when we say live in the future it becomes a repudiation of living in the present, and then instantly we are in a state of denial denial has a hypnotic effect on the mind. gutsy 909 claps work with percussion and futurist vocal snippets that warp and chop, whilst haunting chords wrap themselves and sublimate over the body. denial wants you to live in the future, denying the present moment. yet the music speaks in the present. to close your eyes, find yourself lose yourself in the moment and groove.

cristian vogel is a long-term innovator in the composition, mixing and performance of electronic music. spanning over two decades at the vanguard of european electronic music, his work has been acknowledged as an outstanding influence in the fields of composition for stage, club culture and studio. this is the first vinyl release of material from the archive remasters project. the project was successfully crowd-funded in december 2014 which enabled the establishment of edition cristian vogel, an edition handling the restoration and remastering of a large part of cristian vogels hard-to-find and unreleased productions dating back to the early 90s. the 1994 ep features a beefed-up remastering of the classic time originally released on his 1995 album absolute time on tresor. you will also find a rare proto-minimal track from the vinyl only artist in charge of expert systems ep originally released on mosquito records. scorpio and alien conversation are taken from his debut album originally released on mille plateaux in 1994. all tracks were remastered and cut from original dat tapes in february 2015 by manmademastering

after our premiere in february we are proud to present our second made of concrete - release. loosing the ground. absorbed by space. hold it down ep is the name of dudley strangeways new release. the uk based musician and labelhead of leftback, known for his classic sounds & sets, along deep, acid and tech lets us in on his dark 2-track secret. lastly compacted by 2 ashworth remixes, this ep floods synapses and gets control over your body. straight going kits and dripping pitched tom-sounds that lighten up the dark beats create a massive soundhall that perfectly represents the sound of made of concrete

as a producer koss love for music was never caged in a singular style or genre.

almost a year after their best-selling second ep, the anonymous bandits crumbs return to the fray, with another perfectly planned and executed smash & grab although delivering a mysterious & scantily clad 12- is hardly a novel concept these days, it does concentrate the mind (and feet) on the music more than the brand it s undercover time again, and we re sworn to secrecy, of course...but two of the regular collaborators have engaged in a serious bit of one upmanship having landed this diverse haul, let s take a look inside as we move from a completely overhauled musicbox classic, flipped and re-pitched for 21st century floors. followed up by a totally irresistible modern afro-disco workout with more than a few sonic surprises thrown in turn over for a lost, cosmic gem with no end of additional sparkle, coupled with a a twice-baked & loose jointed rhythm and bass workout that really slams. a dj s delight, then, to be mixed up or played raw this one will be gone in the blink of an eye, but treasured for much longer

paint en pointe is a compilation of selected compositions by eugene ward, otherwise known to most as dro carey / tuff sherm. the tracks have been taken from a series of performance collaborations with choreographer patric kuo over a 5 month period. the performances, which occurred monthly in the latter half of 2014, took place in spot81 gallery in chippendale, sydney. kuo and ward, along with a roster of dancers, were invited to create new dance works that responded to the exhibition occurring during the given month. throughout the series many ensemble types were explored, ranging from solos up to large groups of as many as 16 dancers. patric kuo is a sydney based dancer/choreographer originally trained in all styles, but presently heavily draws his influence from hip hop and contemporary dance. coming from a performing arts and commercial dance background, kuo has expanded his ideas about communicating to an audience, moving away from the traditional entertainment relationship towards an approach that includes engagement more informed by performance art

with this release, villa abo (frak) departs from the home planet of borft to create friendship over different systems together with kontra-musik. via twisted machine funk and a grand space opera of analogue synths, villa abo will askew the eternity. the steady pounding of drums and hearts through the galaxy makes you want to keep your 1970:s x-wing ready for battle between doomsday and now, but in the end we ll all dance together under a starry sky filled with debris from exploding death stars.

more amazing international neurofunk from the close2death camp. the gloucester, uk-based label have been carving a path through drum & bass over the past few years, establishing a name and an identity by only dealing in the very best sounds from the edges of reality.

the anonymous man power makes his debut on throne of blood with the labels first release in 2015. closely affiliated with jennifer cardinis correspondant records, hes been making waves across the underground over the past couple years with remixes and releases on labels including hivern discs, eskimo records, ene, infiné, rothmans, and is it balearic? with a debut lp in the can for correspondant and 12inches due on voyeurhythm, renate schalplatten, and discos capablanca, this unknown producer and dj is definitely one to keep an eye on in 2015.

the eccentrics parties started some three years ago by will and mark, have been a monthly staple of the eclectic nightlife scene in peckham since its inception. the party has hosted many great guests over its three years, such as andi hanley, piers softrocks, toby tobias, phil mison, frank tope, bill brewster and many more. this 12inch is the culmination of mark and will saving their hard earned gig money so they can present the sound of eccentrics to a wider audience. these edits were put together along with another local hero sanky (a regular guest) whom has kindly provided the system edit and the artwork for the jacket.

ltd warehouse found! displacing common sense with burly daring while not engaging with lenient, populist timber-rhythmic solutions is something not only rare, but also urgent and ever loved by clubbers and close listeners alike. operating a warping double torsion onto the electro-acoustic stripe, marteaux(internet and jazz infused from early age) pushes an elegant, at once minute and far-out sort of hybrid, unflappable envelope bound to make you dance, chill or, even better, listen to over and over, detained by the studiously assembled details and inviting atmosphere.

following the success of their fourth studio album smoke and touring for over a year dapayk & padberg felt ready to release the single come out. their brand new track is fresh and present, making it the perfect tool to dance into spring and get rid of thick winter clothing. on the b side the berlin-based electronic duo presents two more album remixes. the pole mooryc wraps the title track smoke in his fragile, soulful and bass-driven slow-mo-electronica. dublin s eomac extends the list of silent fireworks remixes. a deep wobbling sub bass combined with broken beats and spheric pad sounds give the original an eccentric touch of dubstep.

active as a record releasing producer for a decade, james burnski burnham has credits for a wide variety of labels in his discography, gracing everyone from boe to hot creations. constant sound is a new label from the man, set up with jon woodall, burnski s production partner as constant. music from cab drivers, a scott, and richard rowell is promised over the coming months but it s a solo record from burnski that kicks matters off with your love. a collaboration with vocalist beckford, -your love- is one of those insistent, driving house cuts with dashes of acid to it and it s complemented by remixes from prime numbers man trus me and mosaic boss steve o sullivan who take the cut in markedly different directions. a solid start for constant sound! other releases by burnski burnski changes (12-) constant sound forthcoming other releases on constant sound a scott & chad mrs j (12inch) constant sound forthcoming burnski changes (12-) constant sound forthcoming what do you think of this release? write a review in the facebook comments box below: what do you think of this release? tell us what you think in the facebook comments box below: burnski - your love (incl. trus me & steve o sullivan remixes) burnski - your love (incl. trus me & steve o sullivan remixes)

norwegian producer thomas urv drops the småskansen ep on his own ploink imprint this april. one of norways leading techno prospects, thomas urv has promoted and played at countless events across the country featuring the likes of jeff mills, juan atkins, derrick may, carl cox, richie hawtin, robert hood and kevin saunderson. when not delivering his three deck performances across scandinavia, spain, france, holland, canada and the uk (for fabric and bestival) the norse producer is firmly focused on ploink and his studio activities. *fuktig sol* leads the ep and is a sinister cut led by a morose hook and syncopated rhythm whilst whirring atmospherics add to a looming tension. the dark undertones continue in *stell/less* although steady kicks construct a vibe better suited towards peak time dancefloor madness. tying up the release *sånn isbre* delivers a frenzy of layered sounds that evolve over the course of a lengthy 16 minutes.

new zealand based crate digger frank booker launches his new label, down in the basement, in typical understated yet highly classy fashion. what you get is four top quality booker jams that will grace any dance floor and which cross the boundaries of funk, disco, soul and house music. never one to over complicated things, fb cuts straight to the essentials of each track and rides them in the mix, while dropping his trademark dj friendly fx. essential stuff as ever from the man called booker

junktion joins the black ops special forces for a stunning new ep!this dutch producer, co-owner of the celebrated outplay label and contributor to labels of note slow town & times are ruff has made quite a name for himself over the course of a handful of very well received releases.

tooth faeries brings together mark brydon and parrot. the sound is their new release on shabby doll - two versions of the title cut plus the gently pulsing love & resistance. deeply melodic yet also crisp and compelling, the sound layers carmen squires lush vocal over a martial drum beat, unleashing a dose of deep sheffield bass just when it matters most.

this four track ep kicks off with cladistic mutation , a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. m2 is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. on the flip, grain gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effec ts peppe r the groove. there s a heavenly nature to the pads and an industrial texture to the percussion that makes this a cerebral but physical affair from start to finish. lastly, neurowaves closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water.

after over six years in the dutch techno scene kevin arnemann is beginning a new chapter in his career. the time has arrived for arnemann to give back to the scene through the launch of his own record label, taped artifact

featuring an eerie spoken word vocal by thomas gandey based on a tarot game, the instrumental is a true dancefloor anthem with hypnotizing arpeggiated analog bassline reminiscing of italo disco, tech drums and synth arrangement. everything flows together into a devilish spoken word breakdown where pads take over and hell breaks loose.

this release marks a new beginning for berkovi, better known for his tougher music man, force inc, djax and harthouse releases over recent years. after haunting the bside of one release too many, a reboot into a more beloved and emotional techno template is obviously reaping dividends. according to the man himself, this is no trend following phenomenon: i ve always produced deeper music, more often than not even years ago was always pushed to b sides of eps or remixes but now it s the main thing i want to do, techno with soul. after releasing a lot of more melodic material on labels such as eevonext and an album for trapez a few years ago i want to return to solely concentrating on this style for my music and live sets

the kestrel (turmfalke) will rise in spring 2015, starting the new label by matthias springer with focus on physical media. the philosophy behind is to invite friends to this special cross-over concept. every artist presents an original in combination with remixing eachother. in the end 4 tracks on one release, no special genre is preset, everything can happen. frank hellmond is the special guest on the first turmfalke release, bringing in his unique deephouse flavour that features some pretty nice vocals from snowflake, while matthias is turning it into a combination of dub and acid ... but just have a listen.

limited repress without cover artwork.
the second single from francis harris debut full length, leland contains three remixes of pharoah in the morning,one of the highlight tracks on the album featuring the phenomenal vocal talents of danish singer gry who performs here in here native tongue. two entirely distinctive remixes come courtesy of labelmate black light smoke and the other is by nsi., who should need no introduction. pharoah in the morning remixes will be out on limited edition vinyl from scissor and thread soon. look for leland in february 2012.

fragil musique s 14th release comes from cosmjn, young and rising romanian producer delivering a perfect and subtly crafted dancefloor outline.a dope track, sweating with a continuous and hypnotic groove stretches elegantly over the a side. for all house music connoisseurs. to elevate the gem even more, none other than marcellus pittman on the b side. here, it s all a matter of generous and appealing curves, for a deep and soft-spoken re arrangement that keeps true to the original.

following gary becks hard-hitting remix of dj rush >she is fine< on bek014, he returns with an ep of solely his own productions. >rascal< brings forward two of his biggest tracks in recent times. the title track, >rascal< returns to garys more familiar sound with swelling pads andsynths clad in fading loops and textures. the track varies in intensity but maintains the groove, as it balances a peak time feel with an almost reflective ambiance. >video siren< is stripped and straight-up techno. it avoids over-complication by keeping the elements to an absolute minimum, highlighting his ability to create atmosphere, tension and drive, using a less is more attitude.

index marcel fengler unearths another berlin-forged gem with a debut release for somewhen. following an impressive pair of eps on his own sana imprint, label boss marcel fengler was quick to invite the newcomer to the imf family. following a pair of head turning performances on line-ups alongside fengler at his berghain home, the time has come for imf 05 to bring somewhens talents to wider attention.
a cut *dain* is a stripped down techno trip engineered for dancefloors at dawn: a siren call to the club’s most battle hardened heads, its subtle machinations will prove deadly in the right dj’s hands. over on the b-side, *aula* is the eps more unpredictable beast, its rougher rave edges rounded off by a rich bass synth and enigmatic vox pads that give the track an unsettling air as it nears its conclusion. xj closes the ep with an insistent slice of acid with somewhens own playful modern twist.

vinyl only release
starting in 1990 recording for sheffield label ozone records under the name of panic with a release called voices of energy, which was then licensed to buzz in belgium, buzz 001, buzz then went on to release classics by carl craig and derrick may. he set up his own label in the same year solid groove records. the label had 30 vinyl releases over thirteen years and tracks were licensed by derrick may, terry francis, pete tong, adam x, and carl cox.as well as this he ran another four other label s, textures, dark, dot, and cheap knob gags.

last year we released aaron ahrends first brief embrace ep, which received lots of great feedback. ada (pampa) took newborn and started to do a remix. at the same time she took some larvae as pets and watched their metamorphosis. at the end she released them as butterflies. the tune was highly recommended at here bbqs over the last summer. last year the forgotten birds (karaoke kalk) decided to stop touring as a band. their first and might be last remix at all was created spontaneously in a jam session. enough reason for to be very happy about their awesome gift.

its all about the bangin keeping with the theme of the ep, the duo lay down a maximum big room monster intended for the last wallflower as well as the serious party-animal. minimalistic 4×4 married to magical chords with the hot & cool vocal tradeoff. celebration techno. large mechanics (modulation dub mix) stripped & delivered proper by detroits own dj k1. straight, no chaser. alien fm mantra (station to station id) not a track, but a vocal id directly from the groups antenna/used as a dj tool voice over in sets. eerie broadcasted vocal concept and description left clear of music. a puzzlebox recordings staple

10 rare french disco and boogie titles, all produced between 1975 and 1984. 500 copy press - check! on one hand, tracks by overdrive, marché noir, didier makaga or france-lise, were produced by underground artists and labels from the french caribbean and african community and also filled with the raw spirit of this tropical stamping. on the other hand, tracks by beckie bell, kelly, le club, or bernard guyvan, were released by major labels such as trëma, carrere, disques vogue, or pathé marconi, thanks to confirmed independent producers, acting not only in france, but also in canada and the us

the austerity policies imposed by the governments of northern euope countries has impoverished the mediterannean lands. the failure of bruxelles bureaucracy has smoothed the way for th return of the ottoman empire. austerity is a collective of protesting producers coming from the periphery of the european union. their tough-­&#8208,sounding music is a reaction to the unfair decison of the troika, their message of peace is conveyed through hardware hard-­&#8208,core house music.

now entering its seventh year, dutch label field records continues to focus on great album projects. after a triple 12- compilation in 2014, and ahead of a third album in the coming months, now comes a 12 track opus, in the wake of the dark earth, by d.a.r.f.d.h.s. aka swedish pair michel isorinne and jonas ronnberg.

limited 2015 repress, marbled pink 180gr vinyl , just 200 copies , thats it.
part four in the series sees mosaic return to its signature sound of the late 90 s : deep techno-tinged house. first up is uk house legend nail , who was in hiding in london and suffolk for a while , but is now back in his bunker in nottingham making music once again. his offering, -pharoah,- was created on boxing day 2013 especially for mosaic and contains all the hallmarks of classic nail productions of the 90s whilst maintaining a foot firmly in the present. if you like your house deep and sample heavy this cut is definitely worth checking out...on the flip we have two tracks from newcomer annie errez. annie is a resident dj at the mint club in leeds and has been developing her production skills over the last few years with appearances on holic trax , saints & sonnets as well as a very fine release on strobewax which she co-runs with fellow mint club resident bobby o donnell. if deep techno- house is your cup of tea then put the kettle on and listen to the sublime -bell curve- and the dubbed out bass monster that is auguste.- we are sure that you will agree that there is no doubt that she will be a producer to keep an eye on in the future

marshall jefferson, ron hardy & frankie knuckles collaborating across 2 sides of a single 12inch need we say more? obviously that s a dream line-up right there & of course the results of such a meeting of minds is nothing short of outstanding! just listen to the record & you ll see! essential business... -ride the rhythm- came out on trax in 1986, making it one of the -first wave- house records to land & make a massive impression here in the uk & in europe. marshall jefferson s fingerprints are all over this bad boy, his massive piano riffs, non-stop bass-lines, the pounding drums, everything about this record is just huge! he had an incredible knack for making accessible, club tracks with cross over appeal that the underground heads clamored to get hold of at the same time. throw frankie & ronnie (literally) in the mix & you ve got solid, classic, all-time gold on your hands (& turntables!). fully re-mastered, re-pressed & re-released for 2015 in it s original format with the permission & participation of all rights holders with all original trax label artwork intact.

as an la native based in paris, louisahhh!!! has a music style tha’s core is fuelled by hard and deep production paired alongside a tough and tender touch. lousiahhh!!!s distinctive sound has been perfected over the years establishing herself as a unique artist, renowned for her juxtaposition of darkness against light. the new friction collaboration features dark and sensual productions overlaid with louisahhh!!!s smoky and enigmatic voice resulting in a selection of tracks which together are made to both enchant and transport you into louisahhh!!! and maelstroms twisted world. louisahhh! collaborated with banks by performing support slot shows across her headline tour dates throughout france late last year

just over a year since its launch, guy gerbers rumors imprint continues to blend the world of music and art with a series of highly sought after releases and events. following on from guy & puff daddys remix ep of their stand out album track: tourist trap, rumors welcomes seth troxler to the label with his debut, evangelion

2/3 of the legal team that brought you the circuit, burns & hawk release on rush hours no label step back into the halls of justice to convince a jury of their peers that openly emotive music is not something to be scared of. people know willie burns and torn hawk for the other records they have put out. luke went over to will s studio a couple times last year and they drank wine and luke avoided smoking weed. these tracks are pulled from those sessions.

midgar is proud to introduce a newcomer for the third release. a great debut for the maltese cloned, delivering not less than 4 cuts with sapphire 1990 e.p. the record, way more straightforward and groove centered than the previous midgar outputs, opens with sapphire 1990, track that sounds like very nostalgic memories from a timeless rave. thanks to a genuine simplicity and the great arrangement of its elements, this first cut has the perfect characteristics to become a dancefloor anthem. on the same side, a live out-take from cloned’s repertory, the pendulum swinging synth-lines which dominate pretty direct rhythmics filled with hi-hats and claps over a costant background noise. belgassem as the first cut on the b side, is an absolutely heavy one for the label’s standards, made of deep kickin’ drums and haunting voices empowered by a really strong and obsessive acid-line. closing the vinyl, the slow (and again really acidic) submerging is like a lysergic vessel headed to more comfortable dimensions, where groovy drums are embraced by very bright heavenly pads. sudden death is instead a chilled-out broken beat interrupted by confused speeches and detroitish pads, resulting as a modern ritual of ascension towards higher spheres. corel drives the release to the end, recalling most of its main features: a restless run through misty soundscapes along a path studded of bells and overwhelming, sharp hi-hats.

the supremes, the most commercially successful girl group in pop history, were one of the jewels in motown records artist stable. given wonderful material by motown s amazing songwriters, the group scored numerous number one pop hits, as did singer diana ross when she left the group and went solo, and motowns bright, modern, and uptown image as a label had a lot to do with the way these ladies gracefully and elegantly presented themselves and took over a song. two dozen of those number one hits, both as the supremes and as ross solo, are collected here, including the timeless classics *come see about me*, *you cant hurry love*, *you keep me hangin on* and *stop! in the name of love*. the album also features a bonus remix of *you keep me hangin on*.

roberto rodriguez is a helsinki-based dj, producer, radio host and music director. having started making music at the age of 12 in 1987 and starting to dj a few years later, roberto can be called a true veteran. he has released over 50 original releases and 60 remixes including - now-classics like *ride with me*, *besomebody* and *oxymoron*. his vast catalog includes releases on labels such as compost, freerange, delusions of grandeur, room with a view, fina and eskimo. just to name a few.

victor calderone has stepped up for his first solo release on drumcode with his two track single, burden. featuring two energetic tracks, *skin* and *burden*, victor has used effected vocals to create funky rhythms over the top of some steaming kick drums. the synth stabs lend themselves well across this ep particularly in *burden* where they really augment the flow of the track. the use of percussion phrases throughout both tracks on the single also reinforces the grooves and adds character to create a distinctive sound that keeps the single fresh and exciting.

2016 repress , this is right up the alley of those who digged theo parrishs dance of the drunken drums: a hipnotic piano chord pattern sets the tone, while jerry the cat provides smoking live percussion and a walkin jazz bass bops effortlessly. the flipside dives even deeper into jazz territory with a jazz trumpet improvising over quirky percussion sounds.

2 sleazy, obscure, top shelf chicago basement tracks of the highest order here, dug straight from the trax archives of 1988 & refreshed for 2015! fantasy is a creeping, sinister, rough hewn spoken word banger that has all the things we love about these tunes, dark synths, frenetic drum programming & those lyrics! classic material indeed from short lived production outfit pleasure zone. flip it over for the b-side i cant understand & an instantly familiar vibe jumps out at you, the raw claps, basic melodies & the story of a lover left high & dry recounted over tough jacking rhythms. essential! re-mastered, re-pressed & re-released with the full co-operation & participation of all rights holders.

nebraska is someone who’s tracks we’ve been loving for a good few years now and finally managed to pin him down for a release here on delusions of grandeur. the uk producer is something of an enigma, and despite some amazing releases on rush hour still remains resolutely underground and seems to keep his releases to a minimum, focusing on keeping the quality high rather than flooding the market with average material. once again, he brings the real deal with three drum-heavy warehouse jams to nice-up the dancefloor. aw-right (mute version) sets the tone with a raw house groove that keeps things stripped to the bare minimum. a bouncing bassline and rattling percussion break help to define the track but it’s the dusty, dubby approach to the mix which really makes the track shine. next up we have warp and weft, a similar sounding track but by dropping the bpm’s nebraska has created a sublime low-slung, bumpy groove to really move to. flipping over we’re treated to the brilliant eighty eights which will have you nodding your head like the churchill’s dog before you can say ‘looped up piano and bass one bar groove repeated for over eight and a half minutes shouldn’t work should it?’

messalina keeps up the pressure with another fantastic assortment of balearic gems including a heavy steel drum version of the classic *papa was a rolling stone*, plus *peace & war*, a throbbing afro disco groover with phat bass, funky synths, killer piano hook and a great positive message. its over to brazil on the flip with the brilliant *katarina*, a slo-mo chugger full of rio flavour edited to perfection by balearic maestro andy kidd with the promo already receiving a lot of attention in ibiza. lastly we have *crioula*, lucci capris floor friendly version of a lost jose roberto samba funk classic. top quality all the way.

scuba s musical biography has been a story of constant change. over the past eleven years, his music has zigzagged through bass, techno and house, at times dark and contemplative, at others bright and anthemic. a look at his discography bears out this creative restlessness: from the shadowy rhythms of a mutual antipathy and triangulation, through the soaring melodies of personality and the cardinal -adrenalin- ep. claustrophobia is more than just the next phase in this development—it s a culmination of everything that s come so far. as its name implies, the record is tense and inward-looking, but it s also rich and dynamic, nimbly moving through a panorama of moods and styles. rhythms expand and contract from one song to the next, textural passages give way to shimmering strands of melody, found sounds and field recordings breathe life into ambient sketches. the album is modern and understated throughout, but also touched with something unrestrained: the exhilarating energy of classic rave.

supported by ben klock, dvs1, marcel fengler, minilogue, joel mull, claude young, roman lindau, dustin zahn, speedy j, paul mac, alan fitzpatrick, laurent garnier and many more. we are very proud to present ray kajioka’s debut album “en route”. most of the album was premiered in rays live-set during our 20 years of kanzleramt celebration at berghain. others have been shaped and tested over 10 years to find the right frame to release on an album. our mastering engineer, who is recovering from surgery, said >the album is very therapeutic< and >the work on rays album helped me heal<. this is proof to us, that rays magic on >en route< can uplift your soul, especially in spring.

apartment returns with a release exploring 3 facets of house music all inter-connected by the vocals of uk soul & rnb singer, greg blackman (bbe music). steve leggets (four hands, claremont 56) original believe mix, the catalyst for the project, is an expansive 10 minute-plus journey through wistful dub lead by blackmans soaring vocals. on the flip mark hand (signals from the north) delivers a re-working, sculpting a beautiful, sun-kissed masterpiece featuring drums and percussion by darren moore alongside hands inspired playing on the rhodes and moog. to close out the release ncw finally makes a return to apt and subsequently gets lost in the dmz pitching and twisting blackmans vocals over a pulsating, bumping house banger.

special nice price blow out ... dukes of chutney is john paul jones and dustin lynn, california born brothers from other cosmic mothers who met surfing over a decade ago. the flavor of the dukes musical chutney is an abstract but balanced mixture of many disciplines. under the moniker tom croose, jones has established a beguiling production touch to various edits and remixes. lynn is an accomplished filmmaker who has collaborated with artist gabriel orozco and directed campaigns for designers alexander mcqueen and corto moltedo.