the highly anticipated follow up to his 2015 debut ep, arc, kamera returns to continue his journey on phantasy with four diverse new tracks that serve to expand his visionary take on modern electronica. conceived during a series of gruelling training sessions while cycling mont ventoux, the internationally infamous french mountain otherwise known as ‘the beast of provence, ventoux captures kameras vision in its most intriguing and singular form so far.

resopal-schallware records, known for its persistent pursuit of quality jams, unleashes the playa ep by santo domingo resident ernesto paredano. he’s an artist in the truest sense of the word who creates his own sound, his own expansive dynamic at the same time- the a-side contains the track yuca which features a surge of delayed bass lines and crispy static rises from below and echoes swoop and simmer. the 4/4 structure is infused with far-off blips and the dusty sizzles of low-pitched vocals. on „atea- warm tech keeps the sound organic while the other elements pull together around its weight before culminating. the three tracks on the playa ep could be classified as deep techno, but with enough power, groove and melody to set afire the dancefloor.

under his chemotex alias, marcos cabral has been one of the trilogy tapes most productive artists in recent times. this is his third 12&#8243,,, for will bankhead’s imprint in less than 12 months. unlike cabral’s recent album for l.i.e.s, which reveled in its’ own distorted, balls-out intensity, thulsa strives to get a balance between becalmed techno hypnotism, skuzzy grooves and gently melodious intent. this blend is perhaps most satisfyingly mixed on the industrial-tinged clank of “delta city-, though the woozier, scuffled late night warmth of “music for security” pushes it close. twice he heads towards deeper territory, first on the title track’s trance-inducing synthesizer loop groove, and secondly on the dubby, locked-in tech-house majesty of “lorentz-.

loaded comp of dj gear and smoker interludes. le sampler des copains (litteraly, the friends sampler, in french) is a 10 tracks, 2xlp bundle, showcasing both established and upcoming talents who currently gravitate around the faces records family.

let present you our next piece of jewelry, the womb ep . neverm!nd appeared for the first time on wirsindeins recordswith a remix of iori wakasa his track take u antarctica and now they are present with their own ep. the womb shadows and mobiers three tracks full of nicely matched percussions, tight baselines and greatful pads. everything your heart desiresand the demands of your mind of course. higuchi, our first family member launched its 2 track ep in 2013 on our label and now he is supporting this huge release with a brute and yet beautiful ...

all instrumental immersion from visionary los angeles guitarist and songwriter.
the middle sister, released by leaving records, is an instrumental album by guy blakeslee, guitarist from entrance. side a is all acoustic, improvised guitar music. someone said it “sounds like john fahey and sandy bull with celestial nuance.” side b is all electric. its more-experimental – think can, terry riley, “noise rock.”
the vinyl release includes a download code.

dirty macs highly anticipated return gets right to the gritty rub with four cuts of slow-burning and erstwhile white hot, dance floor choice.

q3a is a new alias of route 8, a producer who has credits on labels like lobster theremin and nous as well as black venison. now the producer serves up a sumptuous four track ep, space chamber, on the delsin label and it touches on many different styles with equally great results. lost souls is first and is an expansive bit of well driven deep house with rich synths and cavernous innards that really suck you in. next up is another serenely crafted bit of atmospheric house with dusty drums and lose hits all backed with heavenly pads and retro bass. the first of the b-side tracks is a chunky acid kicker with angelic vocals drifting up top as a controlled 303 line rips up the foreground. spaced out and deep, driving yet emotive, it is a moving bit of club music before the b2 trips you out on a silvery electro tip with its icy lines and slap-funk snares. overall, this is an expansive and perfectly formed ep and comes with a sleeve by boris tellegen.

on november 13th, pnn records will release the debut album of its most enigmatic artist myr. diamondbacks make wonderful pets is more than just a strange name, it nine tracks represent an exciting evolution in myr.s trajectory as an artist. following his debut ep nobody knows avalon myr. seems to have dug deep and discovered another level to his sound. each of the tracks on the record are confidently offbeat and precisely composed.a little-bitty bowl (with b.hotton), mixes thunder sound-effects with glitchy synth bleeps, layering them above darker tones which build to a perfect storm in the middle. this 10 minute track fails to get boring and is representative of the album as a whole. myr.s ability to carry off strange hybrids is what makes his music unique. from the ghostly warbles of i think i hear them coming to the sunnier sounds of eleanor, myr.s disregard for the norm has lead to an exceptional record that surprises at every turn.

italian melody makers modular project reveal their debut ep, a nature-dubbed and organic five track effort merging tech house and electronica. the endeavor kicks off with the nostalgy laden yet upbeat leaf, whose steady bassline gives leeway to a dreamy developing, synth lined harmony. aptly entitled into the woods, the second track goes into deep territory via distorted synths, a wave-reminiscent element that remains its central focus til the very last sequence. the woodlandish journey fully unfolds at the third track, a contrastingly darker ...

dark matters, the eclectic imprint founded by amirali is proud to announce its third release, paul valentin inner harm. growing up in a small village in southern germany, valentin was influenced by his musical family. studying classical guitar himself, he combines acoustic, electronic and field recordings in his music creating cinematic compositions.

the second part in his modernista initiation and this release sees tom mcconnell confirm his production versatility, merging diverse influences and sounds into a singular identity. 77 is rhodes-led house meets jazz, driven by drum box disco beats interspersed with surreal strings. hurled towards jupiter is a suitably atmospheric (cosmic?) track with swirling arpeggiated keys underpinned by a heavy bass line and off centre tribal percussion. peacefoot follows its own path, morphing from a submerged disco loop into a slow polyrhythmic acidic burn and back again.

*abjura detesta* its a 2 tracks ep which comes along with remixes from the canadian duo orphx and label owner p.e.a.r.l.
pressing on marbled vinyl.

orchestrating their return to kompakt with the much-acclaimed new full-length moonbuilding 2703 ad (kompakt 330 cd 124), iconic pioneers of electronic music the orb found fresh momentum in an enticing melange of psychedelic loops, deep textures and striving beats. the album saw the duo at the peak of its creativity, indulging in that distinct style of warped miniature epics they ve perfected, ever oscillating between ruminant sampling and propulsive jamming. with moonbuilding 2703 ad remixes / sin in space pt.1, we present three reworks willing to tackle the sonic thicket of the source material - and succesfully translating the orb s unique brand of musical insanity into their own resourceful idioms.

merc return with the first in the next phase of e-versions!as ever, mark e s best selling and precision club jams project delivers big things for discerning dancers. weve witnessed first-hand the damage that a side cut horn jam visits on a sweaty dancefloor, with its insistent frug and layers of rising synths - a hypnotic bomb as only mark can deliver on the flip sanctified makes a meal out of a killer soul sample, working the arrangement into waves of subtle frenzy a masterclass, as ever merc to the future!

approaching its 10th year anniversary, blkmarket membership launch their record label. kicking things off with an e.p by new yorker sergio dimoff. this is an introduction for what is to come. and so it begins...

we know this is a very special one! our seventh record is a track that has been burning up the people must jam dance floors for years in its previous form - al kent has created a disco dance floor beauty! an unreleased monster that first came to pmj s attention through the now legendary dj history website. this track has been retouched and re-mastered for its vinyl release nearly eight years after its inception, we are really proud that this is seeing the light of day and will finally be available for people to get their hands on. mastered at the carvery for added bump and shine. the record is a strictly limited 10inch heavyweight pressing

nylon trax the brooklyn born seattle-based label, lead by new yorker jaymz nylon has returned to its vinyl roots with the release of a four track ep. archv 1 features interstellar tunes from the catacombs of nylon trax extensive catalogue featured talents on this ep are the vocalist darrius willrich, leandro p. feat. anthony poteat, dj qu, dj jus-ed, zulus at work, m. carporale and nylon himself. traversing between all corners of the nylon trax diaspora, the club-ready archv 1 leaves no rock unturned. proving the perfect introduction to those unfamiliar with the labels hyper-global sound, nylon trax return to vinyl is nothing short of timely.

over a year since their last release, birdsmakingmachine come back hitting hard with a diverse three-track ep ranging from deep to minimal house. the title track “deaf crows” intelligently layers delayed snares and elaborate hihats into subtle analogue pads and melodies, resulting in a sophisticated, yet dj-friendly composition. at over 10min long, it’s an endless rotation of industrial rawness that manages to melt into the smooth and rich textures for which the birds are known. “black midget”, on the flip, goes into darker depths, with an almost broken 4/4 beat underlying overly swinging rhythmic arrangements and hypnotic synth lines that reminisce some of the earlier bmm material. finishing off the record is the simply titled “primos”, offering a more minimalistic approach with its intricate arrangement of quirky arpeggiating melodies and playfully juggling hihats, closing off the ep in the neatest birdsmakingmachine fashion.

nice price deal !!! for its first excursion, the new space inspired label meteorythm took off from earth to return with three atmospheric tracks. on the a side, first data’ leads you beside their spacecraft from preflight to deep space experimentations by using a vocal countdown and a powerful delay bass. the analysis of the initial results led to the b side, untitled theories’. this one is based on a non-stop rolling hat and a groovy bass line, accompanied by scintillating synths. to complete the release, the parisian producer coni, reorganized the algorithms to immerse yourself in a mixture of deep frequencies especially designed for a big room.

full pupps 50th release comes not only with a brand new refreshed design. its time to honk our own horn! 50 releases in and we do our first doublepack 12inc too. a mixture of new tracks, reworks of pts >iii-album and a mega chunky chmmr rework of >stockholm express-toot toot.<

straight out of the ukraine comes io (mulen) aka aleksandr voznichenko, a man whose back catalogue includes releases on labels such as rejected, eklectisch and area remote to name but a few. now he links up with one of paris’ premier labels, run by one of paris’ premier crews – apollonia. with one solid track and a classy remix from danish young gun malin génie, this is another surefire winner from apollonia. ‘to the unknown’ kicks things off with a steady build up. shrouded in a hazy mist it draws you to its understated groove, io turns in a very considered production that evolves at a slow yet utterly gripping pace. the energy levels rise like the tide of the ocean, engulfing you before you know it. io’s dexterity and cunning ability to keep the listener engaged manifests itself here, bomb! on the flip side, malin genie steps in to give ‘to the unknown’ a new lick of paint and what we get is a jazzy, minimal rework with a jaunty skip in its step and a wicked bassline.

its arguably the labels biggest remix package since duke dumont and ewan pearson remixed love sublime. the pete tong approved andre hommen - also the creative producer and label manager of dennis ferrers objektivity imprint - has remixed the walk on the a-side. a deep, minimalistic beat drives his remix and a smart breakdown introduces the melody from tensnakes original, pushing all the original elements to higher heights. running back label boss gerd jansons keep on talking raw mix is set against powerful drums and acid-tinged synths, with a piano-led breakdown echoing the original melody. the panorama bar resident and celebrated producer delivers a unique cut formed of several retro influences to provide a cool new twist on tensnakes upbeat original. the vinyl release also includes gerds beats-only version in the gerd janson raw beats mix

the spirit of us house genres raises its head once again, fuelled by a raw, scorched-earth production aesthetic coming from the deepest lair of the italian producer. expect hyper-filtered acid techno, crunching drum-work and heaving, bleeping beatdowns.

dj fs prayers for the long life returns for its second release. dj f delivers three detroit flavoured slices of techno and an electro tinged, synth odyssey as acid future overdose!

lanthan.audio kicked off 2016 with its third release. label owner, christian gerlach, has already delivered two powerful punches of conceptual techno by artists like edit select and deepbass. this time the south african born, new york based producer the echologist has been chosen to lead the five track ep. echologist, also known as brendon moeller, has always demonstrated his passion for hypnotic synths with intense smoky atmospheres. he delivers two original tracks that have then been remixed by a familiar name to the label, deepbass, as well as the talented antonio ruscito. with the original cuts you can expect a trippy journey into metallic loops on a spatial environment of solid beats. the deepbass remix offers another version of the hypnotic process in ‘dead men tell no tales’ in a more powerful manner. on the flipside, the italian, antonio ruscito delivers two other interpretations of the original track through different paths. the b2 serves us a proper banging synthetic vibe and the last bonus track, which is digital only, is the final trip to an hypnotic and cloudy deepspace. with this package lanthan.audio continues showing interest on a structural sound with that artistic touch of architecture. expect to see some more new constructions of they’re new building.

the vfmm is back with a cracking new 12- by one of the label s dearest producers. the underground wolfpack proudly presents again one of its leading wolves, kai von glasow and his newest output: a mesmerizing and bedazzling 4-tracker piece of vinyl replete with neatly arranged techno soundscapes that bring about a feeling of satisfying gloom. and yet, whilst listening to these soundscapes, the compelling and driving force of the entire musical arrangement of each track sets free an unremitting urge to dance the night away. this piece of vinyl is designed to take full control of the dance-floor by pouring out its stomping and fierce percussions. be it as it may - you ought to listen yourself! this record comes as a white 12- and is fitted with hand-numbered out-of-250 labels as well as a beautifully printed cover-sleeve. you had better buy one copy as this 12- will be sold out sharpish. the vfmm recommends the underground movement

brstl returns with two house cuts from jay l, his second release for the label. started in 2011 as a means to highlight house and techno being produced in bristol, the label watched over by shanti celeste and idle hand’s chris farrell is now into double figures.show me on the a-side is a finely constructed piece of house music aimed at djs and dancers. anyone who saw jays recent boiler room debut will know his musical style, steeped in classic us house, soul and boogie but with a tastefully bumpy uk edge. the b-side blue age is a deeper cut living up to its title, all wistfull piano keys and a subdued bass line. this is jay l and brstl doing what they do best, sending vibes from bristol to the world.

coils is the latest offering from santa ana, ca native evan geesman. fresh from the success of his release lengua, with co-signs from bandcamps head curator andrew jervis and osunlade, his new work finds him delving deeper into his production palette interspersed with his songwriters aesthetic, resulting in a decidedly denser sonic soundscape than its predecessor.

due to its 10th anniversary, kittball records presents a limited white vinyl series throughout the year 2015, as a special edition in four parts reflecting its most successful tracks within the past quarters. having the hottest tracks from july to september on the spotlight, the third edition includes originals only by tube & berger and hanne & lore on the a-side, with joeskis black door on the b-side and the latest collab by tube & berger with juliet sikora initialy been featured on the 100th release.

*mamas gun* is the second studio album by neo soul singer erykah badu, released in 2000. covering themes of insecurity, social issues and personal relationships, badu delivered a highly intimate and personal album that reached platinum two months after its release.
pressing on 180 gram audiophile double vinyl, housed in a gatefold sleeve.

*god is a dj* - need we say more? on sunday 8pm, maxi jazzs reverent flow managed to produce -god is a dj-, not just a dance anthem, but a hymn of majestic proportions. sunday 8pm is a prime example of dance music at the peak of its popularity, but dont let nostalgia fool you, this album still stands today even in one of the most changing and evolving music genres we know.
pressing on 180 gram audiophile double vinyl.

its been two years since tagwell woods first appeared on w.t. records. his rich and refreshingly unique techno style caught the ears of the faithful. finally, finally, the londoner is back on vinyl with six pieces of his original brand of machine music. and the wait is worth it.

2016 repress >>> eklo 022 welcomes its newest member to the family, robin ordell. the young half baked resident delivers three deep cuts of jazzy modern house with a mpc sound. add to this a stunning remix from the frenchman currently making waves on planet e and metroplex, ben vedren, bringing a modern, minimal touch to the original

djebali presents four upper class original house tracks by the new french dj/producer mr ks, well done !! decks tipp & of course its vinyl only!!! 2016 repress

watch your step and follow up closely: jascha hagen is ahead to take us back on the railroad tracks to a different time. from beam to beam and foot by foot this soundtrack of long gone adventures paints vivid memories in modern colors. jascha knows his craft and how to combine past and present like few others. the result is a lovely luettje two-track ep with a distinct atmosphere driven by lush beats.
since every treasure needs its chest they ship on a limited 7 inch with a special laser-carved sleeve. the sirens would be pleased.

fructose was part of the styles of the abstract ep released back in 96 on dj hyperactives contact label. diod a.k.a kikoman is a michigan veteran and techno pioneer. fructose proves that he was ahead of its time. featuring two remixes from delaze.

cadenza music opens up its 2016 account with the debut single from swiss producers, rare movement feat. disco channel. cutting their teeth on the dj circuit for many years, and playing alongside such esteemed jocks as seth troxler, ricardo villalobos (who mastered the audio on these tracks), jamie jones and luciano (who ultimately signed this single to cadenza), the guys have crafted a pair of tracks that sit right in the dj sets of the aforementioned company. rare 007 combines tension building synths and a wandering bassline, wrapped up tight in solid drum groove, its hypnotizing tones carving out a most useful club tool. on the flip side, rare 011 digs deeper, with cinematic string sweeps over the sparse and bass heavy kick drum. flashes of vocal refrains and micro percussion fly in and out of the arrangement as the melodic elements give this one a real sense of drama as the track blossoms into life. a very accomplished debut from the guys will no doubt provide a real dancefloor moment in the right setting, and no surprise that villalobos gave these tracks the audio master that they deserve.

close to the days of the days, when the maya calendar will come to an end and somthing special is waiting for human beeing, two smart fellas from berlin are contrebuting this happening with the so called popocatepetl ep. popocatepetl is a yet sleeping massive vulcano in mexico, who just recently rumbled to life. it looks like this ep will come up with the same energy and power. four tracks with many statements and diversity and still homogeneous in their substance. to find an own style and esspecialy an own sound is what the two try to push to the fore. if we compare this release to their last successful released track on tonkind schmalwild, we hear this major line, where a transperent empathy is to find. kotelett & zadak, showing on this ep their ability to creat dance music with a certain flow and groove which makes you feel aloof and hot but still laid-back and relaxed. it just shows their own temper and shows us why, this two guys are one of the most beloved djs in berlins underground scene. its their personal spirit what comes up in the music, that makes this release sound so authentic. hopefully people will notice, yet even without any dramatic fireworks, popo has the power to wreak havoc.

theres a reason kai alces name consistently comes up when the topic is exceptional house music. the ndatl label boss remix of the dangerfeel newbies * what am i here for* takes the soulful number to heights beyond the originals already heady groove. j piccola sings with a perspective thats like bopping through the city, skyscrapers above giving dimension to the groundwork so necessary for love and progression. his vocals match the pace of propelling keyboards by chris irvin and delvynw. saxophone by quinn mason adds an element that in alces distinctive hands becomes a part of all things classic house: deep, melodic, and ultimately, free. thats particularly true of the kzr’s late night mix. it harkens the wee hours with a shuffle, leading keys and pinpoint bass. the piano instrumental puts keys front and center, with a few jazzy chords that recall the hippest, dopest brunch you’ve ever attended. the entire project is very much atlanta-grown, representing its strong, interconnected music and art scene. all the key contributors are based in the city, from alce and the dangerfeel newbies, to acclaimed visual artist radcliffe bailey, who created the album art, and tastemaking graphic artist steve deniro, who designed the album layout. after small promo run in japan the gem gets a full worldwide release with alternate mixes and kai alcés bonus distinctive remix of * swingin with the new jack* previously unavailable

time to start a new chapter. dubgestion is ready to plants its roots in the mistycal territory of vinyl. away from dub is a special series of various artists compilation which includes some of the greatests artists in the underground landscape. 300 limited copies, vinyl only

as a full-analog studio crack he has produced 5 albums and more than 50 eps with his very own interpretation of techno. his music still has a 90 s ghetto vibe, with as much energy as a punk band, but to make it clear to everyone, it s techno music to its essence. he has just finished new remixes for chicago legends robert armani and dj deeon, as well as for matthew herbert.

two of paris’ most respected artists get together for their second collaborative extended player this year. dan ghenacia and chris carrier have been entrenched in the electronic scene in their hometown for a long while now, both men building a strong rep through consistently great music and dj performances. earlier this year they joined forces on ‘just a sin’, released via carrier’s adult only label, now they’re back with the follow-up on apollonia. across three deadly tracks, the duo explore their love of music making machines to the fullest – each track taking its name from ‘sweet heart’, translated into different languages. ‘schatzi’ works off a modular synth, bursting out of the blocks with a wobbly bassline which supports a range of subtle effects together with infrequent vocal clips. as the track progresses warm rising pads and female vocal snippets create an entrancing atmosphere. next up we get an arabian twist with ‘habibi’. a pervading air of mystery presents itself right from the off, with warped voices lurking in the background as the rhythm lures you into its murky groove. as the track progresses more eerie pads and effects are layered over the stepping bassline giving it a very creepy feel. finally, french vibes comes through with ‘cherie’ on side b. the track draws its energy from the busy, though crisp, percussive elements and a b-line that groans in unison with the beats. a simple chime remains present throughout, keeping it minimal yet interesting.

‘panspermia‘, aptly named after the theory of the ‚all-seed‘ and its universal distribution of life through collision and contamination, is a highly skilled musical journey through the radiant realms of old school techno and into black holes of classic detroit-inspired darkness. with his carefully crafted debut ep, agonis starts out on his first and very personal mission into outerspace, towards the unknown aquazones and far-out planetery fringes of the house und techno universe.

each track has its own, different moment on the dancefloor – pushing forward with icelandic lady and the remix of ocean movers the record delays with the deep meandering die ganze welt on the b-side. finally the remix of jennifer touchs astra with it s disco-attitude reminds of their wide spectrum like shown in eargoggles monkeyshop project or kan3das former release on ac records.

mister woo is a composite techno-hybrid supergroup that has been forged against a harsh maritime backdrop of portsmouth, uk. following aristotles philosophy * the sum is greater than its parts * the core members of reset robot, jon gurd and tom powell cast aside their professional careers to concentrate on the emotive outlet and gnarled production machine that is mister woo. as a complex blend of established producers, sound engineers and multi-instrumentalists, the trio, bound by location, deliver a series of audio-visual works based on ground breaking production, perfectionism and exceptional electronic music.
limited edition 180 gram vinyl release.

** vinyl only **
vendi has prepared for you the first uzvar. three tracks. they are like life moments - whether they make you happy or sad, they always bear the magic, one of its kind, and give new inspiring emotions! you ll also find the remix from ya.svet. this track, as a sip of cooling uzvar under the sun s burning light, quenches your thirst and makes you dance.