‘everything i wanted’. spacious, pensive and laced with an array of dizzying details from sly acid sinews to crafty drum variations by way of a sudden heart-stopping breakdown. truly, this lives up to its name. complementing these two exceptional originals, and celebrating antonio’s return to visionquest at the highest level possible, villalobos has been recruited for remix duties. a key staple of his sets this summer, it’s a singular 13 minute trip rich in subversion, twists, glitches and surprises. but, as always, the groove is the full, and only, focus. welcome back antonio…

12- with standard cover (without artwork cover) - on this first captivate vinyl release by inertie you’ll cross the way of two different kind of minimal house. the rhythmical one on the a side, with two bomb tracks from anam nesis & max cohle, surfing between the romanian wave and the strong tech from dance floor. on the b side, let yourself go to a nice, celestial trip, with two tracks from dragutesku and sÿn & vlaskiu. those two other tracks will be perfect to suit all kind of good vibes after parties.

limited black repress. bluetrain aka steve o sullivan remix! primary colours keeps the theme going on their reserve series collaborating with another great friend, silver ash. >mad roy< found its way from brisbane to melbourne to the victorian coast before finally finishing its journey on this limited edition 10 inch wax. modulating synths, polyrhythmic percussion, tape delays and one massive bassline all work in tandem to create a tune full of building grooves and sneaky surprises. mad roy will shake the foundations of the biggest clubs. mad roys remix began its journey 16 years ago. richie hawtin released >closer to the edit< that year and was picked up at the local record store and immediately played on the car stereo on the way home. instantly mesmerised by the groove the sleeve notes were pulled out to find bluetrain vs dean decosta >diminishing returns< special edition dub on mosaic was that record. that moment changed everything. it would be their dream to one day have one of their tracks remixed by one of their biggest influences and this day has arrived! introducing the special edition dub by bluetrain.

sune presents infectious disco grooves on live ones.

remixed with love volume 3 is the latest edition of what has become the industry-leading disco remix series. no one knows this era of music better than dave lee, who under his joey negro alias once again turns his impeccable hand to some of the best-loved records ever committed to wax.

visionquest return to their special edition vinyl-only series and welcome a new friend to the family: greek craftsman bodj. following a remarkable run of releases on the likes of his own audiorama and memoria earlier this year, the athens-based dj continues his vein of form with these four wide-ranging tracks... ‘parusha’ takes the lead with warm tones and textures. airy pads and an insatiable chicago-like bump to the voluptuous bassline ensure this grabs full attention the moment it enters the mix. it’s backed by three other vital cuts that express bodj’s true breadth and vision: ‘miaplacidus’ celebrates one of the brightest stars in the night sky with a stripped back, sub heavy hypnotic groove, ‘phantom’ kicks with timeless house dynamics that subtly evolve, twist, turn and fold into each other over its eight minute journey before we end with the wonderfully titled ‘trip to planet love’. once again showing bodj’s scope and stylistic flexibility, it closes the show with a hip-wriggling electro twist. slinky breakbeats, bubbling bass and a space-age feel, it’s every bit as cosmic and full of love as its title suggests. a perfect way to end another perfect visionquest trip. happy travels..

tact recordings vinyl only sub-label tactics returns this august with tactics vol.3 , a three-tracker coming courtesy of label co-founder fletcher.berlin-based producer and dj (richard) fletcher, also known as one half of duo adventures in daydreams, has been steadily carving out his own brand of soul infused house and techno over the years, picking up support along the way from luminaries such as larry heard, oskar offerman, mr. g and ivan smagghe along the way as well as shows on his home turf at berlin hotspots like ://about blank, sisyphos and golden gate amongst others.leading on the package is oildrum with skippy hats, bumpy wooden percussive hits and a snaking bass groove throughout as modulating synth whirrs and airy pads silkily ebb and flow within. faucet follows, featuring long time tact recordings artist luke black, edging things into dubbier realms via ethereal, billowing chords, rumbling sub bass tones and metallic percussive chimes to create something raw and hypnotic before brewed rounds out the package, this time round laying focus on a swinging organic drum groove, bubbling, glitched-out synth tones and ever-unfolding atmospherics continually keeping the tension building throughout.

since efficient space excavated andy rantzens mind-bending will i dream? the rest of the world has become better acquainted with the darker & dubbier side of one of australias rave superstars. were excited to present a selection of tracks from andys incredibly diverse oeuvre, 6 songs that sit somewhere between 80s digital reggae, 90s rave and the horizon of our accelerating future. lifting the veil speeds up snappy drum programming and a thundering bassline to breakneck speeds, pitting them against sombre chords and strings, perfectly capturing the reflective headspace of a night drive through babylon. cosmic vibrations harks back to the development of fully computerised rhythms emanating from jammy and tubbys waterhouse studios, by way of erskineville. in the same vein, bedtime for boo boo sees andy joined on the boards by sydney dub technician sheriff lindo, creating a dynamic digi-dub number that is sure to come alive on any soundsystem worth its weight - a heady showcase for two of australia’s finest reggae talents. flip the disc to find move it, the most concentrated dose of the jungle vibes that permeate the ep. rantzen channels the headrush sonics, breakneck drums and euphoria of d n bs heydey, nailing the red-eyed early am atmosphere of a sydney warehouse ca. 95 - and its just as likely to cap off the night of many a secret inner west location to come. magic lantern marries a dreamy synthesizer melody with a wicked, subby bassline. if there was a dancehall scene in ferngully, this wouldve been the soundtrack, with enough low end to really rattle the treetops. on closer dub generator, a slightly-creepy mechanized voice urges you to “leave your worries at the door come and join your friends upon the floor - an introduction to the dancefloor or an induction into some sinister cult? whatever the message, the dub chords and massive bassline lull you into the headspace where these words take hold. all songs recorded at masking tapes, liquid blue and 1/66 enmore rd, 1997-2000.

"moscow is the city full of posh decorations. like a black hole, it’s gorging clouds of chaotic ideas. madly fast, it’s flooded with shallow hippies, jealous dealers and susceptible artists. everyone desires to have its own piece of luck, looking for the shortest way to some easy life. most of the nomads arrive from the capital suburbs and other big cities of immensely corrupted russia. everyone can tell a tale from outskirt. senseless rivalry and art falsity together make the special demands: your tale has to amaze, to inculcate; you must do something notable, freaky one and truthful. to dare to let it. there are no any rules. your voice has no matter, the only important is a sales skill. the local scene is tired of identical copying outside world’s standards. thereby the more your approach is unacceptable, the more valued is it. but the more it’s valued, the faster it will depreciate. the glossy shell with cheap content is the way to survive in such a tight plexus of cruel love, substance abuse and electronic music."

camelphat and yousef have known each other for many years. much alike one another they ve earnt their stripes, contributing to the dance music industry in a plethora of ways, dj ing, running events, running clubs. naturally, this friendship, teamed with camelphat s admiration and understanding of circus recordings, led to the exchanging of demos that finally manifested in this release. opening track the solution is nothing short of relentless. having had numerous plays out, the track has been dubbed check-mate on the dancefloor . with second track, dmt , yousef was immediately hooked on the way it pushed the boundaries of camelphat s vision further than ever before. indeed, a fully twisted techno work out that sees heavy kicks and driving bass build, amid looping sirens, to not one but two huge crescendos. this ep showcases club music with the heftiest of parameters. undoubtedly, another enormous ep for camelphat and a fitting following to the equally enormous say something by nasser baker already out on circus recordings

cititrax is very pleased to announce cherskogo drive, a full length lp of 6 tracks from one of moscow’s leading underground electronic artists, pavel milyakov aka buttechno. he may not need any introduction to some but to those not in the know, he’s a unique, relatively new yet prolific musical artist who uses a vast range of instrumentation to create his sound. his music captures the listener in the most thoughtful, precise way.
milyakov makes spacious, dystopian, and wonky reflections on techno that mirror the expansive barrenness and desolation of his high rise-dominated environs. despite keeping a relatively low profile, buttechno still manages to attract significant positive attention, whether providing “spastic electronics and fireball ballistics” in one of the local boiler room event or creating soundtracks for european fashion shows. he has close ties to the area’s design and fashion scenes, and his own artwork fleshes out a singular aesthetic.
the 6 tracks on this lp range from driving electro to 90s techno to slower paced, dirty, perfectly pitched 808 sounds.
limited first pressing of 200 copies on grey vinyl.

cititrax is very pleased to announce cherskogo drive, a full length lp of 6 tracks from one of moscow’s leading underground electronic artists, pavel milyakov aka buttechno. he may not need any introduction to some but to those not in the know, he’s a unique, relatively new yet prolific musical artist who uses a vast range of instrumentation to create his sound. his music captures the listener in the most thoughtful, precise way.
milyakov makes spacious, dystopian, and wonky reflections on techno that mirror the expansive barrenness and desolation of his high rise-dominated environs. despite keeping a relatively low profile, buttechno still manages to attract significant positive attention, whether providing “spastic electronics and fireball ballistics” in one of the local boiler room event or creating soundtracks for european fashion shows. he has close ties to the area’s design and fashion scenes, and his own artwork fleshes out a singular aesthetic.
the 6 tracks on this lp range from driving electro to 90s techno to slower paced, dirty, perfectly pitched 808 sounds.
standard pressing of on black 160 gram vinyl.

by now, the story of how jlin went from working in a steel factory in gary, indiana to being one of the most widely appreciated electronic musicians is well known. “black origami” was one of the most lauded albums last year. seriously prolific and seriously hard-working, she has toured constantly since its may 2017 release and despite being involved in a wide range of projects, still manages to find a balance and time to “do some personal healing and growing.”
here we are over a year later with “autobiography,” the score for her collaboration with renowned british choreographer wayne mcgregor (a collaboration arranged by krakow’s unsound). this isn’t technically her third album (that’s due to arrive in 2019 or 2020), but the soundtrack stands up on its own with all the emotional peaks and troughs of a well-sequenced lp.

the best of u2 from 1990-2000 - remastered and pressed on 180 gram double vinyl. housed in a gatefold sleeve

the space groove odyssey of the natural yogurt band continues in the black grooves of the milky way. after exploring the majestic neptune and its 13 moons, revealing one of the best-kept secrets of the cosmic-groove ascending jazz universe, natural yorgurt band continues its mission as david bowman and franck poole of clarke and kubrick, in 1968 simple coincidence or bad shot of the not so artificial and petty intelligence of carl900 the story does not say it (yet) but we can think that the sound of this new 45t of four intergalactic gates brings incredibly futuristic answers the mysterious origins of this music that lives in us! -everything will be fine- we slip from the depths of the galaxy before inviting us to wave on the moogulation of a dreamlike -punchbag-. everyone seeks his groove and tnyb leaves us free to choose our path, preferably milk, on a -this way or that way- beautiful to cry the stars. do not miss that they perform miracles ... has anyone ever heard of turning water into wine? wait ... oh my gods!

sl011 is on its way! to celebrate our most beloved format we mix the old and new and bring together three artists we ve just taken on board with regular sl artist joey kay from chicago. special artists, special audience, special music, special release: 180 copies, 180 grams. nothing more. nothing less. pandilla ltd opens up the feast on the a side. a collective of three portuguese artists, this trio of producers-composers made a name for themselves through their distinctive minimalist approach to music. and what better way to introduce them than the very title of their track: -you get to know-. do meet the guys and enjoy. chicago resident joey kay was already with on sl001 and sl003. but why would we stop? here he is again with some new gems. joey s been producing quality and selective underground house music since the 80s, giving us each time delightful hints of what good chicago underground truly sounds like, far away from seasonal trends and close to his own philosophy instead. open up your ears and heart, as joey will be -trying 2 reach u- with his beautiful ode to the golden age of house music. the end is just the beginning, people. flip the record, start again, and let tommy guide you. tommy vicari jnr is an underground music hero well known for his singular and very unique sound. tommy plays by his own rules and tastes. he produces and releases tommy s kind of sounds and tommy s kind of sounds only, regardless how of far he needs to push the boundaries of his musical world to find the right beat and hit. -decided- is sl011 punchy bassline banger, in case you thought of falling asleep between both sides. for don t forget: true dancers always dance. almost the end, we know, but dry your tears, we re not there yet, no, no. harrison bdb aka harry weber is here with us for the last stretch and a final sonic hug - one to remember -. harrison s immersive approach to deep house has earned the man his credit, solidly grounded in the finest and deepest selections. the kind of selection, in fact, that d make anyone want that record again. mind you, this is probably what this last track -going back- is telling to do. ready? flip!

till today fumio itabashi is a vital part of the japanese jazz culture as a live performer and film score composer. those who want to see how he makes love with his piano should check the world wide web for the french documentary jazzed out, that captured his unique way of playing in one episode. but as music is always firstly for the ears, and not for the eyes, this little letter in-front of you would rather like to recommend to play the “watarase” recordings loud to get hooked by the highly infectious piano gems that have been recorded at nippon columbia 1st studio in tokyo on 12th and 13th of octo-ber 1981. they will haunt you. they will come for good. and they will force you to be a good friend with the repeat button – whatever medium you chose to surrender to the piano jazz music of fumio itabashi.

next up in this ongoing split-ep series are two equally talented producers from different ends of the spectrum, both sharing their unique viewpoints on that special dreamspace of self-awareness and how the way there actually sounds like! following his explosive figure-ep just this recent summer, juxta position now reveals his more sublime side on these two technoid journeys. keeping it raw and beautiful, the analogue lover lets his synths engage in dialogue, floating through murky realms and simply getting lost in the groove. a new face for figure and definitely one to watch is pablo mateo. taking a likewise subtle yet distinctly more grounded approach, his tunes unfold slowly and each tell their entirely own storyline. tomo is an extraordinary specimen of how a track grows past its confines, into something genuinely touching and can eventually open up that space inside and what lies beyond!

hekla’s music exists singularly. a one-off talent, emerging from no particular scene, ascribing to no particular rules.
as a creative tool, the theremin - bizarre, unique, and rarely heard - can be expressive, intuitive and highly adaptable. in hekla’s hands, her instrument covers an enormous range, from skittering birdsong of high frequency chirrups and chirps, to grinding, tectonic sub-bass. we are given the throbbing, apocalyptic dread of muddle and the baroque beauty of traditional icelandic hymn “heyr himna smi&#8706,,ur” in sequential tracks on the album’s a-side. appropriately, she also writes that the album title - Á - is similarly multifaceted in her native icelandic: “a river is an á and also it means ouch like when you hurt yourself, and also when you put something on top of something you put it á (on) something.”

flevans returns with a killer 45 for the funky dancefloor! leading the way is “who’s got me” - an up tempo disco/boogie cut with more slap bass than a clone army of larry grahams… it’s a tasty dancefloor number with a big top line from none other than laura vane (mj cole, gnarls barkley, laura vane and the vipertones) who absolutely owns the vocal duties as anyone who is familiar with her work would expect. oooh weee!
over on the other side we have more classic-sounding flevans material with the party starting funk breaks of “take your money”. his signature jazzy keyboard and guitar licks converse with cheeky vocal samples all flying in and out of this slick production in a delightful fashion. it’s all about the beats on this one – it’s a guaranteed foot mover!

the free fall, to dive head first into something, is scary for most people. for some it is the most exciting thing however and the only possible path anyways. florian is one of those driven artists who never sounds the same, his signature tone is the free fall into new soundscapes, new ways of using his analog electronic instruments and carving out the essence for the dancing individual.