camila fuchs (meaning fox in german) are the london based experimental electronic duo of camila de laborde and daniel hermann-collini (from mexico and munich respectively). after pursuing solo endeavours in various projects both camila and daniel left their native countries and gravitated towards london due to its vibrant and eclectic attitudes to different cultures and the arts.

new york experimentalists sheik n beik continue on form as they follow up records from japans keita sano, legowelt & xosar and jeffrey scott with a bold and atmospheric 12inch from jerry riggs & maxwell church a.k.a hermans. hailing from toronto - hermans specialise in their own brand of esoteric techno that lends them perfectly to a release on sheik n beik. their things change ep slots neatly into the catalogue with its blend of spooky melodies and analogue drum work. diana (how youve changed) kicks things off with an infectious vocal loop and juddering drum patterns. brooklyn’s max pask then follows up with his take on diana which sets 909 drums over a thick, burning acid line. endless toil then follows up with a tightly wound groove built with metallic whacks and frazzled, flexing synth tones. forget the past then brings the package to a thumping close as manic synth lines dart between crunching drums in another strong addition to sheik n beiks catalogue.

betonkust and palmbomen ii are back with their second collaborative effort. this time on the dutch pinkman label. six brand new tracks that seem a lot darker than their previous work. somewhere between belgian new beat from 1988 and the west coast sound of holland. a lo-fi nightmare that turns out to be reality. pounding drums, paranoid acid patterns and angsty out of control synth choirs.

after the success of the leitzeiten ep from turbo turbo last year, we release now for the very first time this digital bonus track inner walls in combination with a fresh new remix from dan curtin. dan curtin better known with releases on strictly rhythm, peacefrog, sinewave, sublime, mobilee, paper, epm and his own label metamorphic and of course with his side project purveryors of fine funk (peacefrog records) delivered us a typical dc acid bomb. this mix is a pure bomb on the dance floor. together with the amazing original version is this record a sure player for every house and techno lover. we are proud to release this both great track son one 12inc. this record will be available on vinyl only, not as digital release.

the second ep, 1987s greenfingers, was their final recorded work and, according to hayward, its possible to hear the group atomising and preparing to go its separate ways within its grooves. the only this heat or camberwell now recording not to have been produced at brixtons cold storage studios, it was recorded as a diy exercise and – unusually for either of the groups – was not pored over laboriously for a great deal of time. the ep also saw the addition of a new member, maria lamburn, primarily on sax, whose element unknown was inspired by her experiences in the nuclear protest camp at greenham common. camberwell, in south london, pops up infrequently in pop culture. perhaps you know it from the camberwell carrot, the heroically sized joint smoked in cult movie withnail & i, or perhaps – if youre attuned to experimental music – you know of camberwell now. the group formed from the ashes of this heat, the art-noise group whose catalog was reissued on modern classics recordings in early 2016.

pet shop boys, die kürzlich vier unglaublich erfolgreiche, von der kritik gefeierte sowie ausverkaufte konzerte in london’s royal opera house spielten, veröffenlichen nun ihre neue single ‘say it to me’. das limitierte vinyl kommt mit remixen von stuart price, offer nissim, tom demac und real lies.

london based balearic-disco feelings expand their horizons with the birth of their new label feelings worldwide. following in the blueprint of their much loved parties, the label will see releases from some of the pioneers of the dance music paired alongside exciting new artists who ring true with the blueprint those pioneers created. for the first release feelings have enlisted iranian born, london-based producer kasra v, delivering an incredible slice of middle-eastern inspired house. on the a side is the early 90s inspired fantasy, a dance floor thumper with a tribal house feel you could imagine rolling out the speakers at a dreamscape party, followed by the dreamy pris providing a contrasting sunrise vibe to the prior track. on the flip is myth a steady piano-led builder inspired and written in the style of southern iranian tribal music, followed by a remix of the same track from legendary nyc producer cozmo d under his dream 2 science alias bringing a straighter dancefloor ready versioin with the heavy deep house flavours his d2s project is lauded for.

nachtbraker is back! its been a huge year for the amsterdam deep house juggernaut who returns to dirt crew with his all new and colorfully titled really ties the room together ep. constantly on the move, hes found time between touring throughout europe, asia and south america to continue to push his a-typical house sound forward with this years heist release and his quirky jam busy bee that was featured on our deep love 100 compilation. this three tracker is jam packed with bouncing club tunes and a whole lot of flange. things kick off with the title track really ties the room together. it twists and turns over an unconventional but irresistible groove, shimmying shakers, brass stabs and a serpentine riff work together creating a super tight dance floor cut. rew begins somewhere in deeper territory, suspense building beneath the clouds, a rumbling bass rolls in from over the horizon before a glorious funk guitar blows the whole thing wide open, letting the suns rays burst through and that familiar nachtbraker good time energy shine in. the rerub of rew is something altogether new from our deep house protagonist, a break beat and casual groove guide gently towards an ever intensifying acid trip. dont be fooled by the lovely deep chords, things get nasty in the end. its best to expect the unexpected from our adventurous resident producer, and this ep is no exception.

without knowing it, you’ve probably heard kelly lee owens work over the past few years: the 27-year-old london producer contributed vocals and writing&#8239,,,,to several tracks on fellow uk techno wizard daniel avery’s debut lp, 2014’s drone logic, and she’s made waves with a pair of limited-release 12” singles showcasing her gifts for spectral, hallucinatory pop. on&#8239,,,,the “oleic” ep,&#8239,,,,her debut release on smalltown supersound, owens flexes her considerable muscle as a dance producer with four luscious, deeply satisfying slices of big-room electronic music.

this one is for the dreamers - first up is ‘aa’ from newcomer t. margos, it’s your ultimate chance to cop that secret banger that s been blowing up dance-floors from london to budapest this year. it’s a tricky one - taking your mind into the stars with deep spacey pads, but yet working your body with the raw 303 bass and painfully heavy 909 treatment. next on the a-side, swiss wunderkind douala’s turn to fuel that spaceship of your dreams. ‘it’s all in your mind’ soothes your soul with dubby space echoes, tear jerking chord progressions and a dreamy acid bassline.
as we slip into the lucid state of the dream, over on the b-side ray kandinski’s ‘dirty sneakers’ pieces together the kind dimension shifting dream-state that disneyland could barely imagine. when those vocals and pads kick in, combined with the tricky beats everything becomes a wash of surrealism and logic – and it all happens just in time for you to awake into yet another dream, this time deep within your sub-conscious on ‘walk through’ by the mysterious dj lucy with mike l. a nostalgic trip to your most beautiful memories, with uplifting flutes and juno chords.

high summer. sun is shining and the bordello is open to newcomers, the latest being slovenia’s ichisan. a 12” that bulldozes barriers, metamundus seamlessly slips between electro disco, braindance acid and gilded funk. writhing 303 jerks are tempered by warm-hearted key changes for the title track, patterns ducking into playful frolics and lush deeps. and this desire to toy with convention is what characterises the ep. bitter chords are sugared, machine grooves with nods to the dancefloors of the 70s, spaceflights with undertones of chicago, ichisan brings all together in a 12” that is as unique as it is addictive.

following on from cuts from melon, uffe, ponty mython, thorsteinssøn, laurence guy and leon revol comes the third release from london s monologues records.

its time to celebrate the return of tom lunn and finnian casey to sneaky music.

chord memory! the hymn for the widely used feature in 80s hardware synthesizers got some individual rewiring done. if ten fingers ain’t enough hyboid uses his galactic memory for punchy disco purposes while robyrt hecht reaches for a swinging pivot memory to sweep and swipe your electro habits. on the other hand milium likes the exposed wires of his mutiny memory to revolt whereas cco simulates his natural echoic memory with floating acid sparks. completing the mechanical rewiring the duo nachtzug added delicate software to execute the algorithms and installed a memory loss button, if you are in need of a reset.

gazel is one of those tunes that went viral from the very first minute. djs like baris k, ata or acid arab are still playin this tune since it was made in 2013. mehmet aslan and dario rohrbach finally managed to create with gazel this kind of tune that blows away every dance floor. the impact was not only on the dance floor. several threads on social media appeared with videos, desperately looking for the track id. but there were also the ones, that had to rip it of a set of baris k, so they can play it. the b-side goes definetly deeper when alma negra is able to make a tune you want to open your set. on this gem they combine northafrican folklore sounds with classic deephouse drumpatterns and trippy synths. fleeting wax has managed to put together some of the most promising artists of the hour, having dario rohrbach on board who is part of the alma negra collective and will hit this year with promising releases for example on yoruba. this release is going to find his way in many dj-bags and wont leave it so fast

there’s much to be said for chance meetings. vitruvians – in their words, “a meeting of minds, cultures, styles and experiences, powered by music, and designed by faith” – owe their very existence to once such random encounter.
in the summer of 2014, producers frankie valentine and thomas “t-ash” sciurpa bumped into each other in a london shoe shop. over a fine selection of brogues and loafers, the conversation drifted onto music. the duo quickly realized they had much in common, and a plan began to form: they would get together and make music as vitruvians, using the alias as a vehicle for their collaborative work.

• the return of the welsh wizard, dez williams !
• earwiggle is the techno label from sunil sharpe
• our next release sees the welcome return of dez williams. since his first ep on the label in 2013, a lot has happened for the welsh wizard. releases for shipwrec, bedouin, new flesh and bass agenda have followed, while his reputation as a killer live act has continued to grow. opening with lumphammer, dez harks back to a time when big, brooding basslines were king. add in whistling keys, tribal percussion and a few well-timed breakdowns, and you have what is surely one of his biggest tracks to date. order to fight takes a more aggressive route - a vocal-fused slab of raw acid, it leads nicely onto the flip, where kabin feeva s wild roaring synths are tuned specifically for the headstrong. work like crazy meanwhile, sees dez return to his roots with a bass heavy cut of crunched electro, doused in a dark filtered vox.

es gibt den frühen acid house-holmes. sein letztes soloalbum the holy pictures (2008) atmete la düsseldorf, the jesus & mary chain und brian eno. er produzierte primal scream und jon spencer blues explosion. und er schrieb (und schreibt) unzählige hollywood-soundtracks, allen voran für steven soderberghs oceans trilogie (mit george clooney, matt damon, brad pitt). nun legt david holmes seine late night tales version vor, bestehend aus vielen, kleinen kopfkinofilmchen, in denen wir auf david crosby, buddy holly und die children of sunshine treffen. dazu gibt es reichlich exklusives holmes-eigenmaterial, kollabos mit bp fallon und jon hopkins, sowie das von ihm produzierte 10cc cover i m not in love von song sung. insgesamt sind es 9 exclusives, wozu auch die spoken word-perfomance von stephen rea zählt, der aus seamus heaneys aeneid book vi elsewhere anchises vorliest.

four tunes called 4d mind sculpting comprise this 12 inch that fill up the frequency spectrum with its acid lines, chord progressions, and arpeggiation lines. four dimensions do not exist in our reality but if one could imagine the extra dimensional sense, then these four compositions are what i imagine.

from 90 s to now, electronic music at his largest point. some dark sounds between techno, acid, electro and noise. apocalyptic music of future, from england to new-york,with a track from 90 s producer, jason szostek.

the music fell into the lap of wt records and it seemed only natural to release this 2 part big room art piece. moon temple is gabriel andruzzi. you may know him as the bass player/sax guy/engineer of a well known defunct nyc band. this well polished piece contains 9 tracks of delicate interludes, big room acid stompers, and weirdo spastic mechanical marches. there is no way to know if this release will end up in a big room, a sweaty basement, or a museum. not only does it sound good but there is a visual aspect too. both 12inches (pressed on 45) are packaged in beautiful silver foil op art by moscows art crime.

those who preordered, do not have to do so again, we will contact you when we have stock! the music fell into the lap of wt records and it seemed only natural to release this 2 part big room art piece. moon temple is gabriel andruzzi. you may know him as the bass player/sax guy/engineer of a well known defunct nyc band. this well polished piece contains 9 tracks of delicate interludes, big room acid stompers, and weirdo spastic mechanical marches. there is no way to know if this release will end up in a big room, a sweaty basement, or a museum. not only does it sound good but there is a visual aspect too. both 12inchs (pressed on 45) are packaged in beautiful silver foil op art by moscows art crime.

rawax is very honoured to welcome a true house legend to the family. mr. roy davis jr joined forces with us to present some of his greatest releases re-mastered & back on vinyl! we are starting with * the wild life e.p.* from 1994.

after releasing one of lobster theremin’s biggest eps in the shape of “rules”, we’re please to finally see panthera krause back in the lobster den with a trippy, head-spinning white label of lucid house and acid.
drawing from a spectrum of electronic-island tropes blended with early 90’s rave, krause develops the chunky mpc-led sound of that first ep by adding layers of shimmer synth work, clanging piano samples, intergalactic acid processing and proper brain-churning drones from beyond the purple sea.

with new wake up! ep further apart lerosa s mark of fluent, elemental and strong work offers increasingly deeper sulphuric and acid sounds. down reaching, complex grooves and rhythms give direction into solid moving tracks - where i want to dance. currently located in the emerald isle of ireland, you wonder if context gives form to lerosa s sound, a permanently sodden landscape offering the backdrop. weighty tracks such as terza persona seat layers of digital, organic beats, peals and stabs that contain the same sort of dark nourishment that staring at a black bog in connemara* might evoke. despite its wide, dark tones, lerosa s tracks always contain a dimension of upbeat empathic elements which make it so attractive, the kinda pelvic push and pull where you wish you had the foot work to pelt out some shapes. *connemara is a district in the west of ireland, the boundaries of which are not well defined

with noblesse oblige you find yourself among the aristocracy of the mind and body… it is a gathering of artists with a different heartbeat and mindset… fitting the gooiland elektro spirit as they operate far away from contemporary music standards… not being interested nor moved by trends and hypes… instead they share the mission to produce uncompromising sounds for the real freaks with music both for the dancefloor and the headphone… in this case this means sweaty ebm, dark techno and industrial acid… but that are just some name tags… it is all about the experience…
limited to 250 copies.

we are glad to welcome youandme feat. brothers vibe to the kitties family after great releases on labels like desolat, cocoon and many more. martin collaborates with tony on the amazing house will survive, an underground raw history lesson with an acid bass line and cool spoken vocal lead. for the remixes we count on two great artists for two different approaches the legendary dj t. delivers a strong, percussive, dancefloor-oriented version then west coast maestro joeski s remix is a full on groove laden deep dub for lovers of classic house music. powerful release!

ultra fast schnrazin acid techno - old skool

emex is the emergent techno act of athenian producers george apergis and alex retsis, owners of modular expansion records. the renowned emex live performances are based on analog synthesizers and hardware equipment. emex have performed live at legendary clubs such as berghain and tresor in berlin. the brand new emex ep “z80a” includes two original tracks “z80a” and “source code”. the tracks go beyond a healthy mix of noisy techno beats, minimal acid synth-lines and dub chords. modularz records label boss developer, remixes “z80a” into a minimal acid banger with nods to rave, while george apergis transforms source code into an epic minimal club tool. early support by chris liebing, luke slater, marcel dettmann, slam, jeroen search, audio injection - truncate, alexander kowalski, ilario alicante, subjected, black strobe, mikael jonasson, 2000 and one, shlomi aber, johannes volk, philippe petit, axel karakasis, marcel heese, thomas hessler, liss c, abstract division and many more.

-the existence- is likely the most functional track we have yet heard from andre crom s recent series of solo ep s. a tight drum groove, a rolling, modulating acid bassline, eerie synth pads and a spaced out vocal create a mixture that s sure to fill any

woah! the lost rockin house finally gets released officially. 4 proper acid tracks from the golden age of house music. previously only a handful... re:issue

more chicago house bizznizz from the original rockin house label...incl. a mike dunn version as well.... know whats up! ... ltd re:issue

todd osborne playing around and dropping two killer cover versions of classic tracks!! two acid tracks -acid thunder / land of confusion - masterfully replayed on the historic machines by todd osborn who brings even more dynamics and impact than the original tracks!!!!! tip!

in 2011 dave monolith released his first cd album -welcome- on rephlex. here is finally his first album in vinyl which brings together the ep released on his bandcamp (in digital format only) with unreleased tracks between braindance and acid. everybody can find his groove thanks to the quality and the completion of his work!

zweites album des aus london stammenden künstlers samuel evans aka rain dog auf dem berliner project mooncircle label. die limitierte vinyl edition erscheint als farbige doppel-lp mit mp3-download coupon.

revivehers maiden musical voyage is steered by the transcendental music of debutant sultan shakes backed with an array of sub-lunar remixes. the title track is a crossover hit,that sees sultan shakes seductively documenting his escapades as a space-travelling lothario with a towering falsetto gliding over a deep percussive nebula jam on the title track, whilst ok showcases his balearic-infused wonky pop side. reviveher score the first rub n tug remix for 4 years, which flips ok into an acid-burbling, drum-machine workout, whilst young marco channels classic ibadan on his summer-primed remix of interstellar love. reviveher residents bi-bop and nick hadfield offer two alternate but club-focused remixes of interstellar love whilst herbert protege crewdson veers off in a more broken direction.

here is a new member to the et family: utroid. behind this project goes the producer who was once known as funxiun and bs-1. the biggest difference between utroid and the former projects is that the music is less hectic as before. with utroid the music moves into a more minimal direction while keeping the raw beats and rough vibe. you could call this new beat 2.0 or acid beat…. what you get are dancefloor orientated tracks that range from rather distorted to trippy and spacey…
limited to 150 copies.

sano hasta abajo (pp uti 08). welcoming sano of cómeme fame to public possession. latino body music vol. i medellín flavour intro. get down to the sound of the columbian underground. have some acid get it girl, anytime.ton? si claro no entiendes? no problemo. el disco es cultura escúchalo. abrazos pp.

the ninth installment on house is ok comes from homeboy who brings four fresh joints to the table. after making the move to berlin earlier this year, this mediterranean goodboy brings some newly acquired production techniques with his latest record. live drum sampling, loose synth riffs and other more personal notes can be heard across the entire release. for decisions ricochet, homeboy teamed up with the croatian blues man bebe na vole who takes this record into unexplored territories for the label. these four tracks werent necessarily designed to move bodies on the dance floor, but more likely mirror his inspiration from the past 12 months and show his abilities to simply write great music. its house not house, post-disco, jazz, and acid synth hippie music all at the same time. the heart is where homeboy is will hit stores in late september both as a 12? vinyl ep

mono-enzyme 307 debuts on the main natural sciences label with adventures in cryosleep , a record of corrosive space sludge dipping between deep acid trajectories, twisted cyber funk, narco new beat, android warehouse movements, detroit machine tyranny and musicalities often referred to as -techno-. we present the first phase in the mutation.

bring 2 electronic masterminds together in the same studio and you’ll be gifted with a new perspective over what techno sounds like nowadays. super moon, a fresh collaboration between priku and arapu, has chosen liniar for its second appearance on vinyl. side a sets ground for the whole ep, with its incisive kick and raw bassline that carries the dna for the pure blood acid line, a line that carves space for a light infusion of deep sounds. and it’s the percussion that leads the opening on side b, slapped over the outskirts of a labyrinth of industrial samples, to cool down in a slow paced closing cut, filled with hypnotic hi hats and broken drums. expect super moons creations to stomp a dancefloor near you pretty soon!

a1.&a2. cutting edge london based dj producer duel launches his ibadan records debut with super track zed. in the studio duel hooks up with his comrade dos and execute their production skills and in addition jerome sydenham enters the frey to get down on the mix. the result is a healthy dose of avant-garde deep house on one hand and a virile dose of tech house on the other. this dj friendly romper is a sure banker!b1. jerome sydenham enters the deep techno realm in true vanguard style unleashing dogon. sparse vocals and tinges of acid and fat kicks shape this underground piece and put it right in the pocket. b2. mirror lines is a beautifully crafted contempo deep house track effortlessly combining a spirit of happiness with energetic resolve. this new york meets detroit flavor is the brainchild of jerome sydenham and amsterdam techno/house superstar shindoe, who is also making her ibadan records debut.

yes, we re back at it again with more eddie amador. after the success of house music and rise, we decided to diversify and go for a double a sided remix package with two distinctly different remixers. so please welcome ardalan and cj jeff to the yoshitoshi family! given ardalans propensity for booty basslines and infectious grooves, psycho x girlfriend seemed like the appropriate choice for the dirtybird affiliate. he flipped the tracked on its head by pumping it full of sub 100 hz frequencies, mental sound effects, and even a pinch of acid. the remix again shows this young gun s talent for creating bona fide bangers that keep the spirit of house alive. greek house don cj jeff took on 6am, the groovy and oft-overlooked 2006 wee hours anthem from amador. his remix bears a massive 808 kick that floors the mix (no pun intended) into overdrive. his simple, catchy melodies capture the classic yoshitoshi vibe beautifully.

ears have eyes are ready to drop their 4th release, this time drawing on the fertile pool of talent available in their adopted home of south east london. we kick off with the duo fyi chris who, while not manning the counter of peckham institution rye wax, have been putting together an impressive string of releases on labels such as church, lumberjacks from hell and rhythm section.

london label of paradise marks its inaugural release with the incipience ep, the debut 12-inch from melbourne based producer shedbug. four dusty, tough and emotionally driven house jams born out of sun drenched hardware experimentation.

180g 12 inch vinyl , deluxe 4c comic style artwork !
quartet series, an independent record label founded by maurits verwoerd (nachtbraker) and giuseppe d alessandro (kisk) in 2016

spain s slow town rarely fails to deliver the goods. split, so called because it contains tracks from numerous artists, more than lives up to the label s rising reputation. it probably helps that the a-side comes from former bent man and longtime east midlands deep house stalwart nail. his -shake back- explores similar sonic territory to pepe bradock s -deep burnt-, whilst retaining the chunky, bass-heavy bottom-end recognizable from his releases for classic, shabby doll and robsoul recordings. on the flip, there s an equally assured cut from london stalwarts jonno & tommo. -wolf spirit- is an altogether more tech-tinged affair, built around a restless electronic bassline, hypnotic percussion and woozy, late night chords.

primavera may lifts you from ordinary life: the apparition of rain clouds and droplets blur into a soft curtain over the world as the whir of delicate hi-hats glisten in a muted sunlight. imagine a moment where the most inanimate inhabitants of the earth ghost dance before disappearing into nothing. makker s spoken vocals add a crestfallen hue to the vanished. she monotonously recites her regret: -everything is dancing / everything is crying / it can feel so heavy / before it has begun- a denser, yet similarly sorrowful song, before i fall asleep is sculpted around nimble strings and webbed by breathy vocals, remaining slightly suspended, as if levitating just above the verdant ground. halfway through primavera april, the track is transformed by acid showers, a lead synth lifts off to reveal a ravaged landscape, diametrically opposing the previous peace. the ambient acceptance snow closes primavera with the self-fulfilling prophecy of its theme: that snow will fall, and the world will go to sleep. conjuring the surreality of renkas childhood landscapes, for all its reverie, primavera always orients itself toward the responsibilities of the present. there is an acknowledgment that all day dreams must lead back to reality, that all journeys must be fulfilled.