after the success of his backwards light ep slackk returns to r&s with another 6 tracker of instrumental grime mutations. a figurehead of the uk scene through the influential boxed night he runs alongside mr. mitch, logos and oil gang, slackk aka paul lynch distils the boxed sound into his own inimitable, richly melodic style.

for their third release, hard beach entertainment dug deep into detroit history and unearthed the enigmatic dj scsi whose only release to date came out in ’97 on d-bass. never released before, these four cuts have been fished out from dj scsi’s own archive, uncovering some of the finest electro/ghetto house from the d. massive!

wonderful ep. please welcome mr.vicmari from south africa to the eclipser family. this lovely, very talented guy gives us 3 beautiful tracks from his album. cab drivers kicks who could measure into another depth and makes us again a irresistible remix to take you on a deep trip. warm vibes & deep fun.

ultratheque pays tribute to glasgow s first ever laser disco and the first dancehall that hifi sean frequented as a teenager. soft cell/the grid analogue keyboard maestro dave ball adds his trademark sound on this solid electro groove making it sound like some lost dub from nyc danceteria days dave himself with skull bandits crank up the electroclash vibes on the remix and turn it into a full on dancefloor onslaught like ultratheque itself was back in those laser-tastic days.

janette jnett pitruzzello is considered something of a legend in her home city of melbourne, where she’s been djing for well over two decades. here, she delivers her debut solo ep, featuring a quartet of tracks co-produced by maurice fulton. the latter also delivers a solo mix of opener reflection, which adds a little leftfield disco sparkle and percussive sweatiness to an otherwise organ-heavy deep house groove. theres a similarly cheery, funky and disco-tinged feel to the rolling, cut-up house goodness of swangzipani. elsewhere, the duo gets a little stranger in pursuit of dancefloor thrills bubbles away is deliciously dark, wonky and intergalactic, while judge not wanders off into head-nodding, instrumental hip-hop territory.

paramida proudly presents tehran bomb - the first in the new edit series from love on the rocks. this ep represents the first outing for label boss paramida on her own love on the rocks imprint since its debut ep from massimiliano pagliara in 2014. two edits bound to induce air raid sirens and international sanctions from isfahan to tel aviv, a-side beyond katovl channels peak time hi-nrg tension and proto-trance euphoria to send early-morning chills down the spines of unwitting ravers and u.n. delegates alike. b-side ms. bombastic takes the long way home, luring unsuspecting bystanders into a hypnodelic desert march to the outer rims of the after hours, proceeding through the neukölln sahara with a heavy-driving bassline on a seven-minute journey to a hitherto-unknown spiritual oasis. supported by camel herders and snake charmers from here to ahvaz. b-o-o-m.

future times is very happy to announce a new record from rbl, who we haven t heard from since his 7- for ft (the second-ever release on the label) about 7 years back (!).tip once again the songs are split up into dance and romance sides, on the dance side we have -frequency illusion,- a glorious slap of vibro-house for the deejay crew, coming in hot like a rugged pal joey tune, and on the romance side we have the slow hypnotic funk of -number games,- complete with dope mantra vox and italian slo-house chug. this one is a doozy!!

the second release in this series starts with the heavily supressed and hypnotic energy of efdemin’s spiegelkerker remix on side a. creating a dreamlike atmosphere, the track is carried by a slowly developing beat that keeps you totally engaged as it floats along. as a contrast, psyk’s remix of miscellanous pt.7 on b1, with its classic 909 drum appeal and engrossed pad harmonies, creates a very deep classical vibe worthy of a black dog reference. the final track, a remastered version of morgenstern’s return of the living deaf presents its pleasantly over-funked snare programming and build-ups that forge “true techno” eclecticism and dance floor functionality into one mighty laser sword of a track. limited to 300 copies

supernature ep is the opening release of our new series. this time, the concept of a place different than earthly space is guiding arche into new and different shores, seeing what lies behind the horizon. since some time, prioleau - with his unique sound and personality - became more than just a good friend of arche. with his first ep he bring us to darker and rawer fields. the original feeling of this track was first experienced by most participants on a memorable weekend in the countryside.

tresor records proudly presents the second chapter in mønic’s musical journey on the label. head of osiris music, mønic is an accomplished producer whose style can be defined as raw yet exceptionally refined, allowing for a certain industrial inspiration to ooze from his exquisite sound design. ‘four sides of truth’ opens a conversation between pristenely defined low frequencies and an infinity of fleeting, chirping synth layers. this discussion will continue throughout the record, taking additional drums into the exchange and swirling into ‘point to the sun’ in full panning effect. on the other side, lower frequencies undoubtedly take over and win the argument in ‘self doubt is worthless’. uk-based kamikaze space programme contributes with a revisited version of ‘morse’, initially released on the parsons hill ep. preserving the abrasive textures of the original, ksp dramatically raises the track’s thrilling factor.

trax launches a new re issue series chicago trax, which delves deeper into the archives to unearth more lost tracks from the legendary chicago house label.

death waltz recording company is proud to exhume another classic from the hammer horror stable in the shape of “dracula a.d. 1972”. bringing the legend of bram stoker s immortal creation into then-present day, the film pits the charismatic count up against the disco decade after being resurrected by a group of hippies performing black magic, with cristopher lee and peter cushing reprising their signature roles. composing this madness was mike vickers, former member of 60’s pop quiet manfred mann, who provided a suitably contemporary score that followed in the footsteps of jazz scores from that era.

taking the release-portfolio into account, rampa built over the last years on keinemusik, him adding a new ep to the label s catalogue is worth every credit of trust. and this very “trust” ep is living up to that not only by its name. it certainly offers value for money, considering km-releases have mostly been two-trackers. there are four cuts on this one, each one following a different approach, making it also a hella versatile record.

eclectic house boogie techno label from the netherlands run by thee j johanz. (thee j johanz, roland klinkenberg rmxs) green transparant vinyl. kambo is a dark and mysterious, almost chris & cosey sounding, 808 driven trip into the amazon.

it s fair to say that boris bunnik has made an impact in his short career. in less than a decade this dutch man, under monikers like conforce and versalife, has scaled electro and techno with subtle ambient touches and idm echoes. and that s exactly what he s doing for the singularity ep. lush pads and flowing bars punctuated by crisp percussion, -shine eye- sets the scene. -autobots- adopts those same brittle beats, this time using them to send dreaming strings skyward. northern winds swirl around the colder chords of -milnet-, chords that dawn into absorbing swirls of -transgenics.- masterful machine music.

the third instalment of king street sounds kerri chandler focussed house legends series sees us digging into late 90s territory with the ep kicking off with harder gets higher, a stomping garage groove with dope flourishes of live percussion, typically heavy on those swinging drums and the deepest bassline, all of the trademarks we ve come to expect from the man himself

180g vinyl only release! marionette wanders through the polyrhythms and shifting harmonics of benjamin kilchhofer’s “dersu”. this is an expedition into modular synthesis and physical modelling, where patches become complex instruments, and the instruments become music. kilchhofer composes the 4th marionette instalment, enveloped in a film of spring reverb and tube distortion.

white visitation steps up with his second release for blank slate. 013 sees the rising producer stepping into faster, more techno centric realms with a thumping low end and heavily textured layers of percussion. seriously heavy, high intensity rollers straight from the lab.

alex aq constructed “don’t break” and “shake it” as a reflection of the sounds heard at the club. pounding drums, rhythmic, scattered synths, white noise, and choice vocal snips that send you into a trance are the core characteristics of both tracks created by the cubanmeister.
on the flip, myles serge of knotweed records and his own label (ms) remixes “don’t break it”, taking it in a trippy direction, with 808 drums and dreamy stabs that sound fresher than ever.
last but not least, lpz’s own techno duo p. lopez & octavio take “shake it” and turn it into a techno monster consisting of heavy stabs and an undeniable groove.

is the cornuta sounds return after a long resting time. this new 10inch contains one of the most saved songs by above smoke (deep explorer) that runs into the jazz world and an outro take for djs. the flipside brings a great rework by the label boss (w&p hgg).

tominori hosoya is the project of japanese track-maker tomi chair and for the past years he s been on a steadfast journey in the land of soulful house. his most recent offering on mixxrecords entitled life goes on ep includes four tracks, three originals and one brothers vibe remix. starting off with over the sadness, the first piece is a laid back groove with a solid bass backbone animated by classic house hi-hats. strategy meeting gets peppered with wobbly synths, giving the cut a seemly acid vibe against a steady percussive background. with 32-33 (one decision), tominori delves into his tribal side, keeping the focus on exotic drum patterns. the dreamy synth melody provides a contrasting yet fitting backline. for his remix of strategy meeting, brothers vibe goes full force and turns the track into a peak time floor killer, with a hypnotic percussive line, a solid project for certain!

new yorks jkriv returns with his outfit the disco machine to release another big-hitting track on 100% original disco label file under disco. make it hot, which he released on the imprint a couple of years back and then found its way into the sets of top disco jockeys all around the globe including rahaan, horse meat disco, idjut boys and greg wilson - has been called a future disco classic in the making. the new single, cant give it up, again features the amazing vocal talents of adeline michele from escort and picks up the beat right where make it hot left off. and with an infectious blend of top class live instrumentation, real quality vocals and high-end contemporary studio techniques, the result is yet another dance floor weapon

pete herbert drops the second release on paradise row - the imprint he and dicky trisco set up to release their own output. mango moon is a very herbertesque number pumped full of musical influences from house to italo to disco, but with an eagle eye at all times on driving the dance floor really wild. pedro demonstrates his years of experience as both a producer and a dj in a track that captures so much of the territory he has covered in both guises over the years. with its pumping live disco underbelly, its melodic italo-style keys riding on top and its rock solid drums, it really is a very classy production by a dj/ producer who knows where he wants to go and how to get us all there at the same time. meanwhile on the flip, his label and dj compadre dicky trisco flips the track in a live disco direction with an epic take of his own that throws more than a few surprises into the mix. dicky teases the dancefloor with a long build up but just wait until those wicked keys by faze action s robin lee drop in! quality stuff, & more great dance floor tackle courtesy of paradise row.

kevin arnemann and daan kemps taped artifact label clocks up its fourth release with a three track offering from outlaw rec boss and key part of the italian serendipity club, namely matthew oh. matthew has previously released on his own label and others like side off, and eloquently marries dub, techno and house into smooth and sensuous sonic landscapes. the opening track psycho hub is an atmospheric and spacious roller with dubbed out drums and pads, coupled with incendiary hi hats urging you along. shroud is seven minutes of slick and spaced out deep techno with liquid synths and clacking hits all racing along and making for a frictionless groove that sucks you right in. finally, get in the fridge slows the tempo down and becomes an even more widescreen and roomy roller with suspensory pads, smeared synths and aqueous sonic details that make you feel like you are floating in sound.

** ltd 2016 repress ** the next release on fofs deeper house offshoot sees the labels roster swell to include two producers who are ascending the ranks, their recent >gruff it< track on the hotter than hot >visionquest< label has turned a heads and they look set to continue their upward trajectory. matthew has also released solo projects on john shepheards >retrofit< label as well as providing the debut release for sammy ds >ultrastretch< label. not only that but matthew is currently in the middle of his summer residency at berlins much revered club der visionaere. >take me away< is a pure slice of chord driven deep house and as such is a slight departure for the duo, the melodies inclining towards more melancholic feelings. remixes come from recent fof favourite scahtrax who strips the track right back, injecting a booming bass heavy kick drum & atmospherics to lend the track a more hypnotic tone. label co-owner blm injects a dubbier feel into his take on the flip. finally, matthew burton goes solo for >tell them phill sent ya< - a loose limbed dancefloor workout reminiscent of perlon in their pomp.

francesco tristano really needs no introduction lately, his music speaks volumes and his reputation precedes him with that said we are happy to share place on lafayette with you once again, this time including some stunning remixes. the first one is a collaboration between two highly respected artists: thomas gandey and radio slave. the two take the track further into tech-house territory with the percussion driving while multiple layers begin the fall into one another, achieving a beautifully elegant and jazzy end result. gutis vision is much deeper, with hints of dub here and there as the artists drives the tension up and creates a stunning groove. the final remix come from tuff city kids, who are known for their sometimes unconventional approach to making music, and in this case, it works. they channel a raw vibe and create something that is quite possibly the furthest thing from the original in terms of percussion. the pianos keep the thread strong, and the rhythm takes care of the rest.

kicking off this four track ep is one of yuri s most dynamic productions to date. wildly oscillating synths and snapping handclap-led house beats drive east west connection , while what starts out as an acid synth shifts through a cycle of changes before evolving into a detroit-style riff. both nervous arp and morning at home take the same palette of sounds into much deeper territory, touching base with electro funk and straight up jazz-fusion, highlighting yuri s versatile musicality and distinctive production style. modular is an older track of yuris - a non-stop ride through wonky, synthesized fusion with hypnotic keys and rolling drums.

wah wah 45s return to the 12- format to bring you three incredible re-works from french disco don the reflex, for our very own legendary canadian/haitian keyboard wiz henri-pierre noel. funky spider dance is a percussion heavy bomb filled to the brim with henri s soaring piano licks and infectious female vocal hooks. the reflex has taken what was already a sure-fire club favourite, and created something of a dance floor destroyer. his rework of a fifth of beethoven takes its time to build into another heavy hitter. as the beats make way for henri s deft keyboard flourishes, the recognition of this cover of the walter murphy classic (taken from the saturday night fever soundtrack) begins to dawn - and as it does, it s clear that once again the dream team of hpn and the reflex have worked their magic! last, but certainly not least, the reflex s revision of back home..., sweet home is a modern island funk masterpiece with organ and tropical guitar riffs making way for sunny brass stabs all underpinned by foot friendly beats. the original versions of funky spider dance and back home..., sweet home can be found on henri s one more step lp, and his take of a fifth of beethoven was recently available on 7-inches of wax - all on wah wah 45s of course. the reflex revisions all appear here together on vinyl, in fact anywhere, for the very first time!

the weeping tune was originally released (digitally) in september 2015 on pg tune and premiered in arma17, moscow. barnt: artist, friend, dj and one of the minds behind magazine label, created his own version of the weeping tune to fit into his dj sets, one of the first times being at amnesia, ibiza. these energies naturally formed this release which opens the vinyl catalogue on pg tune: a must have record packed into a pg tune trademark sleeve, created with a thermal camera during tigas first ever live show at berlin festival. limited to 500 copies worldwide, pressed on 180 gram vinyl.

2016 repress , cosmic sounds of tokyo meets the tranquillity of nordic house music! aniara continues their sweet label with a guest release by auji from tokyo! two cosmic house trips into space that comes with an additioanl remix by the aniara guys thats adding a little spice and extra punch for the dancefloor! killer combo!

the jazzinvaders went back into the studio after two successful tours with hammond legend dr lonnie smith and the brazilian fusion group azymuth. the jazzinvaders decided it would be fun to spend some time in the studio to see if they could come up with a disco-jazz album.

* vulnerant omnes ultima necat*: all hours wound, the last one kills. first ep from the young sebastian eduardo, which takes you into a mystical techno and deep house trip.

bass culture reach that magnificent milestone of 50 releases with an extra special ep from someone who has become part of labels inner circle, the infallible mr g. set up in 2009 by paris stalwart djulz, bass culture records has maintained a consistently high level of music, crossing from techno into house and back again, always with a focus on quality over quantity. mr g delivers two special gems from his arsenal of weaponary to mark the 50th bsss culture release. the first, * transient* sees mr g in contemplative mood, taking a studied approach with this deep, soulful cut. softened pads are drizzled over a punchy low end, with tough, crisp beats supporting a stirring vocal which urges everybody to get up on their feet. the nineties organ lick gives it an almost sorrowful feel, and those pads continue to takes us up to the skies. a beauty. on the flip, * crumple zone* goes straight for the jugular with a driving b-line, alarming stabs and finger-clicking percussion to get that head nodding. combined with garbled, hypnotic vocal clips, its a mesmerising, eyes down cut for the late night heads. towards the latter part of the track, a naughty riff comes in and adds another layer of sleaze to proceedings. and there you have it, mr g proves yet again why he is such a all-round don and bass culture celebrates 50 releases with panache.

italian producer and be free label head jäger makes his debut on underyourskin records with a haunting ‘mystical journey‘ that turns out to be a playful minimalistic techno approach in the beginning, before evolving into a dark synth driven and more techhouse dominant tune gaining its dancefloor eligibility with a heavy baseline. louis kolben, part of agents of time, takes on the technoid approach to create a wobbling stomper that could easily tear in any location it is played at. ‘mizar‘, the ep‘s second track, partly connects with regards to content to ‘mystical journey‘ but focussing merely on that dreamy aspect that claims its listeners and leads one to a state of trance. steffen sonnenschein builds up the track slower to delay its peak that hits heavily when the synth sounds are let loose and set the pace throughout the end.

vactrol park, the collaborative endeavor between kyle martin (land of light) and guido zen (brain machine), returns to the esp institute with ii, rounding out the second half of their ep series. for this installment, a sojourn was made to stockholm to record at the computer music mecca, ems (elektronmusikstudion), where the artists had the opportunity to experiment extensively with the legendary buchla 200 modular and serge modular, two of the rarest and most pornographic modular synthesizers in existence. while both instruments originate from california (buchla in berkeley as a commission from pioneer morton subotnik, and serge at the california institute of the arts), the music vactrol park draws from these machines is far from warm and sunny. akin to their predecessors on the 2015 debut i, these works materialize a level of taste and measure of craft that’s unattainable by most, each retaining an individual cinematic approach yet working collectively toward one consummate goal—paralysis.

if everything suddenly changed – what would that be like?
qnete’s ep is not the question and not the answer. it’s in a hiatus between hopes and fears, still maintaining an eager energy. within a short period of time all tracks were recorded straight to tape, raw and improvised. they remember the sun bath before the storm, when you feel that something is about to roll over you. they express the urge and need to sometimes just jump into the cold water to face what’s coming next. they linger in the nervous energy when you’re lost and don’t know what to expect. but they also talk about the hope of finding a safe place.

mugwumps subfield label introduces its first signings with the belgian-italo duo front de cadeaux (brilliantly named after the belgian ebm pioneer group front 242). front de cadeaux are dj athome & dj hugosan. hugo runs the roccodisco label with italian disco mastermind rodion (gomma/nein) while belgian killer dj athome has been spinning italo wave & house in brussels since the 90 s. they expertly produced their own brand of supreme rallentato, which is a fucked-up slo-mo italo, acid, disco, techno and house hybrid that so rightly fits with subfield s mission statement of covering subgenres. their 2 first outings on roccodisco have been remixed by fabrizio mammarella and optimos jd twitch, and a staple in ivan smagghes sets. this full ep on subfield features 2 original f2c obscene & dirty slo-mo tracks at their most playful, ouvre ta bouche and front de cadeaux theme plus the magnificent dub-house of killers. remixes comes courtesy of factory floor s gabe gurnsey (dfa) in a quite brutal bleep-techno mood and manchester s nu-balearic kingpin ruf dug (music for dreams), getting into what he described as a 808 snare roll warehouse analog fucked-up version.

tired of the politics of the minneapolis funk scene it’s rumored the group has taken refuge in tokyo’s late night disco scene. their brilliant and cheeky song writing combined with incomparable musicianship will be sure to make a bold statement in the modern funk scene this year. “hot touch” brings bass that goes oops upside your head and down your back into your butt crack. we’ve all been burned before, but never like this. brilliant cut followed by the super deep two-step stunner “ain’t gonna last” on the flip. perfect soundtrack for the end of the party when you look around and yourself, “which one of these freaks is going home with me tonight?” out on star creature.

mattia tranis first full-length, an album inspired space travel, that continues to push detroit sounds, as well as venturing into some jungle rhythms.

our third release untitled emerges as a moody four tracker born in matteo luis home studio. the title track is the driest start off there could be. it monotonously heads for the tracks climax in manner of a cyclone, a straight stomper that evolves its full strength within its last solution, surprising with an acidic and dubby face that makes you want to dive right into the dashing structure of its last minutes.

continuing a sublime run of form for the label, the fourth outing on the lopasura imprint, is yet another classy trio of heady, analogue machine laden masterpieces. opening up with “out of the fog’, the familiar acidic arpeggio and crisp hits we’ve grown to love from benedikt frey, dance unwittingly along before being opened up by long, cinematic pads drenching the track with an emotion and grandeur so synonymous with his music. complimenting the a side, the looming intent ‘wolves’ adopts from the off evolves quickly into a driving, hypnotic and beautifully crafted piece that’s a true heads down, eyes-shut techno battle weapon. rounding off the ep on the b side is the exceptional ‘lights’. an unsettling, caliginous whir of industrial drones balances the tribal, percussive elements almost depicting a lost ship crashing over the swells of the ocean as it clings on to futile hope of finding the lighthouse. it meanders and threatens before an incredible synth hook ebbs in and takes over momentarily, before calmly simmering as the storm passes. never before has love pain sunshine and rain been more perfectly encompassed.

ygrok brings a long-awaited fourth release to its catalog. rene&#769,, audiard’s “sakhalin” takes things a step away from traditional club music.
the a side, “vox out” opens with the skeleton of a rhythm. scattered tom drums and barely detectable whirs, fading and reeling in the background. when the distorted voices begin their story behind a hissing, grinding off-shaker, you know this will not be your traditional club track. a story develops. the barest hint of a shuffling beat, a subtle reminder of soren’s previous work, pins down the journey into the darkest psychic territory. the title track sakhalin steps even further into darkness. crackling electrics and disjointed atmospheres change at a glacial pace over a submerged hydraulic beat. sakhalin audiard experimental territory.

following a year hiatus, hottrax returns to make serious impact with eno minimal from u.s. native dms12. veteran techno producer the model is also onboard to remix delivering a high energy cut of futuristic electronica. label boss jamie jones rediscovered the original track explaining i had it in a playlist in 2015 for ages and finally dropped it in my all night long session with seth troxler at the warehouse project. the place went crazy and seth asked me what the f..k is this? ive since played it on some huge stages and its insane, no matter where i am it grabs people and slaps them into space. dms12 is a dj and producer from new york. the model is a dj and producer from romania, founder and owner of the label adult central

modern love very rarely reaches out to artists outside of its immediate surroundings, it’s happened just a couple of times in the last 14 years. but there’s something about philippe hallais that compelled the label to ask him if he wanted to do something together. philippe has released music on a bunch of cool labels (l.i.e.s., the trilogy tapes, delsin, in paradisum), but hearing the first tracks recorded for lighthouse stories, it was obvious philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a footwork variant sewn up with an exotic production style that was impossible to pin down. these tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with turntablism, detroit electro and ghetto house, and eventually juke and grime. although he’s spent the last few years focusing on more industrial dancefloor variants, for lighthouse stories philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments, all things that inform the flow of this new album. lighthouse stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. frames of reference are hard, but in places it reminds us of the dusted swagger of anthony shake shakir, the acquatic drexciyan movements of ultradyne, a loose-limbed take on shangaan, and of actress at his most submerged. but ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.

introducing red d, the belgian dj and producer, one half of fcl (alongside san soda), long standing club promoter (since 1992), owner of we play house and general all round good guy. with releases on ferrispark and delusions of grandeur (with mcde), remixes on eskimo, regular sets at the likes of panorama bar and an ra mix under his belt you could say things are falling into place nicely. on top of all this his fcl project continues to go from strength to strength with a new ep dropping soon on kai kzr alces highly regarded ndatl label.

using his 2014 opal tapes opus ‘holo earth’ as a jump-off point, jimmy billingham aka holovr lays down an expansive 5 track mini lp for edinburgh’s firecracker recordings. deeply atmospheric and functioning in multiple realms, trace realm is a collection of drawn out acid and ambient textures with nods to early uk rave and no wave electronics. essential celestial, new age dreaminess, battered acid and fried techno. • unique 5 track ep from holovr • strictly limited vinyl • silkscreened artwork by house of traps

with releases on rush hour, mister saturday night and delusions of grandeur, nebraska is a man who needs little introduction. here, he delivers and amazing ep for heist, showcasing his talent for finding those catchy, but hard to pin-down samples. the soften the wireless ep navigates nicely between disco and house with 4 originals and an amazing tom noble remix. khans bargain will be the go to track the more disco minded listeners out there, with a catchy-as-hell synth line that you wish youd made up yourself. the remix, courtesy of nycs finest disco selector tom noble, goes on a clubbier path, turning the silky smooth original into a distorted house jam full of delays and filtered drums. the b-side sees nebraska turning towards the housier side of things himself, with the blues as a perfect example of minimalistic house. here, he uses only a small amount of elements to create an intoxicating and intense groove. it wont be long breezes through with a lighthearted arpeggio and some lovely dreamy vocals to set a more emotional vibe. ep closing track (digi only) varkala is somewhat of a special track, being dug up from an old hard disc and remastered for your listening pleasure. sincerely yours, lars & maarten

2016 reissue! ... of course best known as the dj of most mysterious drexciya, sherard ingram (urban tribe) has been a strong pawn in the resistance of underground music... now, out of the shadow of detroits underground, one of the godfathers of the electronic scene joins forces with belgiums underground label mewe/weme. immediately, the first track is confirming dj stingrays drexciyas membership while the second track is a dive into the (un)known abyss. and further with robotic and futuristic anthems reminding us all that big brother is more than just fiction... theres a 68.71 percent chance you re being watched right now

arts is synonym of future, this is an intensive work of art, a big dedication to bring art on a solid form, we present you shlomo, our new add on the label rooster is a big talent able to bring strong atmosphere into very deep grooves. the 2 cuts are outstanding, on top of that we added 2 masterclass remixes to complete the opera, inigo kennedy & label boss emmanuel. epic!